REVIEW: One con deserves another as South Shore Theatre Works continues with lively ‘Chicago the Musical’

With the recent premiere of the highly-anticipated FX biographical miniseries, Fosse/Verdon about the sizzling creative and romantic partnership between legendary filmmaker and choreographer Bob Fosse (Sam Rockwell) and spectacular Broadway dancer Gwen Verdon (Michelle Williams), it seems Fosse and Verdon’s influence is still everywhere.  So, it is not surprising that South Shore Theatre Works (SSTW) is taking on what SSTW’s Executive Director and President Richard Bento called, “a dream production of mine to direct,” Chicago the Musical continuing through Saturday, April 20 at Abigail Adams Middle School in Weymouth, MA.  This show is not for young audiences.  Click here for more information and tickets.

One of Fosse’s most popular creations was a dark satire dealing with corruption and murder during the Jazz age called Chicago the Musical.  This Tony award-winning production continues to thrill audiences as one of the longest running Broadway musicals and its most recent 2002 film adaptation was the 2002 Academy award-winning film starring Renee Zellwegger (Roxie), Catherine Zeta-Jones (Velma) and Richard Gere (Billy Flynn) garnered a few Academy Awards.

SSTW's 'Chicago the Musical' cast

The cast of ‘Chicago the Musical’ Photo by Annabella Valle/South Shore Theatre Works

How has Chicago the Musical earned its longevity?  The proof is in its clever, satirical storytelling that isn’t afraid to occasionally shock, its sizzling choreography, memorable characters, catchy music, and its frank, timeless message about humanity.  With an impressive, semi-interactive fifteen-piece orchestra led by conductor Doug Gerber that elevates the action onstage plus additional songs not featured in its most recent film adaptation, this darkly humorous production is off to a good start.

With a modest set featuring vintage theatre lights that illuminate the stage, director Richard Bento keeps this production in classic Fosse form dressing his dancers in black. The close-knit, tight choreography by co-choreographers Richard Bento and Amy Valle Wallace includes some dance crazes of the Jazz Age that make for some visual sizzle.  Though the classic number Cell Block Tango needs a bit more snarl, clever Razzle Dazzle boasts some sleek staging.

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Headlining this colorful cast is Stephanie Wallace as desperate, hot tempered and fast-living Roxie Hart.  With a great scowl and energetically navigating Roxie’s myriad of emotions, it is easy to see how Wallace relishes this character.  She is never better than during her natural and engaging signature song, Roxie Hart.

Jaclyn Cleary lends a mix of sharp sophistication and mayhem to Velma Kelly, a former dancer turned criminal.  Her wild, light eyes reveal a smugness and unsteadiness that will keep you guessing her next move.  Having seen Chicago the Musical quite a few times, I admire Jaclyn Cleary’s sleek vocals and not so by-the-numbers rendition of All That Jazz.  She and Matron Mama Morton, portrayed charismatically by Hanna Ford, have great chemistry.  They are two sides of the same coin in their rendition of Class.

Staring down her glasses with an ironically sophisticated air is Hannah Ford as Matron Mama Morton.  With a belt that certainly packs a punch, her rendition of When You’re Good to Mama clearly shows she knows how to pull some strings and depicts Mama in a different and refreshing way.

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Wielding a cane, Aaron Stolicker masterfully navigates the cast and the audience as suave, shrewd, and debonair Billy Flynn, sharply dressed in a black tuxedo.  He’s full on smirking charm in the number, All I Care About is Love and quite the storyteller in his rendition of They Both Reached for the Gun, a complex, energetic number with strong choreography.  J. Merlo adds some humor and some serious pipes as journalist Mary Sunshine.

South Shore Theatre Works continues Chicago the Musical through Saturday, April 20 at Abigail Adams Middle School, 89 Middle Street in Weymouth, MA.  Click here fore more information, tickets, and how to support South Shore Theatre Works, an organization that recently celebrated its third anniversary.  Click here for more information about South Shore Theatre Works and its Executive Director and President, Richard Bento.

 

Film review: Vice packs great performances, but a less than fascinating story line

Though The Sleepless Critic does not usually tackle films, since awards season is here and Sleepless Critic is associated with the Screen Actors Guild Awards, a review will pop up here and there about a nominee.

The hype about the political satire film, Vice has been mounting.  With Christian Bale’s recent Golden Globe win for his portrayal as Vice President Dick Cheney, it seems that this film has its sights set on the Academy Awards.  Christian Bale and Amy Adams have been nominated for Screen Actors Guild Awards for Outstanding Male Actor in a Motion Picture and Outstanding Female Actor in a Motion Picture, respectively. The performances are definitely worth seeing and this biting satire has a lot to say, if it only the actual story line was that good.

Vice has its clever moments, but those moments were much more interesting in Adam McKay’s far superior film, The Big Short.  Narrated by a mystery man who plays a significant role in Dick Cheney’s life, this satirical tale is slow and a bit muddled from the start as it describes Cheney’s path into politics.

The second half picks up quite a bit as Cheney rises to power, but not enough to make up for the first half.  Accentuated by a crooked sneer, Bale is almost unrecognizable as the former Vice President, his performance quiet and calculating.  As the film warns, “Beware the quiet man.”  However, I was waiting to see how brazen he truly was and with the exception of a brilliant monologue toward the end, I was left waiting for the payoff.  His motivation is never really clear other than desire for power.

Underneath that plastered smile, Amy Adams is ruthless, power hungry Lynn Cheney.  Although it becomes clear why Lynn Cheney is with Dick Chaney, it is unclear why Dick seemingly will give anything to impress Lynn.  Steve Carell offers a steely and momentarily sympathetic portrayal of Donald RumsfeldSam Rockwell delivers an amusing performance as ill-prepared for the presidency, George W. Bush, but sadly, is not in the film nearly as much as he should be.

sag 2019 nominees

Screen Actors Guild Awards will be broadcast on Sunday, January 27! Photo credit to SAG

The 25th annual Screen Actors Guild Awards, hosted by Megan Mullally, will be broadcast on Sunday, January 27.  Click here for more information.

Vice is still in theatres now.