REVIEW: Celebrity Series of Boston @home presents mesmerizing musical trio Dreamers Circus

One of the main attractions of virtual concerts is being able to discover new music anywhere in the world.

Inside Copenhagen’s iconic Round Tower that houses a church, library, and an astronomical observatory, three musicians deliver a mesmerizing musical experience as Dreamers Circus.  Warmly introduced by violinist Rune Tonsgaard Sorensen, this performance was filmed in Round Tower’s immaculate library as Swarm, a floating exhibit created by female Denmark artists Baskets4Life, contributes to the concert’s surreal setting.

Celebrity Series of Boston welcomes award-winning musical trio Dreamers Circus streaming through Thursday, April 15.  The concert premiered as a live streamed concert on Friday, April 9 and includes a Q & A with the group.  Click here for more information and for tickets. 

Comprised of violinist Rune Tonsgaard Sorensen, pianist and accordionist Nikolaj Busk, and Ale Carr on Nordic Cittern, Dreamers Circus draws from classical, Swedish, and Nordic rhythms to weave a collection of playful, breezy, and mesmerizing selections well suited to the band’s name while providing a haven in this dark time.

Among the many highlights of this performance is the quirky originality and chipper rhythms in their telling song, The World is Waiting from their latest album, White Gold.  The sunny piano and whistling medley exudes a lighthearted anticipation of what’s to come.  Pentamime delves into hypnotic rhythms, suspense, and building intensity while City Gardens, from their album Rooftop Sessions, offers a fascinating and intricate mix of soothing rhythms, bright notes, as well as haunting, eclectic, and electronic sounds that brings out the song’s unique vibrancy.

Busk introduces Kitchen Stories, a rich number that fluctuates between lively and tranquil while showcasing Sorensen’s nimble artistry with the violin and Busk’s switch to an accordion before joining together for a memorable folk reel.  

Hjerter To/Fangden Og Hans Pumpestok has a bright, catchy, and fanciful medley as Busk pulls double duty performing on the piano and the accordion.  Introducing what Carr calls “a poor man’s viola,” Carr duets with Sorensen for traditional Swedish song, Folkrothvalsen.

The concert builds to a thrilling finale with A Room in Paris and Prelude to a Song.  While A Room in Paris delivers an upbeat and joyful urgency, Prelude to the Sun provides a perfect blend of sonic and dreamlike harmony.

Not to be left out is the engaging and laid back camaraderie between the musicians as they take the audience on an intriguing and inviting musical journey that could suit any musical taste. Celebrity Series of Boston @home presents Dreamers Circus on demand through Thursday, April 15. Click here for more information and tickets.

Celebrity Series of Boston will present their annual Stave Sessions kicking off on Wednesday, April 21. Click here for a closer look at their season and ways to support Celebrity Series of Boston.

REVIEW: Celebrity Series of Boston at Home’s free concert, ‘Quartet Kalos: The Songs We Make’ makes meaningful debut

This virtual concert ended with a laugh.  On Thursday, February 25, Celebrity Series of Boston at home’s free weekly Neighborhood Arts concert series featured the soothing and unique rhythms of Quartet Kalos: The Songs We Make livestreamed on Celebrity Series of Boston’s website, Facebook Live and YouTube at 7:30 p.m.  The concert was filmed at Futura Productions in Roslindale, MA and included a Q & A with the group. Click here to see the full concert on demand.

Introduced by Celebrity Series of Boston’s Associate Director of Community Engagement Robin Baker, this livestreamed concert was particularly meaningful for this skilled quartet.  Not only did they make their Celebrity Series of Boston debut as a group though they have all performed for Celebrity Series individually since 2017, it was the first time performing live together onstage since the pandemic and they couldn’t have been more delighted.

Composed of Maria Finkelmeier on marimba, Angela Shankar on clarinet, Francesca McNeeley on cello and soprano Mary Mackenzie all in masks, Quartet Kalos provided a blend of eclectic, original, enigmatic, playful, and intriguing rhythms that provide a soulful respite from the pressures of the world today.

A portion of Quartet Kalos’s music is Swedish-inspired due to members of the group having lived there and these particular concert selections took some time to deliver their take on classical music and hymns. 

Their lively and inquisitive opening number, Solstice, is an instrumental piece blending soprano Mary Mackenzie’s silvery and versatile vocals.  Mackenzie’s operatic range has a brilliant and natural shine, even when delivering the spoken word.

Dreamlike and experimental, Beau Kenyon’s I Will is melodic and smooth in its building intensity.  Aaron Copeland’s timeless Appalachian Spring is easily recognizable within Quartet Kalos’s upbeat arrangement to Shaker tune Simple Gifts.  Quartet Kalos also provides a unique and memorable blend on the Swedish tune, Uti Var Hage with timeless hymn, I’ll Fly Away (arr. Angela Shankar) in a sea of galloping rhythms with a special dedication.

Maria Finkelmeier’s original and spirited composition, Clone has an urgency and mischievousness filled with rhythmic stops, starts, and lively moments.

However, the real standout was Swedish tune, I denna ljuva sommartid (arr. Sanna Andersson), a glorious, uplifting song about summer’s great beauty which is particularly missed in the depths of winter.  This lively number is further enhanced by its stirring acapella harmony.

Quartet Kalos:  The Songs We Make is still available for viewing here.  Celebrity Series of Boston’s free virtual Neighborhood concert series will next present Hub New Music on Thursday, March 11 at 7:30.  Click here for more information and for all that Celebrity Series has to offer this season.

REVIEW: Christmas Revels 50th virtual anniversary delivers mirth, merriment, and reflection

For what marks its 50th year, Christmas Revels has been entertaining audiences by delving into vast cultures and recreating historical moments and holiday traditions with drama, dance, humor, and song.  Christmas Revels made its debut in 1971 and though it is limited to the screen this year, this engaging production brought a mix of new material while glimpsing some of their best performances in their long history. 

Father Christmas makes an appearance in The Christmas Revels annual “Mummers Play” Photo courtesy of Revels

Having never seen Christmas Revels before, it was a lot to take in and quite a feat to encapsulate the best moments in such a broad time frame.  Catching glimpses of some of their special guests, returning favorites, and new faces was an innovative way to recap a half century of productions, but it also had me longing to see more, especially as I glimpsed some of their best, most enduring performances.

Christmas Revels is still available to stream on-demand through Thursday, December 31.  Click here for more information and how to support future Revels productions.  The 50th Anniversary of Christmas Revels is also available as a 2-CD set.  Click here for more information.

Statues: Paula Plum as James Otis and Richard Snee as Josiah Quincy Photo courtesy of Revels

Harvard University’s Sanders Theatre is as majestic and welcoming as ever even as it fills for a virtual audience.  The dark, wooden stage is softly-lit with two stately, marble Greek statues sitting on each end as a grand, dimly-lit bronze chandelier floats overhead.  Hosted by acting dynamos Paula Plum and Richard Snee as James Otis and Josiah Quincy who were immortalized as those legendary statues on the Harvard University stage and the only souls who have seen every Revels performance and then some, Christmas Revels blends humor, stirring moments, and a wistful trip down memory lane to witness some of Revels’ earliest performances as it gradually became what it is today.  

From humorous moments to joyful carols such as 1984’s Yorkshire Here We Come A Wassailing, Go Tell it On the Mountain with Janice Allen and Joy to the World featuring choruses from Christmas past and virtual Christmas present, and a serene Dona Nobis Pacem featuring renowned cellist Yo-Yo Ma, Christmas Revels does not predictably explore its past in sequence, but in clever moments such as merging a past and more recent performance of a song  by various performers, setting a different tone to its enduring meaning.

Yo-Yo Ma with Audience: Cellist Yo-Yo Ma performs the peace round “Dona Nobis Pacem” with members of the Revels Virtual Audience Photo courtesy of Revels

One of the best and most exciting examples of this was in 1997’s and 2015’s Lord of the Dance featuring David Coffin, Neena Gulati, and Patrick Swanson as they explored eastern and western Hindu traditions.  Audience members were on their feet as enthusiastic performers led audience members to spill out into the Sanders Theatre’s lobby singing along.  1993’s Kukko dance featuring the Karelian Folk Ensemble stood out as one of the more exotic cultures while 1997’s Niska Banja featuring the Revels Women, New England Romanian Ensemble, and Cambridge Symphonic Brass Ensemble revealed beautiful and distinctive garb.  2007’s Shopsko, choreographed by Petre Petrov with Mladost Folk Ensemble, The Village Band, and Cambridge Symphonic Brass Ensemble offered memorable upbeat and bustling Bulgarian dance. 

Johnny Nichols, Jr. and Carolyn Saxon perform the spiritual “Hold On” in a segment linked to Maya Angelou’s poem “Still I Rise”, exploring the ongoing journey towards justice and equality Photo courtesy of Revels

 Janice Allen and the Silver Leaf Gospel Singers took the stage in 2000 for a stunning, acapella version of Amazing Grace while 1986’s impressive Appalachian Clogging with Ira Bernstein and the Big Gap String Band and Jean Ritchie delivered a captivating Kentucky folk carol, Christ Was Born in Bethlehem.  Another indelible moment rested in a powerful medley of 2000’s Underground Railroad featuring Sheila Kay Adams and Janice Allen, Jordan Ashwood, and Cyrus Brooks, Silver Leaf Gospel Singers, Roaring Gap Chorus, Rocky River Children, Carolyn Saxon, and Johnny Nichols, Jr.

Christmas Revels’ ever changing repertoire is too numerous to mention every highlight, but there are plenty of surprises.

The detailed, rustic sets and the meaningful, meticulous costumes ranged from festive to humorous to haunting.  It was marvelous to witness the virtual technology that was such a big part of this production.  The virtual choir delivered moving, crisp carols and seeing the creators including founder John Langstaff and Revels Directors Patrick Swanson and George Emlen united in present time without actually being onstage provided some comfort that technology can still make some things possible. 

Christmas Revels is still available to stream on-demand through Thursday, December 31.  Click here for more information and how to support future Revels productions.  Click here for more information on The 50th Anniversary of Christmas Revels available as a 2-CD set.