How did Peter Pan get his name? What exactly is Pixie dust? How did Peter become Hook’s sworn enemy?
The premise is promising. From pirate to prawn, every cast member is a dynamic storyteller in Hub Theatre of Boston’s imaginative musical, Peter and the Starcatcher, a prequel of sorts to Peter Pan. Featuring an energetic cast taking on multiple roles, a wealth of physical humor, and no shortage of wild comedy, Rick Elice’s Peter and the Starcatcher strings together the adventures that lead up to the legend of Peter Pan.
Peter and the Starcatcher cast Photo courtesy of Hub Theatre Company of Boston
Directed by Sarah Gazdowicz with music direction by Bethany Aiken, Hub Theatre of Boston presents Peter and the Starcatcher, the final production of its sixth season, with recently added performances through Sunday, November 18 at First Church of Boston in Boston, Massachusetts. Tickets are available at a pay-what-you-can basis. Click here for more information.
Cassie Chapados’s detailed London set harbors clues from the classic Peter Pan story, but the actual performance seems to spring out of a child’s imagination. The cast emerges from every side and each seat has a good view at First Church of Boston. Peter and the Starcatcher is action-packed and respect is due for the sheer physical nature of this piece as this animated cast frequently and skillfully form human structures such as a ship and various scenarios as the story unfolds.
L to R: Joey C. Pelletier as Black Stache and Michael John Ciszewski and the cast Photo courtesy of Hub Theatre Company of Boston
Dominated by dastardly pirates, Peter and the Star Catcher is full of captures, double crosses, commandeering ships, and overseas adventure. Molly Kimmerling portrays Bill Slank with a sneer and a strut, a charismatic double crosser with a rock n roll edge. Michael John Ciszewski as dimwitted, somewhat unhinged Smee and Joey C. Pelletier as swaggering Black Stache work well together in silly, over the top fun.
With inquisitive eyes and a star-crossed dress, Lauren Elias is no damsel in distress as eloquent, logical, and determined Molly Aster. Much like her father Lord Aster in a commanding performance by Liz Adams, Molly’s plucky personality is a good match for Claire Koenig as lonely, forthright and naïve orphan known only as Boy.
Claire Koenig as Boy with the cast Photo courtesy of Hub Theatre Company of Boston
The exploration of loneliness, faith, dreams of flying, and finding one’s place in the world is part of what inspires writers to expand and retell this timeless tale. The improvisational, local, and at times, self referential humor ranges from what an older child would appreciate and features some adult humor as the show progresses. The audience is so close to the action, it is also somewhat interactive at times. Peter and the Starcatcher is packed with comedy and yet, it is the sweeter, quieter moments that give the production true heart.
Hub Theatre Company of Boston presents Peter and the Starcatcher through Sunday, November 18 at First Church of Boston in Boston, Massachusetts. Click here for more information and tickets. Get all of Hub Theatre Company of Boston’s upcoming events and more on Facebook.
Americana Theatre Company’s Man of La Mancha Director Michael Kirkland Photo courtesy of Americana Theatre Company
Americana Theatre Company Associate Artistic Director and Gypsy in Man of La Mancha Photo courtesy of Americana Theatre Company
American Theatre Company’s Jennifer Martin and director Dr. Michael Kirkland discuss going through 500 audition tapes, their current season, and why Man of La Mancha sometimes felt like a farce. Click here for more information and for tickets.
Sleepless Critic: This is your first time directing Man of La Mancha.
Michael Kirkland: It is, but it is also my seventh La Mancha. I’ve been blessed to portray Sancho Panza four times professionally. I’ve also played The Barber, have choreographed the combat and violence in the show maybe six of the seven times, but have always longed to direct it.
SC: Doing a show that many times makes you that much more prepared of what works and what doesn’t.
MK: Directing the show is a real blessing because I have formulated well germinated ideas about the piece and I finally have an opportunity to experiment with those ideas, but I never lock myself out of the possibility of change.
SC: Although Man of La Mancha is a comedy, Americana Theatre Company’s past production of The Three Musketeers also featured swordplay and took place in a similar time period. Did the actors train the way they did for The Three Musketeers?
MK: Yes, it is a physical show with combat fighting ranging from realistic to stylized to serious to comical narratives and techniques. Similar challenges but different than swordplay. Swordplay has more rules and challenges that come with it. This is all hand to hand and found weapons, which are objects laying around that become unusual weapons.
SC:Man of La Mancha’sThe Impossible Dream in itself is epic. So how did Americana decide to take on this show?
Jennifer Martin: This is our third foray into musical theatre having taken on Grease and Lucky Stiff previously. We try to choose stories that we believe matter, have great entertainment value, make our community better, and are ensemble driven. Man of La Mancha is a storytelling, ensemble-driven show that works well with our company. This show is great for that because Cervantes enters the prison and uses the prisoners to tell his story.
Scott Wahle as Don Quixote and Bethany Lauren James as Aldonza with Ruben Navarro as Sancho Panza
SC: TV personality Scott Wahle stars as the Man of La Mancha. He’s been in a few shows in the area such as Reagle Music Theatre of Greater Boston’s Guys and Dolls and Company Theatre’s Paragon Park. He has a certain charisma and comic timing that fits Man of La Mancha. How was the audition process?
JM: We posted the audition on Backstage for our New York auditions and viewed about 500 audition videos for Aldonza, Sancho Panza, and Don Quixote (Cervantes). After reviewing those videos, we traveled to New York and we did a full day of five minute audition slots. We found Aldonza and Sancho Panza, but we still didn’t have our Man of La Mancha. Americana’s President Peter Martin suggested his friend Scott Wahle. Finding the Man of La Mancha was our actual quest and once we found him, everything fit into place.
SC: What has been the show’s biggest challenge?
JM: The first rehearsal process and making sure that above all, the words and richness of what was written is experienced by the audience while moving quickly. The other challenge unique to our company is our four company members performing in the show are wearing multiple hats. Managing Director David Friday plays The Governor and The Innkeeper while being the set builder and designer. We’re doing a comedy, but sometimes it feels like a farce.
MK: The concept we had settled upon affords an exploration of layers. What I’m trying to communicate in this particular interpretation is even Cervantes does not completely understand the power of what he has written and it takes these prisoners and him watching how his story redeems them that truly brings home the power.
SC: Man of La Mancha has something for everyone, but I think men will especially enjoy it.
MK: It is a show with depth, substance, and great heart. It also has some bite to it and aspects of it might be border line uncomfortable for people to experience. I always think we can tell redemptive stories of girl scouts or in this particular instance, prostitutes. The show makes a powerful statement by the end of this story.
The complete cast Photo credit to Denise Maccaferri
SC: What’s been your favorite part of putting the show together?
MK: I love to collaborate. We had collaborative sessions on the telephone before we ever got here, just kicking around ideas then settling upon how we are to realize the conceptualization of the piece. Then we start working with those people on a day to day basis bouncing ideas off each other, then trying things, and then trying them on the performers. Theatre affords you what some more isolated performing arts don’t. Theatre is created and performed in community. Good ideas are great, and once it is on the stage, it’s not mine. It’s ours.
SC: The current season includes Man of La Mancha, Sleepy Hollow, and The Gifts of the Magi. How do Americana select each season?
JM: We look at what would be good for the town of Plymouth based on audience feedback of what they respond to, interested in, what they love, and what they are longing for. We chose Man of La Mancha because we love the story, thought we could tell it well, and saw that it hasn’t been told for awhile in this area.
Our selection process takes about four months of thought and steady, hard work. The Legend of Sleepy Hollow was chosen because we realize this area values holidays and traditional stories. We thought of doing a one man version of Sleepy Hollow. Our founding director Derek Martin is currently working on adapting the script and our Managing Director, David Friday, will be performing it. We’re excited about performing an old, beautiful story in a simple, straight forward and creative manner.
The Gifts of the Magi is a lovely, six person musical so dear and true to the holiday season. We wanted to tell a holiday story and keep the cast small in the wintertime because we want to perform it in the Center for the Arts, a small space.
JM: Yes, registration is still open. At Studio Americana, we work with each child individually which is why we keep the shows intentionally small so each student has an equal amount of time. A lot of students say it’s the best part of their summer.
Photo courtesy of Studio Americana
SC: What do you envision the future of Americana Theatre Company?
JM: We still are a bit of a secret in the South Shore. We are blessed to have consistent five star reviews from people who come. When people finally come, they say I can’t believe I’ve missed you guys. We’re expanding our season with a cabaret and fundraiser in March, a show through July and have offerings in October.
We’re a 501(c)3 company and have some great community sponsors. As we get more support, we’d love to expand to a six show season where things are constantly happening. People who come to Plymouth get the highest level of theatre across the United States, but we want our residents and guests to feel like this is also their hometown theater company.
Americana Theatre Company proudly presents Tony award-winning musical Man of La Mancha through July 29 at Spire Center for Performing Arts, 25 ½ Court Street in Plymouth, MA. Click here for more information and tickets. Click here for how to support Americana Theatre Company. Follow Americana Theatre Company on Facebook and Twitter.
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Katie Duff as Mama Bear, Joel Leonard as Papa Bear, and Nolan McHugh as Baby Bear Photo courtesy of Pat Sherman/Hingham Civic Music Theatre
Aaron Stolicker as Pinocchio, Catherine Bennis as Witch, and Hannah Ford as Sugar Plum Fairy
Nicole DiRuzza as Pig #1, Abby Randall as Pig #2, and Denise Feeney as Pig #3
Hingham Civic Music Theatre’s fun-filled Shrek the Musical has all the earmarks of a delightful Halloween treat for the entire family. Some audience members were seeing double as the musical’s dynamic duo, Shrek and Donkey, were not only present onstage, but also in the crowd. In the spirit of the season, some children opted to dress as their favorite Shrek character, which is encouraged (though not required). This exciting production balances sweetness and hilarity through a few amusing tricks and special effects, which is all part of the story. However, what makes Shrek’s tale so enduring and lovable is its underlying authenticity. Underneath it all, life is best lived without a mask.
Chris DiOrio as Shrek Photo courtesy of Hingham Civic Music Theatre
Directed by Lisa Pratt, musically-directed by Mark Bono with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre continues its 69th season with Shrek the Musical in its final weekend from Friday, October 27 through Sunday, October 29 at Hingham Town Hall in the Sanborn Theatre in Hingham, Massachusetts. Click here for more information and for tickets. Click here for a clip from the musical.
Through its richly-painted set pieces by Lisa Pratt and colorful, meticulous costumes by award-winning costumer, Kathryn Ridder, the visuals in Shrek the Musical are likened to the popular Dreamworks film adaptation, right down to the Gingerbread Man’s gumdrop buttons. However, having seen the film adaptation, Shrek, based on the book by William Steig, and the film’s many film sequels, Shrek the Musical expands the film’s premise, offering additional scenes and an upbeat, fanciful, rock-tinged soundtrack, composed by Jeanine Tesori. I’m a Believer by the Monkees is also included. Shrek’s real magic lies is its innovative ability to cleverly blend authenticity, sadness, adventure, and humor. Tesori’s soundtrack encapsulates this tone in songs such as Big Bright Beautiful World, a sometimes humorous number about strength in the face of adversity and loss. Debbie Rawson Stratton and Danny Hannafin as Mama and Papa Ogre offer a tender blend of impressive harmony as an adorable Young Shrek, portrayed by Nolan McHugh, looks on.
Shrek the Musical focuses on a lone, but not seemingly lonely green ogre portrayed with warmth, pensiveness, and gruff charisma by Chris DiOrio. Shrek lives a quiet life in a swamp until some of literature’s most beloved fairy tale creatures arrive, forcing him to embark on an epic quest to save life as he knows it.
Chris DiOrio steps right into Shrek’s quiet awkwardness and offers a softness in his quiet moments as well as an amusing ferocity when his temper flairs. Stubborn and humble, DiOrio is thrown for a loop when he meets Brendan Smith as Donkey, who keeps the energy kicking as a cheerful chatterbox. Their instant, snappy chemistry clearly demonstrates why they are a dynamic duo for the ages. A towering presence, Brendan offers a hint of Eddie Murphy’s iconic vocals combined with his own charm. A particular highlight is Brendan’s slick choreography and gravitas during a James Brown-style rendition of the song, Make a Move. Packed with familiar anecdotes and fairy tale references, Chris and Brendan also have some fun with their duet, The Travel Song.
Leslie DiOrio, Chris DiOrio’s real life wife, portrays bold, graceful, and idealistic Princess Fiona. Wearing a shining green renaissance gown, Leslie depicts Princess Fiona with grace, humility, and earnestness, especially in a many-faceted, tender rendition of I Know it’s Today. Chris and Leslie have a lively and sweet chemistry, even when they don’t see eye to eye. Chris DiOrio’s endearing version of If Words Fail is also not to be missed.
From his first appearance onstage, Anthony Light literally and figuratively takes his character, Lord Faquaad, to a whole new level. Absurd and hilarious, Anthony Light’s delusional arrogance and clever costuming is a treat, showing off his unapologetic pompousness in The Ballad of Faquaad, accompanied by the show stopping Duloc Dancers.
Brendan Smith as Donkey, Chris DiOrio as Shrek, Anthony Light as Lord Faquaad, and the Duloc Dancers: Halle Pratt, Molly McLellan, Nicole DiRuzza, Alex Huntington, Catherine Bennis, Hannah Ford, Denise Feeney, and Abbey Randall Photo courtesy of Pat Sherman/Hingham Civic Music Theatre
Hingham Civic Music Theatre has a few tricks up their sleeves by way of special effects as each cast member delivers their own wild, off-beat charm. With a large cast full of iconic fairy tale creatures including a magnificent dragon, a deceptive Pinocchio, Three Little Pigs, Witch, and a Gingerbread Man equipped with an uproarious squeal, the impressive cast is non-stop fun and never loses heart.
Hingham Civic Music Theatre presents Shrek the Musical with Facebook Friday Ticket discount special on Friday, October 27 at 7:30 p.m. Click here for discount details. A final evening performance will be held on Saturday, October 28 at 7:30 p.m. Sunday’s final matinee performance takes place on October 29 at 2 p.m. All shows are held at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.
Click here for further details, tickets, and how to support Hingham Civic Music Theatre. Be sure to follow Hingham Civic Music Theatre on Facebook for upcoming events and more.
Rodgers and Hammerstein’s ‘The King and I’ continues through April 23. Jose Llana as The King of Siam & Laura Michelle Kelly as Anna Leonowens Photo courtesy of Matthew Murphy
‘Wicked’ returns June 7 through July 23. Photo courtesy of Joan Marcus
‘Finding Neverland’ debuts at Boston Opera House August 8 through 20. Photo courtesy of Broadway in Boston
The magic of Disney’s ‘Aladdin’ debuts July 3 through August 18, 2018. Photo courtesy of Broadway in Boston
Tony award-winning ‘Fun Home’ debuts October 17 and continues through October 29. Photo courtesy of Broadway in Boston
The highly-anticipated ‘Hamilton’ debuts September 18 and continues through November 18. Photo courtesy of Broadway in Boston
Phantom of the Opera’s sequel, ‘Love Never Dies’ debuts January 30 and continues through February 11, 2018. Photo courtesy of Broadway in Boston
‘On Your Feet’ debuts April 17 and continues through April 29. Photo courtesy of Broadway in Boston
Andrew Lloyd Webber’s ‘Phantom of the Opera’ returns September 13 through October 1. Photo courtesy of Broadway in Boston
‘Waitress’ debuts February 20 and continues through March 4, 2018. Photo courtesy of Broadway in Boston
As the beloved Rodgers and Hammerstein’s classic musical The King and I hits the Boston Opera House stage, LexusBroadway in Boston recently offered a peek into its upcoming 2017-18 season. From Andrew Lloyd Webber’smasterpiece and its stirring sequel to arguably the most sought after show in the world right now, Lexus Broadway in Boston has a phenomenal season ahead full of magic, family connections, unstoppable dance, and topping it off a serving of delicious pie. All productions take place at the Boston Opera House in Boston, Massachusetts. Subscriptions for the upcoming season are available now. Click here for tickets and more information.
The magic begins this summer with the return to Oz and Neverland. Get an inside look of how Glinda and the Wicked Witch of the West became two of the most iconic characters in literary history. Visually-stunning with a rich, inventive story line that integrates some of Oz’s most memorable characters, see the spectacular musical, Wicked from June 7 through July 23. Behold the extraordinary story behind J.M. Barrie’s Peter Pan and the family that inspired that magical vision. Integrating Peter Pan’s beloved characters in a unique way, seek Finding Neverland for a limited time from August 7 through 20.
A promising talent, a veteran singer, a ghost dwelling in an opera house, and two bewildered businessmen are part of Andrew Lloyd Webber’s haunting and phenomenally-successful musical, Phantom of the Opera, returns from September 13 through October 1. Also arriving in Boston is Andrew Lloyd’s Webber’s Love Never Dies, the highly-anticipated sequel to Phantom of the Opera from January 30 through February 11.
A number of productions are making their debut in Boston. Topping off the list is arguably the most sought after tickets in the world right now. Hamilton is a contemporary retelling of America’s history arriving at the Boston Opera House September 18 through November 18, 2018.
Take a look inside Fun Home, 2015’s Tony award-winning Best Picture musical. Fun Home is an auto-biographical tale about the joy and challenges of growing up. Not recommended for children under 13, Fun Home debuts in Boston from October 17 through October 29.
Also making its Boston debut is On Your Feet! The Story of Emilio and Gloria Estefan, a meaningful and uplifting musical about the extraordinary life of Emilio and Gloria Estefan. On Your Feet is filled with lively music which includes an array of hits songs from the title track, Get On Your Feet to Coming Out of the Dark. On Your Feet! debuts on April 17, 2018 to Sunday, April 29, 2018.
Waitress is saving the best for last. Currently on Broadway starring Grammy award-winning singer-songwriter Sara Bareilles who also wrote Waitress’s music and lyrics, Waitress is a romantic comedy musical about a waitress gifted at baking pies. She is unhappy in her small town existence until a surprise helps her to put her life into perspective. Waitress serves up its own delights from February 20 through March 4.
All musicals take place at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Click here for the full list and for tickets. Follow Lexus Broadway in Boston on Facebook and Twitter.
Rolling in the New Year with a comedy behind the birth of the first musical, Lexus Broadway in Boston blends beloved, Tony award-winning classics and enthralling, contemporary musicals full of mystery and magic. Lexus Broadway in Boston offers a sensational, dynamic combination of shows kicking off with a humorous look at the birth of the musical with Something Rotten to the stage adaptation of J.M. Barrie’s birth of Peter Pan with Finding Neverland. All productions are held at the Boston Opera House, 539 Washington Street in Boston, Massachusetts. Click here for a closer look at upcoming shows, tickets, and how to become a season subscriber. Like Broadway in Boston on Facebook for updates.
Alternating from the 90s to the 1590s, the musical comedy, Something Rotten, delves into the height of Shakespeare’s time as two brothers discover the key to success may be a musical. Songs include Welcome to the Renaissance, Hard to Be the Bard, and It’s Eggs. Something Rotten will take place from Monday, January 16 through Sunday, January 29.
Touring cast of musical comedy, ‘Something Rotten’
Set in tumultuous pre-World War II Germany and with classic numbers such as Maybe This Time and Willkommen, enter the Kit Kat Club for the classic musical, Cabaret. Full of raucous songs and outrageous choreography, The Roundabout Theatre Company presents this musical classic to celebrate their 50th anniversary from Tuesday, January 31 through Sunday, February 12. Cabaret contains mature content.
The cast of Roundabout Theatre Company’s national tour of ‘Cabaret’
A murder-mystery set around a brilliant fifteen year-old boy, The Curious Incident of the Dog in the Night-Time is a Tony award-winning play based on Mark Haddon’s bestselling novel of the same name. The Curious Incident of the Dog in the Night-Time takes place from Tuesday, March 7 through Sunday, March 19. This show contains adult language and themes.
Adam Langdon as Christopher Boone & the cast of the touring production of ‘The Curious Incident of the Dog in the Night-Time’
Tony award-winner of 2015’s ‘Best Revival of the Musical,’ revisit Rodgers and Hammerstein’s sweeping, romantic musical classic, The King and I. This captivating musical explores the extraordinary relationship between the King of Siam and a British schoolteacher featuring the classic numbers, Hello Young Lovers, I Have Dreamed, and Shall We Dance. See The King and I on Tuesday, April 11 through Sunday, April 23.
Jose Llana as The King of Siam & Laura Michelle Kelly as Anna Leonowens in ‘The King and I’ tour.
This summer, embark on a magical journey into Peter Pan author, J.M. Barrie’s imagination with Finding Neverland. Set in London, struggling playwright J.M. Barrie is looking for inspiration for a big hit when he meets a family so rich in creativity and make-believe, it may change his entire life. Full of visually-stunning effects and touching drama, FindingNeverland arrives on Tuesday, August 8 and continues through Sunday, August 20.
The cast of ‘Finding Neverland’ tour
Broadway in Boston also proudly presents season options Wicked, The Illusionists, and the farewell tour of Mamma Mia. Click here for tickets to Lexus Broadway in Boston’s new season.