REVIEW: Chocolate promises and shattered dreams as Arlekin Players turn over a bizarre ‘Stone’

It is a show unlike anything the Sleepless Critic has ever seen before.  Arlekin Players is currently celebrating their 10th anniversary season as they present Marius von Mayenburg’s avant-garde production, ‘The Stone‘ (remount in English) through Sunday, September 29 in Needham, Massachusetts.  Click here for more information and tickets.    Click here for an interview done last year with director Igor Golyak.

Directed by Igor Golyak, ‘The Stone’ explores the history of a German house before and beyond World War II and its various owners which includes a Jewish family and their ancestors.  Quite a few revelations and family secrets are revealed through traumas and triumphs inside this haunting structure.

Arlekin Plays 'The Stone' with Viktoriya Kovalenko, Rimma Gluzman and Olga Sokolova

Viktoriya Kovalenko, Rimma Gluzman and Olga Sokolova in Arlekin Players ‘The Stone’ Photo courtesy of Irina Danilova/Arlekin Players

The Arlekin Players stage is an overwhelming experience told in the theatre round without a bad seat.  With vintage lighting by Jeff Adelberg,  ‘The Stone’ features very few props and unconventionally arranged set pieces which includes a partially buried piano, a vintage chandelier, and a chair hanging upside down from the ceiling.  As characters emerge and exit almost supernaturally from the floor in head-to toe-white with black paint splotches staining their pants, it quickly became clear that this would not be an orthodox production.

Arlekin Players 'The Stone'

Photo courtesy of Irina Danilova/Arlekin Players

With wild white hair, a pair of navigators called the conductors, portrayed with bizarre humor by Jenya Brodskaia and Misha Tyutyunik, are seemingly mad scientists that conduct and calculate time travel.  They take the audience through the history of the house before and beyond World War II, one of the most tumultuous times in history.  The time travel is a raging, jarring experience with special effects that may have been effective the first couple of times, but starts to distract from the tale as the show moves along.

The characters march strangely and unnaturally, sometimes under a plastic umbrella, an urgent tale with segments between the characters so brief, it is difficult to develop an attachment to them.  The cast is stoic for the most part, especially from Mieze, portrayed with a guarded, calculating air by Rimma Gluzman.  When Viktoriya Kovalenko as idealistic Heidrun discovers a small box in the house that she believes was her father’s, portrayed with complexity by David Gamarnik as Wolfgang, the moment Heidrun has with her mother Witha, portrayed by Darya Denisova, provides a touching moment in the production.

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I’m sure there is an audience for experimental theatre and the actual tale is powerful, but too unconventional and at times confusing for my taste.  It chooses to be different and complex when the story can be told in a straightforward way.  It is still art and it’s unforgettable.

Arlekin Players presents ‘The Stone’ through Sunday, September 29 at  368 Hillside Ave in Needham, Massachusetts.  Click here for more information and tickets and here for more information on the Igor Golyak Acting Studio.

Kristen H. Tremblay talks role in Hingham Civic Music Theatre’s ‘Cabaret’ to kick off 70th anniversary season

Hingham Civic Music Theatre (HCMT) is thrilled to kick off their 70th anniversary.  Over the past 7 decades, The Wizard of Oz, Rogers and Hammerstein’s Oklahoma, Young Frankenstein, Disney’s Beauty and the Beast and The Sound of Music are just a few of the wide range of musical productions HCMT has produced on the South Shore of Massachusetts.  They are launching their milestone season with award-winning spring musical, Cabaret, a captivating musical which celebrated its 50th anniversary just a couple of years ago.

HCMT Cabaret poster

Photo courtesy of Hingham Civic Music Theatre

Set in the Kit Kat Club in Berlin, Germany as the Nazi Party was rising to power, Cabaret focuses on nightclub girl Sally who becomes embroiled in a love triangle.  Winner of multiple Tony awards, Cabaret is known for its glamorous dance numbers while dealing with serious issues of the era.  The 1972 film was directed by dance legend Bob Fosse and starred Liza Minnelli in her star making role.  This show is not intended for children and contains mature themes.

Sleepless Critic caught up with Kristen H. Tremblay who will make her HCMT debut as Sally Bowles in Cabaret for two weekends only from Friday, April 20 through Sunday, April 29 at Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and tickets.

HCMT Kristen as Sally

Kristen H. Tremblay as Sally Bowles

Sleepless Critic:  How does it feel to star in the first show of Hingham Civic Music Theatre’s 70th season?  It is quite a milestone.

Kristen H. Tremblay:  I’m so thrilled to be playing a leading role in such a great show as part of this wonderful theater group’s 70th anniversary season! A very special honor for sure!

SC:  What do you like most about being part of Hingham Civic Music Theatre?

KHT:  This is my first production with Hingham Civic Music Theatre. They have such a wonderful reputation and it’s been great getting to know everyone in the group.

SC:  This season also includes the beloved musical, Annie this fall.  You star as Sally Bowles in Cabaret.  Have you ever done this show before?  What was the audition process like for you?

KHT:  I’m a classical soprano and usually play roles very different from Sally. As I get older, I’m trying to challenge myself by going out for roles that might be a stretch for me creatively. Sally Bowles is a complicated, meaty character and love every moment in her shoes.

I auditioned to challenge myself and because I have known the director, Nathan Fogg, for years and think he does great work. I didn’t think I had a shot at getting Sally, but felt really positive about my audition. The day after the audition, I was in line at the grocery store when I got the call. I was shocked and incredibly thrilled.

SC:  The multiple Tony award-winning musical, Cabaret celebrated its 50th anniversary a couple of years ago.  It is a unique musical with memorable songs such as Maybe This Time, Wilkommen, and its famous title track, Cabaret.  What was most challenging about this role?

KHT:  Sally is an iconic character in musical theater. There’s some intimidation associated with the pressure of doing her justice!  She has many sides to her and many intriguing levels. It’s been fun exploring how best to portray her.

HCMT Cabaret production photo 2

Aaron Stolicker as Emcee with cast in production photo

SC:  How has it been putting the show together?

KHT:  I adore everyone in this cast. They are such a fantastic group of kind, talented, and hard working people. We are having a blast and we all have deeply bonded. No question I’ve made lasting friendships.

SC:  What is the best reason one should see Hingham Civic Music Theatre’s Cabaret?

KHT:  Cabaret is a very different theatrical experience unlike anything else out there right now. It will not disappoint!  It’s edgy, honest, shocking, funny, and thought provoking.

Directed by Nathan Fogg, Hingham Civic Music Theatre proudly presents their spring musical, Cabaret for two weekends from Friday, April 20 through Sunday, April 29 at the Sanborn Auditorium, 210 Central Street in Hingham, Massachusetts.  Click here for more information and tickets.

Click here to take advantage of “Facebook Friday” offer exclusively for the April 20 performance.  Use password “pineapple” to get a pair of tickets for 35 dollars.  Follow HCMT on Facebook.

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