REVIEW:  Boston Pops capped of their Spring Pops season with a glorious celebration on Gospel Night’s 30th anniversary

Celebrating 30 years, Boston Pops Gospel Night has stood the test of time as a glorious and revered annual tradition.  Boasting an illuminated brass backdrop layered with firework shaped gold lighting as well as multi-colored imagery, Boston Symphony Hall welcomed a large crowd for this highly-anticipated, 30th anniversary event for one night only on Saturday, June 8 live and in person in Boston, Massachusetts.  Click here for more information and more on upcoming Boston Pops events including Boston Pops Fireworks Spectacular featuring The Mavericks, Kelli O’Hara, and much more.

Each year, Gospel Night features a special blend of acclaimed musical guests, a variety of beloved songs delivered by the Boston Pops Gospel Choir as well as an array of memorable performances. 

Renowned Conductor Charles Floyd Photo by Mike Mejia

Warmly greeting the crowd and the orchestra was accomplished conductor, pianist, and composer Charles Floyd, who has been conducting Gospel Night for the past 28 years.  Click here for a closer look at Charles Floyd and his career. 

Distinguished looking in a white tuxedo with black pants and a bow tie, Charles Floyd gave an appreciative wave before opening this joyous concert with George W. Chadwick’s spirited Jubilee which boasts a rush of excitement and anticipation as well as a mix of beautiful yearning and striking rhythms.  Duke Ellington’s Caravan was an incredibly robust and exhilarating experience delivering drum-infused, head bobbing rhythms featuring Edmar Colón, David Rosado, Jeriel Sanjurjo and Gabriel Santiago on percussion and featuring Balla Kouyaté with an incredible sound on Balafon.

Balla Kouyaté on Balafon Photo by Mike Mejia

Ten-time Grammy Award-winning a capella gospel group Take 6 highlighted the event as they returned to Gospel Night for an uplifting set of impressive performances.  Made up of a half a dozen captivating members which includes Claude McKnight, Mark Kibble, Joel Kibble, Dave Thomas, Alvin Chea, and Khristian Dentley in suits and tailored shirts, Take 6 took the audience on a wide and inspirational journey to provide encouragement and share their joy including the catchy harmonies in Feels Good, an upbeat, yet moving rendition of the Charlie Chaplin’s cover Smile, a fiddle-infused Lullaby and a nostalgic rendition of Ambrosia’s Biggest Part of Me.  As cloud shaped lighting hovered above the orchestra, Take 6 also shared a divine rendition of David Bloom’s You deserve it steeped in echoing and acapella harmonies.

The return of A cappella gospel group ‘Take 6’ Claude McKnight, Mark Kibble, Joel Kibble, Dave Thomas, Alvin Chea, and Khristian Dentley Photo by Mike Mejia

The second half of Gospel Night is a rousing celebration encouraging everyone to let loose and dance with the energizing Boston Pops Gospel Choir.  In a beautiful black dress and pearls, Katani Sumner encouraged the crowd to get on their feet for Smith’s All Praise which was further emphasized by Ray Martin in an uplifting rendition of Hallelujah You’re WorthyIda Kamrara elevated the celebration with Lord You’re Great and Brittany Wells and Loraine Adeymi joined together for a horn infused, expressive and high-powered duet of Wonderful is Your Name/I’m So Thankful as the energy escalated onstage culminating in Zion Rejoice with Sherylynn Sealy.

Photo by Mike Mejia

However, after the encore is the after party. 

Led with incredible enthusiasm and sharing a few dance steps, The Boston Pops Gospel Choir Artistic Director and Brother Dennis L. Slaughter gears up each year for a grand, spirit-fueled finale after the finale.  It is a toe tapping after party that usually could go all night long, if only they could.  Whether it is due to the current state of the world, remnants of pandemic numbers, people buried in discouragement or a combination of all three, the audience’s response was not as enthusiastic has it has been in past years.  The finale usually has everyone on their feet and Gospel Night was not as full as it has been in past years.

The Boston Pops Gospel Choir Photo by Mike Mejia

Earlier on during their set, Take 6 delivered an earnest and eloquent message of persistence and resilience before launching into a smooth and touching rendition of Over the Hill is Home.  It spoke volumes about overcoming the heartache of life’s challenges and having faith to pull ourselves over that hill to a day that ‘shines so bright.’  We can all use encouragement in these dark times and Gospel Night uniquely brings home that exuberant and electrifying resolve each and every year if we let it sink in.

REVIEW: Heartache and longing compel Lyric Stage Company’s Irish drama, ‘Thirst’

The calming bird calls and chiming crickets in perfect rhythm with the ocean waves combined with the whimsical with a hint of melancholy music score by David Remedios is a clever façade for what exists inside Tyrone’s American oceanside summer cottage.  So much of this production is about what each person is hiding inside as miserly owner Mr. Tyrone insists on keeping the lights off.

Under Courtney O’Connor’s delicate direction and just in time for St. Patrick’s Day, Lyric Stage Company continues its 50th anniversary season with Ronán Noone Irish drama Thirst live and in person at Lyric Stage in Boston, Massachusetts through Sunday, March 17.  The show is two hours and 15 minutes including an intermission.  Click here for more information and for tickets.

Michael Kaye and Aimee Doherty in ‘Thirst’ Photo by Mark S Howard

Set in 1912 within scenic designer Janie E Howland’s impressively functioning kitchen equipped with running water and a piping hot wood stove and  heavy hanging black wrought iron pans as active as this trio of lonely and willful characters, Thirst delves into longing, heartache, and the inner turmoil that can very well define us all if we let it.

Michael Kaye Kate Fitzgerald and Aimee Doherty in ‘Thirst’ Photo by Mark S. Howard

Thirst focuses on two Irish immigrant servants and a widowed chauffeur employed by the Tyrone family who are restless about their future and longing for a better life seemingly just beyond their reach.   Part unconventional love story, Thirst explores life’s challenges and the unique tie that binds this trio of characters to gradually understand each other.

Though it has a bit of a slow start, witnessing the unfolding of these multilayered characters helmed by Kate Fitzgerald who exuberantly embodies feisty, daydreaming, uproarious, and romantic Titanic survivor Cathleen, becomes an absorbing exploration for this trio to break free of their limitations and embrace happiness. 

Kate Fitzgerald and Aimee Doherty in ‘Thirst’ Photo by Mark S. Howard

With a thick brogue under dialect coach Rebecca Gibel, Fitzgerald’s excitability and wondrous daydreams blended with her maturity and frankness well beyond her age is a stark contrast to Aimee Doherty as Cathleen’s disillusioned, secretive and practical Aunt Bridget.  Doherty and Fitzgerald’s sweet and spicy rapport is as comical as it is bittersweet and their tendency to take things too far makes for some enthralling moments.  It is particularly fascinating to watch a wonderful actress like Aimee Doherty’s depiction of tone deaf Bridget when renowned singer Doherty is anything but.  Doherty has a particular flair during the production’s more lighthearted moments.   Michael Kaye is increasingly endearing as poetic and protective Jack heightened in a moving monologue about life’s complications toward the end of the play.  All of these characters have suffered grief and loss and it is touching to watch them argue, protect and encourage each other as they learn to understand each other’s innate struggles through humor and heartache.

Aimee Doherty in ‘Thirst’ Photo by Mark S Howard

Under Courtney O’Connor’s delicate direction and just in time for St. Patrick’s Day, Lyric Stage Company continues its 50th anniversary season with Ronán Noone Irish drama Thirst live and in person at Lyric Stage in Boston, Massachusetts through Sunday, March 17.  The show is two hours and fifteen minutes including an intermission.  Click here for more information and for tickets.

Holiday Pops makes annual return to Symphony Hall with sing-a-long carols, holiday cheer, and Santa Claus

The spirit of the season comes knocking as the Holiday Pops make their way to Symphony Hall bringing sing-a-long carols and brimming with holiday cheer.  For over 20 years, decking out Symphony Hall has become an annual Boston tradition, seeped in the luminous sights and sounds of the season and welcoming audiences from near and far.  At the helm once again is renowned maestro Keith Lockhart to conduct Holiday Pops 2017 from Tuesday, December 5 and continuing through Christmas Eve.  Cap off the year and return to Symphony Hall for a special New Year’s Eve Party featuring the Boston Pops led by returning bandleader Bo Winiker. Click here for more information and for tickets.

Holiday Pops Christmas

Keith Lockhart leads the Holiday Pops Photo courtesy of Stu Rosner/BSO

Holiday Pops features approximately 40 evening and matinee performances featuring an array of beloved carols, storytelling, and a traditional holiday sing-along.  Morning kid matinees are also available which includes photos with Santa and much more.  Children under 2 get in free.  Kicking off on December 2, The Holiday Pops will also be on the road touring New England with Keith Lockhart and Santa in tow for The Boston Pops Holiday Tour. Click here for tour dates and locations.

Bring Holiday Pops home with the Boston Pops all-live CD.  Savor the sounds of the season right in the living room with A Boston Pops Christmas: Live from Symphony Hall, virtually bringing the listener right through the Symphony Hall doors to enjoy a time-honored Christmas tradition for the entire family.

With Keith Lockhart leading the Boston Pops, A Boston Pops Christmas:  Live from Symphony Hall features a gorgeous Christmas medley from American Idol finalist Melinda Doolittle along with audience favorites such as Dr. Seuss’s How The Grinch Stole Christmas, The Twelve Days of Christmas, Sleigh Ride, The Christmas Song, Rudolph the Red-Nosed Reindeer, and Merrily We Sing Along.

NYE Bo Winiker Symphony Hall 2017

Photo courtesy of Bo Winiker

Click here for tickets, call SymphonyCharge at 888-266-1200, and are also available at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.  A Boston Pops Christmas: Live from Symphony Hall CD is available through ITunes, Amazon, and Amazon MP3.