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REVIEW: Company Theatre’s ‘Paragon Park the Musical’ is one amazing ride

Posted on July 8, 2019 by The Sleepless Critic

The Company Theatre is reprising their original, award-winning production of ‘Paragon Park the Musical‘ to cap off their 40th season from Friday, July 26 through Sunday, August 18 with a VIP reception taking place on Saturday July 27. Winner of the Moss Hart Award in 2012 for Best New England Production, ‘Paragon Park the Musical’ returns with a new cast including Michael Hammond as George A. Dodge and some returning cast members.

A portion of the proceeds from the tickets will be donated to the beloved Paragon Carousel. Performances will take place at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts. Tickets are selling fast. Click here for more information and how to get tickets and here about the Paragon Park VIP reception.

Click here for a clip of the original production. Here is what the Sleepless Critic had to say about this production when it first debuted onstage in Summer 2012…

As the dazzling chandelier is to the musical, ‘Phantom of the Opera’ or a certain symbolic revolving stage is to ‘Les Miserables,’ the original, historic carousel used in the Company Theatre’s exciting production of ‘Paragon Park the Musical’ exudes its own brand of theatre magic. It serves as a pulsing centerpiece into creator George A. Dodge’s timeless imagination as well as the depth and delight of what made children and adults embrace that revolutionary park in Hull, Massachusetts for nearly 80 years and beyond.

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‘Paragon Park the Musical’ is an original production by Company Theatre co-founder Zoe Bradford and director Michael Hammond with lyrics and music by composer Adam Brooks. Performances continue through Sunday, August 19, 2012 at 30 Accord Park Drive in Norwell, Massachusetts. This highly-anticipated musical is enjoying a brilliant run, with nearly every show sold out weeks in advance.

What makes this particular production so popular is it depicts the history of a beloved beachside amusement park that closed in 1984 and actually existed in Hull, Massachusetts. Historic Paragon Park encapsulates many happy memories to Massachusetts natives, especially those in the South Shore.

‘Paragon Park the Musical’ tells the story of warm, ambitious, and imaginative whaling mogul George A. Dodge, who was passionately inspired to entertain Massachusetts residents and beyond with a revolutionary beachside amusement park. It also tells a story of forbidden romance and a glimpse into the lives of the real people who resided in that little seaside town in Hull. The Company Theatre’s ‘Paragon Park the Musical’ not only shines a historical lens into a piece of the South Shore’s dynamic history, but the picturesque settings paint a crisp portrait with each scene.

'Paragon Park the Musical' 2012 production

Scott Wahle as George A. Dodge with cast in the 2012 production Photo courtesy of Zoe Bradford/Company Theatre

The cast is very much an ensemble and delves into various social issues, family issues and immigration, giving insight into each character’s devotion to the park, showing what truly made the park endure for nearly 80 years. Boston broadcast veteran Scott Wahle is charming and clever as George A. Dodge, portraying him with a twinkle in his eye. He is full of charisma and authenticity throughout the show and is a delight to watch with children.

It is wonderful to see so many strong female characters such as strong willed Tilly, portrayed with vivacity by Joyce McPhee, discerning Amira, played by Maya Carter, sharp and spirited journalist Floretta Vining, depicted by Victoria Weinstein, and spunky and ambitious Mrs. Rose Stone, played by Juliana Dennis. The practical Mrs. Rose Stone’s strong presence is a fine match for George A. Dodge’s relaxed humor. Rinado, portrayed by Nick Cox, is a combination of rugged good looks and captivating naivety, while John King’s Ogden has a spectacular sneer. Dave Daly is refreshing as lively and cheerful Honeyfitz, who showcases soaring vocals and can play a spirited rendition on a ukulele too!

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Each of Paragon Park’s original 18 numbers are polished and lyrically rich. The musical’s exhilarating songs, One Last Ride and Paragon Park are delivered with spectacular energy and passion. The humorous song, Over the Bridge sets a cheerful tone and depicts a few glorious aspects of being young through the wonder of the park. Joyce McPhee’s Long Lost Love compliments her stunning vocal range and was a crowd favorite. Massachusetts residents will delight in many well-known local references in the show, especially in the welcoming number, Nantasket for a Day. and A Proper Life.

The sets and costumes range from elegant and sophisticated to colorful and humorous. The question, “Did I really wear that?” may also come to mind. The sets are colorful, detailed, and the backdrops are simply stunning.

Through meticulously detailed costumes, ‘Paragon Park the Musical’ brings to life important eras of the park’s history with ease. With 18 original numbers, a powerful 20-piece orchestra, and the enthusiasm of each cast member, the Company Theatre’s ‘Paragon Park the Musical’ is a beautiful creation, a love letter to its creator and the many people who hold dear memories of the park’s heyday.

Company Theatre reprises ‘Paragon Park the Musical’ from Friday, July 26 through Sunday, August 18. Click here for more information and tickets or call the box office at 781-871-2787. Follow Company Theatre on Facebook, Instagram and Twitter for more on their upcoming events.

REVIEW: One con deserves another as South Shore Theatre Works continues with lively ‘Chicago the Musical’

Posted on April 19, 2019 by The Sleepless Critic

With the recent premiere of the highly-anticipated FX biographical miniseries, Fosse/Verdon about the sizzling creative and romantic partnership between legendary filmmaker and choreographer Bob Fosse (Sam Rockwell) and spectacular Broadway dancer Gwen Verdon (Michelle Williams), it seems Fosse and Verdon’s influence is still everywhere. So, it is not surprising that South Shore Theatre Works (SSTW) is taking on what SSTW’s Executive Director and President Richard Bento called, “a dream production of mine to direct,” Chicago the Musical continuing through Saturday, April 20 at Abigail Adams Middle School in Weymouth, MA. This show is not for young audiences. Click here for more information and tickets.

One of Fosse’s most popular creations was a dark satire dealing with corruption and murder during the Jazz age called Chicago the Musical. This Tony award-winning production continues to thrill audiences as one of the longest running Broadway musicals and its most recent 2002 film adaptation was the 2002 Academy award-winning film starring Renee Zellwegger (Roxie), Catherine Zeta-Jones (Velma) and Richard Gere (Billy Flynn) garnered a few Academy Awards.

The cast of ‘Chicago the Musical’ Photo by Annabella Valle/South Shore Theatre Works

How has Chicago the Musical earned its longevity? The proof is in its clever, satirical storytelling that isn’t afraid to occasionally shock, its sizzling choreography, memorable characters, catchy music, and its frank, timeless message about humanity. With an impressive, semi-interactive fifteen-piece orchestra led by conductor Doug Gerber that elevates the action onstage plus additional songs not featured in its most recent film adaptation, this darkly humorous production is off to a good start.

With a modest set featuring vintage theatre lights that illuminate the stage, director Richard Bento keeps this production in classic Fosse form dressing his dancers in black. The close-knit, tight choreography by co-choreographers Richard Bento and Amy Valle Wallace includes some dance crazes of the Jazz Age that make for some visual sizzle. Though the classic number Cell Block Tango needs a bit more snarl, clever Razzle Dazzle boasts some sleek staging.

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Headlining this colorful cast is Stephanie Wallace as desperate, hot tempered and fast-living Roxie Hart. With a great scowl and energetically navigating Roxie’s myriad of emotions, it is easy to see how Wallace relishes this character. She is never better than during her natural and engaging signature song, Roxie Hart.

Jaclyn Cleary lends a mix of sharp sophistication and mayhem to Velma Kelly, a former dancer turned criminal. Her wild, light eyes reveal a smugness and unsteadiness that will keep you guessing her next move. Having seen Chicago the Musical quite a few times, I admire Jaclyn Cleary’s sleek vocals and not so by-the-numbers rendition of All That Jazz. She and Matron Mama Morton, portrayed charismatically by Hanna Ford, have great chemistry. They are two sides of the same coin in their rendition of Class.

Staring down her glasses with an ironically sophisticated air is Hannah Ford as Matron Mama Morton. With a belt that certainly packs a punch, her rendition of When You’re Good to Mama clearly shows she knows how to pull some strings and depicts Mama in a different and refreshing way.

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Wielding a cane, Aaron Stolicker masterfully navigates the cast and the audience as suave, shrewd, and debonair Billy Flynn, sharply dressed in a black tuxedo. He’s full on smirking charm in the number, All I Care About is Love and quite the storyteller in his rendition of They Both Reached for the Gun, a complex, energetic number with strong choreography. J. Merlo adds some humor and some serious pipes as journalist Mary Sunshine.

South Shore Theatre Works continues Chicago the Musical through Saturday, April 20 at Abigail Adams Middle School, 89 Middle Street in Weymouth, MA. Click here fore more information, tickets, and how to support South Shore Theatre Works, an organization that recently celebrated its third anniversary. Click here for more information about South Shore Theatre Works and its Executive Director and President, Richard Bento.

REVIEW: Company Theatre’s ‘Evita’ is a touch of star quality

Posted on March 30, 2019 by The Sleepless Critic

She was a mystery, but everyone thought they knew her. From a sassy, excitable teenager to rising political figure, Eva (Evita) Peron knew she belonged at the top before she ever knew how to get there. Having recently celebrated its 40^th Anniversary like the Company Theatre, The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at The Company Theatre in Norwell, Massachusetts. This production is currently sold out. Click here for more information on the Company Theatre’s upcoming productions and more.

Evita, with music, book and lyrics by award-winning collaborators Andrew Lloyd Webber and Tim Rice, is a rock opera set in Argentina. Part of what makes Evita such a captivating work is its vibrant pacing, handled beautifully by Sally Ashton Forrest. Based on the life of Maria Eva Peron, Evita’s life moves much like the soundtrack’s quick rhythms. The audience is taken through song from night club to city street to porch step with barely a pause for applause, its sweeping sets divulge Eva’s life in its sheer magnitude.

Company Theatre Evita Kristen Huberdeau as Evita with cast

Kristen Huberdeau as Evita with cast Photo courtesy of The Company Theatre

This version of Evita features real footage from Eva Peron’s life and includes songs not featured in the latest 1996 film. The Art of the Possible, a cryptic number not in the film and featuring five officers, is particularly engaging. Evita is a young woman taking Argentina by storm…until she locks eyes with Peron, portrayed with regal like mindedness by Dan Kelly.

The Company Theatre Evita Dan Kelly as Peron

Dan Kelly as Peron Photo courtesy of The Company Theatre

Kristen Huberdeau exudes excitable sass and a bright, wide smile when she first appears as a teenager. However, Huberdeau’s Evita, behind her feigned naivete, is shrewd as soon as her feet hit the ground for the catchy, effervescent number, Buenos Aires. Huberdeau takes Evita from a vivacious teenager onward and excels at her developing influence and maturity through the years. She hits her stride with Buenos Aires, a joyous, catchy number about her instant love for the city and keeps up the brisk pace for this demanding role throughout, though some notes were a bit strained. She delivered an impressive version of Evita’s signature number, Don’t Cry for Me Argentina, glowing in a pristine gown.

No one succeeds without opposition. Che, portrayed with charisma and sardonic wit by Ken Bayliss, is part keen observer, part narrator, and represents the working class. In a beret and military fatigues, he occasionally engages the crowd, but his primary focus is on Evita. Bayliss captures the essence of Che and makes the role uniquely his own, leaving no trace of previous versions I have seen. From his observations in Oh What a Circus, his humorous duet in Good Night and Thank You with Huberdeau, and the reflective ballad, High Flying Adored, you’ll be glad to be taking this musical journey with Bayliss.

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With rich, charming vocals for his signature song. On This Night of a Thousand Stars, Ryan Barrow blends sensitivity, melodrama, and humor to night club singer, Magaldi and was a hit with the audience. A couple of other notable numbers include a sweet rendition of Another Suitcase in Another Hall by Sydney Palmer and a stirring, candlelit rendition of Santa Evita.

The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts. This production is currently sold out. Click here for more information and and how to support Company Theatre’s future. Follow Company Theatre on Facebook, Instagram and Twitter for more on their upcoming events.

REVIEW: Company Theatre’s enhanced, lively production of Lionel Bart’s ‘Oliver! ‘kicks this classic up a notch

Posted on December 8, 2018 by The Sleepless Critic

It was a nostalgic night witnessing Company Theatre’s livelier version of Lionel Bart’s musical, Oliver! having performed in the musical production in high school. While my part was limited to selling roses on a busy London street, the Company Theatre opened up an entire world for the holidays with enhanced flair for Lionel Bart’s Oliver! continuing through Sunday, December 16 at The Company Theatre in Norwell, Massachusetts. The production has recently sold out. Click here for more information on the Company Theatre and their future productions.

Directed by Zoe Bradford and Jordie Saucerman and musically directed by Steve Bass with choreography by Sally Ashton Forrest, Lionel Bart’s Oliver! is the latest version of this Charles Dickens’ classic. This family production has enjoyed several tours and revivals in different parts of the world in its close to 60-year history.

It’s is the tale of a workhouse orphan who get entangled in a series of unfortunate events that lead him to face many adversaries, but stays strong in his search for hope and love. With a large cast featuring memorable numbers such as Consider Yourself, As Long as He Needs Me, I’d Do Anything, and the title song, Oliver, this tale has its share of dark and humorous moments while delivering an important message about humanity that is especially relevant during the holidays.

Matthew O’Connor as Oliver Photo courtesy of Company Theatre

During the holiday season, the Company Theatre tends to make whichever production they have chosen bigger and more spectacular in line with the spirit of the season. Lionel Bart’s Oliver! stays consistent with that tradition featuring extended, more upbeat musical numbers, grander sets, and sharper choreography, especially during the sweeping numbers and quicker pacing of Food, Glorious Food and Consider Yourself.

From the humble, stone-lined workhouse surroundings with a single banner that reads, ‘God is Love’ to a bright street setting, Ryan Barrow’s impressive, rolling set design details the diversity of 1840’s London. Set pieces dropping from the ceiling was a particular highlight.

The musical’s classic line, ‘I want some more’ has never sounded more humble than from the adorable countenance of Matthew O’Connor as Oliver, a sweet, naïve, but daring workhouse orphan boy who, by uncontrollable circumstances, has an opportunity to see life beyond the workhouse walls. He shares some amusing camaraderie with Colin Paduck as the Artful Dodger, portrayed with a thick, regional accent and a charismatic grin. They stay in time with the children’s ensemble’s compelling choreography, an energetic bunch light on their feet during some of the production’s most challenging numbers.

The Sowerberrys Christopher Spencer as Mr Sowerberry and Christa Dunn as Mrs. Sowerberry Photo courtesy of The Company Theatre

Mr. and Mrs. Sowerberry are wonderfully wicked together. With a nasal voice and prominent sideburns, Christopher Spencer is quite comical as dour Mr. Sowerberry and Christa Dunn as stern and maybe a bit tipsy Mrs. Sowerberry. With a prominent stance and a great voice, Francis Sheehan takes on the gruffly bombastic parish beadle Mr. Bumble.

Company Theatre's Oliver - Oliver Fagin and Artful Dodger

Colin Paduck as The Artful Dodger, Christopher Hagberg as Fagin, Matthew O’Connor as Oliver and the children’s ensemble Photo courtesy of Company Theatre

With a white beard, black hat, and flowing overcoat, Christopher Hagberg delivers a limber, stealthy performance as Fagin. Hagberg captures the magic of Fagin, his deceptively good nature and comic greediness put on display in the number, You’ve Got to Pick a Pocket or Two and the fiddle-infused Reviewing the Situation.

Company Theatre's Oliver- Nancy, Oliver, Bet, and Artful Dodger

Brittany Rolfs as Nancy, Matthew O’Connor as Oliver, Aliyah Harris as Bet, and Colin Paduck as the Artful Dodger Photo courtesy of the Company Theatre

Brittany Rolfs brings sass and saavy to the role of Nancy, a sweet but tough woman who has mixed with the wrong crowd. From her passionate, tenacious version of As Long as She Needs Me to the catchy harmony of the playful, rollicking number, Oom-Pah-Pah, Nancy is a force of her own onstage, sweet with the children, but always certain of what she wants.

With a deep seated growl and a menacing stare, Damian Smith steps into the role of troubled Bill Sikes. In this production, The Company Theatre brings a new dimension and lesser known angle to this character as he stalks the city streets. Remington is a welcome addition to the cast as scene stealing Bullseye, Bill Sikes’s dog.

The Company Theatre’s Renovation fund Photo credit Jeanne Denizard

Company Theatre celebrates 40 years Photo credit Jeanne Denizard

The Company Theatre is capping off its 40th season with Lionel Bart’s Oliver! continuing through Sunday, December 16. Click here for how to support the Company Theatre and here for more on their 2019 season.

REVIEW: Hingham Civic Music Theatre’s ‘Shrek the Musical’ an absolute treat for the whole family

Posted on October 27, 2017 by The Sleepless Critic

Aaron Stolicker as Pinocchio, Catherine Bennis as Witch, and Hannah Ford as Sugar Plum Fairy

Nicole DiRuzza as Pig #1, Abby Randall as Pig #2, and Denise Feeney as Pig #3

Katie Duff as Mama Bear, Joel Leonard as Papa Bear, and Nolan McHugh as Baby Bear Photo courtesy of Pat Sherman/Hingham Civic Music Theatre

Hingham Civic Music Theatre’s fun-filled Shrek the Musical has all the earmarks of a delightful Halloween treat for the entire family. Some audience members were seeing double as the musical’s dynamic duo, Shrek and Donkey, were not only present onstage, but also in the crowd. In the spirit of the season, some children opted to dress as their favorite Shrek character, which is encouraged (though not required). This exciting production balances sweetness and hilarity through a few amusing tricks and special effects, which is all part of the story. However, what makes Shrek’s tale so enduring and lovable is its underlying authenticity. Underneath it all, life is best lived without a mask.

Chris DiOrio as Shrek Photo courtesy of Hingham Civic Music Theatre

Directed by Lisa Pratt, musically-directed by Mark Bono with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre continues its 69^th season with Shrek the Musical in its final weekend from Friday, October 27 through Sunday, October 29 at Hingham Town Hall in the Sanborn Theatre in Hingham, Massachusetts. Click here for more information and for tickets. Click here for a clip from the musical.

Through its richly-painted set pieces by Lisa Pratt and colorful, meticulous costumes by award-winning costumer, Kathryn Ridder, the visuals in Shrek the Musical are likened to the popular Dreamworks film adaptation, right down to the Gingerbread Man’s gumdrop buttons. However, having seen the film adaptation, Shrek, based on the book by William Steig, and the film’s many film sequels, Shrek the Musical expands the film’s premise, offering additional scenes and an upbeat, fanciful, rock-tinged soundtrack, composed by Jeanine Tesori. I’m a Believer by the Monkees is also included. Shrek’s real magic lies is its innovative ability to cleverly blend authenticity, sadness, adventure, and humor. Tesori’s soundtrack encapsulates this tone in songs such as Big Bright Beautiful World, a sometimes humorous number about strength in the face of adversity and loss. Debbie Rawson Stratton and Danny Hannafin as Mama and Papa Ogre offer a tender blend of impressive harmony as an adorable Young Shrek, portrayed by Nolan McHugh, looks on.

Shrek the Musical focuses on a lone, but not seemingly lonely green ogre portrayed with warmth, pensiveness, and gruff charisma by Chris DiOrio. Shrek lives a quiet life in a swamp until some of literature’s most beloved fairy tale creatures arrive, forcing him to embark on an epic quest to save life as he knows it.

Chris DiOrio steps right into Shrek’s quiet awkwardness and offers a softness in his quiet moments as well as an amusing ferocity when his temper flairs. Stubborn and humble, DiOrio is thrown for a loop when he meets Brendan Smith as Donkey, who keeps the energy kicking as a cheerful chatterbox. Their instant, snappy chemistry clearly demonstrates why they are a dynamic duo for the ages. A towering presence, Brendan offers a hint of Eddie Murphy’s iconic vocals combined with his own charm. A particular highlight is Brendan’s slick choreography and gravitas during a James Brown-style rendition of the song, Make a Move. Packed with familiar anecdotes and fairy tale references, Chris and Brendan also have some fun with their duet, The Travel Song.

Leslie DiOrio, Chris DiOrio’s real life wife, portrays bold, graceful, and idealistic Princess Fiona. Wearing a shining green renaissance gown, Leslie depicts Princess Fiona with grace, humility, and earnestness, especially in a many-faceted, tender rendition of I Know it’s Today. Chris and Leslie have a lively and sweet chemistry, even when they don’t see eye to eye. Chris DiOrio’s endearing version of If Words Fail is also not to be missed.

From his first appearance onstage, Anthony Light literally and figuratively takes his character, Lord Faquaad, to a whole new level. Absurd and hilarious, Anthony Light’s delusional arrogance and clever costuming is a treat, showing off his unapologetic pompousness in The Ballad of Faquaad, accompanied by the show stopping Duloc Dancers.

Brendan Smith as Donkey, Chris DiOrio as Shrek, Anthony Light as Lord Faquaad, and the Duloc Dancers: Halle Pratt, Molly McLellan, Nicole DiRuzza, Alex Huntington, Catherine Bennis, Hannah Ford, Denise Feeney, and Abbey Randall Photo courtesy of Pat Sherman/Hingham Civic Music Theatre

Hingham Civic Music Theatre has a few tricks up their sleeves by way of special effects as each cast member delivers their own wild, off-beat charm. With a large cast full of iconic fairy tale creatures including a magnificent dragon, a deceptive Pinocchio, Three Little Pigs, Witch, and a Gingerbread Man equipped with an uproarious squeal, the impressive cast is non-stop fun and never loses heart.

Hingham Civic Music Theatre presents Shrek the Musical with Facebook Friday Ticket discount special on Friday, October 27 at 7:30 p.m. Click here for discount details. A final evening performance will be held on Saturday, October 28 at 7:30 p.m. Sunday’s final matinee performance takes place on October 29 at 2 p.m. All shows are held at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts.

Click here for further details, tickets, and how to support Hingham Civic Music Theatre. Be sure to follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

Hingham Civic Music Theatre will soon debut the humorous fairy tale with a twist, ‘Shrek the Musical’

Posted on October 16, 2017 by The Sleepless Critic

Hingham Civic Music Theatre debuts ‘Shrek the Musical for two weekends only from Oct 21 through Oct 29 Photo courtesy of Hingham Civic Music Theatre

Can an intimidating green ogre have what it takes to become an unlikely hero? Get to know Shrek, Donkey, the Gingerbread Man, Three Blind Mice, The Three Little Pigs, Pinocchio, and many more iconic fairy tale creatures in an entirely new way as Hingham Civic Music Theatre debuts Shrek the Musical at the Sanborn Auditorium in Hingham Town Hall Saturday, October 21 and continuing for two weekends through Sunday, October 29. Based on William Steig’s imaginative fairy tale that later launched into a beloved animated film starring Mike Myers and Cameron Diaz followed by many popular film sequels, Shrek the Musical adds a bit more to this thrilling, family adventure. Click here for more information, tickets, and how to participate in the HCMT Fundraising campaign.

Featuring real life husband and wife Chris DiOrio as Shrek and Leslie DiOrio as Princess Fiona, Shrek is a lone, but not lonely, green ogre who lives a quiet swamp life until life as he knows it is threatened, forcing him to embark on an daunting quest to save a mysterious princess. With heartwarming songs such as Don’t Let Me Go, Big Bright Beautiful World, This is How Dreams Come True, and the Monkees classic, I’m a Believer, Shrek the Musical offers enough witty humor and heartwarming moments that will entertain children and adults alike.

Directed by Lisa Pratt, music by Jeanine Tesori, musically-directed by Mark Bono, with choreography by Tara McSweeney Morrison, Hingham Civic Music Theatre presents Shrek the Musical on Saturdays, October 21 and 28 as well as one Friday performance on October 27 at 7:30 p.m. Sunday matinees will be held on October 22 and 29 at 2 p.m. All shows take place at Hingham Town Hall, 210 Central Street in Hingham, Massachusetts. Click here for further details, tickets, and be sure to follow Hingham Civic Music Theatre on Facebook for upcoming events and more.

South South Conservatory’s annual, family summer outdoor concert series, ‘Wacky Wednesdays’ returns

Posted on July 5, 2017 by The Sleepless Critic

South Shore Conservatory, known for offering fun, educational, and interactive classes and entertainment for all ages for the South Shore of Massachusetts and beyond, is proud to enliven Wednesday mornings once again. Sponsored by The Harold and Avis Goldstein Trust with WATD as media partner, South Shore Conservatory’s Wacky Wednesdays has been delivering award-winning, educational, and interactive family entertainment for their 21^st year every Wednesday mornings as part of their outdoor Summer Spotlight series. Wednesday morning concerts also feature free lemonade and chocolate milk starting at 10 a.m.

Vanessa Trien and the Jumping Monkeys Vanessa Trien, courtesy image/South Shore Conservatory

Bumble and Karen K Courtesy, Karen K & the Jitterbugs/South Shore Conservatory

Debbie and Friends, courtesy image/South Shore Conservatory

Kicking off the season on Wednesday, July 5, singer-songwriter and Music Together teacher Vanessa Trien and the Jumping Monkeys return to the Jane Carr Amphitheater stage. This family concert series includes humorous, high energy, and catchy family pop band Karen K and the Jitterbugs on July 12, multiple award-winning Roots musician, Alastair Moock and Friends on July 19, and imaginative, energetic, and interactive musical storytelling by Debbie and Friends on July 26. Click here for a closer look at this enchanting series.

All concerts take place rain or shine at Jane Carr Amphitheater, One Conservatory Drive in Hingham, Massachusetts. With funding from Massachusetts Cultural Facilities Fund, the Jane Carr Amphitheater has been updated entirely. See the South Shore Conservatory’s summer spotlight concert series at affordable prices and no charge for children under three. Discounted prices for groups are also available. Click here for tickets and more information or call 1-781-749-7565, ext. 22.

REVIEW: South Shore Conservatory presents fascinating art exhibition, ‘South Shore Photographers’ through April 30

Posted on March 31, 2017 by The Sleepless Critic

No matter how talented an artist is, there is nothing like discovery and opportunity. South Shore Conservatory is dedicated to mold and provide opportunity for promising talent in the arts through their classes, workshops, and exhibits. Click here for further insight into the South Shore Conservatory with two locations in Hingham and Duxbury, Massachusetts.

Curated by Judith Montminy, South Shore Conservatory and South Shore Art Center offered an opening reception for an insightful exhibition featuring 44 South Shore Photographers’ inspirational works of art on Thursday, March 23 at 6 p.m. Visit South Shore Photographers exhibit through Sunday, April 30 at South Shore Art Center.

SS Conservatory Opening Reception and exhibition

‘South Shore Photographers’ feature 44 artists on two floors Photo courtesy of South Shore Art Center

Linked by a regal wooden staircase, The South Shore Art Center is brimming with carefully selected framed pieces on two floors. Delicious free food and wine were available for guests at the reception as they carefully perused bright colors and abstract pieces. Other pieces portrayed water and people.

Part of the exhibit for ‘South Shore Photographers’ Photo courtesy of Michelle McGrath

Soft landscapes, bright, sparkling water, snow steeped winter scenes, colorful highways, emerald green wooded views, and a pair of Bengal tigers is just a taste of what these deeply observant photographers offer in this ongoing exhibition. Convinced that one portrait will be a perfect fit to take home? Each framed photo is on sale.

Keri McAndrews Trees in Fog at exhibition

Guests gather at ‘South Shore Photographers’ opening reception and ponder ‘Trees in Fog’ by Keri McAndrews Photo courtesy of Keri McAndrews

South Shore Art Center presents South Shore Photographers exhibition through Sunday, April 30 at South Shore Conservatory, One Conservatory Drive in Hingham, Massachusetts. Click here for more information, how to donate, and the full calendar of upcoming events. Follow South Shore Art Center on Facebook.

Richard Bento, President of South Shore Theatre Works, talks about building a theatre dream

Posted on January 21, 2017 by The Sleepless Critic

Building a dream has always has its share of surprises and challenges. However, with determination, hard work, and more than a touch of luck, these sought after dreams can become a reality. Sleepless Beyond the Stage explores the reality of making that dream come true, whether by building an organization, finally bringing that dream play or musical to life, or starting an artistic or musical group that has made a difference.

Richard Bento, Executive Director and President of South Shore Theatre Works (SSTW) in Holbrook, Massachusetts, talks about the excitement and surprises of starting a new community theatre, South Shore Theatre Works. South Shore Theatre Works’ premiere season features Into the Woods, Steel Magnolias, and much more. Click here for more information, auditions, and for tickets.

Jeanne Denizard: Please tell me about your background and what inspired you to start South Shore Theatre Works?

Richard Bento: I’ve participated in community and semi-professional theatre throughout Massachusetts, Rhode Island, Georgia, and San Francisco. One of my goals was to have a group of my own who share the same mission and passion I had for the arts. Three years ago, I decided to participate in theatre here and assist another community theatre group. I fell in love with the people. Their passion was parallel to what I felt in my heart. When we were at a crossroads, needing to decide whether we were going to bring this other group to another level or start our own with other people who shared that same drive, I decided to put together South Shore Theatre Works. In this group, we spoke about what we loved about community theatre and what we wanted our theatre home to be like.

sstw-board-of-directors-including-richard-bento

South Shore Theatre Works Play Reading Committee led by Richard Bento Photo courtesy of Kelly Webber

JD: Did you run into any surprises pulling a project like this together?

RB: When putting together a non-profit, learning how to comply with the nonprofit laws is ever-changing. We ran into some obstacles such as what we thought was the proper way might not necessarily be the right way on paper and when you’re working with a group of people who are volunteering their time, the challenge is finding exactly where they best fit. Sometimes we all think that we’re good at one thing, but until we really get into the nitty-gritty of things, that’s when we decide, hey, wait a minute, I might not be a good Treasurer. My passion might be as a good publicity person. I think it was not necessarily a struggle or obstacle within the organization, but an obstacle within each one of our board members to find out exactly what they’re truly good at, and how to put those talents and skills into play.

South Shore Theatre Works dress rehearsal for youth production, “Big Bad Musical” Photo courtesy of Rachel Nope Beasley

JD: What would you say to those who are considering starting a community theater?

RB: I wish them a lot of luck and determination. Starting a community theater is a difficult project to take on. It is not an endeavor for everyone or for the weak-hearted. Just like an actor who wants to perform professionally and tries to make it on Broadway, 99% of that actor’s experience will be rejection. When you’re putting together a community theater or theatre group in general, you are going to face a lot of doors closing on you, a lot of people who feel threatened, or don’t understand why you’re creating this new project. What’s important for anyone who wants to create something of this nature is to make sure that the reason behind you creating this endeavor comes from a good place, from a place of love, and a place of passion.

Before people decide they’re going to start another community theater or another theater in the South Shore or in the Boston area, decide why they want to create that theater. What is the mission behind it and see if there are other groups that share that mission because there are always groups looking for help. For example, if there’s someone out there who is looking to start a brand new theatre company that shares the mission we have at South Shore Theatre Works, join us. We’re always looking for new people to support our mission.

JD: What is most important in making an investment like this?

RB: Measuring what is important in an investment can be different for different people. At SSTW, the way to measure whether we have succeeded in our first year’s endeavor is by seeing the membership, those people that we have been able to cultivate and bring together to put on quality theatre in this area. If South Shore Theatre Works ended today, we as a Board of Directors would be extremely proud of what we did because our first major musical was a huge success financially and included a talented cast. We had 64 wonderfully talented people from across the South Shore who came and auditioned across Massachusetts and Rhode Island. We had people from all over audition who wanted to be part of something new. That for me is a measurable moment of success.

“Into the Woods” cast Photo courtesy of Rachel Nope Beasley

JD: How did you select the shows you would be presenting in your premiere season?

RB: When choosing a season, you have to come up with the season’s mission. I’m very fortunate I have a marketing director who works in the industry and understands what is needed to accomplish things. Every show has to have a specific goal or target audience, whether it is trying to reach actors, expand our membership, or to make money, which we all need to survive. We wanted to do some shows that were really going to get our name out there and would bring people to work with us and grow with us as an organization. Not just work with us once, but wanting to come to South Shore Theatre Works to become lifelong members.

JD: What are your future plans for the theater and the best way people can contact South Shore Theatre Works?

RB: Our goal for South Shore Theatre Works is to be the leading community theater in the South Shore. We want to have a home where we can perform all year round, a place where people can feel comfortable, and share their talents and their passion for the craft with audiences from all over.

A way to get involved financially or supporting us is by being an audience member and an active member within the theatre company. Go onto our website, sign up for our emails, keep in touch and find that one project where you really want to help. Support the arts in any way possible. Spread the word that there is a new community theater in the area excited to branch out and get our name out there.

South Shore Theatre Works present the beloved musical, “Children of Eden” Photo courtesy of South Shore Theatre Works

Click here for a closer look on how to support South Shore Theatre Works. Call 774-386-8258, visit their website, and follow them on Facebook for a closer look at their new season and more.