REVIEW: Led by powerhouse vocals, SpeakEasy Stage Company’s engaging ‘Songs for a New World’ a memorable musical experience

We are all hearing soon.  Soon we will be back together in the theatre for a wonderful live theatrical experience.  How it has been missed! 

However convenient it is sitting in front of a computer for a virtual show, there is nothing quite like the anticipation of live theatre in person with an audience in a shared experience.  SpeakEasy Stage Company’s remarkable concert musical benefit show, Songs for a New World, accomplishes quite a bit in its hour and a half runtime.  Through clever cinematography that still adheres to Covid guidelines, SpeakEasy Stage Company recreates the thrill of seeing actors together onstage and it is easy to see each cast member’s excitement through their own extraordinary performances.  We’re not quite there yet, but this is getting ever closer.

‘A New World’ featuring the entire company Video courtesy of SpeakEasy Stage Company

Directed by Paul Daigneault and musically-directed by Jose Delgado, SpeakEasy Stage Company continues their 30th anniversary season with John Robert Brown’s Songs for a New World streaming through June 8.  The show was filmed onstage at the Calderwood Pavilion in Boston, Massachusetts.  Click here for more information and tickets.  Discount tickets are also available.  Click here for more information on SpeakEasy Stage Company’s recently announced 2021-22 season.

It is difficult to describe the anticipation of seeing SpeakEasy Stage Company’s concert musical benefit, Jason Robert Brown’s Songs for a New World.   The last Jason Robert Brown musical I witnessed was a film adaptation of The Last Five Years.  It was a glorious, resonating tear jerker featuring reliable talents Jeremy Jordan and Anna Kendrick

Songs for a New World explores a variety of characters that are faced with the ultimate, sometimes humorous and other times harrowing life-changing decisions and deciding what to do next.  With simple staging and an onstage band conducted by Jose Delgado, Songs for a New World has humor and heartache enhanced by some of Boston’s most recognizable vocal powerhouses.

Rashed Al Nuaimi sings ‘She Cries” Video courtesy of SpeakEasy Stage Company

From the inspiring, tremendous, and relatable opening number, A New World featuring powerful, upbeat harmonies between Dwayne P. Mitchell, Davron S Monroe, Mikayla Myers, Rebekah Rae Robles, Alexander Tan, Victor Carillo Tracey, Laura Marie Duncan and Rached Al Nuaimi, this production proves to be something to behold.  A New World/Time to Fly gives the audience a glimpse into the shared experience of what each character is feeling and the hope their decisions will turn out right.

Songs for a New World is full of powerful performances and each song is as strong as the last, but here are a few highlights.  One standout performance is a tender and stirring rendition of On the Deck of a Spanish Ship, 1492 as Monroe exclaims, “Have Mercy Lord” while the cast embarks on a harrowing, life-changing journey.  Dressed in a long fur coat, Laura Marie Duncan is wildly entertaining as a scorned woman in an extreme situation in Just One Step.  Duncan’s expressive personality and her sheer energy drive this amazing performance. 

‘I’d Give it All for You’ Jennifer Ellis and Dwayne P Mitchell Video courtesy of SpeakEasy Stage Company

Jennifer Ellis performs some vocal gymnastics as Mrs. Claus for Sweabaya Santa, reimagining Santa as an absent, judgmental husband whose love is as fleeting as his sleigh.  Dwayne P Mitchell literally rises from the ashes of his childhood in this boastful, self-assured rendition of The Steam Train.  Ellis and Mitchell have sweet chemistry in a beautiful duet about the complexity of love in I’d Give it All for You.

Rached Al Nuaimi demonstrates zany, emotional turmoil and building frustration in She Cries and Jennifer Ellis delivers a bold and anguished performance in The Flagmaster, 1776.

SpeakEasy Stage Company’s Songs for a New World also boasts an incredible finale not to be missed with Hear My Song.  Glad to add John Robert Brown’s Songs for a New World as another memorable musical experience. 

SpeakEasy Stage Company continues streaming Songs for a New World through June 8. Click here for more information, tickets, and how to support the SpeakEasy Stage Company.

REVIEW: Merrimack Repertory Theatre’s quintessentially local ‘A Woman of the World’ fascinating and full of surprises

Scandalous secrets unfold and things are not what they seem in Merrimack Repertory Theatre’s  (MRT) quintessentially local and fascinating production of A Woman of the World by Rebecca Gilman streaming on demand through Sunday, May 30.  Partnering with the Emily Dickinson Museum and directed cleverly by Courtney Sale, this one-woman show led by Massachusetts native Denise Cormier lights up the stage with natural charisma as enigmatic lecturer and historical figure Mabel Loomis Todd. She claims to bring insight into the real life of the late, renowned poet Emily Dickinson, but what she unveils is so much more. 

It was wonderful to see another production from MRT filmed onstage.  A Woman of the World also offers plenty of local references such as Harvard, MIT, the New England Conservatory, Boston, Amherst and the surrounding areas.  The show contains some hinted adult themes.  Click here for more information and for tickets.

Denise Cormier in MRT’s ‘A Woman of the World.’ Photo: Kathy Wittman/Merrimack Repertory Theatre

Scenic designer Bill Clarke and Original Music/Sound Designer David Remedios seamlessly combine the inviting comforts of home with the sights and sounds of a serene Maine setting.  However, don’t let the serenity of this island home fool you.   Mabel gears up for a quiet storm as the sound of the wind and crickets fill the air.

From welcoming to haunting, Carolina Ortiz Herrera’s soft, dynamic lighting not only transforms each mood in an instant, but does more so with Cormier.  At first Denise Cormier as Mabel seems a lively, well-to-do speaker with well coiffed blond hair, but as the show progresses, the subtle lighting reveal tinges of gray. 

Denise Cormier in MRT’s ‘A Woman of the World’. Photo: Kathy Wittman/Merrimack Repertory Theatre

Though it is a one-woman show, other “cast members” such as Mabel’s daughter Millicent is addressed offstage.  Delivering a multi-layered performance, Mabel’s charm to win over her audience first comes off as egotistical, but gradually becomes earnestness and she soon seems like an old friend.  Nothing short of a captivating showman, a warm and inviting presence, but the guarded moments intertwined in her storytelling is the stuff that keeps you hooked and her drifting reflections are when the show truly hits its stride.  Having had a stroke, Mabel is also somewhat an unreliable narrator in more ways than one. 

Denise Cormier in MRT’s ‘A Woman of the World’. Photo: Kathy Wittman/Merrimack Repertory Theatre

The show tackles relatable issues on feminism and Cormier as Mabel may make you root for her one moment and against her the next.   However, she’s a survivor and an enigma ahead of her time. 

Merrimack Repertory Theatre’s production of A Woman of the World by Rebecca Gilman is streaming on demand through Sunday, May 30.  Following the production is a short interview between director Courtney Sale and Denise Cormier on the inspiration behind the show.  Click here for more information, tickets, and for more about the Merrimack’s Repertory Theatre’s season.

REVIEW: Merrimack Repertory Theatre’s ‘Until the Flood’ a raw, complex, and gripping docu-drama

Until the Flood begs the question, “How do you want to be remembered?”

Director Timothy Douglas frames a poignant, moving portrait of a community in pain with Merrimack Repertory Theatre’s virtual docu-drama Until the Flood continuing through Wednesday, May 5. The content of this program is not recommended for youth under age 16.  This program was originally commissioned by The Repertory Theatre of Saint Louis.  Click here for more information on Merrimack Repertory Theatre and how to stream the show.

Based on real life accounts gathered in 2014 by Pulitzer prize-winning finalist Dael Orlandersmith, Until the Flood delves deep into the emotional and complicated perspectives and recollections of this community and how it affected each person following the shooting of Michael Brown in Ferguson, Missouri. 

Maiesha McQueen in one person show ‘Until the Flood’ Photo courtesy of Kathy Wittman/MRT

A colorful, makeshift memorial is strewn on a chain link fence shrouded in a blue, haunting darkness.  Sirens ring out in the distance amid tingling and powerful music.  Merrimack Repertory Theatre’s Until the Flood sets a foreboding undertone through Lindsay Jones’s chilling sound design and Bill Clarke’s haunting and true-to-life set pieces.

Encapsulating all the anguish, uncertainty, doubt, fears, and hope is Maiesha McQueen in a tour-de-force performance onstage as she takes on eight individual composites drawn from real life interviews in this one person show.  From a 17 year-old teenager to a 75 year-old retired police officer, McQueen digs into the heart of each individual and delivers the kind of multi-layered performance that flows with each individual.  From a subtle head tilt and a tumult of emotion brewing in her eyes to the careful movements and creaking in her bones as she takes on the persona of an ailing senior to the confident swagger of a teenager that feels like he can take on the world, McQueen writhes and broods with each character.  Dressed in colorful and consistent street clothes by Yao Chen, each perspective and recollection made by each individual is fleshed out and brought together by McQueen as she pours herself into each character and makes each stand on their own.  Her pliability transforms her stature, stance, rage, compassion, sadness, and anger “like the flood” over the state of the world. 

Until the Flood provides not only each individual account of what they heard, saw, or experienced of the Michael Brown shooting, but a deeper look into how each person lived their life before and after this harrowing incident within this community.  It is a raw, gripping look at how ugly and how beautiful a society can be and how easily friendships can change when people do not see eye-to-eye.  It delves into anger that can be unleashed too easily, anguish, sadness, harrowing fear, and unbridled hope in fellow human beings in spite of life’s sorrowful circumstances.  Most of all, it presents a fairly even handed, but complex account of what truly motivates human nature and how fear and hope takes shape.

Merrimack Repertory Theatre, located in Lowell, Massachusetts continues streaming Until the Flood through Wednesday, May 5.  Click here for more information and tickets.

REVIEW: Company Theatre presents interactive and charming ‘Wonderland: Alice’s Immersive Adventure’

Ever wonder what the Mad Hatter would say if you were welcome to tea or imagining a nonsense word to get you out of a fix or how the guards paint the roses red?

This is just a glimpse into Company Theatre’s Wonderland:  Alice’s Immersive Adventure, a magical, unique and most curious tour with some of Alice in Wonderland’s most iconic characters continuing through Saturday, May 1 at The Company Theatre, 30 Accord Park Drive in Norwell, MA.  Directed by Corey Cadigan, this family-friendly tour, based on the Academy of the Company Theatre’s Theatre Workshop, takes place entirely outdoors on Company Theatre’s surrounding grounds following Covid guidelines.  Click here for more information.

Alice with Dweedle Dum and Tweedle Dee Photo courtesy of Zoe Bradford/Company Theatre

Drawing inspiration from the famous Lewis Carroll tales such as Alice’s Adventures in Wonderland and its film adaptations, Wonderland:  Alice’s Immersive Adventure with Alice as your guide, you follow the White Rabbit while interacting with some of Carroll’s most iconic characters on a wacky journey to defeat the Red Queen.  The colorful characters’ costumes by John Crampton and the sets by Ryan Barrow are fun, detailed and imaginative featuring twinkling lights to guide your way and the enthusiastic, engaging cast make every tour a unique experience. 

Each character may ask you questions and you may ask them according to the rules of Wonderland.   At journey’s end, enjoy a tea party featuring cookies and other goodies.

The Company Theatre presents Wonderland:  Alice’s Immersive Adventure through Saturday, May 1.  Click here for more information, tickets, and how to support The Company Theatre.

Amid peerless Castle Hill and candlelight, Boston Lyric Opera delivers exquisite ‘Winter’s Evening’ on Operabox

One this is for sure, Boston Lyric Opera can achieve elegance anywhere.

Boston Lyric Opera (BLO) had two remarkable debuts for their virtual concert, A Winter’s Evening.  Directed sublimely by Nathan Troop, Boston Lyric Opera’s ‘A Winter’s Evening’ not only made its virtual debut on Operabox, but soprano Gabriella Reyes also made her effervescent debut with the Boston Lyric Opera, an event which she calls “a dream come true.”

BLO’s ‘A Winter’s Evening’ continues streaming through Sunday, January 10.  Click here for more information.  Boston Lyric Health Task Force helped coordinate the virtual performance to meet safety standards.

Surrounded by the gorgeous grounds at Castle Hill at the Crane Estate in Ipswich, Massachusetts, Miss Massachusetts 2020 Sabrina Victor, adorned in black fur over a glittering white gown, hosted this lovely evening with warmth and poise.

Boston Lyric Opera’s ‘A Winter’s Evening’ continues streaming on Operabox through Sunday, January 10. Photo credit to Boston Lyric Opera

Boston Lyric Opera also weaved in elements of hearth and home blending classic opera and festive classic songs as Gabriella Reyes and Sabrina Victor shared personal remembrances of holidays past.  The show is the height of elegance, not only in the couture, but inside the Crane Estate’s majestic ballroom embellished with candlelight and Christmas trees. 

Impressively accompanied by pianist Brett Hodgdon, Reyes, adorned in a black gown, showcased her broad range with a dynamic selection of songs that included a serene, bi-lingual version of Silent Night/Nochede Paz, passionate Quando M’en Vo from Puccini’s La Boheme, stirring Nana by Manuel De Falla, a dreamy and heartfelt When You Wish Upon a Star with lyrics by Ned Washington and music by Leigh Harline, and the inspirational classic Harold Arlen song, Over the Rainbow featuring its rarely sung introduction.  Reyes masters the operatic selections, her light and powerful vocals make it all look easy.

Guitarist Zaira Meneses accompanied Reyes for a portion of the evening with a selection of songs that are meaningful to both of them including Grever’s Alma Mia and Sandoval’s Gracias a la Vita.  Meneses’s vibrancy and flair, putting her entire body into her music with Reyes’s eloquence made for a stirring pair.

BLO’s ‘A Winter’s Evening’ continues on Operabox through Sunday, January 10.  Click here for more information and how to subscribe to Boston Lyric Opera’s current season.

REVIEW: GBH’s inviting virtual ‘A Christmas Celtic Sojourn’ maintains warmth and tradition in 2020

2020 has been many things, but traditional is not one of them.  However, this year’s virtual A Christmas Celtic Sojourn brought back holiday traditions, beautiful performances, reflections, stirring carols, and dare I say a bit of normalcy to 2020.

With a selection of live performances and an option to watch on-demand, GBH’s A Christmas Celtic Sojourn was brought into your home in a warm, inviting, and spirited atmosphere.  From a majestic, candlelit cathedral in Ireland to a festive outdoor step dance in Ottawa, Canada, it unconventionally included all the elements of what is beloved about this annual New England show and somehow broadened its possibilities worldwide. 

Host Brian O’Donovan and fiddle player Jenna Moynihan at Rockport Music Photo credit to Dan Jentzen

Brilliantly directed by Jenna Worden, A Christmas Celtic Sojourn offered seven live streaming opportunities to watch virtually from your home Tuesday, December 15 at THE VETS in Providence, RI, Wednesday, December 15 at Hanover Theatre in Worcester, MA, Thursday, December 17 at The Zeiterion Performing Arts Center in New Bedford, MA, Friday, December 18 at Shalin Liu Performance Center in Rockport, MA, Saturday, December 19 at The Cutler Majestic Theatre in Boston, MA, and Sunday, December 20 in GBH Studios in Boston, MA  These locations are usually where A Christmas Celtic Sojourn tours annually.  A bonus encore presentation also occurred on Christmas Eve. 

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through January 2, 2021.  A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

Celtic harpist, pianist, and Assistant Music Director Maeve Gilchrist Photo credit to Dan Jentzen

Though a portion of the performers were at home, audiences were treated to harmonies created from multiple locations nationally and internationally while enjoying festive, international scenery.  For a person who has lacked the chance to travel the world this year, it was a more than welcome opportunity to take a glimpse and to share in some international traditions. 

From the stirring, candlelit opening of beloved carol, O Come Emmanuel sung in Latin by Cathy Jordan from gorgeous Sligo Cathedral in Ireland, A Christmas Celtic Sojourn transported audiences to Ireland and to other places around the world as they were unable to bring Ireland to the stage.  The show also boasted dueling harmonies simultaneously sung from Vermont, Scotland, and various parts of Massachusetts. 

Host Brian O’Donovan brought a mix of humor, melancholy, and wistful reflections toward this difficult year, engaging storytelling, and fond tidings.  Though this year has presented its challenges, A Christmas Celtic Sojourn still managed to keep the rituals and long-awaited music right at your fingertips delivering jubilant, soulful moments while still embracing winter’s dark and sacred stillness.

Music Director and multi-instrumentalist Seamus Egan with fiddlers Jenna Moynihan and Maura Shawn Scanlin Photo credit to Dan Jentzen

Thanks to Rockport Music, multi-instrumentalist and Music Director Seamus Egan, Assistant Music Director, Celtic harpist, and pianist Maeve Gilchrist, Bouzouki and Harmonium player Owen Marshall, guitarist Conor Hearn, and fiddle players Jenna Moynihan and Maura Shawn Scanlin returned to perform cheerful medleys and energetic jam sessions filmed in Rockport Music at Shalin Liu Performance Center in Rockport, Massachusetts.  Seamus Egan’s brilliance shone through as he reached for multiple instruments for separate songs and at one point reaching for a banjo for a joyful freestyle. 

Fiddle players Jenna Moynihan and Maura Shawn Scanlin with Bouzouki and Harmonium musician Owen Marshall Photo credit to Dan Jentzen

A traditional wassail in Edinburgh, Scotland, rollicking sing-along carols and dance from A Christmas Celtic Sojourn’s past, a peerless lullaby carol involving a newborn, original song and stirring new renditions of classic carols, a lighthearted percussive dance from Michigan by Nic Gareiss, and returning step dancer and choreographer Cara Butler reveling in her backyard to a jubilant tune in Ottawa, Canada are just some of the highlights of this carefully-executed, moving production.  There were plenty of welcome surprises not to be revealed here.

Spending an awful lot of time at home and not in the car, music is less of a tradition in my house.  GBH’s  A Christmas Celtic Sojourn created a haven of holiday comfort in song that though we are far apart, some rituals and traditions can still stay the same.

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through January 2, 2021

REVIEW: Boston Film Festival’s US Premiere of ‘The Girl Who Wore Freedom’ a moving tribute through generations

The 36th annual Boston Film Festival featured the debut of shorts, feature films, and some fascinating documentaries such as the world premiere of This Hits Home, Me The People, Beyond Zero, and ‘25’ Tony Conigliaro The Documentary, the US Premiere of Memory of Water, as well as the East Coast premieres of Knots:  A Forced Marriage Story, Stro:  The Michael D’Saro Story, and After the Rain on September 24 through September 27.  The festival offered virtual options and live screen opportunities at the Showcase Icon Boston at the Seaport in Boston, MA.   Q and A panels were held with actors, directors, and foremost experts.  Click here for the full schedule.

Showplace Icon Theatre, located at Boston Seaport. Photo courtesy of Jeanne Denizard

Director, executive producer, writer, and narrator Christian Taylor explores the complicated road to forgiveness in her moving D-Day documentary, The Girl Who Wore Freedom which made its US Premiere at the Boston Film Festival.  This extraordinary film provides a unique perspective on D-Day on June 6, 1944 through the eyes of a variety of groups associated with D-Day including citizens of Normandy who were children when the bombs dropped.  20,000 French civilians were killed on D-Day.  Taylor narrates this film as an awed spectator and tourist as she invites D-Day survivors to recall their experiences while she demonstrates the paradoxical ways veterans are treated in Normandy than they are in the United States.

Flo Boucherie, pictured, co-producer of ‘The Girl Who Wore Freedom’ Photo credit to ‘The Girl Who Wore Freedom’

The Girl Who Wore Freedom’s co-producer Flo Boucherie is the symbolic Normandy girl that inspired the film’s title.  She has a particular tie to D-Day partly because her parents were D-Day survivors when they were children.  Her mother worked with the veterans, made Flo’s dress, and participated in the D-Day ceremonies. 

Citizens of Normandy, historical representatives, medics, and veterans describe the impact and the dynamic experiences they had from a Normand child’s encounter with an American veteran who inspired him to never start smoking to trading shoes for eggs to harrowing stories of a civilian who got shot and the museum that resulted from it.  It also recalls some of the significant and surprising events that occurred after D-Day and how perspective changes over the years as generations look back. 

Despite its serious material, the film is not without its lighthearted moments. It is about trauma, heartache, and harrowing loss, but also about liberation, love, friendship, and compassion.  What unfolds is a testament to the power of healing and forgiveness, not lost on anyone who has been at war. 

Watching this film is an eye-opening experience of one of the most harrowing events in world history.  Its emotional complexity may leave some conflicted of what should come out of the atrocities of war. 

Tom Rice, an American veteran who was in the March on Carentan Photo credit to ‘The Girl Who Wore Freedom’

The Girl Who Wore Freedom has been released at a pivotal time in the United States and the world with a sorely needed, universal, and thought-provoking message.  It encourages you to reflect inwardly and empathize with one another’s struggles.  The Girl Who Wore Freedom will unexpectedly move you to tears and make you grateful for the experience.

D-Day Parade Photo courtesy of ‘The Girl Who Wore Freedom’

The Girl Who Wore Freedom is currently touring the film festival circuit nationwide.  Click here to see where The Girl Who Wore Freedom will be shown next and here for more about this year’s Boston Film Festival and future updates.

REVIEW: Compassion and tension drive compelling feature film ‘Paper Spiders’ at the Boston Film Festival

Sponsored in part by NBC Universal, Boston Magazine, and Maydaze Films, The 36th annual Boston Film Festival took place virtually this year due to Covid-19 with the option to attend live screenings in Boston, Massachusetts from Thursday, September 24 through Sunday, September 27. 

Boston Film Festival offered live and virtual films during the 4-day festival Photo courtesy of the Boston Film Festival

Featuring the award-winning documentary, Jay Leno’s Garage, the four-day festival included the US premiere of feature films Small Town Wisconsin and Paper Spiders, a wide variety of short films, and powerful documentaries such as the world premiere of This Hits Home, Me The People, Beyond Zero, and ‘25’ Tony Conigliaro The Documentary,  the US Premiere of The Memory of Water, and The Girl Who Wore Freedom, as well as the East Coast premieres of Stro: The Michael D’Saro Story, Knots:  A Forced Marriage Story and After the Rain. Q and A sessions were held with actors, directors, and foremost experts.  Click here for the full schedule.

Your Virtual film selection the Boston Film Festival website Photo courtesy of the Boston Film Festival

The Boston Film Festival offered an option to see scheduled screenings of select films at the stellar Showplace Icon Theatre.  Located at the Boston Seaport and conveniently located at the Courthouse stop on the Silver Line, The Showplace Icon Theatre features state-of-the-art stadium seating with plush reclining chairs, a beverage holder, and a place for your popcorn.  Click here for a closer look at this amazing theatre and here for more information and tickets.

Showplace Icon Theatre, located at Boston Seaport. Photo courtesy of Jeanne Denizard

No matter what the circumstances, it is not easy dealing with mental illness, especially if it is a parent.  However, that is not the crux of the US Premiere of Paper Spiders, a coming-of-age tale about a teenager named Melanie portrayed with endearing maturity by Stefania LeVie Owen, and her relationship with her widowed mother Dawn, portrayed masterfully by Lili Taylor.  They are a fractured but seemingly happy family coming to terms with loss and attempting a new beginning. 

Set in Syracuse, NY, The film picks right up with relatable mother-daughter chatter at a pivotal time in Melanie’s life as they tour a college Melanie is interested in attending. Their sweet conversation makes it easy to see their close relationship, but later when their neighbor hits a tree in their front yard, what ensues is nothing Melanie could have ever imagined.   

‘Paper Spiders’ made its US premiere at the Boston Film Festival Photo courtesy of the Boston Film Festival

Each member of this compelling cast becomes more complex as the tale progresses, led by Lili Taylor as Melanie’s widowed and troubled mother, Dawn.  Taylor is no stranger to quirky characters and her usual odd charm shines through as Melanie’s talkative and anxious mother.  With a particular talent for exuding fear in her eyes, Taylor evokes sympathy and dismay as Dawn transforms from a concerned mother to living her life with one eye open, her vulnerability palpable as she struggles to see things clearly.

Stefania LeVie Owen is wonderful as responsible, cautious, and practical Melanie as she struggles to achieve a nearly impossible balance between being a teenager and handling her mother’s increasingly concerning episodes. What makes this struggle more poignant is the natural chemistry between Owen and Taylor who exude as much ease as they do strain.  This escalating tension mounts in quick paces as viewed through Owen’s innocent and alarmed perspective.

Peyton List, seen more recently as Tory in Netflix’s popular Cobra Kai series, is a welcome addition as Lacy, Melanie’s fun-loving and promiscuous best friend.  Serious and quiet, Melanie and Lacy’s contrasting personalities offer a break from the film’s serious nature.  Ian Nelson is charismatic as Melanie’s good humored, persistent, and wealthy classmate Daniel.  Nelson and Owen are charming together and also contribute to some of the film’s lighter moments until life inevitably gets more complicated.

Lili Taylor as Dawn in ‘Paper Spiders’ Photo courtesy of the Boston Film Festival

Director and writer Inon Shampanier and his wife and writer Natalie Shampanier create a beautiful blend of funny moments and engaging montages with a deeper look at Dawn and Melanie’s daunting reality.

After all, mental illness can become a roller coaster of emotions such as grief, anger, paranoia, loneliness, and anxiety, but the crux of Paper Spiders isn’t any of these things.  It’s about the struggle through this unpredictable journey with those you love with understanding, ever holding on to hope.  Paper Spiders never loses sight of that.

Paper Spiders is currently touring the film festival circuit nationwide.  Click here to see where Paper Spiders will be shown next and here for more about this year’s Boston Film Festival and future updates.

On the verge of Cohasset Dramatic Club’s 100th season, President Lisa Pratt wrestles with the future of live theatre

“It looks like a snapshot in time waiting for life again,” reflects Cohasset Dramatic Club President Lisa Pratt, as we spoke about what the future holds for live theatre and their highly-anticipated production of The Music Man.  The show was supposed to take the stage in March on the weekend Covid-19 shut everything down.

Sleepless Critic spoke to Pratt about live theatre, the history of Cohasset Dramatic Club, and how art makes a new start.  Cohasset Dramatic Club is hoping to present The Music Man in September 2020 to kick off its 100th season, but what it will look like still remains to be seen.

CDC's 'The Music Man'

Photo courtesy of Cohasset Dramatic Club

Sleepless Critic:  I understand you are hoping The Music Man will arrive this fall.

Lisa Pratt:  I guess I’m hopeful but realistic.  From a parent’s standpoint, I only want to do what’s best and give everyone an outlet for a beautiful and wholesome show.  Literally every costume is perfectly intact and every dressing room is waiting for us to come back.  It looks like a snapshot in time.

Of course, there’s the financial fallout.  We spent all that money to put on a show, but didn’t sell a single ticket.  Not that theatre is a money-making venture.  We might lose more money producing the show than not, but the art is so important to put back on its feet again that we’ll do whatever we have  to do to make it happen.

It’s ironically Cohasset Dramatic Club’s 100th season this September and we had a bunch of plays in the talking stages.  We are scheduled to do Our Town because Our Town author Thornton Wilder portrayed the Stage Manager when it was first being produced in summer stock on our stage which was what Cohasset Town Hall’s Theatre space was before The South Shore Music Circus became their second venue.  It was necessary to have more space, so a family named Cook who owned that flat land in Cohasset, donated the land to let the people put up a tent for shows in 1950.  The summer stock circuit started in the 40s.  It was in and out of the Cohasset Town Hall for 10 years.

Our Town, a relatively simple show to produce, has a fairly large cast.  The town election takes place in that space.  It works for them and I think it is convenient to have the town officers have their own auditorium attached to them.  So, we would bypass a September 1 election and have Our Town before the November 3 election.  The final show and the end of our 2021 season would be in March 2021.

Sleepless Critic:  I was watching the 1962 film The Music Man a few weeks ago.  At one point in the movie, Robert Preston as Harold Hill was told not to go in that house and he replied, “Why?  Is it in Quarantine?”

Lisa:  Shut the front door!  Are you kidding me?  That is so funny.  We want The Music Man be a live event at this point.  It all depends if Covid-19 follows the right path to keep all of us safely sharing space and moving forward.  As much as I want it all to happen, I would be devastated if anything came from it and someone got sick.  What will it look like?

Sleepless Critic:  Theatre has transformed a bit as we’ve been going through what Lin- Manuel Miranda deemed “an intermission.”  Some theatres have just stopped and some have turned to other avenues.

Lisa:  I feel we have stayed in touch with people who have wanted to study scene work, choreography, dance, and vocal work.  In the spring, we created a program called, Live from the Living Room, a free virtual production with option to donate to Cohasset Dramatic Club and people did.  We did a special theatrical makeup piece created by Lancôme’s Cara Lee Chamberlain.  We have a great friend who is a professional dancer and choreographer for The Tonight Show starring Jimmy Fallon in New York.   She also choreographed a large theatrical production of Matilda which took place at the Union Theatre in Minneapolis, one of the biggest regional theatres in the country.  She taught a choreography class and we had lots of young families virtually tune in.  We did that for about six weeks and then took a break to settle in a bit.

CDC's Live from the Living Room

Photo courtesy of Cohasset Dramatic Club

This would have been our 15th consecutive year of offering that summer theater education and performance program for kids ages 8-21.  One of the shows we got the rights to produce this summer is Les Miserables with age ranges from 14 to 21 years old.  We are excited we are not losing the rights and doing it next year.

CDCLesMiserablesSchoolEdition 2021

‘Les Miserables’ delayed to 2021 Photo courtesy of Cohasset Dramatic Club

Cohasset Dramatic Club has been at the same place for 100 years and thankfully, I haven’t been at the helm of it that long which I think is unique.  So many theatres I respect are having a hard time and I am saddened every time a theatre is selling off stuff because they can’t keep it alive anymore or however it works at a professional, regional, or local level.   No one goes into this with the amount of time it takes to spend to do any less than the best they can with the resources they have.  For that, I am always buoyant when I see theatres at any level doing great things.

Whether we present our work virtually, in person, or on the town green with people sitting further apart from one another, the arts community is committed and alive and it’s so important for so many people to keep it that way.

I’m so proud of this organization that has been through good times and bad whether living on a shoestring budget or having the money to pay for rights for shows before they get to deadline.  We’re part of a community that I think we’ll survive.  If there is ever a person looking for a rocking chair and we have one, I’ll be the first one to say that you can come get it or I can meet you somewhere.  That’s the camaraderie of our combined love of art.

We can do this.  Theatre can do it.  It has survived through everything.

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REVIEW: Company Theatre unveils remarkable ‘Fun Home’

The crowd roared.   Even with a half-full Company Theatre crowd that adhered to Covid-19 requirements opening night on Friday, March 13th, this enthusiastic audience was more than ready to be taken away by what theatre does best.  Company Theatre co-founder Zoe Bradford provided a special Fun Home introduction and mused, “Theatre has a way of helping you escape reality.”

Company Theatre Fun Home Airplane

Riley Crockett as Small Alison and Michael Hammond as Bruce Photo courtesy of Zoe Bradford/Company Theatre

Five-time Tony award-winning musical Fun Home explores different perceptions of reality within the Bechdel family.  They wrestle with it, deny it, but ultimately, must come to terms with it.  Based on the graphic novel memoir by Alison Bechdel and directed by Zoe Bradford and Jordie Saucerman, The Company Theatre presented musical Fun Home on Friday, March 13 at Company Theatre at 30 Accord Park Drive in Norwell, Massachusetts and plans for the show’s return when the theatre reopens.  Click here for more information.

Under a softly lit, lattice rooftop, Fun Home takes an intimate look inside a family seemingly full of zeal and an antique Victorian house so tidy and flawless flanked with a fireplace, grand piano, and large casement windows, it neatly hides any cracks and crevices underneath.  With elegant scenic design by Ryan Barrow and Zoe Bradford as well as rich, emotive lighting by Ethan R. Jones, The Company Theatre unveils this absorbing musical that lures the audience into the Bechdel family’s complicated world.

The Company Theatre Fun Home Looking On

Aimee Doherty as Alison, Michael Hammond as Bruce, and Riley Crockett as Small Alison Photo courtesy of Zoe Bradford/Company Theatre

It’s funny what you recall in life.  Memories can be tricky.  As time goes by, perspective changes as a person grows, transforming a memory and gradually revealing details once never thought of or understood before.  That lattice rooftop seals in cartoonist Alison Bechdel’s intimate memories as she writes her memoirs through her work, ruminating on her childhood and upbringing to find out what ultimately makes her feel like she is stuck in life.  Alison uses cartoons because drawing as a child, she recalls, “I need real things to draw from because I don’t trust memory.”

With its share of comedic and uplifting moments, Alison looks back on her relationship with her enigmatic and intellectual father Bruce and her traveling and ill at ease mother, Helen.  Alison is the only individual that outwardly transforms in this piece, thanks to the exceptional work of Riley Crockett as adorably precocious Small Alison, and Jaclyn Chylinski who is impressive as naïve, anxious, and excitable Medium Alison.  Crockett performs an impeccable version of Ring of Keys and shines with Charlie Flaherty as Christian and Owen Veith as John in the darkly humorous title track, Fun HomeMelissa Carubia is smooth and charismatic as cool and collected Joan.

The Company Theatre 'Fun Home'

Riley Crockett as Small Alison, Charlie Flaherty as Christian, and Owen Veith as John Photo courtesy of Zoe Bradford/Company Theatre  

With black rimmed glasses and short dark hair, IRNE award-winner Aimee Doherty slips into Alison’s façade, a mature, jaded and intellectually-driven individual.  With a dark sense of humor, Doherty narrates this emotional journey evoking confusion, warmth, sorrow, and frustration in her fine features while building her strength in each new discovery.

Michael Hammond, in a tenacious performance, embodies the many sides of Alison’s father Bruce.  With black rimmed glasses, dress pants, and a collared sweater, he is critical man with a refined intellect, and perpetually occupied to become an expert on most everything.  Seemingly a friendly, strict, and hardworking family man, Bruce is also secretive and closed off.  Each Alison does a brilliant job in portraying their wrought frustration in every moment they attempt to make a genuine connection to him, but especially in the bittersweet song, Telephone Wire.  Hammond’s engaging and affecting vocals capture Bruce’s perplex feelings in each number, including the poignant song Pony Girl, and most notably his harrowing rendition of Edges of the World.

Amy Barker skillfully portrays Alison’s unassuming, overwhelmed, and misunderstood mother, Helen.  Surrounded by outward perfection, she lives her life distancing herself from reality reflected in the heartrending and beautiful number Days and Days.  Always putting others first, she is a repressed woman following the traditional values of her generation within the confines of her home.

The Company Theatre Fun Home Full Cast

The full cast of ‘Fun Home’ Photo courtesy of Zoe Bradford/Company Theatre

Led by and musically directed by Matthew Stern, the intimate, seven piece orchestra features a soothing, fiddle-laden soundtrack that is a combination of light, airy, and melancholy.  From its opening song, It All Comes Back to the Flying Away finale, Jeanine Tesori’s captivating musical numbers hold a spectrum of rich, multi-faceted meaning.  The catchy, Partridge Family-inspired song, Rainbow of Love is a particular highlight, enhanced by cheerful retro costumes and illustrating Small Alison’s hope of escape.

Company Theatre’s Fun Home is on hiatus and plans to return when the Company Theatre reopens.  Click here for more information.  Follow Company Theatre on Facebook for further updates.