Stoneham | The Sleepless Critic

REVIEW: Greater Boston Stage Company’s infectiously charming but muddled ‘Murder for Two’

Posted on November 7 by The Sleepless Critic

A surprise party goes awry and one ambitious investigator is on the scene.

With fast paced direction by Tyler Rosati and versatile music direction by Bethany Aiken, Greater Boston Stage Company continues murder mystery musical farce Murder for Two live and in person through Sunday, November 9 live at Greater Boston Stage Company in Stoneham, Massachusetts. This semi-interactive whodunit two hander is 90 minutes without an intermission. Click here for more information and for tickets.

Jared Troilo in Greater Boston Stage Company’s ‘Murder for Two’ Photo by Niles Scott Studios

Katy Monthei’s vintage mansion setting creates a homey atmosphere which includes dated wallpaper, cluttered bookshelves, several mismatched lamps, various knickknacks on scattered shelving, Egyptian rugs, framed portraits and a sleek black piano all framed by incandescent theatrical bulbs.

Jared Troilo is “aw shucks” charming as determined and inventive New England police officer Marcus who dreams of one day being promoted to detective. What better way to impress his boss than to solve this small town murder mystery of who murdered famed novelist Arthur Whitney.

One of the brightest spots of this production is Troilo and Will McGarrahan’s sublime turns on the piano. Whether competing or complementing each other while making some amazing music together, this multi-talented duo sure know how to captivate an audience. Their madcap piano workings are creative and thrilling. As they tickle the keys at brisk and elegant paces, the rhythms work with Cost’s dazzling lighting to elevate the show’s playful suspense and navigates the show’s various moods, new thoughts, and each of McGarrahan’s frequent transformations into various murder suspects from toddler to elder.

Will McGarrahan in Greater Boston Stage Company’s ‘Murder for Two’ Photo by Niles Scott Studios

The brisk musical elements boast vaudeville and vintage Broadway flair while satirizing the nature of musical theatre. For example, a cell phone ringing onstage is hilariously mistaken for an audience member’s rudeness.

It is also greatly entertaining watching this comedic duo share great chemistry occasionally making each other laugh and other times barely holding it together during the production’s sillier moments. It is no small task to put a show on of this caliber and both rise to the occasion. Troilo is a straight man Dean Martin to McGarrahan’s Jerry Lewis as McGarrahan slips into various accents, mannerisms, and rapidly poses as numerous suspects using merely a prop or piece of wardrobe separating each distinct character thanks to Chelsea Kerl’s jocular costume design from a multicolor scarf to a feather boa to a pink tutu and even a cocktail umbrella.

Will McGarrahan and Jared Troilo in Greater Boston Stage Company’s Murder for Two’ Photo by Niles Scott Studios

However, the show’s infectious charm cannot entirely make up for and a muddled murder mystery plot. Using only this dynamic duo, it is still difficult to picture the scene of the crime and not enough distinction separating the various suspects. Picturing multiple people in the room and the blocking at times doesn’t quite make sense and would be better understood with more than two people. When Greater Boston Stage Company presented the one man Sleepy Hollow classic, its narration seemed to drive the story more clearly and perhaps that is what is missing here.

This production is far funnier than suspenseful and not to be taken seriously and perhaps this is all part of the joke, but it became difficult and a little frustrating visualizing this intriguing murder mystery you are also trying to solve alongside Marcus.

Jared Troilo and Will McGarrahan in Greater Boston Stage Company’s ‘Murder for Two’ Photo by Niles Scott Studios

Jared Troilo and Will McGarrahan are two bright talents and such likable characters and yet, following the plot is a challenge to say the least. If you can put that aside, Murder for Two features a wonderfully likable and impressive duo for an amazing and lighthearted evening.

Greater Boston Stage Company continues murder mystery musical farce Murder for Two live and in person through Sunday, November 9 live at Greater Boston Stage Company in Stoneham, Massachusetts. Click here for more information and for tickets.

REVIEW: Wild antics and bonding in Greater Boston Stage Company’s lighthearted ‘Featherbaby’

Posted on September 28 by The Sleepless Critic

Who knew a unique tale about a puzzle loving couple and a foul mouthed exotic parrot would not only be mischievously funny but also tug at the heartstrings?

Get to know Featherbaby.

With lively direction by Weylin Symes, Greater Boston Stage Company continues the co-world premiere of David Templeton’s comedy, Featherbaby live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, September 28. This amusing production contains some explicit language and runs approximately one hour and 40 minutes with one intermission. Click here for more information and for tickets.

Liv Dumaine, Paul Melendy and Gabriel Graetz in Greater Boston Stage Company’s ‘Featherbaby’ Photo by Nile Scott Studios

It was easy for me to see the appeal of Featherbaby, especially since my first pet was a parakeet and we shared an unbreakable bond. While my parakeet lived for 10 years, a yellow naped Amazon parrot like Featherbaby lives 20 to 30 years in the wild and up to 80 years in Angie’s cozy apartment living off what Melendy’s Featherbaby refers to as treats or “num-nums.” It also shows a parrot can enjoy a rich and extended life with love and many adventures that may exceed the parrot’s owner given the parrot’s long life expectancy.

Set designer Katy Monthei cleverly depicts Featherbaby’s two kingdoms dividing the stage between Angie’s furnished apartment including a colorful carpet and the greenery of the Amazon Rainforest with Featherbaby’s perch center stage as a hot pink wicker throne. Puzzle pieces and images of pop culture references are subtly scattered on this richly detailed set’s surface illuminated by Matt Cost’s cheerful and multicolored neon lit imagery. Mackenzie Adamick’s pop and rock-inspired sound design lends to some of this comedy’s most hilarious moments.

Paul Melendy in Greater Boston Stage Company’s ‘Featherbaby’ by Nile Scott Studios

I did not know much about the story going into this comedy and found myself enjoying its significant twists and turns as they unfolded and I’m sure you will too. Liv Dumaine offers a certain mysterious air as Featherbaby’s puzzle-loving intellectual and somewhat flighty pet parent, Angie. Coy and curious, Angie shares some sweetly scholarly chemistry with Gabriel Graetz as level headed and inquisitive yet sensitive Mason and is a doting pet parent to Paul Melendy as vain and attention-craving Featherbaby. However, Featherbaby and Mason have a more adversarial relationship and it is quite the sight to see.

Paul Melendy in Greater Boston Stage Company’s ‘Featherbaby’ Photo by Nile Scott Studios

Symes seems to leave plenty of room for improvisation as Paul Melendy as Featherbaby impressively spreads his wings. Plumes “burst” in Melendy’s textured and shiny suit coat enhanced by a vibrant yellow silk shirt and tie and an orange feather creatively designed by Deirdre Gerrard. Melendy has a gift for facial features and exacting this bird’s mannerisms is believable and wonderfully comical. In a role that could be anticipated as over the top or grating, Melendy is intense and vocal, but also offers a nuanced performance which includes precise mannerisms of this complicated and intense parrot through exacting darting eyes, head bobbing, weaving, pacing, swaying, veiled aggression and in the gentle lean for a head rub. Seemingly part stand up, improvisation and storyteller, narrator Melendy proves engaging, charming, charismatic and endearing as Featherbaby while occasionally being more than a bit naughty sharing Featherbaby’s history, insecurities and an unexpected new journey.

Gabriel Graetz, Paul Melendy and Liv Dumaine in Greater Boston Stage Company’s ‘Featherbaby’ Photo by Nile Scott Studios

As much as this quirky comedy is funny and lighthearted, it also boasts its share of stirring moments among this trio who all share appealing chemistry. You’ll laugh and at times be unexpectedly moved. In a life divided between the feathered and the unfeathered in Featherbaby’s terms, Featherbaby delivers a few profound life lessons along the way which is quite a feat coming from a bird.

Greater Boston Stage Company continues the co-world premiere of David Templeton’s comedy, Featherbaby live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, September 28. Click here for more information and for tickets.

REVIEW: Greater Boston Stage Company’s ‘Little Shop of Horrors’ blooms a darker green

Posted on June 25 by The Sleepless Critic

This sad little flower shop on Skid Rowe holds a secret.

From John Stone’s playfully ticking sound design to Erik D. Diaz’s fascinating ‘blooming’ set,’ Greater Boston Stage Company makes two things abundantly clear: Don’t feed the plants and everyone’s life should be narrated by a streetwise Greek chorus.

Directed with comic edge by Ilana Ransom Toeplitz and Chris Shin’s zany chorography, Greater Boston Stage Company continues horror comedy rock sci-fi musical, Little Shop of Horrors live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, June 29. This production runs approximately two hours with one intermission. Click here for more information and tickets.

Kayla Shimizu, Stephen Markarian and Bryan Miner in Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

Celebrating its 65^th anniversary this year, Little Shop of Horrors embarked on quite a journey to become the cult classic it is today. Originally based on Jack Cullier’s 1932 story Green Thoughts, Little Shop of Horrors was originally a 1960 B movie featuring a then lesser known Jack Nicholson before it was developed into a 1982 stage musical and then a 1986 musical film adaptation featuring Rick Moranis, Bill Murray and John Candy. The musical also introduced sadistic dentist Orin, portrayed by Steve Martin in the film.

It’s a seemingly simple tale about young love on Skid Rowe in a fledgling flower shop that houses a curious and unique breed of plant. Some critics have compared it to the daring tone of the cult classic, ‘Rocky Horror Picture Show,’ but Little Shop of Horrors is usually delivered with a more subtle brand of campy charm.

This wild tale is headlined by the sweet and sassy sounds of female Greek chorus trio Chiffon, Crystal, and Ronnette who pop up in the most unexpected places during the production. With few exceptions, the music, with lyrics by award-winning composer Alan Menken, have a catchy, rock n’ roll vibe including tunes that pay tribute to 60s girl groups.

Becky Bass, Corlandt Barrett and Pearl Scott in Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

From casual street garments to flashy glam by Chelsea Kerl, these three dazzling vocalists certainly know how to make an entrance. Cortlandt Barrett as Chiffon, Becky Bass as Crystal and Pearl Scott as Ronnette are a tough, humorous, and street-smart trio who unveil the real ins and outs of Skid Rowe through harmony, kicking it off with the catchy signature track, Little Shop of Horrors and especially showing off their mellifluous vocals for Skid Rowe (Downtown).

The set of Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

With haunting and ominous illumination by Corey Whittemore, Erik D. Diaz combines creepy and dilapidated featuring vintage brick storefronts, beaten up garbage cans, a weathered Mushnik Florist sign, and an eerie projection screen splashed with blood at center stage. What Diaz does with the set is vivid, remarkable and transformative right down to its carefully timed shop bell. Set in the 1960s, Little Shop of Horrors is packed with 50s and 60s references such as I Love Lucy, Howdy Doody, Donna Reed, and Betty Crocker.

The cast of Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

The show has a gift for funny and ironic contrasts with a cast that has increasingly complicated motives. Wearing black-rimmed glasses, a baseball cap and a sweater vest, William David Kay stepped in for Stephen Markarian offering an earnest portrayal as Seymour, a sympathetic yet conflicted botanist. Anxious and occasionally clumsy, Kay emphasizes Seymour’s inherent, inescapable loneliness as he struggles to remain forthright and honest as the show progresses. He shines in the darkly tender number Grow for Me and in his awkward adoration for trusting, insecure and frequently unlucky Audrey, portrayed sweetly with a light accent and plucky charm by Kayla Shimizu. In a particularly comical moment, Seymour warmly hopes to take Audrey to “a fancy dinner at Howard Johnson’s.”

Photo of Kayla Shimizu, Stephen Markarian* and Bryan Miner* by Nile Scott Studios.

Shimizu’s lovely soprano vocals carry a lullaby or a soulful belt beautifully. She shares her simple, 50s domestic dreams in a funny and tender rendition of Somewhere That’s Green and with Seymour in a powerful rendition of Suddenly Seymour.

Stephen Markarian* Audrey II and Kayla Shimizu Photo by Nile Scott Studios.

Disheveled and desperate in colorful and busily patterned suits, Bryan Miner is wonderful as worn and frustrated flower shop owner, Mr. Mushnik. Tightly wound and barely holding onto hope, Miner’s Mushnik is especially clever with William David Kay as Seymour for the manipulative and comical calypso-infused number, Mushnik and Son. Mushnik may be too smart for his own good.

Audrey II, Stephen Markarian* and Bryan Miner* in Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

I’ve seen a few versions of Little Shop of Horrors and this is the edgiest production I have seen. Jared Troilo works overtime to portray a number of satirical characters that are impressively goofy and fun. Troilo is next level sinister in a no-holds-barred performance as Orin, a belligerent, gyrating, narcissistic biker dentist punctuated by a berating sneer and a glottal “dull” utterance. It occasionally crosses the line from darkly funny to disquieting and overdone.

Becky Bass, Pearl Scott, Cortlandt Barrett and Jared Troilo in Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

However, the real spectacle is Audrey II, the sly and soulful plant that changes everything. Anthony Pires, Jr. boasts versatile and grimly wise vocals as well as a gift for pleading exemplified in the rock number, Feed Me. Inventively manipulated by Sydney Grant, Audrey II is a comical and extraordinary specimen right down to bright colors and shiny, dangling teeth. Audrey II is handled in such an innovative, natural, and humorous way, the results are truly captivating.

Audrey II, Kayla Shimizu and Stephen Markarian in Greater Boston Stage Company’s ‘Little Shop of Horrors’ Photo by Nile Scott Studios

Greater Boston Stage Company’s Little Shop of Horrors continues live and in person through Sunday, June 29 at the Greater Boston Stage Company in Stoneham, Massachusetts. Click here for more information, tickets, and for details about the Little Shop of Horrors raffle.

REVIEW: Greater Boston Stage Company explores two notorious figures in historical comedy, ‘Founding F%!#ers’

Posted on May 8 by The Sleepless Critic

Did the Boston Massacre really start over a snowball?

Not exactly, but colonists who threw snowballs at British soldiers did escalate growing tension leading up to this historical event. It is one of many wildly staged ideas explored in Greater Boston Stage Company’s Founding F%!#ers, a historical comedy which dives into the lives of laidback renegade Vermonter Ethan Allen and meticulous Connecticut-born military officer Benedict Arnold through the American Revolution. These notorious and egotistical individuals cross paths shortly after the Boston Massacre and would become frenemies, but they also might share a lot more in common than they would ever care to admit.

Olivia Dumaine and the cast of Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

History buffs, prepare to be entertained. Boasting Will McGarrahan’s candid and compelling narration, Greater Boston Stage Company delivers a historical comedy whose two strong leads face missteps and misfortune worse than witnessing poor Stewart Evan Smith and Jules Talbot as soldiers enduring the throes of a punishing Boston winter.

Stewart Evan Smith and Jules Talbot in Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Directed with a contemporary comical edge by Weylin Symes, Greater Boston Stage Company presents the world premiere of Conor Casey’s Founding F%!#ers live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 18. The production is approximately two hours with one intermission. Click here for more information and for tickets.

Rumor, gossip, spies, backstabbing, conspiracies and tall tales all come to a head in a story that looks back on events with the full knowledge of how these events were bound to turn out. It is also full of local references and colonial fare making Massachusetts the ideal spot to debut this world premiere production with Vermont running a close second.

Marge Dunn and Jules Talbot in Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Plans take shape and also go humorously awry with brief contemporary references such as Hamilton interspersed throughout the play. Iconic moments in history are played out under McGarrahan’s capable narration, which keeps the show from becoming an arduous history lesson. Never preachy, McGarrahan is a wonderful and animated narrator, also peppering his performance with occasional candid reactions to the action before stepping in later as John André. André is a cunning individual that I would have like to have known better.

The cast personify a number of roles as the show progresses such as Jeff Mitchell portraying sweet Rosie the barmaid and John Adams. Within Jenny S. Lee’s multiple roles, Lee’s pivotal role as resourceful Peggy Burr brings mischievous intrigue.

Jenny S. Lee and the cast of Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Corey Whittemore’s warm lighting illuminate Katy Monthei’s sliding rustic wooden colonial set. Deirdre Gerrard’s exacting costume design includes a combination of New England and period colonial pieces with accessories such as leather hats, white wigs, gold buttons, suede, lace, fringe and makeshift mustaches.

Dressed in a suede fringe jacket, William Johnston depicts laidback renegade Ethan Allen, head of the Green Mountain Boys, with a combination of charisma and the ability to spin a good yarn. Allen is dodgy, impulsive and often inebriated and Olivia Dumaine as Allen’s trusty and reasonable cousin Seth Warner does an admirable job in steadying Allen’s spontaneity.

Marge Dunn Olivia Dumaine and William Johnston in Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Marge Dunn does double duty as Fight Captain and Benedict Arnold, boasting a serious and commanding demeanor longing to rise up the military ranks. Arrogant and orderly, Arnold insists on following the rules of engagement until something unexpected takes shape. They share an interesting and unpredictable rapport and it is good fun to anticipate whether they are finally in agreement or about to double cross each other. They are both impressive in these roles as they get under each other’s skin and to watch them make the decisions that lead to their ultimate fate.

William Johnston and the cast of Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Founding F%!#ers is plenty informative and not edgy as the title may suggest, even as they are embarking on exaggerated battles with a good dose of physical and satirical humor from Quebec to West Point and beyond. While it may run a bit long at times, the show has a lot to cover and does so with a combination of action, comedy, silliness…and irony. I guess hindsight really is 20/20.

Greater Boston Stage Company presents the world premiere of Conor Casey’s Founding F%!#ers live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 18. Click here for more information and for tickets.

REVIEW: Greater Boston Stage Company’s zany ‘The Play that Goes Wrong’ has the right idea

Posted on April 8, 2025 by The Sleepless Critic

‘Come rain, come sleet, the show must go on!’

Singin’ in the Rain’s Donald O’Connor as Cosmo uttered this classic line from the beloved 1952 film which has been inspiring theatres for generations. Greater Boston Stage Company’s The Play that Goes Wrong shows that rain and sleet are just a tip of the iceberg in a laundry list of all that can go wrong and you’ll be sure to delight in witnessing many of them here.

No matter what, the show must go on.

Buckle up for a bumpy ride courtesy of the Cornley Polytechnic Drama Society as they deliver an unconventional whodunit production that has Paul Melendy as an inspector engraving crime scene notes into a flower pot not to mention a dog missing somewhere on the premises! If this all seems preposterous, that is just a glimpse into the inspired laughs at Haversham Manor in The Play That Goes Wrong.

The cast of Greater Boston Stage Company’s ‘The Play that Goes Wrong’ Photo by Maggie Hall Photography

Methodically directed by Tyler Rosati, Greater Boston Stage Company continues The Play That Goes Wrong by Henry Lewis, Jonathan Sayer, and Henry Shields continuing at Greater Boston Stage Company in Stoneham, Massachusetts through Saturday, April 19. This semi-interactive production is not limited to the stage and runs approximately two hours with one intermission. Click here for more information and tickets.

The Play That Goes Wrong is a British farce that first hit the London Stage in 2012 before it went on to make its way around the globe. This award-winning whodunit play-within-a-play became so popular that it bore BBC’s The Goes Wrong Show lasting two seasons including holiday specials.

Sarah Gazdowicz, Liam Grimaldi and Paul Melendy in Greater Boston Stage Company's 'The Play that Goes Wrong' Photo by Maggie Hall Photography — Liam Grimaldi and Paul Melendy in Greater Boston Stage Company’s ‘The Play that Goes Wrong’ Photo by Maggie Hall Photography

After some interactive, pre-show comedic antics by Ceit Zweil as resolute stagehand Annie, Paul Melendy as Cornley’s warm yet befuddled director Chris sets the stage for what this enthusiastic and determined acting troupe has in store for its audience. What makes The Play That Goes Wrong particularly entertaining is just how well timed the cast must collaboratively be in order to make this type of auspicious theater.

Ceit Zweil and Sarah Morin in Greater Boston Stage Company’s ‘The Play that Goes Wrong’ Photo by Maggie Hall Photography

From an unpredictable corpse portrayed stealthily by Stewart Evan Smith to the various degrees of hysterics demonstrated by Sarah Gazdowicz and Ceit Zweli as well as various cast members’ feigned composure under fire, The Play That Goes Wrong runs the gamut from missed cues to an utterly sinking ship. Zweli as stagehand Annie and Jeff Mahoney as baffled yet undeterred Duran Duran fan sound man Trevor are wonderful as they take the heat at times for guffaws from subtle to catastrophic in a perplexed malaise.

Mark Linehan, Ceit Zweil and Paul Melendy in Greater Boston Stage Company’s ‘The Play that Goes Wrong’ Photo by Maggie Hall Photography

With a sophisticated air adorned in an elegant and cascading dress, Gazdowicz as Sandra flails and flaunts with poise and urgency determined to portray Florence. She shares some frivolous moments with Liam Grimaldi who is occasionally overexaggerated as bad actor Max. Sarah Morin as Denise demonstrates propriety and shrewdness in her deadpan delivery of occasionally tongue tied Butler Perkins while Mark Linehan delivers wit and gravitas as Robert who contributes to the clever sight gags and a wealth of hilarious improvising.

Costume designer E. Rosser captures the madcap essence of the British, upper crust atmosphere from various patterns and mismatched plaids to dapper three piece suits including a signature Inspector trench coat while Peter Colao and Danielle Ibrahim’s innovative and extraordinary set design brings in as many laughs as the cast’s humorous antics. Accompanied by James Cannon’s cryptic and humorously misguided sound design and Katie Whittemore’s standout and suspenseful lighting, Haversham Manor’s elegant bookcase, classic wooden grandfather clock, brick fireplace, a functioning elevator, velvet sofa and second floor study all seem to have a life of their own in this delightful show.

Ceit Zweil, Sarah Gazdowicz, Paul Melendy and Mark Linehan in Greater Boston Stage Company’s ‘The Play that Goes Wrong’ Photo by Maggie Hall Photography

Though a few of the running gags can go on a bit too long, The Play that Goes Wrong is a fun way to let loose and enjoy a lighthearted production where flustered cheeks become the norm and to find out just how far this entertaining group will go to for an uproarious good time.

Paul Melendy and Mark Linehan in Greater Boston Stage Company’s ‘The Play that Goes Wrong’ Photo by Maggie Hall Photography

Greater Boston Stage Company presents The Play That Goes Wrong by Henry Lewis, Jonathan Sayer, and Henry Shields continuing through April 19 at Greater Boston Stage Company in Stoneham, Massachusetts. Click here for more information and tickets.

REVIEW: Greater Boston Stage Company serves up more than laughs in ‘Dinner for One’

Posted on November 16, 2024 by The Sleepless Critic

Simple acts of kindness make all the difference.

This is not lost on James who is earnestly willing to bend over backwards to make Miss Sophie happy on her birthday. Dinner for One is not sentimental or sappy, but demonstrates a lovely bond between valet James and elegant aristocrat Miss Sophie in her twilight years.

Paul Melendy and Debra Wise in Greater Boston Stage Company’s ‘Dinner for One’ Photo by Nile Scott Studios

Directed endearingly by Weylin Symes, Greater Boston Stage Company continues Dinner for One live and in person at the newly-renovated Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, November 17. This remarkable and semi-interactive production runs 70 minutes with no intermission. Each production is slightly different due to the audience’s initial participation. Click here for more information and for tickets.

Greater Boston Stage Company recently unveiled a classic theatrical makeover which includes stylish new light fixtures, carpeting and seats. The classic vintage quality and celebratory nature of Dinner for One seems a perfect match for the theatre’s new look to open Greater Boston Stage Company’s 25^th season.

Red velvet streamers draped alongside crystal chandeliers is just part of Katy Monthei’s festive set design which includes matching detailed wooden furniture, a grand staircase, fireplace, nostalgic photographs and a lively phonograph in anticipation of Miss Sophie’s annual birthday dinner gathering. With Jeff Adelberg’s atmospheric and symbolic lighting and David Remedios’s piano-infused soundtrack, Dinner for One depicts the elusive passage of time through a clock without hands hanging overhead.

In tux and tails by costumer Deidre Gerrard, Paul Melendy as dapper James demonstrates his sharp comic wit through his cordial and self aware engagement with the audience considering them honored dinner guests, his meticulously detailed manner in planning Miss Sophie’s festivities, and in what ensues when best laid plans sometimes go awry. This production has some surprises and a great deal of physical humor in which Melendy handles with aplomb moving skillfully around the house. From a mumbling Jerry Lewis-style imitation to an amorous suitor to a boisterous Sir Toby, Melendy as James exacts accents and distinct mannerisms seamlessly to Miss Sophie’s delight.

In a sophisticated lace floral and taffeta gown, Debra Wise as proper Miss Sophie is as game and dazzled with every charming and rollicking gesture delivered by Melendy, but with a sneaking and relatable awareness of life’s fragility. With head high and chin cocked, Wise’s Miss Sophie is used to a certain way of doing things, but is at her best when she lets her guard down.

As funny as this production becomes, the quiet fondness between Debra Wise as Miss Sophie and Paul Melendy as James is the real enchantment of this production. More than dedication, there is a genuine admiration between them. In its simplicity and big heart, Dinner for One is a unique experience with as much humor and beauty demonstrated in what is said as what is left unsaid.

Greater Boston Stage Company continues Dinner for One live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, November 17. This remarkable and semi-interactive production runs 70 minutes with no intermission. Each production is slightly different due to the audience’s initial participation. Click here for more information and for tickets.

REVIEW: Greater Boston Stage Company turns on the charm for ‘Guys and Dolls’

Posted on June 27, 2024 by The Sleepless Critic

What a Guy wouldn’t do for some doll.

A sky high bet, a saintly woman, and a group of gamblers are all on the line in a musical comedy custom made in New York City. Guys and Dolls is lighthearted and bustling with some of the most popular songs of Musical’s Golden Age such as Luck Be a Lady, Fugue for Tinhorns, I’ve Never Been in Love Before, Sit Down You’re Rockin’ the Boat and its beloved title track.

Directed and choreographed by Ceit Zweil, Greater Boston Stage Company continues Frank Loesser’s musical comedy classic Guys and Dolls live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through June 30. This slick production is approximately two hours and 30 minutes with one 15 minute intermission. Click here for more information and for tickets.

Arthur Gomez, Mark Linehan, Stephen Markarian and Greater Boston Stage Company ‘Guys and Dolls’ cast Photo by Gillian Gordon

Set on Broadway between Times Square and Columbus Circle, Greater Boston Stage Company reveals a little cozy but snazzy set by John Savage including vintage 1950s illustrated signs lit by marquis lights and an illuminated moving cityscape back drop. With lively music direction and conducted by Dan Rodriguez, this glitzy version of Guys and Dolls has a bit of a concert vibe with the orchestra performing center stage amidst all the action.

Arthur Gomez and Sara Coombs in Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Gillian Gordon

The show is as zippy as these fast talking gamblers ready for the next crap game. In stylish hat and a pinstriped suit, Arthur Gomez as lovable but scheming Nathan Detroit is always cooking up a plan and usually one step ahead, but now he is short on money to hold his next floating crap game. Enter Jared Troilo as smooth talking and high stakes gambler Sky Masterson and suddenly, Nathan has a new and seeming surefire plan to win big and finally marry his long suffering girlfriend, Miss Adelaide. However, Sky discovers he is in for much more than he ever bargained for.

Jared Troilo and Sarah Coombs in Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Gillian Gordon

Guys and Dolls is a classic for a reason. Not only did the 50s film adaptation star Marlon Brando and Frank Sinatra, but it’s an upbeat musical full of charm about love, the Big City vibe, taking risks and saving souls not necessarily in that order. The characters are all likable in spite of their shady ways because most of them can humorously talk their way out of just about anything.

Stephen Markarian and Mark Linehan in Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Gillian Gordon

In glasses and a bowler hat, Stephen Markarian captures the cheery and good natured charm of Nicely-Nicely Johnson from the slick and catchy harmonies in Fugue for Tinhorns with Mark Linehan as Benny and Christian David as Rusty Charlie. Their goofy chemistry and antics set the stage well along with the title track and bookended by Stephen Markarian’s exuberant and exciting classic number Sit down You’re Rocking the Boat which is not to be missed.

Allison Russell, Kaedon Gray and the cast of Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Gillian Gordon

Sara Coombs as Miss Adalaide could easily have entered over the top caricature territory, but Coombs sticks with dramatic yet a bit more realistic subtlety for Adelaide’s Lament. Hailing from Rhode Island, Miss Adelaide is not to be underestimated and knows exactly what she wants playing a long game of her own as Nathan’s girlfriend. She shares some endearing chemistry albeit with some understandable bickering with Nathan as they perform a quick paced and intense rendition of Sue Me. Alongside Hot Box dancers Hannah Shihdanian, Allison Russell and Abigail Martin, Coombs delivers some flirtatious and humorous scenarios decked out in Dierdre Gerrard’s timely, sparkling and playful costumes kicking off with a country coy Bushel and a Peck. Russell and Shihdanian both perform triple roles with Russell notably as the infamous big time, tough talking gambler Big Jule.

Sara Coombs, Abigail Martin, Allison Russell, and Hannah Shihdanian in Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Gillian Gordon

In a blue pinstripe suit and gleaming white shoes, Troilo depicts Sky Masterson with smooth talking swagger and shares some great scenes with Lisa Kate Joyce’s straight-arrowed and head of the Save-a-Soul Mission band, Sarah Brown. Joyce’s angelic and silvery soprano vocals nail the delightful If I were a Bell and I’ve Never Been in Love Before alongside Troilo in a lovely duet. Joyce also has a brief but memorable scene with Chip Phillips as lovable Arvide for the tenderhearted number, More I Cannot Wish You.

Lisa Kate Joyce and Chip Phillips in Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Gillian Gordon

Jared Troilo shines in My Time of Day, but nothing beats Troilo’s determined earnestness teetering toward desperation with the rest of the cast for Luck Be a Lady embellished by Ceit Zweil’s tight choreography and Corey Whittemore’s vivid and flashy lighting which just about brings down the house.

Jared Troilo and the cast of Greater Boston Stage Company’s ‘Guys and Dolls’ Photo by Photo by Gillian Gordon

REVIEW: Piecing together an elegant puzzle in Greater Boston Stage Company’s crime thriller, ‘Dial M For Murder’

Posted on May 17, 2024 by The Sleepless Critic

Prior to witnessing this re-imagined working of the Alfred Hitchcock classic, Dial M for Murder, Greater Boston Stage Company cleverly sets the mood with a variety of 50s antique deco rotary phones and other paraphernalia in the lobby before entering the theatre. To those who have seen this crime thriller before, the phone plays a key role in this cognizant tale of love, blackmail, greed and murder.

Kimberlee Connor in Greater Boston Stage Company’s ‘Dial M for Murder’ Photo by Maggie Hall Photography

Scrupulously directed by Weylin Symes, Greater Boston Stage Company continues Dial M for Murder live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 19. This sleuth-laden production is two hours with a 10 minute intermission. Click here for more information and for tickets.

Kimberlee Connor and Lily Kaufman in Greater Boston Stage Company’s ‘Dial M for Murder’ Photo by Maggie Hall Photography

Like a lot of Alfred Hitchcock thrillers, Dial M for Murder offers strategically placed doses of winking self awareness in its characters as Margot, depicted by Kimberlee Connor and Lily Kaufman as Maxine contemplate and fixate on the nature of a perfect murder. Right off the bat, what becomes clear is this is no murder mystery. The audience knows whodunit, but the real question is exactly how all will be revealed. Set in 1950s London, the cast exact British accents beautifully which lends a heightened sophistication to the production thanks to dialect coach Lee Nishri-Howitt.

Kimberlee Hall, Michael Ryan Buckley and Lily Kaufman in Greater Boston Stage Company’s ‘Dial M for Murder’ Photo by Maggie Hall Photography

Dial M for Murder offers a scandalous love triangle as did the 1954 film with a twist. The love triangle is fully intact but Max is now Maxine depicted by Lily Kaufman who was once a love interest of Michael Ryan Buckley as Tony who is married to Kimberlee Connor’s Margo and Margo was more recently having an affair with Maxine.

Lily Kaufman, Robert D. Murphy and Kimberlee Connor in Greater Boston Stage Company’s ‘Dial M for Murder’ Photo by Maggie Hall Photography

Dial M for Murder embraces the classic noir crime thriller with finesse in sleek and stylish 50s attire by Deirdre Gerrard in red lipped glamour, pearls and upscale attire, especially in Lily Kaufman as Maxine. Kaufman looks like a glamorous screen starlet from Old Hollywood in smart, button down business suits reminiscent of Rosalind Russell with coiffed hair, clipped accent and poised mannerisms. Maxine is a struggling writer with a new book out and hopes to sell it through an important interview on the BBC. Wealthy heiress and housewife Margot is sheltered but not to be underestimated and Michael Ryan Buckley portrays a terrific Tony. Buckley’s bright, chatty vocals and genteel demeanor is a great façade for smirking and evasive concern. It’s fascinating to watch Buckley work a room.

Michael Ryan Buckley and Bill Mootos in Greater Boston Stage Company’s ‘Dial M for Murder’ Photo by Maggie Hall Photography

Bill Mootos impressively portrays an elusive character under many names and Robert D. Murphy as Inspector Hubbard is on the case of what happened, how, and why.

Robert D. Murphy, Kimberlee Connor, and Michael Ryan Murphy in Greater Boston Stage Company’s ‘Dial M for Murder’ Photo by Maggie Hall Photography

Dial M for Murder boasts a gorgeous set by Katy Monthei featuring Venetian blinds, long silk curtains, plush white couches, translucent foyer, French doors, and gold accented furniture. Jeff Adelberg’s sophisticated yet eerie lighting design and the slanted illusion of set dimensions is reminiscent of Hitchcock’s grand visual illusions in his work demonstrated in his psychological thriller films like Vertigo. Andrew Duncan Will’s compelling sound design is an intricate combination of robust radio feed and well as a vintage and riveting music score.

Katy Monthei’s set Photo by Maggie Hall Photography

The show is a bit of a talkie, but the suspense is always looming and with capable and levelheaded Murphy as shrewd inspector Hubbard, this complex case of conspiracy and cover ups just might get cracked.

REVIEW: Greater Boston Stage Company gets spooky with ‘We Had a Girl Before You’

Posted on October 29, 2023 by The Sleepless Critic

Just in time for Halloween, Greater Boston Stage Company stages one creepy ghost story.

Taking a cue from the success of last year’s one man show, The Legend of Sleepy Hollow, Greater Boston Stage Company decided to draw from a few classic and haunting tales for this one woman show, We Had A Girl Before You.

Directed by Weylin Symes, Greater Boston Stage Company presents Trevor Schmidt’s We Had A Girl Before You live and in person at Greater Boston Stage Company in Stoneham, MA through Sunday, November 5. It is 90 minutes with no intermission. Click here for more information and for tickets.

Annie Barbour in Greater Boston Stage Company’s ‘We Had a Girl Before You’ Photo by Nile Scott Studios

Wearing spectacles and with hair pulled back in a tight bun is just one of Annie Barbour’s many personas as she depicts Edwina Trout, a lonely and inquisitive woman who embarks on an ardent journey to work as a lady’s companion. Longing for love and a sense of belonging, she travels with hope on a dangerous journey to Wichham Manor.

Kathy Monthei’s gloomy and effective set boasts a distant and lit manor on a high hill, a large full moon, a wide staircase, a veiled and translucent black curtain, and bronze-like etchings on the walls with a built in crawl space. The show relies a great deal on David Remidios’s moody sound design and spontaneous special effects for a few jump scares along the way.

Annie Barbour not only depicts Edwina Trout, but a number of unsavory characters on her journey such as a gruff and surly barmaid and an abusive and resentful teacher. The physical prowess that Barbour carries is substantial, but she handles it while exacting accents, mannerism, and conversations varying from a dark scowl to a hypnotic stare. Trout is far more complex of a part than it seems and Barbour handles these variations of temperament believably. ‘We Had a Girl Before You’ is not as strong of a story as a classic tale of ‘The Legend of Sleepy Hollow,’ but it contains enough chilling content and wily twists that make for an interesting day at the theatre.

Greater Boston Stage Company presents Trevor Schmidt’s We Had A Girl Before You live and in person at Greater Boston Stage Company in Stoneham, MA through Sunday, November 5. It is 90 minutes with no intermission. Click here for more information and for tickets.

REVIEW: It’s a great time for sleuthing at Greater Boston Stage Company’s ‘Clue: On Stage’

Posted on June 12, 2023 by The Sleepless Critic

During a dark and stormy night, a group of strangers are required to gather in a mysterious mansion under puzzling circumstances. The real reason for the gathering is just one of many twists and turns in this famous dark and comedic murder mystery.

Last year, Ryan Reynolds announced he would star in a new Clue film reboot for 20^th Century Studios which, like a lot of reboots, seems unnecessary since the 80’s film Clue is an enduring cult classic. The popular Parker Brothers board game (now owned by Hasbro) has been revamped a number of times as a board game and has been translated into various forms of entertainment including a live Scavenger Hunt and interactive dinner theatre. This is one mystery that people have been anxious to solve for generations. Having seen the 80’s film many times over as well as played the popular board game, this is the first time seeing it done live onstage.

The Players of ‘Clue: On Stage’ Photo credit to Nile Scott Studios

Directed mischievously by Weylin Symes, Greater Boston Stage Company continues Sandy Rustin’s Clue: on Stage live and in person at Greater Boston Stage Company in Stoneham, MA through June 25. Clue: on Stage is family friendly, but after all, a black comedy murder mystery which has its dark turns. The violence is not gruesome, but like the Parker Brothers board game, probably most appropriate for kids ages 8 and up. This show is 90 minutes with no intermission. Click here for more information and for tickets.

Clue is a great murder mystery farce, but it really takes a cohesive cast led by famous butler Wadsworth to make this production simmer. Recent Elliot Norton Award winner Paul Melendy is just the man for the job not only bringing a unique twist to resourceful Wadsworth, but by fostering a new take on the character as does Bryan Miner as Mr. Body. Tim Curry will always be THE Wadsworth, but Melendy makes this refreshing interpretation his own while keeping Curry’s core characteristics still intact right down to his playful eyebrow lift and smirking grin.

Paul Melendy as Wadsworth and Maureen Keiller as Miss Peacock Photo credit to Nile Scott Studios

Whether in moments of scheming or over thinking, the cast has compelling chemistry as funny and fascinating adversaries. Genevieve Lefevre makes a mischievous Yvette while Jennifer Ellis is pitch perfect as Miss Scarlet creating a wonderful balance of sophistication and dry humor. Maureen Keiller portrays chatty, nervous, and panicky Miss Peacock. Wearing signature black glasses, Miss Peacock’s character could be interpreted as shrill and abrasive, but Keiller’s distinct comic timing makes Miss Peacock one of the funniest parts of the production.

L to R: Paul Melendy as Wadsworth Bill Mootos as Colonel Mustard and Genevieve Lefevre as Yvette Photo credit to Nile Scott Studios

In a classic mustache, Bill Mootos brings comic wit to somewhat dim witted Colonel Mustard while Mark Linehan as Professor Plum and Stewart Evan Smith as squeamish Mr. Green both bring an enigmatic quality to their characters.

Sara Coombs is a good Mrs. White, but would have liked Mrs. White to be less soft spoken and more humorously cryptic. From stern to silly, Katie Pickett juggles a number of memorable roles as the story unfolds.

Paul Melendy as Wadsworth, Stewart Evan Smith as Mr. Green and Genevieve Lefevre as Yvette Photo credit to Nile Scott Studios

Whether in Miss Peacock’s spectacular blue and green glittering dress, Colonel Mustard’s military garb, Miss Scarlet’s vampy red dress, Yvette’s classic French maid costume, Wadsworth’s coat and tails or Mrs. White’s jet black furs, costume designer Deirdre Gerrard creates an elegant and vintage look authentic to each of the character’s iconic personas.

Paul Melendy as Wadsworth and Jennifer Ellis as Miss Scarlet Photo credit to Nile Scott Studios

Keeping its vintage 50s charm, Clue on Stage’s set by scenic designer Katy Monthei injects some similarities to the 80s film cult classic from the haunting and soft glow at the iconic mansion’s enigmatic front door to the comical and sophisticated portable set pieces. Lighting designer Jeff Adelberg and sound designer Caroline Eng work overtime to seamlessly and simultaneously up the ante on suspense, humor, and drama through the evolving lighting from foreboding to revealing to flashing to playful while the sound design transforms from sinister to lively to jolly.

The show’s innovative blocking and moving staging is a riot as it cleverly makes the most of every inch of the space with its transformative style and the cast’s ‘athletic’ movements choreographed by Alexander Platt and Cait Zweil.

Sandy Rustin’s fun and comical script is no rehash of the film adaptation, but delivers fresh humor without leaving out some of the iconic quotes and scenes from the 80s film. Revisiting Clue was such an entertaining experience that I would gladly see it again.

Greater Boston Stage Company continues Sandy Rustin’s Clue: on Stage live and in person at Greater Boston Stage Company in Stoneham, MA through June 25. This show is 90 minutes with no intermission. Click here for more information and for tickets.