With a wealth of urgency and powerful expression, Boston Ballet’s wonderful Fall Experience features a world premiere and an array of innovative pieces that depict the isolation and bleakness of the season as well as the excitement of what is in store.
With incredible choreography by Crystal Pite and music by Max Richter, The Seasons’ Canon finale is one of the most amazing pieces that I have ever witnessed from the Boston Ballet. The Fall Experience is not to be missed.
Boston Ballet’s Fall Experience continues at Citizens Bank Opera House in Boston, Massachusetts through Sunday, November 3. The production is one hour and 50 minutes with one intermission. Click here for more information and for tickets.
Boston Ballet’s ‘Fall Experience’ ‘After’
Featuring Christine Vitale on violin and Sienna Tabron on piano, the world premiere of Lia Sirio’sAfter is steeped in shadows and the only light shown is illuminating from a white cavern. John Farrell’s minimalist set design with Brandon Stirling Baker’s mood induced lighting highlights the stirring exuberance of the dancers. In flowing and translucent clothing, After features an array of enthralling pas de deux and a wealth of tender moments between the dancers. Fueled by piano and fiddle-infused urgent rhythms, After is evocative and expressive as the lighting morphs into a beautiful teal background with subtle bursts of color. This multi-dimensional piece depicts isolation and ingrates sharp staccato dance movements blending modern and traditional dance.
Yue Shi in Sabrina Matthews’ Ein von Viel; photo by Christopher Duggan; courtesy of Boston Ballet
In suit and tails, pianist Alex Foaksman joins duo Jeffrey Cirio and Gearóid Solan onstage for Ein von Viel. Cirio and Solan demonstrate their athleticism and pliable skills in this powerful piece filled with swift, pronounced and intricate movements. Foaksman performing onstage as Cirio and Solan synchronize, playfully compete and complement each other to splendid selections by Bach.
Yue Shi in Sabrina Matthews’ Ein von Viel; photo by Christopher Duggan; courtesy of Boston Ballet
Boston Ballet in Jorma Elo’s Plan to B, photo by Gene Schaivone, courtesy of Boston Ballet
Under a gleaming and morphing light by Jay Gower Taylor and Tom Visser, the Boston Ballet unveils a vision like none other with The Seasons’ Canon. Crystal Pite’s intricate and meticulously detailed chorography to Max Richter’s version of Vivaldi’s mesmerizing The Four Seasons makes The Seasons’ Canon a superlative experience. An incredible vision in every sense of the word, The Seasons’ Canon is innovative and unique as dancers pulse, sway, and tumble with such fluidity and precision that it must be seen. Moving like one organism with grace and intensity, the sheer exactitude and congruent nature of these movements cannot be overstated. It is an exciting and commanding piece with bursts of energy as the landscape transforms into shades of silver, orange, and gold, exquisite in each season. It is a haunting and brilliant performance sure to stay with you long after the piece has ended.
Boston Ballet’s The Fall Experience continues at Citizens Bank Opera House in Boston, Massachusetts through Sunday, November 3. The production is one hour and 50 minutes with one intermission. Click here for more information and for tickets.
Since last August’s inventive Carmen, Boston Ballet has not brought new work to BB@Your Home until now.
Celebrating Jorma Elo not only introduces highly-anticipated new dance back in studio including a Jorma Elo World premiere, but launches a luminous montage of Elo’s innovative and exciting work over a fifteen-year history as Boston Ballet’s Resident Choreographer. Introduced by Artistic Director Mikko Nissenen and Jorma Elo, Boston Ballet took to the studio to record Jorma Elo’s Plan to B, excerpts from Bach Cello Suites, and the world premiere of Story of Memory before presenting a vibrant montage of Jorma Elo’s brilliant past work.
The Boston Ballet’s BB@Your Home’s Celebrating Jorma Elo continues streaming through Sunday, March 7. Click here for more information.
Resident Boston Ballet Chorographer Jorma Elo on right with Boston Ballet dancers Photo courtesy of Brooke Trisolini/Boston Ballet
In masks and filmed under one studio light designed by Jon Gonda, Heinrich Ignaz Franz von Biber’s fiddle-laden score lays the groundwork for this joyful and intense dance in Elo’s Plan to B filmed in February 2021. Concise, surefooted, and sharp moves dominate this urgent and sweeping performance that feature Lia Cirio, Ji Young Chae, John Lam, Patric Palkens, Tyson Clark and an impressive solo by Tigran Mkrtchyan.
It is an upbeat, contemporary performance with pulsing movement as dancers slice the air and form seemingly impossible forms and shapes. In purple coordinated leotard, Cirio and Palkens perform a duet with building intensity as Palkens carries and spins Cirio romantically before she hastens forward.
Lia Cirio and Patric Palkens Photo courtesy of Patric Palkens
A more intimate performance blooms with excerpts from Bach Cello Suites also taking place in studio February 2021 featuring music from Johann Sebastian Bach performed by cellist Ron Lowry. Lia Cirio and Paolo Arrais dance romantically in shadow as an opaque backdrop softly burgeons into light. This beautiful dance is further enhanced by the nature in which the two perform. Arrais spins and handles her delicately in each movement before they embrace.
Dialogue is rarely introduced into dance and it was fascinating to witness the world premiere of Elo’s Story of Memory and the sheer beauty of this piece’s compelling cinematography filmed in February 2021. Dressed in alternately black and white, Viktorina Kapitanova and Tigran Mkrtchyan depict two people who struggle to understand one another. It has moments of discovery, passion, fury, and mystery wrapped in Pyotr Ilyich Tchaikovsky, Johann Sebastian Bach, and Nancy Euverink’s captivating scores. Kapitanova and Mkrtchayan depict two struggling, determined people in an increasingly intense dance longing for understanding before coming to a stunning realization.
Tigran Mkrtchyan in ‘Story of Memory’ Photo courtesy of Brooke Trisolini
Surely it was quite a challenge to choose the highlights of Jorma Elo’s 15-year tenure of rich and revolutionary dance into one luminous montage. It was about as monumental as it was writing about it having experienced only excerpts of some pieces in its one and a half hour timeframe.
Too many standout moments to count in this wide spectrum of work including various approaches to the same work at different times in the ballet’s history. Each impressive interpretation brings a new dynamic to the performance.
An excerpt of Elo’s 2004 Plan to B kicks off this collection of works at the Wang Theatre featuring Sarah Lamb, Larissa Ponomarenko, Joel Pronty, Jared Redick, Raul Salamanca, and Sabi Varga drawing comparisons from its most recent interpretation. Though both are impressive, but the newest version seems a bit more intense with sharper, more concise choreography.
Whitney Jensen, Bo Busby, and Jeffrey Cirio in Jorma Elo’s Plan to B, photo by Gene Schaivone; courtesy of Boston Ballet
Featuring solo pianist Bruce Livingston, excerpts from Jorma Elo’s C to C (Close to Chuck) Reborn filmed in February 2014 takes the audience into a dark, mysterious, and transcendent world. C to C showcases the dancers’ athleticism and the human form as they move about in shadow to pulsing rhythms featuring Kathleen Breen Combes, Lia Cirio, Jeffery Cirio, Whitney Jenson, John Lam and Sabi Varga.
Many of Jorma Elo’s chorography and works have a unique spirit, liveliness, and a seemingly freestyle nature. In this Avant Garde piece, Kathleen Breen Combes, Lia Cirio, and Whitney Jenson’s swing like pendulums. Certain moves seem to play with time as the dancers move swiftly in fast forward, rewind, repetition, slow motion, and then wild intonations to the music’s runaway urgency. Similar unconventional moves are performed in Elo Experience.
Lia Cirio and Paulo Arrais in Jorma Elo’s ‘Bach Cello Suites’, photo by Rosalie O’Connor; courtesy of Boston Ballet
Elo Experience filmed in March 2011 opens with an audible laugh and dialogue. It also has elements of avant garde work as a large group of dancers gather all in black. Elo’s innovative choreography showcases freestyle, unconventional moves in an upbeat, lively setting featuring a compelling solo by Jeffrey Cirio.
Excerpts from Elo’s Brake the Eye from March 2012 is part of Elo Experience. It is a playful and vibrant piece as dancers swing in angular movements while others remain still. Dressed in purple and crème and performing to the divine works of Mozart, it is a bustling and upbeat performance featuring Larissa Ponomarenko, Jeffrey Cirio, Robert Krenz, John Lam, Sabi Varga, James Whiteside, Lia Cirio, Kathleen Breen Combes, Whitney Jensen, and Dalay Parrondo.
Humming is integrated into excerpts of Elo’s Sharp(er) Side of Dark filmed in February 2012, showcasing different dancers performing in what seems like heaven. Accompanied by a string trio composed of violinist Michael Rosenbloom, Jean Haig on viola, and cellist Ronald Lowry, Lia Cirio and Sabi Varga, lights hover above them as they playfully glide and frolic in bodysuits to lively, urgent, and joyful music by Bach before seeing excerpts of the same dance performed by duos Kathleen Breen Combes and James Whiteside, Corina Gill and Paulo Arrai, and Whitney Jenson and Jeffrey Cirio.
Lia Cirio and Paul Craig in Jorma Elo’s Fifth Symphony of Jean Sibelius, photo by Rosalie O’Connor; courtesy of Boston Ballet
The Boston Ballet revisits excerpts of a past performance of Bach Cello Suites from March 2018 featuring cellist Sergey Antonov and dancers Maria Baranova, Junxiong Zhao, Lia Cirio, Paolo Arrais, Kathleen Breen Combes, Derek Dunn, Misa Kuranga, John Lam, Addie Tapp, and Lasha Khaozashvili. Dressed in black leotard, this lively performance shows a wide range of moods including pain, love, and passion. A particular highlight showed the dancers briefly interacting with the onstage cellist, leaning in as the cellist plays.
Boston Ballet in Jorma Elo’s Creatures of Egmont, photo by Liza Voll; courtesy of Boston Ballet
The final two performances are on a larger scale exploring the sheer dynamic nature of Elo’s work from the traditional to the contemporary culminating into a jubilant finale. The sheer athleticism in excerpts of Elo’s Creatures of Egmont as dancers form angular, symmetrical shapes under a twilight sky and then Fifth Symphony of Jean Sibelius filmed in November 2017 a joyous and uplifting grand scale finale that reflects Jorma Elo’s continuing luminous, inventive, and astonishing work with the Boston Ballet.
BB@Your Home continues with The Art of the Classical Ballet from March 25 through April 4 which includes excerpts from Swan Lake and Sleeping Beauty. Click here for more information and a look at Boston Ballet’s full season.
