REVIEW: Reagle Music Theatre of Greater Boston’s ‘Pippin’ delivered magic with more to come

The quest to discover one’s destiny can be both exciting and harrowing. 

After opening with musical classic West Side Story last month to kick off Reagle Music Theater of Greater Boston’s summer season, Bob Fosse’s unmistakable style took the stage in Reagle’s follow up summer musical Pippin, a tale within a tale about destiny and realizing where one fits in the world.  Pippin resembles a morality play and Pippin, portrayed with earnest naiveté and enthusiasm by Kenny Lee, is convinced he was created for an extraordinary purpose and will stop at nothing to find it.

Directed and choreographed by Rachel Bertone with Music Direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston had a lot more magic to do, but the musical Pippin had to shorten its run due to Covid concerns. However, Reagle Music Theatre of Greater Boston will have another chance to create some magic at a one night only cabaret fundraiser featuring the Pippin cast on live and in person on August 26 at Reagle Music Theatre of Greater Boston in Waltham, MA at 7 p.m. Purchase tickets early and get a discount. Click here for more information and tickets.

Reagle Music Theatre of Greater Boston presents a one night only cabaret on August 26. Photo courtesy of Herb Philpott/Reagle Music Theatre of Greater Boston

Led by Boston based award-winning actor and singer Davron Monroe, the musical Pippin was a wonder to witness though the plot itself is a bit uneven at times and the musical is not appropriate for children.  Based on the originally-directed Bob Fosse musical and Diane Paulus’s Tony award-winning revival, Pippin ran at Reagle Music Theatre of Greater Boston in Waltham, MA through August 7. Click here for more on Reagle Music Theatre of Greater Boston’s upcoming events.

Davron Monroe as Leading Player Photo courtesy of Reagle Music Theatre of Greater Boston

Set initially in a traveling circus, cast members immersed the audience in this mystical tale within a tale also set in the Middle Ages by occasionally marching down the aisles, addressing the audience and encouraging an occasional sing-along. 

Kenny Lee as Pippin Photo courtesy of Reagle Music Theatre of Greater Boston

Scenic designer Cameron McEchern seamlessly handled the frequent “magical” changes of scenery as Pippin explored various aspects of one’s existence from sophisticated royalty to military life to the simplicity of farming life and much more in between.   From bright, bedazzled and exotic costumes to the simplicity of the Middle Ages, costume designer Jake O’Hara and Emerald City Theatricals helped to create this versatile and dynamic world shared skillfully by charismatic Davron Monroe as the complicated narrator and mysterious advisor, Leading Player.  Monroe’s resounding vocals and quick comic wit lent to his compelling performance, especially for Magic to Do and the lively On the Right Track.  However, Monroe’s most captivating work was saved for the twist-filled finale.

The costumes along with Rachel Bertone’s dazzling and at times racy choreography offered subtle nods to Fosse’s signature style including top hat, cane, and scantily clad, Chicago-inspired dancers.  Even Monroe gave a subtle nod to Fosse’s Razzle Dazzle

Damon Singletary as Charlemagne Photo courtesy of Reagle Music Theatre of Greater Boston

Like Chicago, Pippin has some surprising moments and often addressed the dark side of humanity.  Pippin is looking for meaning as expressed quite wonderfully with Corner of the Sky. Lee portrays Pippin with wide-eyed optimism, chatty naiveté, and a free spirit which make him more sympathetic than egotistical, even when Pippin makes some poor choices.

Kathy St. George as Berthe © Joe Henson Photography 2006 All Rights reserved.

King Charlemagne, depicted with gravitas, charm, and stubbornness by Damon Singletary, is no stranger to the monarchy having portrayed the king in Concord’s past Umbrella Arts Theatre musical, Head over Heels.  Stern and shrewd Singletary delivered some wise and memorable dialogue and has a good rapport with his son, PippinKathy St. George as spicy and fun loving Berthe is a particular highlight, especially during the number, No Time at All.  Berthe offers Pippin and the audience valuable life lessons and an occasional sing-along through humor, joy, and wit.  Kenny Lee as Pippin and Kathy St. George have some endearing chemistry and Berthe’s vibrant dance moves and her occasional engagement with the audience make her a difficult act to follow.

Katie Anne Clark as Fastrada Photo courtesy of Reagle Music Theatre of Greater Boston

Katie Ann Clark as seductive and materialistic Fastrada and Joel Douglas as handsome, dimwitted and egotistical Lewis make formidable adversaries and Kayla Shimizu shines as headstrong, patient, and graceful Catherine.

Reagle Music Theatre of Greater Boston presents a one night only cabaret on August 26. Photo courtesy of Herb Philpott/Reagle Music Theatre of Greater Boston

It is a shame that Pippin could not continue for its full run because it had a lot to say about the key to happiness and what is truly important in life. However, Reagle Music Theatre of Greater Boston will have another opportunity for some magic at a one night only cabaret fundraiser featuring the Pippin cast live and in person on August 26 at Reagle Music Theatre of Greater Boston in Waltham, MA at 7 p.m. Click here for more information and tickets.

REVIEW: Reagle Music Theatre of Greater Boston makes an exciting return to the stage with a moving and remarkable ‘West Side Story’

‘I’ve just met a girl named Maria/And suddenly that name/will never be the same/to me.”

Having seen the classic musical West Side Story from the stage to the 1961 film adaptation to Spielberg’s recent Oscar worthy film, Reagle Music Theatre’s Blake Du Bois as Tony’s moving rendition of the classic song, Maria is a must see.  Many Tonys have floated through this number with surprise, naiveté, and the excitement of attraction while blinded by love, but Du Bois’s delivery evokes a more meaningful perspective.  Enhanced by his extensive vocal range, this soulful rendition depicts not naiveté, not necessarily blindness, but an overwhelming feeling of love for Maria and the fear of what that means.  So overcome by love that he must move forward in spite of it. It was like understanding Maria anew.

Eevie Perez as Maria and Blake Du Bois as Tony in Reagle Music Theatre of Greater Boston’s ‘West Side Story’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Sharply directed and choreographed by Rachel Bertone with seamless musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston delivered powerful and clever performances as it kicked off its summer musical season with West Side Story continuing through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA.  This show is not intended for children under 13.  Click here for more information and for tickets.

Based on Shakespeare’s Romeo and Juliet, West Side Story is the timeless tale of the Sharks and the Jets, two rival gangs who cannot seem to coexist in Manhattan without a fight.  However, when Blake Du Bois as streetwise Tony and Eevie Perez as idyllic Maria lock eyes, everything quickly becomes complicated.

Helmed by a captivating cast, Reagle Music Theatre’s West Side Story is intriguing from the start as it lays out mischief, antics and petty outrage over owning the streets.  A broad city landscape, chain linked fences, a retro jukebox and detailed drug store are just part of Janie Howland’s retro, rolling set that successfully rewinds the clock back to the 1950s. 

The cast of West Story Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

A great deal of West Side Story hinges on its sharp dance and fight choreography and director and choreographer Bertone hits the ground running.  Along with Fight and Intimacy Director Angie Jepson, the high-kicking choreography blurs the lines between dance and fighting as the gangs intertwine in innovative and precise movements.  A leap becomes a punch and aggressiveness turns graceful…all in the same move.  Jack Mullen delivers an intense performance as the tough talking, swaggering Jet leader Riff, especially during a catchy and memorable rendition of Cool as each tense moment pops to Franklin Meissner, Jr’s intricate lighting.  Mullen as Riff and Du Bois as Tony share some affable camaraderie as they do with their fellow Jets and their fair share of united animosity toward the Sharks.  Nate Walsh stood out as hot head Action, on edge and ready for a fight while Gracin Wilkins delivers a stirring performance as outcast Anybodys.

Bianca Rivera-Irions as Anita with the Shark Girls performing ‘America.’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Eevie Perez is charming and spot on as Maria, her chiming vocals and naiveté especially evident with Ana Viveros as Consuela, Marissa Pineda as Rosalia, and Karina Gonzalez as Tesesita in the exuberant and playful number, I Feel Pretty and in a gorgeous duet with Du Bois as Tony for One Hand, One Heart.  Tall and distinctive, charismatic Bianca Rivera-Irions as Anita knows how to make an entrance in a show stopping red dress, just one of the many rich, vintage, and vibrant costumes provided by Tiffany Howard.  A lively dancer, Rivera-Irions as Anita stands out in any room as only Anita can.  Rivera-Irions as Anita and Diego Klock-Perez as proud and protective Shark leader Bernardo share lighthearted and steamy chemistry.  The dynamic cast performs an exhilarating rendition of Tonight, their robust sound and stirring harmonies build the anticipation and excitement of a night that will change everything.

Reagle Music Theatre of Greater Boston presents musical classic West Side Story continues through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA.  This show is not intended for children under 13.  Click here for more information and for tickets.

REVIEW: Lyric Stage’s ‘Kiss of the Spider Woman’ spins a fascinating web

The Lyric Stage’s powerful musical, Kiss of the Spider Woman, with music by John Kander and lyrics by Fred Ebb, proves escape can take many forms.  Much like Kander and Ebb’s previous works such as Chicago and Cabaret, Kiss of the Spider Woman delves into equal parts fantasy through lavish dance numbers and brutal reality as two very different men are cellmates in a Latin American prison.  Directed and choreographed skillfully by Rachel Bertone, Kiss of the Spider Woman is not just a gripping tale about surviving under profoundly dark circumstances, but an emotional journey, keeping the audience guessing to each character’s complex motives.

Kander and Ebb’s Kiss of the Spider Woman continues at the Lyric Stage in Boston, Massachusetts through Sunday, October 7.  Click here for tickets and more information.

What makes this show particularly fascinating is Bertone’s talent for depicting mounting tension, evident between each character who all share some sort of connection.  Lisa Yuen embodies the Spider Woman/Aurora with dark humor and beguiling charm, a presence who sees and knows all as she proclaims, I Do Miracles.  Her haunting vocals are a magnetic presence as she slinks onstage.  Her dazzling, alluring costumes vary from a shimmering, translucent gown to a bright, multi-colored Bird of Paradise.

Lyric Stage - Cuadros, Yuen, Cavazos, Gamble, Baldassaro

L to R: Arthur Cuadros as Gabriel, Lisa Yuen as Aurora, Eddy Cavazos as Molina, Taavon Gamble as Valentin, and Bernie Baldassaro as a prisoner Photo courtesy of Lyric Stage

Portraying the two cellmates are Eddy Cavazos as imaginative, openly gay window dresser Molina and Taavon Gamble as gruff revolutionary Valentin.  Dressed in a bright scarf and silk robe, Molina is often sinking into his own vivid imagination recalling his favorite film star, Aurora (Lisa Yuen). Cavazos portrays Molina as exceedingly optimistic, vain, and wildly dramatic.  However, with an occasional far off glance or a brief, mournful smile, Cavazos also reveals Molina’s palpable loneliness, wearing his heart on his sleeve.  He and Johanna Carlisle-Zepeda as Molina’s cherished mother share sweet moments, especially during the number, Dear One and You Can Never Shame Me.

Lyric Stage - Cavazos, Carlisle-Zepeda, Zofia, Gamble

L to R Eddy Cavazos as Molina, Johanna Carlisle-Zepeda as Molina’s Mother, Katrina Zofia as Marta, and Taavon Gamble as Valentin Photo courtesy of the Lyric Stage

Taavon Gamble is also impressive as proud, indignant revolutionary Valentin, a man of few words.  His stirring number, The Day After That, offers immense insight into Valentin’s visceral strength.  Cavazos and Gamble’s scenes together are riveting, both delivering shrewd and gritty performances.

Lyric Stage - Gamble, Cavazos with prisoners

Taavon Gamble as Valentin (center), Eddy Cavazos as Molina and prisoners

Musically directed by Dan Rodriguez featuring songs ranging from haunting to catchy, Kander and Ebb’s Kiss of the Spider Woman continues at the Lyric Stage, 140 Clarendon Street in Boston, Massachusetts through Sunday, October 7.  Click here for tickets and more information.  Subscriptions and dinner packages are also available.  Follow The Lyric Stage on Twitter and Facebook for their upcoming productions and more.