REVIEW:  Risking it all in Sullivan Rep’s wry and reflective ‘Merrily we Roll Along’

How the tables turn for this group of dreamers.

A devoted trio of friends set out to follow their ambitions, but the smell of success may not be all it’s cracked up to be.

With lively direction and choreography by Dan Sullivan and witty musical direction by Jenny Tsai, Sullivan Rep continues Merrily We Roll Along live and in person at Mother Brook Arts and Community Center in Dedham, Massachusetts through Saturday, June 27.  This time jumping, theatre in the round musical runs two hours and 40 minutes including one intermission.  Click here for more information and for tickets.

Carly Evans, Sean Donnelly, and Dan Sullivan in Sullivan Rep’s ‘Merrily We Roll Along’ Photo by Kenly Murray

Following the staggering 14 Tony award-nominations for Sondheim’s musical Company in 1970, Stephen Sondheim reunited with George Furth and Harold Prince for the 1981 musical Merrily We Roll AlongMerrily We Roll Along could very well be Company’s cousin in its similarity in tone, shared themes and its non-linear storyline.  Also, Marianne Elliot directed the Broadway musical revivals that went on to win a Tony in 2021 for Company starring Katrina Lenk and featuring Patti Lupone and in 2023 for Merrily We Roll Along starring Jonathan Groff and Daniel Radcliffe.

Both musicals also have in common a conflicted man who makes a variety of decisions which creates some complicated outcomes while his tight knit group of friends stand by to support him, especially as this man starts to lose sight of what is truly important. 

Ryan DuBray’s flashing multicolor spotlights form what seems like a disco style time traveling machine surrounding the stage and projections on the wall alternate from the progression of time to rewinding the clock throughout the musical.

DuBray’s era-inspired set along with costumer JeanMarie LaPointe work together to create distinct portraits of various eras from 1959 to 1976.  From Post World War II to the disco era to the black and white Andy Warhol era, bold and eye catching colored wardrobes include flowing silk dresses and jumpsuits, polyester leisure suits, plaids, florals, sequins and fringe to depict the hard partying “movers and shakers.”  Cast members bring assorted retro props to set up each scene.

Merrily We Roll Along focuses on Sean Donnelly as Franklin Shepard who is thriving from the success of his new musical.  He is married to Katie Clark as resentful and consummate performer Gussie, but there is a lot more to their story than meets the eye.  Clark establishes and “gussies up” this complicated character well and it is interesting to watch the unmistakable parallels between Clark’s Gussie and Donnelly’s Franklin.

Justin Boudreau, Katie Clark and cast in Sullivan Rep’s ‘Merrily We Roll Along’ Photo by Kenly Murray

As far as the trio of friends, Franklin has a complicated bond with Carly Evans as increasingly unreserved and steadfast Mary Flynn and Daniel Forest Sullivan as Franklin’s business partner Charley Kringas.  Evans, Sullivan and Donnelly all share a bond that only old friends can even as it frays at the edges.  They demonstrate some wonderful moments in the daydreaming number, Bobbie & Jackie & Jack and warm camaraderie for It’s a Hit and Old Friends

The musical may start out cynical and seemingly shallow, but becomes more robust as the tale unfolds.  A particular highlight is Daniel Forest Sullivan as Charley expressing wry sarcasm and mounting frustration with a tinkling piano and a wink to Fosse for the catchy and rapid fire number, Franklin Shepard, Inc.  Carly Evans as Mary offers a heartfelt rendition of Like It Was and Meghan Rose shines as down to earth and reasonable Beth from her very first scene for Not a Day Goes By.  Along with Justin Boudreau as ambitious producer Joe, the group form bright harmonies for Opening Doors.  Amanda Atkinson and Scott Berozi notably share clever comedic quips as a pair of news anchors.

Sondheim is known for his complex harmonies as well as rapid fire and thickly descriptive lyrics and this musical is no exception.  This cast dominates this challenging musical style, but some of the lyrics can get a little lost in acoustics of the venue, so try to sit as close as you can to the stage.  The venue also can get a little warm so dress accordingly. 

Merrily We Roll Along is an engaging cautionary tale that cleverly carves out fascinating patterns and parallels to focus on the pressures of fame, the fragility of friendship and the risks one takes to follow that dream.  As upbeat and funny as it is cynical, it reflects on the realities of this pivotal era and brings to light what is truly important.

Sullivan Rep continues Merrily We Roll Along live and in person at Mother Brook Arts and Community Center in Dedham, Massachusetts through Saturday, June 27.  Click here for more information and for tickets.

REVIEW:  Get swept off your feet by Hingham Civic Music Theatre’s ‘Kiss Me Kate’

‘But for my bonny Kate, she must with me.’

Set in Baltimore, love and show business collide in more ways than one in the Cole Porter musical, Kiss Me Kate.  A Shakespeare play within a musical with plenty of backstage drama, David Daly as Fred/Petruchio and Sara Daly as Lilli/Katherine shine portraying exes onstage, but they are married in real life.

Sara and Dave Daly and Steve Dooner in ‘Kiss me Kate’ Photo by Pat Sherman

Well timed shortly after Shakespeare’s birthday and shrewdly directed by Steve Dooner, Hingham Civic Music Theatre continues the Cole Porter romantic comedy musical, Kiss Me Kate live and in person at the Sanborn Auditorium at the Hingham Town Hall in Hingham, Massachusetts through Sunday, May 4.  Click here for more information and for tickets.

Justin Maloney and Joel Leonard in Hingham Civic Music Theatre’s ‘Kiss Me Kate’ Photo by Pat Sherman

Musically directed by Sandee Brayton with exuberant choreography by Diana Byrne Gossard, this enchanting musical is approximately 2 hours and 30 minutes with one intermission.  Hingham Civic Music Theatre has dedicated their season to the memory of Violet (Vi) Villani.

Sara and Dave Daly in Hingham Civic Music Theatre’s ‘Kiss Me Kate’ Photo by Pat Sherman

When a literary and music genius join forces, a Golden Age musical is born.  Kiss Me Kate boasts memorable Cole Porter classic tunes such as So in Love, Too Damn Hot, Wunderbar and Brush Up Your Shakespeare while infusing elements of Shakespeare’s Taming of the Shrew to create a romantic comedy for the ages.  Cole Porter’s music often reflects a jazz and bluesy feel as demonstrated in this play within a play’s self aware opening number, Another Opening/Another Show.

Kate Emily Crosta and Andy Gossard in Hingham Civic Music Theatre’s ‘Kiss Me Kate’ Photo by Pat Sherman

Playful, charming, and imaginative, Kiss Me Kate tells the story of director, producer and star of Taming of the Shrew Fred, portrayed by David Daly, who is working with ex-wife Lilli, depicted by Sara Daly, a fading Hollywood star reluctantly turning to theatre and co-starring in his production.  Lilli is engaged to systematic and orderly General Harrison Howell, portrayed by Andy Gossard who seems to relish the role.  I’ve always considered Katherine in Taming of the Shrew a woman ahead of her time and Sara impressively takes on this dual role as Lilli and Katherine as headstrong and fearless women with minds of their own.  David brings lots of charm and earnestness to his dual role as Fred and Petruchio.  Boasting soaring vocals, it is delightful to watch David and Sara who share great chemistry onstage.  They perform a lovely and intense duet of Wunderbar and deliver sweet renditions of So in Love.

Emily Crosta and Justin Maloney in Hingham Civic Music Theatre ‘Kiss Me Kate’ Photo by Pat Sherman

Another adorable couple who make melodious harmony together is Justin Maloney as Bill/Lucentio and Emily Crosta as Lois Lane/Bianca. Maloney as Bill and Crosta as Lois make a captivating pair delivering a couple of coy and lighthearted duets including Why Can’t You Behave and Always True to You in My Fashion, the latter especially flirty and entertaining.  Fred, Lilli, Bill and Lois collaborate for a humorous rendition of the upbeat classic, We Open in Venice.

Dave and Sara Daly, Justin Maloney and Emily Crosta in ‘We Open in Venice’ in Hingham Civic Music Theatre ‘Kiss Me Kate’ Photo by Pat Sherman

Also offering some scene stealing comic relief are Brendan Smith and Connor O’Brien as the Two Men.  Tough and goofy with a hilarious strut in top hats and canes, these sharply dressed men perform a knowing Brush Up Your Shakespeare, advising the audience how to use Shakespeare to woo women.

Brendan Smith and Connor O’Brien in Hingham Civic Music Theatre’s ‘Kiss Me Kate’ Photo by Pat Sherman

Costume designer Ashley Buckeridge skillfully blends period pieces such as classic Juliet and romantic Renaissance attire in delicate patterns to the iconic post World War II era making a splash in coordinated polka dots, lace, silk, button down trousers and brimmed hats.

John Crampton and cast in Hingham Civic Music Theatre’s ‘Kiss me Kate’ Photo by Pat Sherman

From tap to traditional renaissance to swing dancing, Diane Byrne Gossard’s joyful and lively choreography is a particular highlight as John Crampton as smooth Paul leads a playful rendition with this enthusiastic cast in a whistling and horn-infused number, Too Damn Hot.   

Hingham Civic Music Theatre’s ‘Kiss me Kate’ cast Photo by Pat Sherman

Kiss Me Kate delves into a number of romantic high jinks including the war of the sexes and it is fascinating to see this topic resonate from the Renaissance to Post War II era to today with spirited flair.

John Crampton and Madison Pratt in Hingham Civic Music Theatre’s ‘Kiss Me Kate’ Photo by Pat Sherman

Hingham Civic Music Theatre continues the Cole Porter romantic comedy musical, Kiss Me Kate live and in person at Hingham Town Hall in Hingham, Massachusetts through Sunday, May 4.  Click here for more information and for tickets.