REVIEW:  Speakeasy Stage delivers crackling chemistry and lots of ‘Laughs in Spanish’

Down in Wynwood, Miami, Florida, Mari is in a panic. 

On the eve of one of the most important events of her art career, Mari’s gallery Studio 6 has been robbed.

However, those surrounding Mari are not reacting in quite the same way.  Uptight, stressed and just about at her wit’s end, Rebekah Rae Robles as Mari is determined to get to the bottom of it and somehow salvage the event.  In braids and silky loungewear, Luz Lopez as intern Caro and Daniel Rios, Jr. as Caro’s boyfriend Officer Jaun take note of what is happening, but seem a little more interested in each other. 

Rebekah Rae Robles, Daniel Rios Jr. and Luz Lopez in SpeakEasy Stage’s ‘Laughs in Spanish’

Directed exuberantly by Mariela Lopez-Ponce and in honor of National Hispanic Heritage Month, SpeakEasy Stage Company opened its 34th season with Alexis Scheer’s lively comedy Laughs in Spanish continuing live and in person at Calderwood Pavilion in Boston, Massachusetts through Saturday, October 12.  This quick witted production has strong language and is 90 minutes with no intermission.  Click here for more information and for tickets.

Rebekah Rae Robles, Brogan Nelson, Luz Lopez and Daniel Rios Jr. in SpeakEasy Stage’s ‘Laughs in Spanish’

Rebecca Glick’s stylish costumes feature bold colors and vibrant patterns indicative of each character’s personality and especially prevalent of Robles as Mari in a serious gray suit.  Alexis Scheer boasts a refreshing script with good pacing, surprising revelations, and a wild dose of complicated family dynamics as well as a comical cast with crackling chemistry.  Robles as Mari seems as wound about as tightly as her celebrity, model, and movie star mother Estella is vivacious and carefree.  Making quite the grand and unconventional entrance, dramatic, spectacular, and self-centered Paola Ferrer as Estella appears to revel in her role as the adventurous life of the party.  Quick thinking, reposed and resourceful, there is much more to Ferrer’s Estella who delivers a standout performance embellished by a poignant and heartfelt monologue later on in the production.  Robles and Ferrer share a natural, relatable and yet complicated mother and daughter dynamic as these seeming opposites humorously searching for common ground.  Lopez as intern Carol and Rios Jr. as Officer Juan are adorable and genuinely funny as they bicker and flirt attempting to help Mari, but finding themselves in complications of their own.  

Paola Ferrer and Rebekah Rae Robles in SpeakEasy Stage’s ‘Laughs in Spanish’ Photo by Nile Scott Studios

With an uplifting Latin-inspired dance soundtrack, Laughs in Spanish boasts a multipurpose split set by Erik D. Diaz featuring an array of tropical greenery with wicker-infused furniture adorned with twinkling lights on one side and a pristine white and mustard colored studio with missing canvases, modern furniture and soft lighting on the other setting a sophisticated yet festive city tone.  This split set doubles the laughs as action often occurs simultaneously on both sides, especially in a notable performance by Brogan Nelson as Estella’s giddy and awkward assistant Jenny in a memorable solo piece of silent, physical humor as cast members converse in the other room.

Rebekah Rae Robles and the cast of ‘Laughs in Spanish’ Photo by Nile Scott Studios.

If you are looking for an upbeat, playful, and lighthearted piece of theatre with some interesting twists, modern pop references and a bit of mystery and family dysfunction with Latino flair, SpeakEasy Stage delivers plenty of Laughs in Spanish.

The cast of SpeakEasy Stage’s ‘Laughs in Spanish’ Photo by Nile Scott Studios

Directed exuberantly by Mariela Lopez-Ponce and in honor of National Hispanic Heritage Month, SpeakEasy Stage Company continues Alexis Scheer’s lively comedy Laughs in Spanish continuing live and in person at Calderwood Pavilion in Boston, Massachusetts through Saturday, October 12.  This quick witted production has strong language and is 90 minutes with no intermission.  Click here for more information and for tickets.

REVIEW:  Witnessing transformation in Gloucester Stage and Teatro Chelsea’s dramedy ‘The Hombres’

Julián seems lonely and misunderstood, but not for long.

Ricardo “Ricky” Holguin delivers a moving performance as gay Latino yoga instructor Julián who has always been intimidated by macho men.  When he realizes he has to deliver a message to a group of construction workers above the yoga studio, he must face his fear to unexpected results.

Directed affectingly by Armando Rivera with sweeping choreography by movement designer Nathaniel Justiniano, Gloucester Stage Company and Teatro Chelsea co-presents Tony Meneses’ dramedy The Hombres continuing at Gloucester Stage in Gloucester MA through September 22 before concluding at Chelsea Theatre Works from September 27 through September 29.  The show runs 100 minutes with a 15 minute intermission.  Click here for more information and for tickets.

Jaime José Hernández, Luis Negrón and Arthur Gomez in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

A group of Latino construction workers composed of Arthur Gomez as Héctor, Jaime José Hernández as Beto, and Luis Negrón as Pedro are working above a New Jersey yoga studio.  This fascinating trio shares an easygoing and amusing rapport sharing dirty jokes, intriguing stories or fantasizing how good life must be for the gringos (people who are not Latino) working in the city.  In impressive glowing neon hard hats and jackets by Chelsea Kerl with vivid lighting by John Holmes, they strut and occasionally goof off while on break looking down at the city and the yoga studio does not go unnoticed. 

Ricardo “Ricky” Holguin and the cast of Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

Rivera cleverly overlaps the construction and yoga studio scenes depicting how vastly different these environments are until they inevitably collide.   Scenic designer Kristin Loeffler makes the most of the stage as it highlights these contrasting worlds structurally connected featuring candles, incense, crystal and brass offering bowls, yoga blocks and mats while movable scaffolding and various pieces of equipment adorn the background.   Julian Crocamo’s catchy sound design, highlighted by metal clanging infused rhythms and meaningful club and ruminating music, is a lively addition to this tale.

Ricardo “Ricky” Holguin and Patrick O’Konis in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

In a bandana and loose and flowing clothes, Julián seems tuned in and often empathetic towards others.  An aspiring dancer, Julián is caring, funny, unassuming, sensitive, a bit of an over thinker and an amazing listener often finding himself engaging in other people’s problems and connecting to those around him more often by circumstance than by his own will.   Patrick O’Konis portrays conflicted and friendly yoga member Miles who is also a bit of an enigma.  Holguin is wonderful navigating the trepidation within Julián’s encounters with others with a mix of caution and relatable humor. 

Ricardo “Ricky” Holguin and Arthur Gomez in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

Arthur Gomez as Héctor is earnest, vulnerable, and frustrated with his life and longs to make a change.  Gomez’s Héctor thinks Julián may have the answers to his problems.   The connections established in this show are stirring, heartwarming, and complex as it explores the lives and struggles of these Latino men.  Julián often expresses himself through dance which leads a number of uplifting and humorous situations.

Ricardo “Ricky” Holguin and Luis Negrón in Gloucester Stage and Teatro Chelsea’s ‘The Hombres’ Photo by Jason Grow Photography

The Hombres is a well paced production with a captivating cast as each character undergoes some sort of mental, physical or spiritual transformation.  Even in its unpredictable turn of events, it is a hopeful show that explores friendship, brotherhood, and what is truly means to be a real man.

Directed affectingly by Armando Rivera with sweeping choreography by movement designer Nathaniel Justiniano, Gloucester Stage and Teatro Chelsea co-presents Tony Meneses’ dramedy The Hombres continuing at Gloucester Stage in Gloucester MA through September 22 before concluding at Chelsea Theatre Works from September 27 through September 29.  Click here for more information and for tickets.