musical

REVIEW:  Out of the shadows, North Shore Music Theatre presents a less frightening ‘Phantom’

Posted on by The Sleepless Critic

Could Phantom still be a gothic mystery horror tale and yet be effervescent, tender, playful and uplifting?  Could it also be an introspective musical that delves into love and family? 

Why yes it could while adding unexpected elements and a new dimension to Gaston Leroux’s classic novel that works.

Viscerally directed by Robert W. Schneider with powerful music direction by Dale Reiling, Bill Hanney’s North Shore Music Theatre continues Yeston and Kopil’s Phantom live and in person at North Shore Music Theatre in Beverly, Massachusetts through Sunday, November 1. Based on Gaston Leroux’s classic novel, The Phantom of the Opera, this revolving theatre-in-the-round musical’s action is not limited to the stage and runs approximately 2 hours 40 minutes including one intermission. Click here for more information and for tickets.

The cast of Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

It may seem like a small detail, but a dazzling chandelier plays a pivotal role in Andrew Lloyd Webber’s The Phantom of the Opera. It opens the show in its sheer majesty and the Phantom is actually found hiding in the glittering and monstrous powerhouse of a special effect at one point during the Broadway production. In fact, it is what fascinates the audience at the beginning of the musical in glorious rhythm with the thunderous and foreboding sound of a pipe organ blaring in the distance and what later crashes to makes the cast run in terror.

As a big Phantom of the Opera fan, I was relieved that aside from similar core story elements taken from Leroux’s famous novel, Yeston and Kopil’s Phantom is no imitation nor is it attempting to deliver Andrew Lloyd Webber’s organ-fueled intensity and spectacle. It stands separately as its own creation composed in Maury’s Yeston galloping and occasionally peppy waltzing rhythms. Yeston and Kopil’s Phantom boasts changes in tone and dives further into character development and back story to deliver a tale light on cynical gothic intensity, but dare I say, contains elements of optimism and humor during a dark time. Instead of a glittering chandelier, an extended symbolic bridge reaches far into the dark to deliver greater meaning later.

Madison Claire Parks (Christine Daaé) and David Coffee (Jean-Claude) in Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

Yeston and Kopit’s Phantom features ornate and multicolor costumes with splendid Parisian-inspired flair in feathers, frills, top hats and tuxedos by costumers Martha Clarke and Morgan Andersen, the cast boasts sterling vocals, its emotive and haunting lighting blends with an immersive Parisian-inspired set by scenic and set designer Jack Mehler.

This version boasts some familiar and impressive special effects including a spinning pipe organ and a mystical underground lake. Mehler’s old fashioned opera lights, flickering vintage lampposts, rustic lanterns, and a candelabra lit lair glows orange on a misty lake which bring this somewhat opera within an opera to life.

Sean Seamus Thompson (The Phantom) and Madison Claire Parks (Christine Daaé) in Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

Set at the turn of the century in France, Phantom focuses on a mysterious presence that haunts the famous Palais Garnier Opera House in Paris, France and was recently sold.  New opera house co-owners Alex Syiek as Alain Cholet and Victoria Huston-Elem as La Carlotta make a distinguished and obnoxious pair extravagantly dressed and luxuriating in their riches.

Victoria Huston-Elem (La Carlotta) and Alex Syiek (Alain Cholet) in Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from from October 21 thru November 1. Photo © Paul Lyden

Spoiled, demanding and vindictive with a snide smile, Victoria Huston-Elem is quite the spiteful presence as La Carlotta delivering a vehement This Place is Mine. Carlotta prances around the stage in signature diva fashion, bold and comical as she shouts her demands. Carlotta’s sophisticated gowns become more extravagant as the musical progresses and the cast hits its stylish stride for the pivotal number Bistro.

Madison Claire Parks (Christine Daaé) and the cast of Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

Webber’s Christine is somewhat of a mystery in her motivations, but Madison Claire Parks portrays a wide-eyed Christine, hailing from a small town in Oklahoma and dazzled by Paris. She remains naïve and innocent but with a sunnier disposition right down to her long blond waves.

Madison Claire Parks (Christine Daaé) and Christian Probst (Count Phillippe de Chandon) in Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

Parks as Christine leads an effervescent Melody de Paris, longs for the opera stage, and illustrates her love for music in a beautiful duet with Sean Seamus Thomas in Home with a painfully lonely Phantom.  Parks also wows in a stirring rendition of My True Love.

The cast of Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

With a sense of humor more mainstream than caustic, Thomas as Phantom is more mysterious tortured soul than threat, though his deep and resounding vocals are still menacing offstage. He also does not work alone, but with a band of lost souls that do his bidding. 

Sean Seamus Thompson (The Phantom) and Gregory North (Gerard Carriere) in Yeston & Kopit’s “Phantom” on stage at Bill Hanney’s North Shore Music Theatre from October 21 thru November 1. Photo © Paul Lyden

Thomas and Parks are a complex and charismatic pair while Christian Probst is well suited for the daring and charming Count Phillipe de Chandon. Parks and Probst perform a sweet rendition of Who Could Have Ever Dreamed Up You? Gregory North as Gerard Carriere is discerning and even tempered managing the opera house while navigating the Phantom’s escalating chaos for unexpected and surprising reasons.

North Shore Music Theatre continues Yeston and Kopil’s Phantom live and in person at North Shore Music Theatre in Beverly, Massachusetts through Sunday, November 1. Click here for more information and for tickets.

REVIEW:  Kindness stirs in North Shore Music Theatre’s uplifting ‘Come from Away’

Posted on by The Sleepless Critic

It’s the furthest place from Disneyland.

In a small town where everyone knows everyone, a melting pot of 7,000 strangers from around the world make an impact on these unsuspecting residents on September 11, 2001, one of the most harrowing days in U.S. history.  Abandoning all their self interests and in the middle of a Gander strike, Gander, Newfoundland put everything aside to find out what they can do to help.

Fueled by Kevin P. Hill’s inspired direction and intricate choreography with Dr. Michael McBride’s affecting music direction, Bill Hanney’s North Shore Music Theatre continues the extraordinary folk-rock musical, Come from Away live and in person at North Shore Music Theatre in Beverly Massachusetts through Sunday, September 27. Based on a true story, this semi-interactive theater-in-the-round musical runs approximately 90 minutes with no intermission. Click here for more information and for tickets.

The cast of “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Come from Away first took the stage as the result of a student workshop in Ontario, Canada in 2013 before finding its way to Broadway in 2017 to win a Tony Award for Best Director of a Musical.

This inspiring musical finished its run in Gander, Newfoundland on September 13 days after observing the 25th anniversary of 9/11 before North Shore Music Theatre’s Come from Away made its timely stage debut on Wednesday, September 16 continuing through Sunday, September 27.

The cast of “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

I wasn’t aware of what happened in Newfoundland 25 years ago on September 11 until seeing this production and haven’t witnessed this degree of kindness in a musical since The Huntington’s The Band’s Visit which is also based on a true story. What a revelation.

A group of distinct and strategically-placed chairs form the basis of Jack Mehler’s creative scenic design as the colorful and atmospheric lighting transforms the tiered stage from a crowded plane to a coffee shop to an impromptu celebration. Ryan Marsh’s intense sound design excels, especially during sudden and pivotal moments. From business suits to cultural and traditional attire to flannels to the vibrant Sou’wester, costumer Rebecca Glick distinctively dresses each individual, but brings an entirely new significance to their attire when characters find themselves in someone else’s shoes.

The cast of “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Compelling from its first scene, Come from Away is rich in tone delivering a balanced mix of warmth and urgency.  It contains a variety of captivating Celtic-tinged drum, acoustic and fiddle-laden rhythms steeped in enchanting, contemplative, intricate and multilayered harmony. From hopeful to suspenseful to uplifting and everywhere in between, Come from Away boasts a strong collaborative cast who work wonderfully off each other sharing testimonies while articulating a number of resonating emotions looking back on that fateful day.

Based on real life individuals including rookie reporter Janis Moser to trailblazing airline pilot Beverley Bass, each cast member skillfully navigates more than one character with an authenticity and quiet resonance as thousands of strangers from all over the world face an unknown future stranded in a mysterious land.

Laurel Harris as Beverley in “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Matthew Bryan Feld and Susan Oliver share a sweet camaraderie, especially during the reflective number Stop the World. Laurel Harris delivers a memorable and exhilarating rendition of Me and the Sky and Carla Wood is lovely and sympathetic for an earnest rendition of I Am Here. Kevin T. Hannah’s consoling vibrato rises with the cast for a moving Prayer and Welcome to the Rock’s pulsing and infectious rhythms may stay with you long after the musical ends.

Carla Woods (Hannah) and Mary Callanan (Beulah) in “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Come from Away is not without moments of shock, distress and uncertainty, but holds many more moments of warmth, encouragement and humor delivered in rich harmony that could very well spark a renewed faith in humanity.

The cast of “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Bill Hanney’s North Shore Music Theatre continues the extraordinary folk-rock musical, Come from Away live and in person at North Shore Music Theatre in Beverly, Massachusetts through Sunday, September 27. Click here for more information and for tickets.

REVIEW: ‘Traveling Shoes’ an uplifting and resonating journey of perseverance

Posted on by The Sleepless Critic

“Every song is someone’s story.”

This is just a sample of the insightfulness infused into Christian David’s melodious new musical revue workshop, Traveling Shoes.  Featuring scattered testimonials, gospel history, mighty vocals and hopeful life lessons, Traveling Shoes demonstrates that traveling armed with faith and the Gospel brings joy and resilience amidst life’s sufferings.

Written and under Christian David’s direction and music direction and co-choreographed with sleek and interconnected choreography by both Christian David and Ramone Owens, C David Entertainment presented Traveling Shoes: A Revival of Sound, Soul and Story live and in person for free and for one night only on Sunday August 9 at 6PM at the Multicultural Arts Center in Cambridge, Massachusetts.  This semi-interactive musical revue encourages the audience to clap, sing, stand, praise and respond to the music as they wish and ran 90 minutes with no intermission.  This engaging show is also aiming for a Broadway run.  Click here for more information and for future performances.

Christian David & Tiffany Binion in ‘Traveling Shoes’ Photo by Najee Brown

Having been to the Multicultural Arts Center before, this pristine setting with wooden doors and immaculate etchings already infuses regality into the production’s modestly staged set which includes chairs posing as pews with Bibles and a grand piano. 

Doris Bumpus & Levetta Hall in ‘Traveling Shoes’ Photo by Najee Brown

Welcome to Holy Hail Baptist Church where pastors and church goers share their testimonies, suffering, joy and more importantly, community while encouraging ways in which the Gospel enriches their daily walk with God by serving others. Prior to the performance, classic Gospel recordings softly play until this charismatic group took the stage and lifted their voices for the bright and catchy original opening number, Traveling Shoes followed by the encouraging classic gospel hymn, How I Get Over.  Traveling Shoes showcased skilled and powerful voices and it may be the acoustics of the venue, but vocal accompiament occasionally overpowered the lead singer.

Adorned in pearls and sophisticated black and white formal attire from ceremonial gloves right down to their shining shoes, this impressive cast is composed of two local performers and an array of cast members that flew in from California for this event.  Traveling Shoes is an original work in progress and combines a tapestry of original and classic gospel songs, hymns and spirituals to demonstrate the power of the Gospel in their daily lives while finding strength during hard times. 

Tiffany Binion, Doris Bumpus, Christian David & Levetta Hallin ‘Traveling Shoes’ Photo by Najee Brown

Many of the featured songs are upbeat and lively while others venture into soul stirring experiences and it is difficult to pick out ones that stand out over the others. One of the most quietly stirring moments in the production was a beautiful rendition of Peace Be Still, delivered powerfully by Michael Bradley, Dermel Warren, Tiffany Binion, and Yardley Griffin, Jr.  Yardley Griffin, Jr’s You Gotta Move offers urgency in line with the musical’s core theme as well as an incredible version of At the Cross with Yardley Griffin and the cast.  Dermel Warren with Christian David, Levetta Hall and Tiffany Binion deliver an inspiring rendition of Mary, Don’t You Weep as well as Were You There by Michael Bradley.

While more of a music showcase than a true narrative, Traveling Shoes delivers classic gospel hymns and spirituals including Give me that Old Time Religion featuring Christian David and the cast, Jamehl Taylor performs Oh When the Saints Go Marching In/This Little Light of Mine medley, Christian David and Yardley Griffin, Jr. perform a lighthearted and hopeful rendition of Swing Low, Sweet Chariot, a powerful His Eye is on the Sparrow by Doris Bumpus and Darren Paul and the entire company for a captivating Amazing Grace. 

Doris Bumpus in ‘Traveling Shoes’ Photo by Najee Brown

Various life scenarios run through the production notably a wonderful rendition of Didn’t It Rain featuring Doris Bumpus and Levetta Hall. 

Traveling Shoes references and briefly highlights the church pianist and that memorable pastor who makes an impact during the performance.  Both individuals carry burdens and it would be interesting to expand on that idea and more than offering a song, insert a particular message that stands out apart from the music that would appeal to those who do not frequent the church pews.  Traveling Shoes is a wonderful presentation for a church audience, but expanding on that idea to bring encouragement to those not familiar with the church may make the production that much more extraordinary. 

This musical revue offers lightheartedness and humor while it also touches upon historical tragedies and injustices and how to cope when there is no answer. It works well as a segment and perhaps be expanded upon during different intervals of the production staying in line with the Traveling Shoes theme.

Yardley Griffin, Jr in ‘Traveling Shoes’ Photo by Najee Brown

Moonbox Productions presented a musical called Crowns which explores several themes including the significance of church hats as a symbol of much more while running a narrative through that.  Though Traveling Shoes is a metaphor, it resonates at key points during the production. I do believe there can also be a story that can run through this, perhaps adding a protagonist surrounded by the company.  The viewer can witness the protagonist on a journey of discovery who may be a first-time attendee at the church perhaps wearing the shoes while keeping the theme prevalent throughout the production.

“We declare victory before we see it.” 

Traveling Shoes is a multifaceted music revue guaranteed to encourage, uplift and bring hope in these troubled times.  It may stay with you long after the production is over.

Christian David & Yardley Griffin in ‘Traveling Shoes’ Photo by Najee Brown

Click here to learn more about C David Entertainment presented Traveling Shoes: A Revival of Sound, Soul and Story and for future performances.

REVIEW:  Company Theatre delivers a radical ‘Jagged Little Pill’

Posted on by The Sleepless Critic

Beware that seemingly perfect little Christmas card and newsletter in the mail.  There is often so much more to the story.

One musician with a gift for reading between the lines is Grammy award-winning alternative rock singer-songwriter Alanis Morissette who teams up with like minded Academy and Tony award-winning writer Diablo Cody for Jagged Little Pill the Musical in which Cody went on to win a Tony Award for Best Book of a Musical.

Don’t expect to see an Alanis autobiography in Jagged Little Pill, but this ruminating musical rather integrates themes from her songs into a cautionary tale about a family rife with secrets and resentment unavoidably brimming to the surface.

Bobby Atkinson, Dana Sullivan, Todd Merritt and Nikita DaRosa in Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

Under Zoe Bradford and Sally Ashton Forrest’s keen co-direction, Jasmine Dillon’s pulsating and interconnected choreography as well as Robert McDonough’s agile music direction, Company Theatre continues their 46th season with Alanis Morissette’s Jagged Little Pill the Musical live and in person through Sunday, August 16 at The Company Theatre in Norwell, Massachusetts.  It runs approximately two hours and 40 minutes with one intermission and has some mature themes.  Click here for more information, for tickets and here for more information on how you can support the Company Theatre’s Project Stage Restoration.

With music by Alanis Morissette and Glen Ballard, an intimate eight piece orchestra delivers synthetic ballads and searing rhythms led by music director Robert McDonough. The setting is as lively and urgent as the musical’s pacing.  Dean Palmer Jr. rhapsodically illuminates Ryan Barrow’s rolling and fold out house-inspired set while projection designer Jack Gruman artistically brings to life a gritty, skewed and occasionally kaleidoscopic view of a Connecticut suburb.  Gruman enhances a variety of locations including a coffee house, office space, a tumultuous storm window, an array of family photos and fireworks. 

The cast and orchestra of Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

Jagged Little Pill is an intriguing exploration that addresses something that runs rampant in our society.  It is the desire and pressure to be perfect or at least looking that way to others.  The idea did not originate with social media, but it has intensified that desire often to a crippling degree. 

Mary Jane Healy, richly depicted by Dana Sullivan, hides those imperfections in a smug holiday letter alongside the Healy Christmas card, but not ironically, the façade quickly fades in getting to know her seemingly successful family over a one year period. ‘The truth is too hard,’ MJ reflects.

Dana Sullivan and the cast of Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

Many of the ensemble cast members demonstrate a modern Greek chorus observing and occasionally contributing to the plot skillfully taking on multiple roles or acting as the musical’s conscience.  Some of their messages are unmistakable while others are left to interpretation.   Though the musical is set in present day, it boasts a bit of a 90s flair.  From The Who to Talking Heads to AC/DC to Green Day, Kiera O’Connor sets the musical’s edgy tone dressing the young cast in rock-n roll-inspired 90s grunge costumes including black starred stockings, tied flannel shirts and converse sneakers while the adults are adorned in classic and casual chic attire.

The cast of Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

Jagged Little Pill dials into a number of social issues including addictions, isolation, coming of age, LGBTQ, rape, marital strife and more while exploring significant and complex relationships. Sullivan brings savvy and intensity to Mary Jane who is easier to grow frustrated with than a source of sympathy, but Sullivan manages to accomplish both as the plot thickens.  Her exceptional expectations are rooted in trauma, exposing her vulnerability in a stirring version of Smiling and later in a chilling rendition of Uninvited boosted by Claudia McMahon as a spiraling lead dancer among other roles.  Bobby Atkinson skillfully depicts Mary Jane’s son, Nick Healy, making it easy to feel the gravity, mounting pressure and clashing intentions with Sullivan’s Mary Jane. 

Nikita DaRosa (center0 and the cast of Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

 Nikita DeRosa as Frankie Healy and Emma Keane as Jo Taylor are both powerful vocalists delivering a playful duet of Hand in My Pocket.  With tenacity and soaring vocals, Nikita DaRosa as Frankie has no interest in being perfect, but rather longing to be heard.  A passionate activist who was adopted by the Healy family, DaRosa’s Frankie candidly contributes to her family’s reflections in a curt and frank rendition of All I Really Want and an affecting rendition of That I Would be Good with Emma Keane as Jo Taylor and Charlie Solari as mysterious Phoenix.  

Emma Keane and the cast of Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

Though a few of Morissette’s tunes lose some of its bite in musical translation, Morissette’s You Oughta Know never loses its ferocity, especially within Emma Keane’s steely and stellar rendition.

Though Jagged Little Pill tackles its share of somber topics, it also boasts lighthearted humor in an unexpected version of Ironic, an effervescent So Pure and a sweet and mellifluous duet of Head Over Feet. 

Dana Sullivan, Natalie Spear Claudia McMahon and the cast of Company Theatre’s ‘Jagged Little Pill’ Photo courtesy of Zoe Bradford

As a massive Alanis Morissette fan dating back when she was a child actor in Canada, Morissette has been open about her battles with anxiety and depression.  Her struggles infuse a unique depth into her resonating rock anthems which expose hidden truths that can make you angry, bring you to tears or both.  Though I do not have the anger I did when I first heard Morissette’s music, she still presents emerging and ongoing reasons to be frustrated with the world.  Some of the musical’s messages can be a little heavy handed because it tackles so much, but her hopeful takeaway always ring true. Be bold, authentic and speak up for what is right even if it is uncomfortable or less than perfect.

Bobby Atkinson and the cast of Company Theatre’s ‘Jagged Little Pill’

The Company Theatre continues their 46th season with Alanis Morissette’s Jagged Little Pill the Musical live and in person through Sunday, August 16 at the Company Theatre in Norwell, Massachusetts.  Click here for more information, for tickets and here for more information on how you can support the Company Theatre’s Project Stage Restoration.

REVIEW:  The Umbrella Stage Company delivers a bright and uplifting ‘Hairspray’

Posted on by The Sleepless Critic

If only we can all possess Tracy Turnblad’s unwavering optimism and enjoy this much dancing everyday in our own lives, the world may be a little happier.

‘I’ll eat some breakfast and change the world’ is just one of the self-assured declarations that Nora Sullivan makes as tenacious during Good Morning Baltimore while dreaming about dancing on television in 1962 Maryland. Sullivan was also Tracy in Sullivan Rep’s Hairspray last year. 

With glowing, innovative and multi-color television screens and a sparkling curtain in the background, The Umbrella Stage Company lights up The Corny Collins Show’s vinyl record dance floor with catchy beats and a spirited groove in Hairspray: The Broadway Musical, an upbeat 60s romantic musical comedy sure to brighten anyone’s spirits.

The cast of HAIRSPRAY, feat. Lisa Kate Joyce* as Amber Von Tussle, Joshua LaPierre as Corny Collins, and Nick Corsi as Link Larkin Photo by Jim Sabitus *indicates a member of AEA

Boasting exuberant direction and choreography by Najee A. Brown and Jordan Oczkowski’s uplifting music direction, Umbrella Stage Company Hairspray: The Broadway Musical live and in person at the Umbrella Arts Center in Concord, Massachusetts through Sunday, May 17.  This engaging musical comedy delivers bold comical innuendos and runs approximately two hours with one intermission.  Click here for more information and for tickets.

Featuring a large and lively cast, Hairspray has always been an upbeat satire which infuses important messages about body positivity, bullying and racism with a hopeful and bubbly lead that believes anything is possible.  I had a marvelous time and could not help bopping my head several times to the musical’s joyous beat.  Hairspray picks up right away in constant motion as scenes unfold simultaneously on Cameron McEachern’s dual level set.  For example, Good Morning Baltimore unfolds with infectious rhythms and clever staging as Maggie Cavanaugh as Tracy’s best friend Penny and Tracy pour over an authentic retro television set alongside what they are seeing on the screen.

The cast of HAIRSPRAY, feat. Christian David* as Seaweed J. Stubbs in HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.
*indicates a member of AEA

 Big and fluffy standout wigs by Cara Guappone tower over vivid 60s costumes in flowing crinoline with colorful patterns including polka dots, florals, plaids and shimmering gold lamé by Emerald City Theatricals. 

Another highlight is demonstrated in Big Doll House which elevates the comedy and the chemistry between the actors and teen rebellion takes charge as Cavanaugh’s Penny, Lisa Kate Joyce as Amber Von Tussle and Sullivan’s Tracy sound off in vivid intricate lighting by SeifAllah Salotto-Cristobal and sparkling harmony for Mama I’m a Big Girl Now.

Nick Corsi and Nora Sullivan in HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.

Tracy dreams of performing on Baltimore’s teen dance TV show The Corny Collins Show and winning the heart of Link Larkin, a council member and heartthrob singer exhibiting the dreamy excitability of falling in love with Brown’s 360 degree choreography in I Can Hear the Bells.  Sullivan’s jovial performance exudes charm and an imaginative turn of phrase as Tracy’s pretty vocals expel spontaneous shrieks and endearing chuckles during various parts of the production. 

Sullivan’s Tracy gets into ambitious teen high jinks and Maggie Cavanaugh as best friend Penny is gleefully along for the ride.  Boasting hints of Elvis croons and inflections, Nick Corsi portrays heartthrob Link with a mix of openness and charisma while sharing some amusing scenes with Tracy especially for the endearing ballad, It Takes Two.  Christian David is easygoing and suave delivering smooth and distinctive vocals as Seaweed J Stubbs, especially for the catchy number Run and Tell That. With a broad and winsome smile, Joshua Lapierre as Corny Collins certainly lives up to Corny’s name and is shows off his sharp comedic chops while cutting a rug in Nicest Kids in Town. 

Aimee Doherty, Lisa Kate Joyce and the cast of HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.

Brutal, poised and snarky, villainy lives in Aimee Doherty who revels in her role as Velma Von Tussle bathed in ruthless red lighting.  Lisa Kate Joyce as Velma’s coiffed and obnoxious daughter Amber Von Tussle is an appropriate mini-me striding onstage with a flashy smile.  The duo makes an impressively egotistical, calculating, manipulative and often unhinged pair.  Only second to an array of comical tantrums bellowed on a staircase, Joyce is brashly pitch perfect when she exclaims, ‘What happened to the bland and spineless guy I fell in love with?’  Joyce also delivers sharp comedic timing and over the top vocals for Cooties.

Robert Saoud infuses dry humor and a dazzled smile as Tracy’s once aspiring designer mother Edna and Chip Phillips lovably depict Tracy’s plucky and optimistic inventor father Wilbur for a humorous rendition of You’re Timeless to Me. 

Robert Saoud* and Nora Sullivan as Edna and Tracy Turnblad and cast in HAIRSPRAY at The Umbrella Arts Center.
Photo by Jim Sabitus.
*indicates a member of AEA

Whether delivering the playful and bluesy Big Blonde and Beautiful or a moving rendition of I Know Where I’ve Been, Barbara Pierre offers frank, unflappable and soaring vocals as Motormouth Maybelle.  Whether depicting a principal at the end of his proverbial rope, a wild bailiff, gym teacher, a camera shy advertiser or taking control of a TV shoot, Nick Miller and Meryl Galaid manage to make each of their multiple roles amusingly memorable.

Nora Sullivan and the full cast of in HAIRSPRAY at The Umbrella Arts Center in Concord, MA. Photo by Jim Sabitus.

No time but now to see Hairspray:  The Broadway Musical continuing live and in person at Umbrella Arts Center in Concord, Massachusetts through Sunday, May 17.  Click here for more information and for tickets.

REVIEW: SpeakEasy Stage’s ‘Swept Away’ creates light and haunting shadow in impactful rhythms

Posted on by The Sleepless Critic

Paralyzed by the past, one man must share his life-altering recollections of the high seas.

Directed by Jeremy Johnson with pulsating musical direction by Paul S. Katz, music and lyrics by the Avett Brothers and astutely choreographed by Ilyse Robbins, SpeakEasy Stage continues the New England premiere of musical drama, Swept Away live and in person at the Calderwood Pavilion in Boston, Massachusetts through Saturday, May 23.  Based on a true story set in New Bedford, Massachusetts, Swept Away has adult themes and runs approximately 90 minutes with no intermission.  Click here for more information and for tickets.

Peter DiMaggio & ensemble. Photo: Nile Scott Studios

Sailing the high seas can hold as much danger as adventure.  A dynamic group of veteran and inexperienced whalers set sail from New Bedford, Massachusetts on a wooden yacht called The Mignonette. The yacht’s name is based on a real life yacht bound from Southampton, England to Sydney, Australia in 1884 and inspired an album by the Avett Brothers.

Having seen In the Heart of the Sea, a film with some similar themes based on the Essex Maritime Disaster and inspired Herman Melville’s Moby Dick, Swept Away has a lot of jubilant and hopeful moments while it is also based on a horrific true story about survival. While the sweeping harmonies and beautiful lyrics drew me in, the darker themes kept me at bay which left me wondering whether every tale needs to be told.

Max Connor (dark hair) and Bishop Levesque. Photo: Nile Scott Studios

It is joyful and moving, but also chilling and grim.  You should be ready for all of these to witness this musical.

Opposing ideas are at war during this surprising musical drama and includes a number of meaty themes such as duty, faith, trauma, sacrifice, grief, morality, sin, desperation and redemption dwelling within these often jaded whalers.  These themes are not just touched upon, but are the very basis for what happens next. 

Janie E. Howland’s maritime-inspired set includes wooden chests, masts tied in thick rope, ladders and wooden barrels framed by a translucent sail illuminated by kerosene lanterns. Karen Perlow’s vibrant lighting depicts days passing in shades of greens, purples, and blues on the horizon.  Perlow also creates creeping shadows as James Cannon’s haunting sound design demonstrates the rollicking and foreboding sounds of the sea.

Foreground Max Connor (left) and Peter DiMaggio with ensemble. Photo: Nile Scott Studios

It’s natural to wonder what is beyond your backyard and what kind of adventures lies just beyond your reach. Led by Peter DiMaggio who delivers a charismatic, sympathetic, and sinister performance, this enthusiastic cast initially shares a warm camaraderie as they get to know each other.  Little Brother, amiably portrayed with naiveté, wide-eyed tenacity by Max Connor, is determined to become a whaler believing it might be his only chance to see the world.  However, Bishop Levesque as Max’s protective older brother, a pillar of faith and sacrifice, hopes to convince him to come home.

From left: Christopher Chew, Peter DiMaggio, Bishop Levesque, Max Connor. Photo: Nile Scott Studios

Levesque’s Big Brother beliefs clash with Peter DiMaggio as rebellious Mate who has seen and swallowed more than he can bear and wants to wash his hands of responsibility.  They impressively standoff with the cast in a cappella and piano-infused harmony for gospel hymn Lord Lay Your Hand On My Shoulder against the catchy and stomping rhythms of Ain’t No Man.

Christopher Chew as The Captain with ensemble. Photo: Nile Scott Studios

Swept Away boasts stunning harmonies in this folk-rock musical articulated through Robbins’s swift, energetic and organic choreography in every sliding, stomping and clapping rhythm led by skilled aerialist Ezra Quinlan who gracefully glides from what seems to be a main sail.  They leap and sway to the upbeat and guitar-tinged Hard Worker which describes the life of a whaler and Christopher Chew eloquently shares his proud yet weary life as Captain in May it Last. 

Bishop Levesque as Big Brother. Photo: Nile Scott Studios

The Avett Brothers deliver a number of poetic and memorable lyrics such as What more is a rainbow than colors out of reach? and With Your Heart my soul is bound and their riveting rhythms is the pulse of this nautical journey.

Peter DiMaggio as Mate. Photo: Nile Scott Studios

SpeakEasy Stage continues the New England premiere of musical drama, Swept Away live and in person at the Calderwood Pavilion in Boston, Massachusetts through Saturday, May 23.  Click here for more information and for tickets.

REVIEW:  ‘The Outsiders’ musical sure does shine

Posted on by The Sleepless Critic

Tulsa, Oklahoma is divided by the-haves and have-nots in 1967 and that divide is capable of causing a confrontation at the drop of a hat.

The drive-in and literature provide a means of escape for Pony Boy, a 14 year-old Greaser often surrounded by teenage gang violence.  As young as he is, he may be the only one who is asking why.

The cast of ‘The Outsiders’ musical national tour Photo by Matthew Murphy of MurphyMade

Directed meaningfully by Dayna Taymor with Justin Levine’s powerful music direction and Rick and Jeff Kuperman’s slick and athletic choreography, Lexus Broadway in Boston continues the national tour of The Outsiders musical at Citizens Opera House through Sunday, April 12.  This coming of age musical’s action is not limited to the stage and runs 2 hours and 30 minutes with one intermission.  Click here for more information and for tickets and here for the next stop on The Outsiders Musical national tour.

The Outsiders was originally a 1967 novel by S.E. Hinton.  The author oversaw every aspect of the popular 1983 Francis Ford Coppola film adaptation of the same name featuring what was then a promising group of actors that went on to make their own iconic mark in the world.  The film became a popular cult classic with a dynamite cast starring Thomas C. Howell as Pony Boy, Patrick Swayze as Darrell, Ralph Macchio as Johnny, Matt Dillon as Dallas, Rob Lowe as Soda Pop, Emilio Estevez as Two-Bit, Leif Garrett as Bob and Diane Lane as Sherri “Cheri” Valance.  It also first premiered as a stage play in 1990.

The Greasers Photo by Matthew Murphy of MurphyMade

From its building opening folk-rock number Tulsa ’67, The Outsiders musical hits the ground running and it is as thrilling as it is introspective.  Nolan White is an immediately compelling narrator as poetic, sensitive, naïve and bookish Pony Boy.  Pony Boy spends his days escaping the chaos and Tulsa’s gang violence through 60s film icons such as James Dean and Paul Newman, but it is only a matter of time before the violence around him catches up to him.

The national touring cast of ‘The Outsiders’ musical Photo by Matthew Murphy of Matthew Murphy of MurphyMade

Smoke rises over Projection designer Hana S. Kim’s and Sceneographer Tatiana Kehvehgian’s weathered and strategically placed multi-level industrial set.  Peppered with vintage props that effectively rewind the clock such as a teal antenna television, functional Cadillacs that growl to life and a vintage metal-framed wooden table, the surrounding set pieces are brilliantly navigated by the cast into alternating positions, especially grease, wooden planks and cinderblocks which take part in the Kupermans’ slick and athletic choreography.  Grainy film montages creatively and impressively illustrate the stage in unexpected places combined with Brian MacDevitt’s lighting heightening the show’s innate intensity through windswept shadows, flashlights, headlights and a dazzling sunrise.

The Socs of the national touring cast of ‘The Outsiders’ musical Photo by Matthew Murphy of MurphyMade

Outstanding harmonies within Great Expectations, I Could Talk to You All Night, Grease Got a Hold, Run Run Brother and Throwing in the Towel, and Stay Gold is just a few of the mellifluous numbers in this guitar-tinged folk and roots rock score.  The Outsiders tackle privilege, bullying, gang and domestic violence, grief and loss.  It also delves into brotherhood, family, friendship and more prevalently, yearning to be understood and the dream of a better life. 

The captivating cast share natural camaraderie amongst the two gangs punctuated by the performances of Tyler Jordan Wesley as wildly unpredictable Dallas and Travis Roy Rogers as reliable Darrell.  Wesley hits all the right notes with Little Brother while Darrell’s resentment, self righteousness, worries and distress are encapsulated in the numbers Runs in the Family and Soda’s Letter.

The national touring cast of ‘The Outsiders’ musical Photo by Matthew Murphy of MurphyMade

Life can change on a dime and the mesmerizing manner in which they are presented are one of the greatest aspects of this amazing musical as well as how beautifully this musical brings out Hinson’s work about innocence and struggle in a remarkably new, unique and fitting manner.

This musical sure does shine.

Lexus Broadway in Boston continues the national tour of The Outsiders musical at Citizens Opera House in Boston, Massachusetts through Sunday, April 12.  Click here for more information and for tickets and here for the next stop on The Outsiders Musical national tour.

REVIEW:  Thoughts set adrift and a lady waiting in Lyric Stage’s humorous and ruminating new musical, ‘Penelope’

Posted on by The Sleepless Critic

So many questions lie in an uncertain future.

Waiting can make you antsy, edgy, and frustrated while fluctuating between hope, anticipation and dread.  No one knows waiting quite like Penelope from Homer’s epic work, The Odyssey.  From a Cliffside island abode, Penelope waits for years for her husband to come home after the Trojan War with no idea of what’s ahead.  However, boasting an eclectic mix of catchy, playful, melancholy and soothing songs, thoughts travel even when the body does not and a lot can happen even while the world is still.

Directed with introspection by Courtney O’Connor with eclectic music direction by Dan Rodriguez, Lyric Stage presents Alex Bechtel’s new musical, Penelope live and in person at Lyric Stage Company in Boston, Massachusetts through Sunday, March 1.  This stirring and semi-interactive one woman cabaret style production contains adult language and runs 80 minutes with no intermission.  Click here for more information and for tickets.

Aimee Doherty in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

Homer’s The Odyssey is considered one of the most influential and most read mythological works of all time and has been getting particular attention lately.  American Repertory Theater debuted Kate Hamill’s The Odyssey last year and this summer, Matt Damon leads an all star cast in Christopher Nolan’s new adaptation of The Odyssey.  The Odyssey explores several significant themes including war, temptation, survival, and redemption, but it is not necessary to refresh yourself on Homer’s work to appreciate this musical.  Its focus is less on the plot and its exclusive focus is on Penelope’s perspective, Odysseus’s clever, steadfast, and powerful wife who holds onto hope for Odysseus’s return while touching upon a few themes from Homer’s classic work.  Penelope also explores the relatable nature of waiting and looking for answers while facing an unknown future.

Ethan Wood, Dan Rodriguez, Aimee Doherty, Kett Lee in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

Illuminated in warm pastels and elegant and detailed oceanic ripples by Karen Perlow, Janie E. Howland’s wooden, wicker and stone set has certainly created a beautiful and inviting sanctuary for Aimee Doherty as Penelope in her Ithaca Cliffside abode in vibrant teal adornments.  Mikayla Reid’s breezy costumes further captures the musical’s carefree Grecian façade with the onstage orchestra adorned all in white and Doherty stands out in a flowing burgundy jumpsuit.  The manner in which the intimate orchestra take the stage accompanied by Alex Berg’s soothing and sweeping sound design provides comfort and solace and Doherty’s occasional interactions with them feel more like a collaboration than exclusively a one woman musical. 

Aimee Doherty, Ethan Wood, Dan Rodriguez in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

However, Penelope’s heavy heart has much to consider in deep reflection in her soaring vocals as she waits for her husband’s homecoming. This musical takes its time, but in a gradual unfolding without dragging.  Every moment builds with care.  Doherty’s Penelope is clever, frank, graceful, charming and is all too aware of her place in the world in the Bronze Age, even with the show’s contemporary flair.  She remarkably evokes her thoughts and a myriad of complex emotions while quietly inviting you on this journey.  Doherty’s tense stillness, quiet anticipation, vulnerability and stark loneliness are palpable as her eyes flicker and in a jolting movement, her feelings may sweep over you as well.

Marissa Licata, Aimee Doherty, Dan Rodriguez, Ethan Wood in Lyric Stage’s ‘Penelope’ Photo by Nile Hawver/Nile Scott

As much as the musical is about the anguish of waiting and suffering as depicted in the frustrating Prayer and poignant number Lose My Mind, Penelope also provides its share of raw and humorous moments in both dialogue and song as demonstrated in the cheeky Drunk Iliad.  Funny, soothing, and earnest, Penelope unveils the wonder of the ordinary even if the waiting is the hardest part.

Directed with introspection by Courtney O’Connor with eclectic music direction by Dan Rodriguez, Lyric Stage presents Alex Bechtel’s new musical, Penelope live and in person at Lyric Stage Company in Boston, Massachusetts through Sunday, March 1. Click here for more information and for tickets.

REVIEW: An amusing battle of wits at Hive Theatre Company’s ‘The 25th Annual Putnam County Spelling Bee’

Posted on by The Sleepless Critic

It can be a strange form of intellectual entertainment. 

The contestants range from excitable to anxious to charismatic while braving through the pressure to succeed.  With spell check just a click away, knowing how to spell complex words such as Xanthosis, Autochthonous, or Logorrhea almost seems like an archaic practice.  However, Scripps National Spelling Bees are seen all over the world and like any competition, plenty of drama is happening behind the scenes. 

Smoothly directed and choreographed by Margaret McFadden with John Eldridge’s witty music direction, The Hive Theatre Company dives into an interesting match of wits with the award-winning musical comedy, The 25th Annual Putnam County Spelling Bee continuing live and in person through Sunday, February 1 at BCA Plaza Theatre at Boston Center for the Arts in Boston, Massachusetts.  This semi-interactive production runs 1 hour and 45 minutes with one intermission and contains some adult humor.  Click here for more information and for tickets.

The cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Based on a book by Rachel Sheinkin and William Finn and featuring playful and insightful songs from its Grammy award-nominated album such as I’m Not That Smart, Pandemonium, and I Speak Six Languages, The 25th Annual Putnam County Spelling Bee explores the lives of quirky and feverishly ambitious Putnam Valley Middle School students who are not only striving to win the bee, but to find their place in the world.

Alex Kennedy and the cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Featuring a live four piece band in the background, the BCA Plaza Theatre offers a fitting scholastic vibe for a spelling bee.  Kevin Deane Parker’s modestly staged set features a blue school door, colorful metal chairs and auditorium seating.  No spelling bee should be without a sponsor and Putnam Optometrists have stepped in with a humorous slogan across the judge’s table.  Samantha Wolfrum’s wild and eccentrically charming costumes illustrate each character’s distinctive qualities.

Before addressing each one of the improvisational wizards that compete in Hive Theatre Company’s production of The 25th Annual Putnam County Spelling Bee, it is important to note that the audience plays their own part in the bee.  This small cast makes a big impression, and this zany musical comedy tests the audience’s knowledge as four lucky guest volunteer spellers have the honor of taking the stage to compete with the cast.  It is an amazing experience to be a guest speller as the cast keeps them on their toes all in good fun. 

Amanda Wade and Cameron Nye in cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

If offered this opportunity, do not let fear and the unknown override a wonderful chance to join in the excitement of the bee along with the outside possibility of getting serenaded by some real talent.  The interactive antics are just part of what makes this improvisational musical comedy unique and doused in a bit of the “reality show” flavor.  Each performance of The 25th Annual Putnam County Spelling Bee leaves its own individual and lasting impression.

From caricature voices to bizarre antics, this spelling bee cast leans into and emphasizes character quirks much more than endearing qualities than other version I have seen while relishing in their own various idiosyncrasies.  To these students, spelling can be ruthless and punishing and are certainly feeling the pressure.  Full of anxiety and neurotic awkwardness, each adolescent has their own humorous ways of coping to achieve a win paired with the difficulties of growing up.  Learning each speller’s story and why they are participating in the Putnam County Spelling Bee (and needs a win) can be insightful, comical, and moving.

Salvatore Guillermo Garcia, Amanda Wade and Maya Gopalswamy in The Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Running the Bee is Amanda Wade as Rona Lisa Peretti, former winner of Putnam’s Spelling Bee.  Peppy, orderly, and with polished vocals, Wade doles out fun facts about the contestants with palpable enthusiasm especially during the excitable number, Rona Moment #1.  She and Josh Telepman as Vice Principal Douglas Panch are responsible for quite a few clever one liners during the show, feeding off each other’s varied personalities. 

Anna Wright and Salvatore Guillermo Garcia in cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Salvatore Guillermo Garcia is impressive as intense, firm, but sensitive Mitch Mahoney who hands out cure-all juice boxes to eliminated contestants as he supervises the competition.

Maya Golalswamy and Kaden Mays in Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

Outlandish and peculiar, the remarkable spellers play well off each other and boast particular chemistry and harmony during the numbers, Pandemonium, My Friend, the Dictionary, and Magic Foot which fittingly features a kick line.  Maya Gapalswamy as Olive and Kayden Mays as William display some awkwardly cute chemistry.  Gapalswamy as hesitant and sweet Olive Ostrovsky is also sympathetic in a stirring rendition of The I Love You Song with Amanda Wade and Salvatore Guillermo Garcia.  Anna Wright as Logainne Schwartzandgrubenniere, an anxiously outspoken bright-eyed girl in braids with a lisp forlornly laments Whoa is Me and Alex Kennedy is memorable as Leaf Coneybear, an intense, wildly dressed savant in a cape and bow tie while Cameron Nye has more than spelling on his mind as shy and daydreaming Chip Tolentino.  Ashley Ha is ironically charismatic as socially awkward and rigid perfectionist Marcy Park especially for the athletic number, I Speak Six Languages.

Kaden Mays (center) and the cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

In a tricky environment where so much rides on improvisation, the cast navigates their characters while gliding through any challenging circumstances.  The show inserts a few interesting pop references and contemporary issues into this timeless musical comedy.  Some elevate the comedy while others seem out of place.  Overall, The Hive Theatre Company’s musical comedy, The 25th Annual Putnam County Spelling Bee is a clever and original musical production that may just leave the audience feeling a little smarter.

The cast of Hive Theatre Company’s ‘The 15th Annual Putnam County Spelling Bee’ Photo credit to Margaret McFadden

The Hive Theatre Company continues musical comedy, The 25th Annual Putnam County Spelling Bee continuing live and in person through Sunday, February 1 at BCA Plaza Theatre at Boston Center for the Arts in Boston, Massachusetts.  Click here for more information and for tickets.

REVIEW:  Adam Theater’s whimsical ‘Library Lion’ sings and wonderfully inspires

Posted on by The Sleepless Critic

“A book’s cover is like a big door.”

As an avid bibliophile, this significant quote from Library Lion could not ring more true.  Extraordinary things do happen when you read.

One of the big doors that unleash a limitless imagination is the library.  Unlike streaming, movies or television, a book is a movie for your mind and Library Lion, one of Time Magazine’s top 100 Children’s books, highlights the joys of reading and what to expect at the library until someone unexpected arrives.

Wisely directed by Ran Bechor with impactful music by Yoni Rechtor and dynamic music direction by Tomer Sne, Adam Theater continues Michelle Knudsen’s Library Lion live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, January 25.  This enchanting, semi-interactive, and family-friendly musical play is not limited to the stage and runs approximately one hour and 10 minutes with no intermission.  Click here for more information and for tickets.

The full cast of Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studios

The commotion is electric among this youthful crowd anticipating what is about to take place onstage. Whether young or old, this charming musical production does not disappoint. Books and other set pieces come to life in subtle, yet charming special effects refreshingly crafted with limited use of CGI or sophisticated digital screens.

Cast members from Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Unveiling Cameron Anderson’s stunning multicolor and vibrant, multilayered rolling set, Library Lion features an exuberant cast which includes a realistic lion puppet created by Jim Hensen’s Creature Shop waltzing to Irene Wang’s mischievous and playful sound design.  In striped garments, a puppetry trio which includes Sophie Kauffman, Sydney Grant and Sarah Nolen directed by Kate Brehm, operate and deliver a beautifully stylized lion portrayal from its powerful roars to its intricately blinking big blue eyes adorned with a multi-toned mane.

Puppeteers Sophie Kauffman, Sydney Grant and Sarah Nolen from Adam Theater’s production of LIBRARY LION. Photo by Nile Scott Studio

Eli Bijaoui’s clever and occasionally rhyming dialogue and simple, yet catchy songs by an intimate, three piece orchestra are well paced and mostly jovial as Jayden Declet as precocious Michelle and Aaron Mancaniello as reserved Kevin discover the wonders and virtues of the library with the help of Janis Hudson as charismatic and practical Ms. Merriweather, Robert Saoud as moody yet endearing Mr. McBee, and Clara Hevia as a lively yet frenzied storyteller.

l.-r. Janis Hudson, Jayden Declet and Ken Crossman in Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Declet and Mancaniello share an easy rapport and start some minor chaos as they venture through the library’s doors as a clock is perpetually set to when the library opens at 9AM.  In a distinctive velvet coat and bowtie, Saoud is wonderful as Mr. McBee in a sympathetic depiction of a librarian who sticks by the rules but longs for something more. In a flowing floral dress, a pleasant voiced Janis Hudson depicts Ms. Merriweather with a breezy practicality and in this performance, more than a passing resemblance to Laura Linney.  It is amazing how Hudson slips into characters with such finesse.  Hevia rounds out the cast with quirky style and unique energy as the library’s storyteller.

Janis Hudson as Mrs. Merriweather confronts the Lion in Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studios

You don’t need to be familiar with the pop culture references or books to enjoy this production, but you may wish to revisit or read them for the first time when they are introduced into the story.

The library is a treasured sanctuary for many reasons and the Library Lion sings its well deserved praises where you can occasionally sing-along.  Library Lion offers much more than life lessons, but delivers a compassionate and imaginative storyline that does not come off as preachy or condescending.  It offers humor, silliness and heart that will keep children engaged and at one point, brings the audience right into the story.  I say that is time well spent.

Cast members from Adam Theater’s 2025 production of LIBRARY LION. Photo by Nile Scott Studio

Adam Theater continues Library Lion live and in person at the Calderwood Pavilion in Boston, Massachusetts through Sunday, January 25.  Click here for more information and for tickets.