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REVIEW: The 52nd annual ‘Midwinter Revels: A Solstice Celebration Tales from Ellis Island’ shares solace and warmth into a tapestry of traditions from around the world

Posted on December 24 by The Sleepless Critic

After a half century, the Midwinter Revels can not only still create fresh and concise storytelling while weaving in various cultures and traditions with a balance of joy and poignancy, but this year recalls a miraculous event in history that is not shared enough during the holiday season.

Innovatively written and directed by Patrick Swanson and guided by Carolyn Saxon as the Immortal Spirit of Place, Midwinter Revels: A Solstice Celebration Tales from Ellis Island continues live and in person at the Sanders Theatre in Cambridge, MA through December 28 and then will be available virtually December 29 through January 15. Each performance pays tribute to Revels supporters and this particular performance was dedicated to the The Rioff Family in honor of WGBH’s Brian O’Donovan. This show is translated in ASL and is approximately two hours with one intermission. Click here for more information and tickets.

The Ensemble of The Christmas Revels Photo by Roger Ide

Veteran reveler David Coffin’s enthusiasm reflected the same from the audience as he vigorously prepared them pre-production for the Revels live and interactive sing-along that features a vast array of carols and cultural songs. Meticulously musically directed by Elijah Botkin and led by Keith Murphy of A Saint Patrick’s Day Celtic Sojourn, an intimate onstage band returns as the Liberty Band performing carols to folk to war songs from around the world right alongside the cast. The joy and gratitude in singing in front of an audience again is as uplifting as ever and the cast’s a cappella harmonies are a glorious treat.

Midwinter Revels: A Solstice Celebration Tales from Ellis Island does not just take place on Ellis Island, but provides the foundation for each of the tales shared during the production. The tales of hardship and strife seem so different, but are somehow tied into shared experiences as immigrants from all over the world find themselves stranded together on Christmas Eve in 1924. The spirit of the season is exemplified in several tales including a fiddle that needs mending featuring Maeve Leahy as Bridget and Ewan Swanson as Isaac.

From Left to Right Carolyn Saxon, Maeve Leahy and Ewan Swanson and the Revels Ensemble Photo by Paul Buckley

Adorned in a glimmering gown and gold wreathed crown, Carolyn Saxon makes a warm and welcome return to Revels this time as the Immortal Spirit of Place. Her subtle charm and light humor enhance each aspect of the production as she guides the audience through various tales and periods in history in Nikes. Saxon is clearly enjoying this enigmatic role becoming invisible when she wishes and popping up at felicitous and spontaneous moments.

While last year’s show focused on saving a bar by venturing into the past, family is much more prevalent as members of the cast tie in pieces of their own cultural holiday memories into the production. Irish and Jewish Dramaturg Nicole Galland contributed by drawing on her own experiences and upbringing. With frank and humorous inflections, Reveler Stephanie Clayman is an amiable and avid storyteller as she brings some of those tales to life such as two well staged pieces of morally centered Jewish folklore and several Chanukah traditions.

Stephanie Clayman, Ewan Swanson, The Ellis Island Children, and the Midwinter Revels Adult Chorus Photo by Paul Buckley

David Coffin as Conor Riley revealed a miraculous event during World War I that took place on Christmas Eve in 1914. For a brief time, soldiers showed camaraderie with their enemies as they joined together in song, games, and friendship. It is a historical event that needs to be shared with as much frequency as annual holiday traditions such How the Grinch Stole Christmas, A Christmas Carol, or It’s a Wonderful Life. That brief interlude of peace made such a significant impact on the world and Midwinter Revels depicts that moving period of time with Christmas in the Trenches, O Tannenbaum and Stile Nacht as the production spread itself beyond the Sanders Theatre stage.

The children are always a joy to watch and this year as the Ellis Island Children, they share upbeat, jumping rope rhythm for There’s a Big Ship Sailing and later with Las Posadas as Mary rides on a donkey. It is just one example of the many endearing appearances they make in song and tale.

A brilliant performance comes from Ricardo Holguin who passionately performs a wondrous rendition of Mexican love song La Malgeuna followed by striking number El Relampago featuring women in gorgeous floral headdresses and sun drenched gowns by Heidi Hermiller. Kelli Edwards’ multifaceted choreography is on full display throughout as well as for a tricky and intricate sword dance accompanied by an onstage accordion and drummer for The Straw Folk Mummers Play and Rogue’s Delight.

Maeve Leahy (left), Ewan Swanson (center), and dancers from Great Meadows Morris & Sword Photo by Paul Buckley

Though the show lulled a bit on occasion, Midwinter Revels: A Solstice Celebration Tales from Ellis Island’s engaging tales bring unity and light and depicts how sharing different traditions can bring a new understanding and warmth into the darkest of times.

Midwinter Revels: A Solstice Celebration Tales from Ellis Island continues live and in person at the Sanders Theatre in Cambridge, MA through December 28 and then will be available virtually December 29 through January 15. Click here for more information and tickets.

REVIEW: NPR storyteller Kevin Kling reflects on the wonders of childhood in Merrimack Repertory Theatre’s lively and humorous ‘Best Summer Ever’

Posted on May 17 by The Sleepless Critic

How can a childhood fib possibly be part of the best summer ever?

Amid Carter Miller’s vivid and dynamic lighting against a cloud covered sky as multi-instrumentalist and sound effect aficionado Robertson Witmer stands over a grill in an apron and sunny yellow sneakers ready to serve a hot dog, Merrimack Repertory Theatre’s Best Summer Ever might give you the urge for summer to arrive a little sooner. Rowan Doyle’s breezy set design is not the alone in setting up the carefree days of summer. In a button down shirt, dark pants and striking red and white sneakers relaxed in a lawn chair, popular storyteller and NPR contributor Kevin Kling is an open book ready to share an engaging, wild, and moving account of incredible hijinks during the life changing and unforgettable summer he experienced at 9 years old.

Kevin Kling and Multi-instrumentalist Roberson Witmer in Merrimack Repertory Theatre’s ‘Best Summer Ever’ Photo by Megpix/Meghan Moore.jpg

With compelling direction by Steven Dietz, Merrimack Repertory Theatre presents the east coast premiere of Best Summer Ever through Sunday, May 22 live and in person at Merrimack Repertory Theatre in Lowell, MA. There will be no virtual show available and the show runs 70 minutes with no intermission. Click here for more information and for tickets.

Kevin Kling knows how to tell a great story. Full of liveliness and spontaneity, what sets Best Summer Ever apart from other productions is Kling’s unique and distinctive touch. He shares personal anecdotes with plenty of asides, quirky details, and having experienced the show on Mother Day, it is easy to tell each tailored performance is fueled by the interaction and enthusiasm in the audience. He has a great rapport with Rob who dives head first into some of the production’s sillier moments of Vikings, a purple snow cone gone awry, and chilling ghost stories. Both seem a kid at heart and they work succinctly as Rob provides the soundtrack and dynamic mood-setting sound effects at a sometimes thrilling pace.

MRT’s Best Summer Ever – Kevin Kling Photo by Megpix/Meghan Moore

Kling strikes a clever balance of adult reflection and falling right back into his childhood mindset of growing up in Minnesota. He uses the phrase, ‘unstructured time’ and equating that with ‘boredom’ or in speaking about his farming grandparents, Kling exclaims, “If Grandpa could cut it off, Grandma could pickle it.”

The show also has its share of heartwarming family moments and explores the wonder and imagination of childhood that just might take you back too.

Silly moments with Kevin Kling and Roberson Witmer in MRT’s ‘Best Summer-Ever’ Photos by Megpix/Meghan Moore

Merrimack Repertory Theatre presents the east coast premiere of Best Summer Ever through Sunday, May 22 live and in person at Merrimack Repertory Theatre in Lowell, MA. There will be no virtual show available and the show runs 70 minutes with no intermission. Thursday, May 19 will be a Q and A Ask the Artists night. Click here for more information and for tickets.

REVIEW: GBH’s ‘A Christmas Celtic Sojourn’ full of gratitude, wistfulness, and holiday cheer

Posted on December 22, 2021 by The Sleepless Critic

As the world shut down last year and domestic and international performers could not take the stage on A Christmas Celtic Sojourn’s usual tour around Massachusetts, GBH decided to bring the audience virtually to them in 2020. From stunning Sligo Cathedral in Ireland to Scotland to Canada and various parts of Massachusetts, viewers could see a mix of Christmas traditions and scenery on location right from their own living room as well as experience traditional and contemporary harmonies performed simultaneously internationally through brilliant technology. What hadn’t changed was A Christmas Celtic Sojourn’s master of ceremonies, Brian O’Donovan who delivered a mix of humor, melancholy, and warm reflections through engaging storytelling and fond tidings.

From L to R: Windborne, Brian O’Donovan and Moira Smiley Photo credit to Matthew Muise

This year should seem more familiar. Host Brian O’ Donovan and a mix of renowned performers from around the world returned to the stage for A Christmas Celtic Sojourn to deliver glad and wistful tidings through uplifting Celtic step dancing, musings, music, and storytelling while making stops in Rockport and Boston.

Brian O’Donovan and the Christmas Celtic ensemble Photo credit to Matthew Muise

Directed with a mix of festiveness and reflection by Jenna Worden, the live and in person tour included a sold-out show at Shalin Liu Performance Center in Rockport, Massachusetts on December 14 and at the Cutler Majestic Theatre from December 17 through 19 in Boston, Massachusetts. The show is 90 minutes with no intermission.

GBH’s virtual A Christmas Celtic Sojourn is still available. Click here for more information and to enjoy the show on-demand through December 26. A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

Ashley Smith-Wallace (in purple) and Celtic step dancers Photo credit to Matthew Muise

Nearing its 20 year-anniversary, what this annual production and concert certainly masters is the quiet and stirring. That is just how the show begins as A Christmas Celtic Sojourn welcomed the audience with crisp, a cappella harmonies led by singer-songwriter Moira Smiley accompanied by returning folk singers Windborne. Weaving in contemporary songs with God Rest Ye Merry Gentlemen, their chiming vocals brought distinctive warmth so prevalent to the production.

Host Brian O’Donovan Photo credit to Matthew Muise

In front of a painted mural of a serene Irish countryside transforming from dawn to dusk by innovative light designer Dan Jentzen, remarkable Christmas carol compositions, stirring remembrances, lively Celtic step dancing, and rousing jam sessions or Celtic ‘round robins’ brought beauty, celebration, and stillness into the season.

Speaking of ‘round robins,’ the Christmas Celtic ensemble composed of co-music director and multi-instrumentalist Seamus Egan, Celtic Harpist, pianist and co-music director Maeve Gilchrist, multi-instrumentalists Owen Marshall and Yann Falquet, Fiddler Jenna Moynihan, Kate McNally and Neil Pearlman on Fiddle and Piano, and Chico Huff on Bass, dedicated an uplifting and freestyle number to Paddy Moloney of The Chieftains who passed away in October. It was fascinating to see how pianist Neil Perlman keeps the lively beat playing as his feet danced along.

By candlelight and Christmas tree, host Brian O’Donovan recalls childhood memories in Ireland where Protestants and Catholics were brought together singing Christmas carols and the lingering smell of bacon wafted through his home weaving in anecdotes from Welch poet Dylan Thomas. Brian also shared historical musings and performed a humorous rendition of Miss Fogarty’s Christmas cake.

Singer-songwriter Moira Smiley Photo credit to Matthew Muise

Singer-songwriter Moira Smiley also delivered a mix of reflective and ruminating lyrics with Days of War about hard times as well as the rich folk lullaby Johanna Dreams on banjo. Smiley’s remarkable, round, and velvety vocals enrich each verse. She also shares the stage with Windborne and Brian O’Donovan in a stirring and gorgeous rendition Silent Night, O Holy Night and with the entire cast joined in for a treasured and traditional Auld Lang Syne and Here We Come A-Wassailing.

Entire Company of ‘A Christmas Celtic Sojourn’ Photo credit to Matthew Muise

However, most memorable is a vivid gathering as the stage transforms into a warm and inviting living room with the atmosphere of family and friends singing around the piano sharing various Christmas carols such as Joy to the World. The stage is bright and festive as Celtic step dancers join in this familiar picture of the spirit of the season joyfully leaping in velvet attire and bejeweled shoes led by Ashley Smith-Wallace. It is a picture treasured for the Christmas season and reflective of what is soon to come.

REVIEW: Fueled by a nostalgic rock soundtrack and a charismatic storyteller, Merrimack Repertory Theatre’s ‘Wild Horses’ a lively and momentous tale

Posted on October 15, 2021 by The Sleepless Critic

Nothing brings back memories quite like a song.

The power of music is in full force in Merrimack Repertory Theatre’s (MRT) production of Alison Gregory’s Wild Horses streaming on demand through Sunday, October 17. Merrimack Repertory Theatre previously offered the production in person from September 15 through October 3 at Western Avenue Studios in Lowell, Massachusetts. The show contains mature language and some adult themes. Click here for more information and tickets to this virtual performance.

Leenya Rideout and Rafael Molina during filming at Unitas Community Center, Lowell. Photo: Kathy Wittman

Directed with heart and humor by Courtney Sale, Wild Horses delves into the life of the mother of a teenage daughter, portrayed with a blend of lively charm and excitable nervousness by Leenya Rideout, as she gets wrapped up recalling her story of a special California summer during her 13^th year in the 70s while onstage at an open mic night. Rideout evokes a sense of adventure during this musically-fueled Moth Radio Hour featuring lyrics from 70s greats Rolling Stones, Heart, Van Morrison, America, and more.

Having delivered a likable performance in the 2020 indie film, Love, Repeat, Rideout further showcases her dynamic range in this meatier Wild Horses role with a humorous, heartfelt and sometimes raunchy performance. See what Sleepless Critic had to say about Rideout in Love, Repeat here.

Leenya Rideout performing “Wild Horses” at Western Avenue Studios.

With a love for music almost as much as horses, Rideout sings, strums an acoustic guitar, and proves an energetic and engaging storyteller sharing her experiences from a studious perfectionist to a teenager not afraid to break a few rules with the encouragement from her daring friends. With no shortage of excitement, scandal, humor, and heartache, Rideout’s onstage demeanor switches from responsible mother in need of a night out to wide eyed, youthful innocent with all the angst that goes with it. She blends what she remembers with her current wisdom, dwelling in the sacredness of youth. Ranging from teenage pranks to rites of passage, Rideout recalls these stories with wistfulness and passion, interacting with the audience like old friends.

Leenya Rideout during filming at Unitas Community Center, Lowell. Photo: Kathy Wittman

Costume designer A. Lee Viliesis has Rideout ready to rock in an animal print scarf, Fender T Shirt, and ripped jeans and accompanied by guitarist Rafael Molina, she slips right into this adolescent spirit longing to be wild and free. All that is necessary is a little courage.

Here’s to the ‘freedom takers’ with Merrimack Repertory’s production of Wild Horses continues streaming through Sunday, October 17. Click here for more information and to get a closer look on MRT’s new season.

REVIEW: ‘The Mom Show’ a moving recollection of survival and resilience

Posted on June 20, 2021 by The Sleepless Critic

Michael Levin’s Polish Jewish mother hated one man shows. Jenny Graubart didn’t think there was anything interesting about someone standing on stage talking through an entire performance. However, what is so rewarding about Michael Levin’s The Mom Show is not just his reflections and a collection of family photos. It has wisdom, tragedy, resilience, love, disaster, music, and a cast of multi-faceted relatives existing during one of the most harrowing parts of history. Accompanied by a collection of original songs performed and composed by Levin (with the exception of one), The Mom Show is an intimate and engaging portrait of a survivor whose son still wonders how she did it all.

Written, composed, and performed by New York Times bestselling author and Tanglewood Festival Chorus tenor Michael Levin, The Mom Show continues live at the Regent Theatre in Arlington, Massachusetts Sundays through July 18 at 7 pm. It was the first in person theatre production to open in Massachusetts and it follows Covid guidelines. The show runs 80 minutes without an intermission. Click here for more information and tickets.

Unlike Levin’s mother, I think there is something endearing about one man shows if they are delivered with heart, finesse, and has a solid story to tell. The production explores three generations from 1908 Poland right into the present day exploring Levin’s family’s experiences as they ventured into different parts of the world to escape the Holocaust and ultimately settling in Queens, NY. Through their ever changing locations, Graubart’s versatility, worldliness, and resourcefulness shine through while overcoming difficult hardships and triumphs that will not be revealed here. We’ll let Levin tell the tale.

Levin is an engaging storyteller, adding humor and spontaneity to this emotional journey. Musically directed by Nancy Loedy, The Mom Show delves into various musical genres from rockabilly to the blues to a Cuban lullaby. What We Remember is a particularly stirring piece. Levin’s sincerity and heartfelt vocals add a lighthearted gleam that keeps in step with each segment of the production. Levin’s mom was also a big fan of musicals before her death in 2018 and The Mom Show is worthy of her approval.

The Mom Show continues live at the Regent Theatre, 7 Medford Street in Arlington, Massachusetts Sundays through July 18. Click here for more information and tickets.

REVIEW: Liars and Believers’ inventive ‘Beyond a Winter’s Day’ aims to chase away pandemic blues

Posted on February 1, 2021 by The Sleepless Critic

It has been said, ‘Happiness is good food and good company.’

For those who miss hugs and some good company, Liars and Believers (LAB) in Cambridge, MA may have a cure for that with their interactive, virtual, and family-friendly production of Beyond a Winter’s Day continuing through Saturday, March 27. This production is offered on a pay-what-you-can basis. Click here for more information and for tickets. These are live streaming zoom performances that are scheduled at specific times.

Jason Garlick as Stanislav and Glen Moore as Fergus Photo credit to Liars and Believers

Directed shrewdly by Jason Slavick with video editing by Sam Powell, Beyond a Winter’s Day is more an experience than simply a theatrical production. What makes this experience rather unique is how cleverly it is put together. Not only does Beyond a Winter’s Day deliver a selection of insightful, creatively dynamic stories including an open-ended tale that ticket holders are encouraged to finish, but takes it one step further.

Before watching, ticket holders are offered three recipes that could be considered hearty comfort food for a winter’s day to be prepared prior to the production. The food is cleverly woven into the storyline and cast members enjoy the food with the audience during key points in the production, creating a multi-sensory experience.

Rachel Weise as Isabel Photo credit to Liars and Believers

Though a portion of the production is set in space, Beyond a Winter’s Day attempts to evoke the comfort you might feel sitting in front of a campfire while eating, conversing, and sharing stories. The colorful cast, portrayed by Rachel Wiese as Isabel, Rebecca Lehrhoff as Mishka, Glen Moore as Fergus, and Jesse Garlick as Stanislav, address the audience on occasion and the audience can respond via messaging. A marginally self-aware piece, each nuanced character that introduces the tales all react differently to being separated from their other cast mates and gradually learn how best to capture that light and feeling of togetherness once again.

Each tale is produced with varying creative styles and conveys a strong message about the underdog, judging a book by its cover, a campfire fable with unexpected attendees, and an open-ended story for you to finish.

Vasalise the Blessed Photo credit to Liars and Believers

Each tale possesses its own strengths, but Vasalise the Blessed, an original work written by Rachel Wiese, was a particular highlight. Its rich shadow puppetry boasts a passing resemblance to The Tale of Three Brothers in Harry Potter and the Deathly Hallows Part I film. The haunting, detailed quality of this work is evident right down to the lattice pattern in Vasalise’s dress and the poignant story seems to come out of a set of dark fairy tales.

Jesse Garlick’s Malka and the Bahema is a fascinating Yiddish morality tale that involves a variety of puppetry including hand and finger puppets as Malka embarks on a harrowing journey to prove an entire town wrong and Kendra Bell’s mischievous and expressive costumes for a bedtime fable look like they walked right out of storybook.

Malka and the Behema Photo credit to Liars and Believers

Beyond a Winter’s Day also features its own version of musical storytelling in the live, upbeat, and relaxing acoustic rhythms from singer-songwriters Carlos Odria and singer Mali.

Liars and Believers present innovative Beyond a Winter’s Day through Saturday, March 27. This show is on a pay-as-you-like basis and streams live at scheduled times. Click here for more information and tickets.

REVIEW: Greater Boston Stage Company’s intriguing ‘Onegin’ offers vodka, love at first sight, and a whirlwind of surprises

Posted on March 27, 2019 by The Sleepless Critic

Combine an onstage rock band nicknamed the Ungrateful Dead with a storytelling cast in 19^th century St. Petersburg, Russia. Throw in love at first sight, a duel, add some vodka, and a few winks to today’s technology and it is quite the tale…and that’s not even the half of it.

Expect the unexpected at Greater Boston Stage Company’s unique performance of Onegin, a semi-interactive musical that blends the traditional with the contemporary in surprising ways. It explores how far one would go for love while its rock and roll vibe and comic moments show it doesn’t take itself too seriously.

Based on Alexandr Pushkin’s poem of the same name and Tchaikovsky’s opera, Greater Boston Stage Company continues Onegin’s United States debut at the Stoneham Theatre in Stoneham, Massachusetts through Sunday, March 31. Click here for more information and tickets.

From L to R: Michael Jennings Mahoney as Vlaimir Lensky, Music Director Steve Bass (on piano), Mark Linehan as Evgeni Onegin, Josephine Moshiri Elwood as Olga, Sarah Pothier as Tatyana, and Peter Adama as Prince Gremin Photo by Maggie Hall Photography/Greater Boston Stage Company

Onegin pushes quite a few boundaries within its two hour time frame. The show inhabits a myriad of genres and occasionally breaks the fourth wall, but underneath it all is a moving tale of love and loss and what it means when destiny is out of your hands. The contemporary flair of this period piece may not appeal to staunch traditionalists, but the show has heart.

Katheryn Monthei’s open set design topped with sparkling brass chandeliers and silk backdrops mixed with Deirdre Gerrard’s detailed costumes and Ilyse Robbins’ dynamic choreography depict a romantic, yet edgy vibe indicative of this strong and versatile cast.

Michael Jennings Mahoney as Vladimir Lensky Photo by Maggie Hall Photography/Greater Boston Stage Company

Opening with the rollicking number A Love Song, these singing storytellers describe a man irretrievably in love and one who is roguishly indifferent to it. Michael Jennings Mahoney portrays excitable and lovelorn poet, Vladimir Lensky. Lensky could have been a one note character, but Mahoney gives him dimension and makes him much more than he seems. He is taken with Olga, portrayed with complexity and practicality by Josephine Moshiri Elwood. Enter Evgeni Onegin, portrayed with a deep vibrato and roguish charm by Mark Linehan. Linehan is charismatic, but also possesses a cynical, world-weary look on life while Tatyana, portrayed with pensive idealism by Sarah Pothier, may just change everything.

Sarah Pothier as Tatyana and Mark Linehan as Evgeni Onegin Photo courtesy of Nile Hawver/Nile Scott Shots

A few highlights include Sarah Pothier’s commanding performance of Let Me Die and stunning performances of In Your House and My Dearest Comrade by the cast. Expect the unexpected at Onegin and like this engaging cast, prepare to have a little fun.

Directed by Weylin Symes, Greater Boston Stage Company’s musical drama Onegin continues through Sunday, March 31. Click here for more information and tickets. Click here for a closer look at Greater Boston’s Stage Company’s recently announced season.

REVIEW: As clever as it is insightful, make time for Americana Theatre Company’s compelling ‘Man of La Mancha’

Posted on July 18, 2018 by The Sleepless Critic

“When life itself seems lunatic, who knows where madness lies?”

In the midst of action, suspense, heartbreak, and humor in multiple Tony award-winning musical, Man of La Mancha, lies Don Quixote author Miguel de Cerventes’s wise words, one of many timeless reflections declared during Americana Theatre Company’s moving, insightful musical, Man of La Mancha at the Spire Center for the Arts in Plymouth, Massachusetts through Sunday, July 29. This show is not for children. Click here for more information and for tickets.

Based on the classic tale, Don Quixote, Americana Theatre Company’s Man of La Mancha by Dan Wasserman is steeped in theatrical riches from its strong, edgy cast, powerful voices, a hint of Monty Python humor, and diverse combat scenes, but the real heart of this work is found in Cervantes himself, a beacon in dark times. Americana Theatre Company prides itself on its stellar storytelling and this one is for the ages.

American Theatre Company Man of La Mancha

Scott Wahle as Don Quixote and Bethany Lauren James as Aldonza with Ruben Navarro as Sancho Panza

Directed by Michael Kirkland, Man of La Mancha addresses the everlasting battle between idealism and realism through a play-within-a-play. With the exception of Sancho Panza, portrayed with wide-eyed optimism and unflinching faithfulness by Ruben Nevarro, each character depicts a dark side in humanity, but not without redemption.

Man of La Mancha kicks off without a hitch, showcasing a wide range of comic, stylized, and clever combat scenes by Derek Martin that often take the audience by surprise. With just two onstage guitars and an offstage piano, the music accompaniment is delightfully subtle and intimate as the musicians melt into the background. From colorful gypsy costumes and corset dresses to detailed, embroidered vests and leather armor, costumer Brian Kenerson zealously captures the beautiful and harsh Reformation era.

Brian Kenerson portrays The Barber as is also the Costumer for the show Photo Courtesy of Denise Maccaferri/Americana Theatre Company

Scott Wahle steps into Cervantes/Don Quixote’s brown leather boots with a natural assurance. Finding himself among a group of prisoners, author and poet Miguel de Cervantes creates a defense in the form of a play in order to keep his possessions and potentially save his own life.

Wahle has a long history being a charismatic, relatable storyteller as a local television personality and in theatrical roles such as Walt Disney-esque Paragon Park creator George A. Dodge in Company Theatre’s original musical, Paragon Park or as smooth-talking Nathan Detroit in Reagle Music Theatre’s slick musical, Guys and Dolls. He draws from that and more to deliver a powerful, emotionally-charged, multi-layered performance as a sympathetic admirer in the tender song, Dulcinea to a valiant hero in epic numbers such as The Impossible Dream and Man of La Mancha. Alongside such dark characters, he is idealistic and compassionate, but hiding a secret.

Jennifer Martin performs a memorable dance as a Moorish dancer Photo courtesy of Denise Maccaferri/Americana Theatre Company

The chemistry between the cast members crackle, but most notably between Scott Wahle as Cervantes/Don Quixote and Ruben Nevarro as his unfathomably loyal squire, Sancho Panza. It is a vivid, nurturing friendship every true friendship should strive to be. Nevarro has his own set of crisp vocals in a warm rendition of I Really Like Him and comical A Little Gossip.

Bethany Lauren James as Aldonza Photo courtesy of Denise Maccaferri/Americana Theatre Company

Wahle shares sweet chemistry with Bethany Lauren James, who delivers a brilliant performance as uncouth, harsh, suspicious, and yet compassionate spitfire Aldonza. Surrounded by menacing muleteers, she first appears strained and exasperated in a red corset dress for the comical and fiery number, It’s All the Same. A hard realist who can’t imagine otherwise, James is a wonderful foil for Wahle and holds her own among a cast of powerful characters. She masters the meaty role and her expressions are a complex web of emotions, her character constantly torn between what to think and how to feel.

Derek Martin is intriguing as a quietly distressed Padre. Dressed in rust colored robes, Martin is torn by what is right and what is ultimately good for the human spirit, offering a tender and reflective rendition of To Each His Dulcinea. With vivid, comical expressions and a deep baritone, David Friday is hilarious as a panicked Innkeeper. Caitlin Skinner as Antonia, Derek Martin as Padre, Erin Friday as Housekeeper, and Jesse Sullivan as Dr. Carrasso lend their impressive vocals to the multifaceted number, I’m Only Thinking of Him.

Americana Theatre Company Man of La Mancha bow

The complete cast Photo credit to Denise Maccaferri

A clever tale with deeper meaning, Man of La Mancha kicked off Americana Theatre Company’s eighth season and continues through Sunday, July 29 at Spire Center for the Arts, 25 1/2 Court Street in Plymouth, Massachusetts. In October, Americana Theatre Company continues its season with a one man production of Sleepy Hollow and The Gifts of the Magi in time for the holidays. Click here for ticket information, fall classes, and more. Click here to find out how to support Americana Theatre Company’s mission and be sure to follow them on Facebook and Twitter.

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REVIEW: WGBH’s annual ‘A St. Patrick’s Day Celtic Sojourn’ offered humor, inspiration, and vibrant performances

Posted on March 28, 2017 by The Sleepless Critic

Lighthearted tales of green porridge, an inspirational insect, a hilarious song about classical Greek to more serious fare such as historical anti-war songs, punctuated with the stirring song, Siúil a Rún, sung a capella, highlighted this year’s WGBH’s A St. Patrick’s Day Celtic Sojourn. This captivating show concluded its run at Harvard University’s famous Sanders Theatre on Saturday, March 18. The majestic stage has been affectionately likened to a “roll up desk.” The beautiful, dark wooden stage was softly-lit with two stately, marble Greek statues sitting on each end as a grand, dimly-lit bronze chandelier floats overhead.

A St. Patrick’s Day Celtic Sojourn always strikes a delicate balance between the rollicking and a sweet lullaby. Wearing coordinated black dresses, Scottish musicians Jenna and Mairi Chaimbeul struck the first chords for an afternoon of celebration, comedy, rebellion, and joy wrapped up in the roots and branches of Irish music. A high energy number greeted the enthusiastic crowd as the rest of this dynamic ensemble took the stage including returning Music Director and multi-instrumentalist Keith Murphy, The Karan Casey Band, fiddle champion Liz Carroll, and the Miller Family with the Goulding School of Irish Music. Joined by host WGBH’s Brian O’Donovan, A St. Patrick’s Day Celtic Sojourn was brought to a thrilling start as it traditionally does each year.

Dressed in a black and red dress, Karan Casey’s vocals soar with a tone a bit reminiscent of Linda Ronstadt. She embraced Buile Mo Chroí’s passionate lyrics such as “the palm of my hand” and “the beat of my heart” accompanied by a concertina, blues guitar, and piano. She also gave an enthralling performance later as Brian O’Donovan shared how the Irish spontaneously sings in public places. Karan Casey then offered an impromptu a cappella version of Siúil a Rún as the audience fell into hushed tones before bursting into applause.

All Ireland fiddle champion Liz Carroll, dressed in a red shirt and black pants, offered some welcome comedic storytelling before each of her performances. Hailing from Chicago, she humorously named a song she’s written on her slide-style fiddle after her brother’s leading film role in The Relic. She also talked about composing songs for seven rooms in a Chicago art museum containing ceramics, musical instruments, and metal. Her dry sense of humor combined with her uplifting, toe-tapping songs were wonderful to witness.

Liz was joined by Keith Murphy, who spoke of green porridge on St. Patrick’s Day, for two songs, one amusingly called Barbara Streisand Trip that had the mounting energy and pulsing rhythms of a moving train. From Newfoundland, Keith Murphy’s performances are always stellar, with a song named after a Tennyson poem about seafaring and the great beyond. He was accompanied by harpist Jenna Moynihan. His rich, resonant, smooth sound, which possesses a hint of James Taylor and John Denver, is always remarkable.

As for the inspirational insect, Scottish fiddler Jenna Moynihan and harp player and composer Mairi Chaimbeul, competing in a harp festival in April, judged that a particular song was good by an insect that made its presence known after the song, Dancing in Absence was completed. With the chime of the harp distinct over the fiddler’s subtle rhythm, the energetic tune built into a quick step.

Sam Miller, athletic and blindingly swift, kept the energy high as he performed solo with high leaps, kicks, and complicated stepping. The Miller dancers and the Goulding School of Irish Music, in coordinated black traditional garb, offered their own moments of comedy, one involving a hat. They also skillfully navigated though a slip jig and hornpipe reel, showing just why they ranked 5^th place at the Glasgow competition traditional set dance.

Past photo of ‘A St. Patrick’s Day Celtic Sojourn’ Courtesy of A St. Patrick’s Day Celtic Sojourn/WGBH

Keeping up with tradition, Brian O’Donovan, with his wife and the ensemble took the stage to pay tribute to The Clancy Brothers with the catchy tune, The Leaving of Liverpool.

The second half tackled anti-war songs, immigration, and its fair share of comedy mixed in. Not only did Brian O’Donovan proudly share a comedic song on classical Greek and education at Harvard University accompanied by fiddler Kevin Burke, but on a solemn note, also paid a compelling tribute to the late Leonard Cohen with a song about rebellion called The Partisan. Brian and Keith Murphy created beautiful harmony, enhanced exquisitely by Mairi Chaibeul’s harp.

The afternoon also boasted collaborative jam sessions that brought the audiences to a stomping rhythm and ending with Karan Casey leading a sing-along on immigration with the entire ensemble, showing how music always makes a difference in the world.

A Celtic Sojourn presents their summer Roots and Branches concert in July, A Christmas Celtic Sojourn, and other events during the year. For a taste of Irish and Celtic traditions each Saturday afternoon, click here to tune in to A Celtic Sojourn hosted by Brian O’Donovan on 89.7 FM WGBH from 3 – 6 p.m. Follow A St. Patrick’s Day Celtic Sojourn on Facebook for updates and much more.