REVIEW:  Wishing upon a ‘Soft Star’ at Boston Playwrights Theatre

Somewhere in Minnesota, two best friends with a complex history each wish on what is deemed a soft star in the sky.  What develops over time will test the limits of their friendship and much more.

Contemplatively directed by Bridget Kathleen O’Leary, Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival.  This absorbing production runs 85 minutes with no intermission.  Click here for more information and for tickets.

The cast of Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

Boston Playwrights Theatre’s Fall Rep Festival features two new productions from living authors taking place on one stage and scenic designer Maggie Shivers continues to make distinctive use of the space for these two vastly different productions.  With fold out compartments that pose as couches, a barbecue grill and shelves, cast members transform the set and props between scenes from a beachside setting to a completely new landscape.  Zachary Connell’s starlit and warm lighting adds an ethereal quality to the production featuring lanterns and luminous creatures boosted by Kai Bolman’s mystical sound design.  Set within the span of the 70’s and 80s, E. Rosser’s colorful costumes depicts fashion trends of the time such as baby doll dresses, keds sneakers, and Henley shirts.

Annika Bolton and Mairéad O’Neill in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

A complex drama of jealousy, isolation, insecurity, secrets and longing, Soft Star is poignant and wistful as Jane and Belle search for a sense of belonging as they contemplate about the direction their lives have taken.  There is a real sense of uncertainty from these individuals as the show progresses. Annika Bolton as Jane, Jesse Kodama as Dick, Mairéad O’Neill as Belle and Kamran Bina as Mitch make up a tightly woven group that also share building tension and passive aggressiveness, especially among Dick and Mitch who are best friends working together as well as a palpable chemistry between Mitch and Jane.

What is wonderfully fascinating about Soft Star is how best friends Annika Bolton as Jane and Mairéad O’Neill as Belle’s connection and priorities mature and evolve over time.  From two coming of age girls to established women, Esper’s script explores the transforming interests of these individuals and at the same time, depicts how some reflections on their lives never change. 

Annika Bolton in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

With an elements of magic and mysticism, Soft Star is an intriguing and imaginative drama fueled by Esper’s layered script which unfolds from a straightforward narrative to how life becomes immensely complicated through circumstances and when other emotions take hold.  Emotions that linger and ripen even as people mature exasperated by a wish. 

Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival.  The show runs 85 minutes with no intermission.  Click here for more information and for tickets.

REVIEW:  NPR storyteller Kevin Kling reflects on the wonders of childhood in Merrimack Repertory Theatre’s lively and humorous ‘Best Summer Ever’

How can a childhood fib possibly be part of the best summer ever?

Amid Carter Miller’s vivid and dynamic lighting against a cloud covered sky as multi-instrumentalist and sound effect aficionado Robertson Witmer stands over a grill in an apron and sunny yellow sneakers ready to serve a hot dog, Merrimack Repertory Theatre’s Best Summer Ever might give you the urge for summer to arrive a little sooner.  Rowan Doyle’s breezy set design is not the alone in setting up the carefree days of summer.  In a button down shirt, dark pants and striking red and white sneakers relaxed in a lawn chair, popular storyteller and NPR contributor Kevin Kling is an open book ready to share an engaging, wild, and moving account of incredible hijinks during the life changing and unforgettable summer he experienced at 9 years old.

Kevin Kling and Multi-instrumentalist Roberson Witmer in Merrimack Repertory Theatre’s ‘Best Summer Ever’ Photo by Megpix/Meghan Moore.jpg

With compelling direction by Steven Dietz, Merrimack Repertory Theatre presents the east coast premiere of Best Summer Ever through Sunday, May 22 live and in person at Merrimack Repertory Theatre in Lowell, MA.  There will be no virtual show available and the show runs 70 minutes with no intermission.  Click here for more information and for tickets.

Kevin Kling knows how to tell a great story.  Full of liveliness and spontaneity, what sets Best Summer Ever apart from other productions is Kling’s unique and distinctive touch.  He shares personal anecdotes with plenty of asides, quirky details, and having experienced the show on Mother Day, it is easy to tell each tailored performance is fueled by the interaction and enthusiasm in the audience.  He has a great rapport with Rob who dives head first into some of the production’s sillier moments of Vikings, a purple snow cone gone awry, and chilling ghost stories.  Both seem a kid at heart and they work succinctly as Rob provides the soundtrack and dynamic mood-setting sound effects at a sometimes thrilling pace. 

MRT’s Best Summer Ever – Kevin Kling Photo by Megpix/Meghan Moore

Kling strikes a clever balance of adult reflection and falling right back into his childhood mindset of growing up in Minnesota.  He uses the phrase, ‘unstructured time’ and equating that with ‘boredom’ or in speaking about his farming grandparents, Kling exclaims, “If Grandpa could cut it off, Grandma could pickle it.”

The show also has its share of heartwarming family moments and explores the wonder and imagination of childhood that just might take you back too.

Silly moments with Kevin Kling and Roberson Witmer in MRT’s ‘Best Summer-Ever’ Photos by Megpix/Meghan Moore

Merrimack Repertory Theatre presents the east coast premiere of Best Summer Ever through Sunday, May 22 live and in person at Merrimack Repertory Theatre in Lowell, MA.  There will be no virtual show available and the show runs 70 minutes with no intermission.  Thursday, May 19 will be a Q and A Ask the Artists night.  Click here for more information and for tickets.