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REVIEW: ‘Friendship Bonds’ shorts reveal new perspectives at New Ohio Theatre’s New York City’s Indie Theatre Film Festival

Posted on March 3, 2023 by The Sleepless Critic

The New Ohio Theatre presented its 7^th annual NYC Indie Theatre Film Festival live and in person at New Ohio Theatre, 154 Christopher Street in NYC from February 16-19 and then virtually from February 20-26. The New York City Indie Film Theatre Festival offered a variety of films from shorts to features on a wide range of topics and some of the film selections contain mature themes. Click here for more information and to learn more about New Ohio Theatre.

The Sleepless Critic was knee deep in short films and tackled Dating Drama and Friendship Bonds shorts which focused on a variety of perspectives on relationships. Friendship Bonds explores the value and challenges of friendships in various circumstances. Click here for the Dating Drama short film review.

Shorts: Friendship Bonds ‘Andy and Kaliope’ Photo credit to New Ohio Theatre

Beautifully written and produced by Rachel Handler with stirring direction by Crystal Arnette and Catriona Rubenis-Stevens, Andy and Kaliope is a touching short film starring Jai Ram Srinivansan in a sweet portrayal as Andy, a foster child whose big imagination is in a war with his darkest fears. Accompanied by Rachel Handler as warm and encouraging Jamie, Colin Buckingham as Cole, and an extraordinary gift, Andy must muster the courage to move forward. It is a wonderful short film about the power of hope.

Shorts: Friendship Bonds Two Women on A Bridge Photo credit to New Ohio Theatre

Exceptionally directed, written, and edited by Tom Bean, Two Women on a Bridge is a thought provoking journey over the Williamsburg Bridge in May 2020 in a captivating display of black and white cinematography. Starring Karen Maine and Suzanne Lenz to Michael Abiuso’s gentle score, Two Women on a Bridge delves into a fractured friendship and reflects on the overwhelming changes in the world while engaging and hypothetical popup endings instill light humor to some serious themes.

Shorts: Friendship Bonds ‘Eyeballs’ Photo credit to New Ohio Theatre

In a quirky but realistic zoom scenario, a group of students are brought together by a group school project in Eyeballs. Written by Molly Powers Gallagher and starring as Nadine, Ola Pater as Cara, and Zack Palomo as Dev, the small zoom group convincingly conveys the nervousness and the hesitation to share ideas and connect. Directed and edited by Robert Thaxton Stevenson, stay put for this cute comedy’s end credit scene.

Shorts: Friendship Bonds ‘Lindsay, Lindsey, Lyndsay’ Photo credit to New Ohio Theatre

Lindsay, Lindsey, Lyndsey is not an exaggeration, but a tale of three different Lindsays. Lindsay’s fabulous new house. However, things are not quite as they seem. Dan Kuan Peeples, Cameron Cronin, and Daphne Overbeck deal with jealously, unrequited love, and a renewed sense of belonging as they reminisce over old times. Though some of the themes are a bit repetitive, this dramedy examines the complications of long term friendships and what keeps them going through it all.

Shorts: Friendship Bonds ‘The One They Wanted’ Photo credit to New Ohio Theatre

Directed by Catrina Rubenis-Stevens and written by Bryan Harlow, The One they Wanted is an absorbing and important short film about the challenges veterans face from within after they come home. It is a beautiful and poignant look at a pair of brother and sister veterans who share in their internal battles as sister Gabi faces difficulty in daily activities. Margo Serrano as Gabi embodies the veiled emptiness and depression over recent events while Writer Bryan Harlow also stars as Gabi’s nurturing brother Patrick as they attempt to find connection in their shared experiences. It is a genuine and affective short film not to be missed.

Shorts: Friendship Bonds ‘Scene Study’ Photo credit New Ohio Theatre

Scene Study is a sly short film about mixed signals. Written and directed with a few twists and turns by Trace Pope, Russell Sperberg as shy Cal and Joshua Ciccel as charismatic Ryan rehearse a scene study together when something unexpected happens. Director Trace Pope does a remarkable job in this brief time frame to create a light, unpredictable drama that keeps the viewer guessing till the very end.

Remarkably directed by Bandar Albuliwi, Sakrə Fīs (Sacrifice) is a riveting Iranian story about Azaheh, impressively depicted by Tiffany Ariany and Johnny Ferdosi as playful and fascinating Aadan who find themselves in a suspenseful and life threatening situation during a football game. Enhanced by Joe Aguirresarobe’s gripping cinematography and Nima Fakhrara’s affective score, Ariany and Ferdosi’s natural and sweet chemistry and the dangers of daily life in present Iran is what makes this increasingly tense and unpredictable tale such an engrossing and heartrending journey.

Shorts: Friendship Bonds ‘The Bottom’ Photo credit New Ohio Theatre

Do the ends justify the means? A man, at his most vulnerable, is being forced into a mysterious lake at gunpoint. Hostility and tension reach its boiling point in this eerie confrontation between James Kautz as Jude and Alex Grubbs as John before the plot thickens. With harrowing direction by Morgan O’Sullivan and James Kautz and fueled by Adam Bloch’s haunting sound effects, The Bottom is an dark, deeply psychological look at the affect of toxic relationships and may cause more than a chill.

Shorts: Friendship Bonds ‘We (Don’t) Know How to Live Photo credit New Ohio Theatre

On a lighter note, We (Don’t) Know How to Live is a comical and somewhat liberating look at life when reaching a milestone birthday. Four friends unite for Claire’s 30^th birthday party, but Claire receives some distressing news before she arrives which may ruin the whole thing. Jayne McLendon as Betty, Hilary Wirachowsky as Claire, Khadijah Roberts-Abdullah as Darcy and Gordon Harper as Daniel all give off some Friends vibes as they reflect upon the direction of their lives. Reflectively written by Jayne McLendon, Hilary Wirachowsky, and Khadijah Roberts-Abdullah, the festive and inviting setting keeps the mood light as the group tackles relatable and age appropriate musings.

REVIEW: ‘Aimee Victoria’ love beyond boundaries

Posted on April 6, 2022 by The Sleepless Critic

Since the pandemic started, loneliness has increased exponentially. People have been scrambling to find a fulfilling form of communication since quarantine took effect in 2020 and any miscommunication or absence of a loved one quickly became fear and worry of their well being. Even today, people are still struggling with how best to communicate and see each other in person without the fear of illness. For Aimee and Victoria at the start of the pandemic, communication had to come more from the heart than from the head as they celebrate their anniversary apart.

Natasha Ofili as Aimee and Stephanie Noguras as Victoria Photo courtesy of Olivia Long/Aimee Victoria

Directed aptly by Chrystee Pharris and written by Hannah Harmison and Mikail Chowdhury, Aimee Victoria is a short film created entirely remotely during the pandemic in 2020. The film is approximately 10 minutes long. Click here for more information and how to view this film.

Aimee Victoria explores how Natasha Ofili as Aimee and Stephanie Nogueras as Victoria, a deaf couple, cope with being separated by the pandemic on their first anniversary. As many have difficulty communicating their feelings under the best of circumstances, Aimee and Victoria tackle this obstacle in a sweet depiction of love beyond boundaries.

Stephanie Nogueras as Victoria Photo courtesy of Olivia Long/Aimee Victoria

Through the film’s isolating setting and circumstances, Pharris navigates panic, depression, and struggle in these characters as they readjust to this new way of living. For example, Aimee struggles just to get out of bed at a loss for what is next as so many have felt in the past couple of years.

Natasha Ofili as Aimee Photo courtesy of Olivia Long/Aimee Victoria

Aimee Victoria transcends not only the journey of these two people, but the significance of love beyond any obstacles and expressing to anyone, whether friend, family, or significant other, what is truly important. Finding a way to carry that love with them no matter where they are.

Aimee Victoria is available now on streaming platforms and in theatres. Click here for more information on how to view this short film.

REVIEW: The 35th Boston Film Festival brought comic wit and moving narratives to Shorts Program I

Posted on October 3, 2019 by The Sleepless Critic

Sponsored in part by Starz and supported by The Hollywood Reporter, The 35th Boston Film Festival had a lot to offer on this landmark year. Though it took place on a gorgeous fall weekend, audiences gathered to attend the four-day festival that included world premiere shows and films (Whaling, American Tragedy and She’s in Portland), a wide variety of short films, and clever independent films from Thursday, September 19 through Sunday, September 22.

Some of the highlights included the US Premiere of JoJo Rabbit, the East coast premiere of Once Upon A River and A Hidden Life, and special event screenings such as NBC’s Bluff City Law and The Dog Doc. The festival also featured powerful documentaries such as The Last Harvest: You Can’t Grow Without Change and The Wild. Click here for a closer look at the full schedule.

The Boston Film Festival presented US Premiere of indie film, ‘JoJo Rabbit’ Photo credit to Fox Serachlight Pictures

The Boston Film Festival took place for the most part at the stellar Showplace Icon Theatre. Located at the Boston Seaport and conveniently located at the Courthouse stop on the Silver Line, The Showplace Icon Theatre features state-of-the-art stadium seating with plush reclining chairs, a beverage holder, and a place for your popcorn. Click here for a closer look at this amazing theatre and here for more information and tickets.

Showplace Icon Theatre, located at Boston Seaport. Photo courtesy of Jeanne Denizard

The Shorts Program I took place on day three of the festival on Saturday, September 21 and featured a dynamic group of films that ranged from heartrending to hilarious to the macabre. It was a selection likely to appeal to everyone.

Alex Salsburg as Mom and Harley Harrison as Mike Photo credit to the Boston Film Festival and Class of 84

Directed by Alex Salsburg and Joe Andrade, Class of 84 is a narrated animated short film that offers an amusing and clever angle on helicopter parenting. Dr. Katz’s Jonathan Katz is involved in the project. Through clean, colorful, and two dimensional animation, Class of 84 delves into the life of a teenager living with his constantly hovering, overprotective mother. From eating raw cookie dough to crossing the street, Class of 84 has its share of silly moments, but overall a fun and interesting look at the virtues of listening to your mother.

Directed by Jon Bloch, Waiting Game takes a darker turn exploring a tough and complicated relationship between constantly worried and well meaning Kenny, portrayed by John Patrick Amedori and his ailing, frustrated father, portrayed by Bruce McGill as Mel. It doesn’t take long for this meaningful short film to cause a lump in one’s throat.

‘Waiting Game’ Photo credit to Boston Film Festival and ‘Waiting Game’

Waiting Game is a relatable tale about how family can have the best of intentions and those intentions can end up getting misconstrued in the worst way. John Patrick Amedori Bruce McGill deliver powerful and moving performances that can sometimes be painful to watch as they build a fragile, tension-filled chasm between them. Waiting Game balances a few lighter moments between Kenny and sweet waitress Alyssa, portrayed by Dilshad Vadsaria.

On a lighter note, director Barbara Elbinger directs You Need Help, a heartfelt look at a retired married couple. Featuring a fitting soundtrack, Fred, portrayed by Edmund Dehn, is a depressed husband who longs to put vitality and fun back into his life with his all too practical wife, Doreen, portrayed by Eileen Nicholas. These two have a wonderful chemistry even when they do not see eye to eye and there is much more to these two than they seem. To witness Fred’s unconventional antics in recapturing the joy in their marriage is worth the price of the ticket.

Shahana Goswami as Sheetal in ‘The Seal’ Photo credit to Boston Film Festival and The Seal

Directed by Richa Rudola, The Seal takes a look at Shahana Goswami as Sheetal, a woman haunted by her past when she receives a mysterious, sealed package. Though the story is fictional, Director Richa Rudola was inspired to create this tale based on events she witnessed and experienced as a woman growing up in India.

The Seal delves into the struggles that keep people stuck in their pain, unable to move on with their lives. As the haunting phrase, ‘Remember what Mama used to Say’ permeates Sheetal’s thoughts, she seeks comfort in caring, but shady Daquane Cherry as Ruben. However, some of The Seal’s best scenes are in the unspoken moments, allowing the audience to draw their own conclusions.

Boston Film Festival 'Boy Eats Girl: A Zombie Love Story'

Photo credit to the Boston Film Festival and ‘Boy Eats Girl: A Zombie Love Story’

Director Sarah Gurfield puts a little love in a zombie’s heart in Boy Eats Girl: A Zombie Love Story. Zombies seem to be all the rage and a love struck zombie picking flowers can be humorous, but found these seven short minutes all too dark and grisly to muster adoration.

The Bigonia Garden, directed by Ron Goldin and based on Goldin’s own experiences, is a foreign short film that explores an unexpected connection between neighbors in war torn Ashdod in Tel Aviv. As missiles are launched over their heads, Sound Producer Adam and neighbor Bar retreat to the stairwell in their building, the safest place during a crisis. It is a snapshot into the lives of people who have no choice but live in the moment during a tumultuous time.

It is a beautiful, personal film and loner Adam, portrayed by Adam Hirsch and Bar, portrayed by Bar Ackerman, have compelling chemistry with an unpredictable conclusion.

Directed by Joel Marsh, A Valley explores a couple of adventure-seeking risk takers as they go on a camping excursion together. It is based on a short story called The Marsh. They make each other laugh, wax philosophical, and the film gives the impression that all they have is each other. The film was a bit ambiguous and would have liked to have delved more into their relationship to give the film more emotional weight.

Boston Film Festival’s Shorts Program I also featured American Life and Heirloom, but were not reviewed. Click here for more about this year’s festival and future updates.