REVIEW: Company Theatre’s ‘A Christmas Carol’ immersive, haunting, and filled with holiday spirit

The Company Theatre’s haunting, immersive, and meaningful A Christmas Carol is a frequent holiday tradition with good reason.  So much more than the Charles Dickens classic, the Company Theatre calls on the holiday spirit through subtle nuances in story and song and the exceptional festivities only become more fervent each December it takes the stage.  Sure, the Company Theatre weaved in the holiday spirit in other December productions such as last year’s Charles Dickens classic, Oliver the Musical (featuring Matt O’Connor as Oliver who returns as adorable Scrooge as a young boy) but this thought-provoking tale of charity, compassion, and forgiveness is the pinnacle holiday treat.

Company Theatre A Christmas Carol

Company Theatre’s ‘A Christmas Carol’ is sold out! Photo courtesy of The Company Theatre

The Company Theatre presents the Charles Dickens classic A Christmas Carol now through Sunday, December 22 at the Company Theatre in Norwell, Massachusetts.  This show is sold out.  Click here for their recently announced 2020 theatre season and how to support The Company Theatre.

A Christmas Carol is the classic tale of Ebenezer Scrooge, a wealthy, penny-pinching old miser who has no use for Christmas until his past comes back to haunt him on Christmas Eve.

With LED lighting and cinematography, heightened special effects, singing Carolers flooding the aisles,  enviable costumes by Kathryn Ridder, and snow glimmering over that bright, familiar cobblestone street where Scrooge must face his worst fears, A Christmas Carol is certainly a feast for the eyes.  The uplifting overture, orchestrated by Steve Bass and arranged by Steve Rogers, is tinged in popular Christmas carols, a preview of the wealth of carols and additional songs added to this festive production.  Ding Dong Merrily on High, O Come O Ye Faithful, Hark the Harold Angels Sing, Joy to the World, and Noel are among the production’s musical highlights.

Company Theatre A Christmas Carol Owen George as Tiny Tim as Bill Carter as Bob Cratchit

Owen George as Tiny Tim and Bill Carter as Bob Cratchit Photo courtesy of Zoe Bradford/Company Theatre

Directed by Zoe Bradford and Jordie Saucerman, The Company Theatre’s production of A Christmas Carol also sets itself apart by weaving in the beauty of the season within the excitement of its joyous ensemble cast.  Each cobblestone street character is as enthralling as the immediate cast, each with their own individual story and holiday motivation within the context of this beautiful London setting.  The action is so immersive that it can hide the immediate cast a bit.  One of the most endearing moments is the return of a lively trio running around the London streets holding up mistletoe for kisses as well as the uplifting and rollicking period dance numbers choreographed with style by Sally Ashton Forrest.

This production boasts a lively cast led by Phillip Hebert as miserly Ebeneezer Scrooge.  Hebert exacts Scrooge’s deep, searing signature growl, his sterling vocals cutting into the soul.  Scrooge toils, scowls, and his dire sense of humor is not lost on his cheerful and generous nephew Fred, portrayed with a crisp accent and inviting demeanor by Christopher Spenser.  In spectacles and a sour huff, Hebert is best in his dark gruffness. However, his overall interpretation becomes jollier as the show progresses as his arms stubbornly swayto the music, offering a lighter, increasingly heartening Scrooge.

Company Theatre A Christmas Carol Owen George as Tiny Tim and Philip Hebert as Scrooge

Owen George as Tiny Tim and Philip Hebert as Ebenezer Scrooge Photo courtesy of Zoe Bradford/Company Theatre

Bill Carter portrays humble, guarded, and sympathetic Bob Cratchit.  Hebert and Carter skillfully develop palpable tension as Carter, leery, speaks to Scrooge out of turn.  Kris Connolly portrays loyal and eternally patient Mrs. Cratchit.  Connolly and Carter deliver heartwarming scenes with their large, beautiful family including sweet Owen George as Tiny Tim as their voices lift for the bright and original song, Noel.

Adorned in a gorgeous lit crown and veil, Nicole Hall delivers warmth, yet a foreboding quality as the Ghost of Christmas Past.  Serene and gentle, she brings out the best in Scrooge’s curmudgeonly soul.  Majestic in a crown of holly and carrying a cornucopia, Dave Daly glides across the stage as charismatic, jolly and larger-than-life Ghost of Christmas Present and the equally endearing Mr. Fezziwig.  Lilly George and Brynn Hsu also shine as giggling Christmas sprites.  Covered in hazy light, Dan Kelly is remarkably ghoulish and crazed as Jacob Marley with some very impressive special effects.

Company Theatre’s A Christmas Carol pulls off a couple of surprises to this classic tale in the finale, and cannot leave out Megan Boutilier’s expressive and hilarious depiction of The Laundress.  She is marvelous.  If the holiday season is not spreading the joy that is should this year, Company Theatre’s A Christmas Carol will certainly encourage that heartwarming feeling, indeed.

The Company Theatre continues A Christmas Carol at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts through December 22.  The show is sold out, but click here for their exciting 2020 season.

REVIEW: Company Theatre’s ‘Evita’ is a touch of star quality

She was a mystery, but everyone thought they knew her.  From a sassy, excitable teenager to rising political figure, Eva (Evita) Peron knew she belonged at the top before she ever knew how to get there.  Having recently celebrated its 40th Anniversary like the Company Theatre, The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at The Company Theatre in Norwell, Massachusetts.  This production is currently sold out.  Click here for more information on the Company Theatre’s upcoming productions and more.

Evita, with music, book and lyrics by award-winning collaborators Andrew Lloyd Webber and Tim Rice, is a rock opera set in Argentina.  Part of what makes Evita such a captivating work is its vibrant pacing, handled beautifully by Sally Ashton Forrest.  Based on the life of Maria Eva Peron, Evita’s life moves much like the soundtrack’s quick rhythms. The audience is taken through song from night club to city street to porch step with barely a pause for applause, its sweeping sets divulge Eva’s life in its sheer magnitude.

Company Theatre Evita Kristen Huberdeau as Evita with cast

Kristen Huberdeau as Evita with cast Photo courtesy of The Company Theatre

This version of Evita features real footage from Eva Peron’s life and includes songs not featured in the latest 1996 film.  The Art of the Possible, a cryptic number not in the film and featuring five officers, is particularly engaging.  Evita is a young woman taking Argentina by storm…until she locks eyes with Peron, portrayed with regal like mindedness by Dan Kelly.

The Company Theatre Evita Dan Kelly as Peron

Dan Kelly as Peron Photo courtesy of The Company Theatre

Kristen Huberdeau exudes excitable sass and a bright, wide smile when she first appears as a teenager.  However, Huberdeau’s Evita, behind her feigned naivete, is shrewd as soon as her feet hit the ground for the catchy, effervescent number, Buenos Aires.  Huberdeau takes Evita from a vivacious teenager onward and excels at her developing influence and maturity through the years.  She hits her stride with Buenos Aires, a joyous, catchy number about her instant love for the city and keeps up the brisk pace for this demanding role throughout, though some notes were a bit strained.  She delivered an impressive version of Evita’s signature number, Don’t Cry for Me Argentina, glowing in a pristine gown.

No one succeeds without opposition.  Che, portrayed with charisma and sardonic wit by Ken Bayliss, is part keen observer, part narrator, and represents the working class.  In a beret and military fatigues, he occasionally engages the crowd, but his primary focus is on Evita.  Bayliss captures the essence of Che and makes the role uniquely his own, leaving no trace of previous versions I have seen.  From his observations in Oh What a Circus, his humorous duet in Good Night and Thank You with Huberdeau, and the reflective ballad, High Flying Adored, you’ll be glad to be taking this musical journey with Bayliss.

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With rich, charming vocals for his signature song. On This Night of a Thousand Stars, Ryan Barrow blends sensitivity, melodrama, and humor to night club singer, Magaldi and was a hit with the audience.  A couple of other notable numbers include a sweet rendition of Another Suitcase in Another Hall by Sydney Palmer and a stirring, candlelit rendition of Santa Evita.

The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts.  This production is currently sold out.  Click here for more information and and how to support Company Theatre’s future.  Follow Company Theatre on FacebookInstagram and Twitter for more on their upcoming events.