musicals | The Sleepless Critic

REVIEW: Christmas Revels 50th virtual anniversary delivers mirth, merriment, and reflection

Posted on December 29, 2020 by The Sleepless Critic

For what marks its 50^th year, Christmas Revels has been entertaining audiences by delving into vast cultures and recreating historical moments and holiday traditions with drama, dance, humor, and song. Christmas Revels made its debut in 1971 and though it is limited to the screen this year, this engaging production brought a mix of new material while glimpsing some of their best performances in their long history.

Father Christmas makes an appearance in The Christmas Revels annual “Mummers Play” Photo courtesy of Revels

Having never seen Christmas Revels before, it was a lot to take in and quite a feat to encapsulate the best moments in such a broad time frame. Catching glimpses of some of their special guests, returning favorites, and new faces was an innovative way to recap a half century of productions, but it also had me longing to see more, especially as I glimpsed some of their best, most enduring performances.

Christmas Revels is still available to stream on-demand through Thursday, December 31. Click here for more information and how to support future Revels productions. The 50^th Anniversary of Christmas Revels is also available as a 2-CD set. Click here for more information.

Statues: Paula Plum as James Otis and Richard Snee as Josiah Quincy Photo courtesy of Revels

Harvard University’s Sanders Theatre is as majestic and welcoming as ever even as it fills for a virtual audience. The dark, wooden stage is softly-lit with two stately, marble Greek statues sitting on each end as a grand, dimly-lit bronze chandelier floats overhead. Hosted by acting dynamos Paula Plum and Richard Snee as James Otis and Josiah Quincy who were immortalized as those legendary statues on the Harvard University stage and the only souls who have seen every Revels performance and then some, Christmas Revels blends humor, stirring moments, and a wistful trip down memory lane to witness some of Revels’ earliest performances as it gradually became what it is today.

From humorous moments to joyful carols such as 1984’s Yorkshire Here We Come A Wassailing, Go Tell it On the Mountain with Janice Allen and Joy to the World featuring choruses from Christmas past and virtual Christmas present, and a serene Dona Nobis Pacem featuring renowned cellist Yo-Yo Ma, Christmas Revels does not predictably explore its past in sequence, but in clever moments such as merging a past and more recent performance of a song by various performers, setting a different tone to its enduring meaning.

Yo-Yo Ma with Audience: Cellist Yo-Yo Ma performs the peace round “Dona Nobis Pacem” with members of the Revels Virtual Audience Photo courtesy of Revels

One of the best and most exciting examples of this was in 1997’s and 2015’s Lord of the Dance featuring David Coffin, Neena Gulati, and Patrick Swanson as they explored eastern and western Hindu traditions. Audience members were on their feet as enthusiastic performers led audience members to spill out into the Sanders Theatre’s lobby singing along. 1993’s Kukko dance featuring the Karelian Folk Ensemble stood out as one of the more exotic cultures while 1997’s Niska Banja featuring the Revels Women, New England Romanian Ensemble, and Cambridge Symphonic Brass Ensemble revealed beautiful and distinctive garb. 2007’s Shopsko, choreographed by Petre Petrov with Mladost Folk Ensemble, The Village Band, and Cambridge Symphonic Brass Ensemble offered memorable upbeat and bustling Bulgarian dance.

Johnny Nichols, Jr. and Carolyn Saxon perform the spiritual “Hold On” in a segment linked to Maya Angelou’s poem “Still I Rise”, exploring the ongoing journey towards justice and equality Photo courtesy of Revels

Janice Allen and the Silver Leaf Gospel Singers took the stage in 2000 for a stunning, acapella version of Amazing Grace while 1986’s impressive Appalachian Clogging with Ira Bernstein and the Big Gap String Band and Jean Ritchie delivered a captivating Kentucky folk carol, Christ Was Born in Bethlehem. Another indelible moment rested in a powerful medley of 2000’s Underground Railroad featuring Sheila Kay Adams and Janice Allen, Jordan Ashwood, and Cyrus Brooks, Silver Leaf Gospel Singers, Roaring Gap Chorus, Rocky River Children, Carolyn Saxon, and Johnny Nichols, Jr.

Christmas Revels’ ever changing repertoire is too numerous to mention every highlight, but there are plenty of surprises.

The detailed, rustic sets and the meaningful, meticulous costumes ranged from festive to humorous to haunting. It was marvelous to witness the virtual technology that was such a big part of this production. The virtual choir delivered moving, crisp carols and seeing the creators including founder John Langstaff and Revels Directors Patrick Swanson and George Emlen united in present time without actually being onstage provided some comfort that technology can still make some things possible.

Christmas Revels is still available to stream on-demand through Thursday, December 31. Click here for more information and how to support future Revels productions. Click here for more information on The 50^th Anniversary of Christmas Revels available as a 2-CD set.

REVIEW: Reagle Music Theatre of Greater Boston captures virtual musical magic with ‘Entr’acte’

Posted on July 14, 2020 by The Sleepless Critic

Like many of us, I miss theatre.

When not working on the next house project, the last few months have brought many opportunities as an avid television and film fan to stream from home. From Knives Out to the Netflix hit, To All the Boys I’ve Loved Before, settling into the living room has been convenient and strongly advised.

However, theatre belongs in a separate category. It’s not only the buzz of anticipation from an exhilarated crowd as the lights dim, but live theatre begins a journey into a different world upon a unique and dynamic stage as I let the new setting settle into my psyche. Whatever may come of theatre over the next months or year, a live venue and the slow murmur as the curtain goes up has become more valuable to me than it ever has before.

Theatre has survived everything in history from World Wars to disasters to pandemics. It has transformed and overcome every obstacle it has faced. This time will be no different. Ah, but that glorious feeling.

In the meantime, virtual streaming broadcasts have made their way to center screen. New content seems to be popping up every day from theatre to music groups that are hoping to keep things afloat and longing to perform for an audience – even if it is one they cannot hear or see. Some are short, some are interactive, and some don’t translate well. Virtual award shows have also popped up in the last few months.

Perhaps I’m feeling more nostalgic than usual because each summer, Reagle Music Theatre of Greater Boston sets the stage for a trio of summer musicals ranging from classic to contemporary. This time last year, Sleepless Critic reviewed Reagle Music Theatre of Greater Boston’s musical classic, The Sound of Music. It was a glorious production flanked with sprawling sets and an enchanting cast that left you humming the timeless soundtrack long after the show’s moving finale. Click here for the full review.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children

A few of The Sound of Music’s promising talent lent their voices to Reagle Music Theatre of Greater Boston’s live, theatrical fundraiser Entr’acte that premiered on Sunday, June 28 and is still available on Reagle’s website. Hosted by Reagle veterans JT Turner and Mark Linehan and directed by Marisa Diamond, Reagle Music Theatre of Greater Boston lifted the virtual curtain and offered a glimpse of summer musical magic featuring a showcase of musical favorites, familiar local and renowned talent, and some interactive fun while delving into Reagle’s rich history.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

Among the many highlights were Jennifer Ellis who reprised her award-winning role in My Fair Lady with a soaring, blissful rendition of I Could Have Danced All Night. The Von Trapp children from The Sound of Music delivered their own number and youth performer Kimora Yancey delivered a powerful rendition of I Know Where I’ve Been from Hairspray. Pier Lamia Porter, who has been doing her own wonderful charity work for Covid 19, also shared her flourishing vocals for If I Loved You from Carousel, Reagle’s premiere musical in 1969. Scott Wahle brought his usual charisma for Music Man’s 76 Trombones, Leigh Barrett reprised her role for It’s Today from Mame, and Dwayne Mitchell sang, I am What I Am from last year’s La Cage Aux Folles. Found Robert Eagle also shared some of Reagle’s vivid history.

Reagle Music Theatre Entracte performers

Reagle Music Theatre of Greater Boston’s ‘Entr’acte’ performers Photo courtesy of Reagle Music Theatre of Greater Boston

Beloved musical duo Sarah Pfisterer and Rick Hilsabeck were among the many presenters that popped up during the musical benefit.

Rick Hilsabeck and Sarah Pfisterer Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre recently celebrated its 50^th season and Sleepless Critic has cheered their outstanding work for musicals over the years such as Joseph and the Amazing Technicolor Dreamcoat, La Cage Aux Folles, Wonderful Town, Me and My Girl, and their annual show, ChristmasTime, which has become a traditional favorite. Without these musical productions though the summer season and the live shows they put on throughout the year, Reagle needs support in order to keep going.

Virtually, they are all singing to that man, woman, or child behind the computer screen, phone, or on television. While this is flattering, it also makes me a bit sad. I miss hearing them sing while I quietly sing along, upstaging my performance in every way. How I have missed most steps in the dance…but can’t see their feet.

From the heart thumping 42nd Street to the cool cats in Guys and Dolls to Singin’ in the Rain to their annual, stunning production of ChristmasTime, their shows must simply go on and spark another 50 years.

Click here for more on Reagle Music Theatre of Greater Boston located at 617 Lexington Street in Waltham, Massachusetts. Their virtual youth theatre workshops are happening now and their second workshop session will start on July 20.

Take a look at Company Theatre’s new logo as co-founder Zoe Bradford discusses the Company Theatre’s exciting future

Posted on January 12, 2020 by The Sleepless Critic

The Company Theatre is kicking off 2020 with a new look.

Not only are they starting a fun-filled new season that includes The Who’s Tommy, Bring it On, Rock of Ages, and Fun Home, but they recently unveiled their new logo. Click here to see their new logo.

Sleepless Critic had a chance to interview Zoe Bradford about the Company Theatre’s upcoming projects, their vision for the future, and even walked away with some good advice. Click here for the full list the Company Theatre’s 2020 season.

Company Theatre co-founders Jordie Saucerman and Zoe Bradford, courtesy of Company Theatre

Sleepless Critic: Congratulations on Company Theatre’s recent 40^th anniversary. So much has happened in the last few years from the upgraded, painted theatre with new seating to new, original productions. Please tell me more about that.

Zoe Bradford: Now that the theatre is beautiful, we’re envisioning the potential of our outdoor property. We’ve done a lot with Academy of the Company Theatre (A.C.T.) with an expanded outdoor stage and new pavilion. We have a growing summer program that has been at full capacity. Not only do we need more space and with everybody addicted to their screens, I believe in getting kids outside. We have a path to the pond front and we’ve held classes there for water coloring and creative writing.

A group of past A.C.T. students Photo courtesy of The Company Theatre

Freedom for creative expression has been the key for me, so I know it is the key for them. It’s why I desperately wanted my own theatre and thank God it happened. It’s not stimulating to work in the confines of another person’s building or organization. That’s one of the draws here.

SC: You once said you chose popular shows that sell, but in the last few years, The Company Theatre has been delving into uncharted waters a bit with musicals such as Carrie the Musical, Lizzie Borden, and American Idiot.

ZB: It’s financially difficult to do that, but we are trying to give the young people what they want. Lizzie Borden went well because people love local history and some said they have been to her house. It’s a gruesome tale, but it was also a nice psychological thriller.

We changed how we choose our shows a little, but we still have to please our general audience and offer something for the family, something mature, and our team knows their demographic well and what will be successful.

I’m passionate about big musicals and there’s nothing like the thrill of a live orchestra. People in the professional theatre world, mentors, and colleagues say they will put eight pieces in here and do a lot of synthetic and prerecord. You can make a lot of money that way, but we can’t do that. Michael Joseph said that is standard while he was here and we’ve maintained it.

SC: What shows do you still dream of doing?

ZB: I’d love to do Wicked, The Hunchback of Notre Dame, and I’m also waiting to do Mamma Mia! We’ll get to it. It’s all about rights and I’m sure there are new shows coming out that I’d love to get my hands on.

As a non-profit, whatever comes in has to support what we are doing and help us be self-sustaining. Grants, gifts, and tax deductible donations are the key. We have better opportunities for community support such as new packages for corporate sponsorship due to having higher end computer capabilities, a better website, and a ticketing service that allows people who wish to support us to advertise.

SC: What has been your most challenging musical?

ZB: The Wizard of Oz because the movie is a masterpiece and any derivation from the film would be a disappointment for those who truly love it. People would fight me on that, but if you take on The Wiz, you can do what you want because no one has a preset notion of it.

Company Theatre’s ‘The Wiz’ auditions will be held on January 22. Photo courtesy of the Company Theatre

SC: The Wiz is also part of Company Theatre’s 2020 season. What advice would you give someone taking on a business in theatre or similar?

ZB: It’s highly competitive. Know your vision, don’t give up, and try to think of something that someone else hasn’t already thought of. Be fresh and original when you can and make sure people know of your existence without being obnoxious about it. We still struggle with it. Some people say they didn’t know a theatre is here.

SC: What do you envision for the Company Theatre’s future?

ZB: We have to keep growing and we set up the Legacy Fund. Our money rolls in and out with the tide as any non-profit would, but we’re actively fundraising to ensure another 40 years and beyond.

For over ten years, I’ve wanted to design a new logo. I remember sitting at a little drafting table back in the 70s and hand drew it when we didn’t have any money or resources.

With art being cut in classrooms and attending theatre in Boston can be so expensive, we’re looking to keep this going so it’s accessible for everyone and expand. I can see us taking on more property and A.C.T. quadrupling over the next ten years. We’re not a community theatre anymore, but a year round professional and we’ll evolve again. We provide many jobs for people, but the other part of my vision is to create more jobs for artisans in the area. The more people that are working and inspiring people, the better.

Photo courtesy of the Company Theatre

The Company Theatre kicks off their 2020 season with A.C.T’s The Who’s Tommy from January 17 through January 26. Click here for tickets and here for more on Company Theatre’s 2020 season. You can also get tickets by calling the box office at 781-871-2787. Located at 30 Accord Park Drive in Norwell, Massachusetts, click here for how to support the Company Theatre and be sure to follow them on Facebook, Twitter, and Instagram.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

REVIEW: Little Theatre of Stoughton’s ‘Anything Goes’ a zany musical comedy on the high seas

Posted on August 31, 2019 by The Sleepless Critic

The Little Theatre of Stoughton showed off its sea legs with Cole Porter’s musical comedy classic, ‘Anything Goes’ that ran one weekend and concluded on Sunday, August 18 at Stetson Hall in Randolph, Massachusetts. Directed and choreographed by Christina Maggio with music direction by Jesse Alling, this Tony Award-winning musical boasted a number of legendary composer Cole Porter’s hit songs while revealing a high seas tale of mistaken identity, lurking gangsters, and complicated romance. Click here for more on the Little Theatre of Stoughton and check back for their upcoming events.

It was a lively, cheering crowd that greeted the cast in the final performance of this show, offering a short applause as each main character first took the stage. Having never seen a production of ‘Anything Goes’ before, it was surprising to see just how many Cole Porter classics came from this 1934 musical. You’re the Top, Let’s Misbehave, I Get a Kick Out of You, De-lovely, and the title track are just a few of the American Standards that have been covered by contemporary music artists and live on today.

Little Theatre of Stoughton Anything Goes aboard the ship

Nate Haywood as Billy Crocker (bottom center) and cast Photo courtesy of the Little Theatre of Stoughton

‘Anything Goes’ could very well have also inspired the 1977 television show, The Love Boat because comedy and complex romance runs amok on the SS American where Nate Haywood as Billy Crocker will do virtually anything for a laugh. Earnest, charming, and complex, Haywood was well-fitted for the role as a man of many faces who wore many hats.

The show has its share of silly moments and Haywood’s scenes with Will Candler as boisterous and demanding Mr. Whitney prompted more than a few laughs. Haywood’a agile vocals struck a few beautiful harmonies with romantic, optimistic, and forthright Hope, portrayed by Sarah Palmer, a lovely high soprano.

Little Theatre of Stoughton Anything Goes Hope, Billy, and Angels

Sarah Palmer as Hope Harcourt and Nate Haywood as Billy Crocker Photo courtesy of Mikayla Williams Photography/Little Theatre of Stoughton

Haywood’s vocals were also a great match for Stephanie Wallace’s charismatic and clever nightclub singer Reno during the sweet and playful number, You’re the Top. Wallace was exemplary as Reno, whether solo or accompanied by her elegant Angels, portrayed by Abigail Merchant, Caroline Tobin, Isabelle O’Connor, and Kelli Neville who were all dressed in bold, vintage gowns. Wallace’s smooth and soulful vocals soared through a spirited I Get a Kick out of You and a cheeky version of Let’s Misbehave accompanied by Matt Maggio’s seemingly stuffy, proper, and amusing Sir Evelyn Oakley. Both Maggio and Wallace have wonderful comic timing and playful chemistry.

Little Theatre of Stoughton Anything Goes Hope, Billy and the cast

Sarah Palmer as Hope Harcourt, Nate Haywood as Billy Crocker, and the Reno’s Angels Photo courtesy of Little Theatre of Stoughton

With a squeaky high voice and party-loving ways, Whitney Lloyd as Bonnie and Kevin Fortin as smarmy, cool headed Moonface make a great, albeit a bit clichéd pair.

With captivating choreography by Christina Maggio, this bustling musical certainly showed off its sea legs for a few showstopping dance numbers including a dazzling, adrenaline-soaked tap routine during the title track, Anything Goes. From there, the choreography certainly hit next level status with the spinning and lively number Blow Gabriel Blow and lighthearted Heaven Hop.

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The Little Theatre of Stoughton will soon announce its 62nd season. Click here for more on the Little Theatre of Stoughton and get their latest updates on Facebook.

REVIEW: Multi-talented Hugh Jackman wows at the TD Garden

Posted on July 14, 2019 by The Sleepless Critic

Is multi-talented Hugh Jackman better on film or onstage?

Is it worth seeing him when he comes back to Boston? Is he the Greatest Showman?

One thing is certain – Hugh Jackman is the genuine article.

Some actors who decide to go on tour put on self-indulgent shows of their history in show business and share their general musings about life to promote their next album or film. They might even sing a song or two. However, outside the studio, they can’t really sing or dance. People cheer, even if the show isn’t what they were expecting, but they remember that guy in that film or show who was so great in those roles, and that is enough.

Hugh is one talented guy. He is a Tony, Emmy, and Grammy award-winner as well as a Golden Globe and Academy Award-nominee. He has also been on the other side of acting as host of the Academy and Tony Awards. For his 50th birthday, he wished to go on a world-wide tour.

Hugh Jackman’s ‘The Man. The Music. The Show’ will continue through October 20, 2019. Click here for show dates. He’ll also return to Boston’s TD Garden for one more performance on Tuesday, October 1.

Photo credit to Hugh Jackman The Show

The morning of Hugh’s appearance on Thursday, June 27 at the TD Garden, Hugh Jackman made a surprise appearance serving coffee from a coffee truck in Boston to promote his charity work with ‘The Laughing Man Cafe and Foundation.’ A loyal Bruins fan, he called performing in Boston one of his big dreams.

As superhero Wolverine (in which he demonstrated an onstage pose or two), he showed his dynamic range. Decked out at first in a white tux, he ran the gamut of styles from flashy costumes to more casual attire with no ringleader costume in sight. Though he reminisced about his career with a realistic look at his dogged pursuit to find success as an actor, he seemed like a humble, funny, and approachable guy.

A family friendly show, he kept the crowd moving with a broad range of music. From reaching into an old school vibe with selections such as I’ve Got Rhythm and Mac the Knife to tap dancing to AC/DC to performing a vast selection of musical theatre including lighting up the stage with selections from ‘The Greatest Showman,’ the show had a universal appeal though especially tailored for the theatre buff. He joined Kaley McKnight onstage to perform a stunning, powerful rendition of This is Me and a sweeping ‘Les Miserables‘ medley. He also joined members of the Boston Children’s Chorus for a stirring rendition of You Will Be Found from the hit musical, ‘Dear Evan Hansen.’

Hugh Jackman at TD Garden in Boston, Massachusetts Photo courtesy of Jeanne Denizard

The second half of the show did not outdo the first, but he demonstrated his range further in the second. It actually became a bit trippy during his ode to his Australian idol, Peter Allen in which Hugh won a Tony Award for his portrayal as Peter in ‘The Boy From Oz.’ Peter was not only known for songs such as Don’t Cry Out Loud and Arthur’s Theme, but for his over-the-top stage performances. He also welcomed the audience into his native Australia by recreating the outback, claiming it as one of his most out-of-this-world experiences he has ever had.

So, to answer those questions, I prefer Hugh in his epic films, but he is undeniably a wonderful performer. The very best is a lot to ask, but his dynamic range is truly great and worth watching on tour or when he returns to Boston in October. You will no doubt recognize the sheer talent that he has developed over decades of being a singer, a dancer, theater actor, movie star, and a hero.

REVIEW: Company Theatre’s ‘Paragon Park the Musical’ is one amazing ride

Posted on July 8, 2019 by The Sleepless Critic

The Company Theatre is reprising their original, award-winning production of ‘Paragon Park the Musical‘ to cap off their 40th season from Friday, July 26 through Sunday, August 18 with a VIP reception taking place on Saturday July 27. Winner of the Moss Hart Award in 2012 for Best New England Production, ‘Paragon Park the Musical’ returns with a new cast including Michael Hammond as George A. Dodge and some returning cast members.

A portion of the proceeds from the tickets will be donated to the beloved Paragon Carousel. Performances will take place at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts. Tickets are selling fast. Click here for more information and how to get tickets and here about the Paragon Park VIP reception.

Click here for a clip of the original production. Here is what the Sleepless Critic had to say about this production when it first debuted onstage in Summer 2012…

As the dazzling chandelier is to the musical, ‘Phantom of the Opera’ or a certain symbolic revolving stage is to ‘Les Miserables,’ the original, historic carousel used in the Company Theatre’s exciting production of ‘Paragon Park the Musical’ exudes its own brand of theatre magic. It serves as a pulsing centerpiece into creator George A. Dodge’s timeless imagination as well as the depth and delight of what made children and adults embrace that revolutionary park in Hull, Massachusetts for nearly 80 years and beyond.

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‘Paragon Park the Musical’ is an original production by Company Theatre co-founder Zoe Bradford and director Michael Hammond with lyrics and music by composer Adam Brooks. Performances continue through Sunday, August 19, 2012 at 30 Accord Park Drive in Norwell, Massachusetts. This highly-anticipated musical is enjoying a brilliant run, with nearly every show sold out weeks in advance.

What makes this particular production so popular is it depicts the history of a beloved beachside amusement park that closed in 1984 and actually existed in Hull, Massachusetts. Historic Paragon Park encapsulates many happy memories to Massachusetts natives, especially those in the South Shore.

‘Paragon Park the Musical’ tells the story of warm, ambitious, and imaginative whaling mogul George A. Dodge, who was passionately inspired to entertain Massachusetts residents and beyond with a revolutionary beachside amusement park. It also tells a story of forbidden romance and a glimpse into the lives of the real people who resided in that little seaside town in Hull. The Company Theatre’s ‘Paragon Park the Musical’ not only shines a historical lens into a piece of the South Shore’s dynamic history, but the picturesque settings paint a crisp portrait with each scene.

'Paragon Park the Musical' 2012 production

Scott Wahle as George A. Dodge with cast in the 2012 production Photo courtesy of Zoe Bradford/Company Theatre

The cast is very much an ensemble and delves into various social issues, family issues and immigration, giving insight into each character’s devotion to the park, showing what truly made the park endure for nearly 80 years. Boston broadcast veteran Scott Wahle is charming and clever as George A. Dodge, portraying him with a twinkle in his eye. He is full of charisma and authenticity throughout the show and is a delight to watch with children.

It is wonderful to see so many strong female characters such as strong willed Tilly, portrayed with vivacity by Joyce McPhee, discerning Amira, played by Maya Carter, sharp and spirited journalist Floretta Vining, depicted by Victoria Weinstein, and spunky and ambitious Mrs. Rose Stone, played by Juliana Dennis. The practical Mrs. Rose Stone’s strong presence is a fine match for George A. Dodge’s relaxed humor. Rinado, portrayed by Nick Cox, is a combination of rugged good looks and captivating naivety, while John King’s Ogden has a spectacular sneer. Dave Daly is refreshing as lively and cheerful Honeyfitz, who showcases soaring vocals and can play a spirited rendition on a ukulele too!

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Each of Paragon Park’s original 18 numbers are polished and lyrically rich. The musical’s exhilarating songs, One Last Ride and Paragon Park are delivered with spectacular energy and passion. The humorous song, Over the Bridge sets a cheerful tone and depicts a few glorious aspects of being young through the wonder of the park. Joyce McPhee’s Long Lost Love compliments her stunning vocal range and was a crowd favorite. Massachusetts residents will delight in many well-known local references in the show, especially in the welcoming number, Nantasket for a Day. and A Proper Life.

The sets and costumes range from elegant and sophisticated to colorful and humorous. The question, “Did I really wear that?” may also come to mind. The sets are colorful, detailed, and the backdrops are simply stunning.

Through meticulously detailed costumes, ‘Paragon Park the Musical’ brings to life important eras of the park’s history with ease. With 18 original numbers, a powerful 20-piece orchestra, and the enthusiasm of each cast member, the Company Theatre’s ‘Paragon Park the Musical’ is a beautiful creation, a love letter to its creator and the many people who hold dear memories of the park’s heyday.

Company Theatre reprises ‘Paragon Park the Musical’ from Friday, July 26 through Sunday, August 18. Click here for more information and tickets or call the box office at 781-871-2787. Follow Company Theatre on Facebook, Instagram and Twitter for more on their upcoming events.

Renowned Broadway producer Ken Davenport talks Tony Awards, Hollywood, and ‘Gettin’ the Band Back Together’

Posted on May 31, 2018 by The Sleepless Critic

Ambitious Tony award-winning Broadway and off-Broadway theatre producer and writer Ken Davenport has had a passion for theatre his entire life. He has produced renowned musicals from Godspell to Kinky Boots to this year’s Tony-nominated Once on This Island and helms the North American activity for Andrew Lloyd Webber’s Really Useful Group. Dedicated to bridge the gap between the stage and its audience, he is also behind an interactive theatre app, Didhelikeit as well as the hit board game, Be a Broadway Star.

Ken Davenport Photo courtesy of Ken Davenport

Ken talked to Sleepless Critic about when he first discovered the theatre, Hollywood and the Tony Awards, and his upcoming musical comedy, Gettin’ the Band Back Together. Click here for more on Ken Davenport and see who the the big winners are on the 72nd annual Tony Awards on Sunday June 10.

Hosts Josh Groban and Sara Bareilles Photo credit: Cliff_Lipson-CBS

Sleepless Critic: What awakened your interest in theatre and how did the opportunity to become a Broadway producer come about?

Ken Davenport: My mom told me I first kicked when she was watching a production of Godspell, so I think I’ve always wanted to be part of the theatre. I produced the first revival of Godspell on Broadway in 2011.

Being a producer is like starting your own business. Opportunities don’t come about. You have to make them happen.

SC: What do you like most about producing and what production did you find to be the most challenging?

KD: I love watching the audience’s expressions on their faces at the end of the show whether they are laughing, crying, or cheering. We’ve affected them and that’s a joy to watch.

The most challenging part of producing is getting everyone on the same page. It’s like getting ten people to paint the Mona Lisa.

SC: Is there a show you turned down that you ended up wishing you were a part of?

KD: Nah, I have no regrets. I’ve passed on shows that have gone on to be hits, but they weren’t me. They still wouldn’t be me, even if I had a few more bucks in my pocket. I’d much rather stay true to what I want to do.

SC: The musical, Mean Girls is one of the big Tony nominees this year and it is one of many Hollywood to Broadway musical crossovers. From Pretty Woman to Heathers, do you think that this method has been an effective way to draw a wider audience to Broadway? From what I’ve seen of Mean Girls and having recently seen Waitress, it seems to be working well.

KD: Movies have become a common source for adaptations in the last ten years, but it doesn’t guarantee success. I think the adaptations that work best are the ones that don’t have super popular source material. It’s like when a movie is made from a book. Most people think the book is better. That happens a lot when popular movies are made into musicals. It’s a very high hurdle to jump over.

SC: What has been your favorite Hollywood to Broadway crossover musical so far?

KD: Kinky Boots because I am one of the producers.

SC: From classic musicals like Rogers and Hammerstein’s Carousel to Spongebob Squarepants, what nominations most surprised you and which did you think should have been nominated?

KD: I think my choreographer from Once on this Island, Camille A. Brown should have been nominated as well as Alex Newell.

SC: Which do you predict will be the standout production to win? I’m sure you were thrilled when Once on This Island was nominated, a show you have produced.

KD: I think the awards this year will be spread out amongst several shows rather than one big winner taking home multiple awards.

SC: You work to make Broadway a more interactive experience. Please tell me about the apps you promote.

KD: We have an app for our website, Didhelikeit.com that gives you a snapshot of show reviews and focuses on the New York Times.

‘Gettin’ the Band Back Together’ premieres on July 19.

SC: Just a few of the productions you have worked on is Groundhog Day, Spring Awakening, and The Play That Goes Wrong. The musical comedy, Getting the Band Back Together is coming up.

KD: I’m super excited about Gettin’ the Band Back Together, which starts performances on July 19. It’s such a fun show to be a part of and totally original. It has an original story, music, etc. It’s going to be a blast so come see it!

Click here for more information on Ken Davenport and here for more on Ken’s current project, Gettin’ the Band Back Together. Hosted by Josh Groban and Sara Bareilles, find out who wins on CBS for the 72^nd annual Tony Awards on Sunday June 10 at 8 p.m. Follow The Tony Awards on Facebook.

For Performing Arts news, interviews, reviews, and much more in Boston and beyond, follow us on Facebook @sleeplesscritic and subscribe.

Jukebox rockin’ ‘Smokey Joe’s Cafe,’ epic musical, ‘Ragtime,’ and stirring musical, ‘Oliver’ part of Company Theatre’s stellar 40th season

Posted on November 21, 2017 by The Sleepless Critic

A birdcage, jukebox, a group of kittens, and an orange pocket watch were just a few of the visual clues left on the Company Theatre’s Facebook page in reference to their upcoming 40^th anniversary season. This exciting new season was proudly unveiled at Company Theatre’s annual Open House at the Company Theatre in Norwell, Massachusetts on Saturday, November 18. As the Company Theatre is about to launch an original musical production, Company for the Holidays on November 25, audiences can also look forward to an excellent balance of classic and contemporary theatre productions in the new year. Click here for more information and tickets.

The Company Theatre will offer new holiday fare with Company for the Holidays on Saturday, November 25 through Sunday, November 26 and continuing Thursdays through Sundays through December 17. Shared in three parts with a large ensemble cast, this musical extravaganza includes a new take on a few classics such as All I Want for Christmas is You, White Christmas, and Santa Baby before venturing into a refreshing comedy about Christmas in ‘Bahston,’ and then closing out the show with nativity tale that will bring the audience to their feet.

Take a walk down memory lane with the Grammy award-winning Smokey Joe’s Café, a musical showcase that explores the most enduring songs in rock and roll and rhythm and blues history. From romantic ballads to uplifting rhythms, Smokey Joe’s Café brings remarkable tunes to life. Just a few of the songs featured on the Company Theatre stage includes Jailhouse Rock, Stand By Me, Hound Dog, Love Potion #9 and Fools Fall in Love. Smokey Joe’s Café heats up the Company Theatre for a limited time from February 8-11, 2018.

Robin Williams and Nathan Lane made an uproarious comedy team on the 1996 hit comedy film, The Birdcage, based on the Franco-Italian film, La Cage Aux Folles. The Tony award-winning show, La Cage Aux Folles focuses on a night club owner named Georges and his romantic partner, Albin. Upon learning Georges’ son is engaged to the daughter of an ultra-conservative politician, Georges and Albin may have to go to extreme measures to come off as a wholesome and normal family to hilarious results. La Cage Aux Folles takes the stage on Friday, March 16 through Sunday, April 8.

Earning multiple Tony Awards including best original score, watch three beautiful tales unfold about American life at the turn of the 20^th century with the epic musical, Ragtime. An immigrant, a wealthy family, and a Harlem musician all aspire for hope in the face of struggle to live the American dream. Ragtime opens Friday, July 27 and closes on Sunday, August 19.

The Company Theatre rounds out the season with the British Farce, Loot from Friday, October 5 through Sunday, October 21, and closes with Lionel Bart’s classic musical, Oliver! from Friday, November 23 through Sunday, December 16, about a young orphan who dreams of a better life.

The Company Theatre celebrates their 40th season. Photo courtesy of The Company Theatre

The Company Theatre also announced the new season of The Academy of the Company Theatre which includes Anything Goes, Cats, The Werewolves, The Rocky Horror Show, and Disney’s Mulan Jr. Don’t miss a moment of Company Theatre’s spectacular 40^th season. All performances take place at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.

Click here for more information and upcoming events or call 1-781-871-2787. Follow Company Theatre on Facebook, Twitter, and Instagram.

Reagle Music Theatre of Greater Boston presents one last summer dance with award-winning dance extravaganza, ’42nd Street’

Posted on August 7, 2017 by The Sleepless Critic

Reagle Music Theatre of Greater Boston is ready for its last dance of their 49^th summer musical season. After the smashing successes of Reagle Music Theatre of Greater Boston’s spectacular production of Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat and the historical, epic, award-winning musical, Showboat, Reagle presents the Tony award-winning dance extravaganza, 42^nd Street continuing through Sunday, August 13 at Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

Rachel York stars as Dorothy Brock Photo courtesy of Reagle Music Theatre of Greater Boston

Featuring an array of exuberant songs such as We’re in the Money, Lullaby of Broadway, and its title track, 42^nd Street delves into the life of a troubled director and the inner workings backstage of a Broadway show. The toe-tapping, Tony award-winner for Best Musical, 42^nd Street, stars award-winning actress Rachel York as ‘Dorothy Brock’ and beloved Reagle alum Rich Allegretto as ‘Julian Marsh.’ Performances are held at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.

Beloved Reagle alum Rich Allegretto stars as ‘Julian Marsh’ Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre of Greater Boston has plenty to look forward to in the fall. On Sunday, September 17, Reagle presents a celebrity concert of what might have been with The Concert that Never Was: An Evening with Barbara and Frank at 2 p.m. Featuring classic tunes from The American Songbook, this fascinating concert explores what it might have been like if legendary entertainers, Barbra Streisand and Frank Sinatra, took the stage for one enchanting stage performance. Click here for this one day only experience as well as other events coming this fall.

Call 1-781-891-5600, click here or email groups@reaglemusictheatre.org for more information on their final summer musical of the year, upcoming events, and much more. Group tickets and gift certificates are also available. Stay updated on all of Reagle Music Theatre of Greater Boston’s latest news by following them on Twitter and Facebook.

Reagle Music Theatre of Greater Boston presents award-winning, grand scale musical, ‘Showboat’

Posted on June 30, 2017 by The Sleepless Critic

Swept up in the weathered pages of a photo album is a story of forbidden love and a reflection of time gone by and the beauty in its passing. Celebrating its 90^th anniversary, Reagle Music Theatre of Greater Boston proudly presents the award-winning, grand scale musical, Showboat as part of Reagle’s 49^th annual summer musical season. Starring Broadway’s Ciaran Sheehan as Ravenal, Sarah Oakes Muirhead as Magnolia, and Broadway’s Michel Bell in his Tony award-winning role as Joe, Showboat arrives for two weekends only from Thursday, July 6 through Sunday, July 16 at Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

Broadway’s Michel Bell reprises his Tony award-winning role as Joe in Reagle Music Theatre of Greater Boston’s ‘Showboat’

With music by Jerome Kern and book and lyrics by Oscar Hammerstein II, Showboat focuses on the happenings aboard a Mississippi showboat over generations from 1887 through 1927. This insightful musical, which delves into social issues and prejudice, features the classic numbers Ol’ Man River, Can’t Help Lovin’ Dat Man and Make Believe.

Reagle Music Theatre of Greater Boston will close out its summer musical season with the toe-tapping, Tony award-winner for Best Musical, 42^nd Street starring The Dukes of Hazzard star Tom Wopat for two weekends from Thursday, August 3 through Sunday, August 13. Performances will be held at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts. Call 1-781-891-5600, click here, or email groups@reaglemusictheatre.org for more information on their summer musical series and much more. Group tickets and gift certificates are also available. Stay updated on all of Reagle Music Theatre of Greater Boston’s latest news by following them on Twitter and Facebook.