REVIEW:  The Huntington’s intensely funny and revealing ‘John Proctor is the Villain’

In a small southern town, everyone seems to know everyone else’s business and in high school, rumors run amok.  However, which ones are actually true and which ones are just talk? 

With meticulous direction by Margot Bordelon, The Huntington presents Kimberly Belflower’s dark comedy John Proctor is the Villain live and in person at the Calderwood Theatre in Massachusetts through Sunday, March 10 as well as a virtual program option through Sunday, March 24.  This show is not appropriate for children and is 100 minutes with no intermission.  Click here for more information and for tickets.

Left to right: Brianna Martinez, Jules Talbot, Victoria Omoregie, Haley Wong in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

Set in a rural Georgia high school in 2019, girls are coming into their own and through The Crucible, are discovering their own power.  When Jules Talbot as studious, serious, anxious and outspoken Beth Powell wishes to start a feminist club, the faculty is somewhat hesitant.  With Brianna Martinez as Ivy, Victoria Omoregie as Nell, Haley Wong as Raelynn Nix, and Japhet Balaban as cool teacher Mr. Smith to back Beth and tie the club into the curriculum, the club is underway.  Feminism fosters power and ignites change and this ambitious and likable group thinks that is just what this small town needs.

Left to right: Olivia Hebert, Japhet Balaban in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

Kristen Robinson’s detailed and edgy scenic design unveils a colorful classroom complete with academic notes, green chalkboard, raised stadium-style classroom seating, and transfiguring walls enriched by Aja M. Jackson’s flashy, rhythmic and radiant lighting.  Jackson’s lighting seamlessly aligns with Sinan Refik Zafar’s lively sound design that weaves in pop tunes from the darker sides of Pink, Lorde, Britney Spears and Taylor Swift

Left to right: Japhet Balaban, Isabel Van Natta, Victoria Omoregie, Brianna Martinez, Benjamin Izaak, Jules Talbot, Maanav Aryan Goyal, Haley Wong in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

John Proctor is the Villain presents a different and intriguing perspective to The Crucible that plays out in various ways within this Georgia High school.  The stiff raised hands, the quick paced teen dialogue, frenetic excitement and nervous energy of this group of teens solidly depicts the atmosphere and nature of high school while Zoe Sundra’s distinct costume design enriches each character’s individuality.  The production has plenty of giddy and playful moments that cement some close knit friendships and yet it never loses sight of tackling its serious topics.

Left to right: Isabel Van Natta, Jules Talbot, Victoria Omoregie, Haley Wong in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

Kimberly Belflower’s juicy script holds many stunning revelations and the tables turn many times over as the tale intensifies, but  John Proctor is the Villain also notably dives into broken relationships, reputation, and discovering one’s authentic self.  Some of the characters have an air of superficiality and mystery perhaps because they are gradually learning who they truly are.  Benjamin Izaak as cocky Lee Turner and Maanav Aryan Goyal as earnest Mason Adams seem more emotional than these focused teen girls. 

Left to right: Victoria Omoregie, Jules Talbot, Haley Wong in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

Isabel Van Natta is memorable as complicated and unpredictable Shelby who has returned to school under mysterious circumstances.  Van Natta and Haley Wong as unconventional and courageous Raelynn share some dynamic and fascinating scenes together.  In black star stockings with a matching purple and black dress, Victoria Omeregie charismatically portrays frank, stylish, and sometimes tough Nell Shaw.  Japhet Balaban cleverly portrays engaging, charismatic, and popular teacher Carter Smith who seems the most transparent and shares a charming camaraderie with his students. 

With meticulous direction by Margot Bordelon, The Huntington presents Kimberly Belflower’s dark comedy John Proctor is the Villain live and in person at the Calderwood Theatre in Massachusetts as well as a virtual program option through Sunday, March 10.  This show is not appropriate for children and is 100 minutes with no intermission.  Click here for more information and for tickets.

REVIEW:  Between laughter and rage, the Huntington Theatre, Alliance Theatre, and Front Porch Arts Collective’s leaves food for thought with ‘Fat Ham’

Whether in a kingdom or a small town, rumors still fly.

However, at this small town barbeque and with the audience as small town witnesses, Juicy has to overcome more than a Fat Ham to make things right within his wild and dysfunctional family.

Based partially on Shakespeare’s classic production Hamlet and conscientiously directed by Stevie Walker-Webb, the Huntington Theatre in association with Alliance Theatre and Front Porch Arts Collective presents James IJames’s semi-interactive dramedy Fat Ham through Sunday, October 29 live and in person at Calderwood Pavilion in Boston, MA.  This Pulitzer prize-winning show is 90 minutes with no intermission and contains mature themes and strong language.  Click here for more information and tickets.

Marshall W. Mabry IV, Lau’rie Roach. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

What is refreshing about this contemporary iteration of Hamlet is not only is it much more of a comedy than a tragedy, but it also roots itself far more into the family dynamic than even Shakespeare portrayed.  Watching Hamlet, one assumes that the king and his son had a traditional and loving father-son relationship.  What if it everything was far more complicated?  What if the father is not the model dad that a child grows to admire?  Fat Ham bears a resemblance to the classic production in key plot points, but then flips the script and transitions into its own entity that delves into the cycle of intergenerational trauma swinging from ruthless, creepy and suspenseful to not taking itself too seriously. 

Rather than Hamlet standing for Juicy, the metaphorical star of this production is just what one roasts during a barbecue, a fat pig as a grill takes center stage.  However, there is a struggle of who is king of this house as Juicy’s father has just died and Juicy’s uncle suspiciously soon after marries Juicy’s mom, Tedra. 

Victoria Omoregie, Thomika Marie Bridwell, Lau’rie Roach, Amar Atkins, Marshall W. Mabry IV. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

Fat Ham is humorously set in ‘Virginia or Maryland or Tennessee’ and in a small town where gossip travels fast.  Luciana Stecconi’s working class set design boasts tiny, multi-functional and mood setting white lights that adorn a large tree on a dilapidated back porch strewn with arbitrary clothes hanging on a disheveled clothesline.  Baby shower balloons, a tire swing, grill and a fire pit surround a half decorated picnic table and chairs.  Costume designer Celeste Jennings leans on frenetic colors and patterns to accentuate the essence of each character.  Aubrey Dube’s rich sound design, Xiangfu Xiao’s sharp lighting, and Evan Northrup’s amazing illusion design all team up to illustrate some startling, eerie, foreboding, and pivotal revelations. 

Marshall W. Mabry IV. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

In some key ways, Fat Ham’s cast improves on the Shakespeare’s classic play and Ijames diligently exposes the hypocrisy of each character.  The casting is also particularly astute as Juicy, depicted with timid and burdened inquisitiveness by Marshall W. Mabry IV and Lau’rie Roach portrays lively and wisecracking cousin Tio who buries insightfulness in raunchy humor.  Ebony Marshall-Oliver as self centered Tedra still shares a nurturing and sympathetic rapport with Mabry while flaunting spicy swagger with Vincent Ernest Siders as Rev/Pap.  A particular scene in which Marshall-Oliver and Mabry both shine is a dynamic musical interlude that shows off their individual charisma and prowess. 

James T. Alfred, Ebony Marshall-Oliver, Victoria Omoregie, Thomika Marie Bridwell. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

Vincent Ernest Siders stepped in as Rev/Pap and punctuates his performance with a domineering sneer as well as savage and manipulative taunting.  Victoria Omoregie as Opal and Thomika Marie Bridwell as Rabby deliver a relatable and hilarious mother-daughter relationship while Amar Atkins bears his own burdens as Opal’s seemingly straight laced brother Larry.

Victoria Omoregie, Thomika Marie Bridwell, Lau’rie Roach, Amar Atkins, Marshall W. Mabry IV. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

Sometimes it takes something big for life to change.  Fat Ham explores overcoming betrayal and one’s supposed lot in life against all odds to forge a new path in a crazy world.

Based partially on Shakespeare’s classic production Hamlet and conscientiously directed by Stevie Walker-Webb, the Huntington Theatre in association with Alliance Theatre and Front Porch Arts Collective presents James IJames’s semi-interactive dramedy Fat Ham through Sunday, October 29 live and in person at Calderwood Pavilion in Boston, MA.  This Pulitzer prize-winning show is 90 minutes with no intermission and contains mature themes and strong language.  Click here for more information and tickets.