summer | The Sleepless Critic

REVIEW: Dive under the sea with Reagle Music Theatre of Greater Boston’s magical ‘The Little Mermaid’

Posted on August 3, 2023 by The Sleepless Critic

Sebastian is right.

Life under the sea is better than anything we have up here especially if it is Reagle Music Theatre of Greater Boston’s lively and family-friendly production of Disney’s The Little Mermaid. Having witnessed Disney’s 1989 classic The Little Mermaid several times, one of the many reasons to see Reagle Music Theatre’s stage version is it contains additional songs and scenes while still delivering all the beloved dialogue, music, and costumes from the 1989 film. It was refreshing to see that The Little Mermaid has so much more to say.

Directed and choreographed exuberantly by Taavon Gamble with buoyant music direction by David Coleman, Reagle Music Theatre of Greater Boston presents Disney’s The Little Mermaid through Sunday, August 6 live and in person at the Robinson Theatre in Waltham, Massachusetts. This production is 130 minutes with a fifteen minute intermission. Click here for more information and for tickets.

Ariel (Kayla Shimizu) and Sebastian (Davron and ensemble perform ‘Under the Sea’ in Reagle Music Theatre’s Disney’s The Little Mermaid. Photo by Herb Philpott

Less than 35 years after the release of Disney’s 1989 classic film and not too long after the release of Disney’s live action remake The Little Mermaid this year, Reagle Music Theatre of Greater Boston has chosen a grand time to bring this land and sea classic to life onstage. Some will recognize the set pieces and settings from the 1989 film, but Reagle’s production also boasts a great deal of originality as well.

From shimmering fins to uniquely- shaped, brilliantly colored costumes adorned with carefully structured headdresses, Emerald City Theatrical delivers Caribbean charm in all of its animated splendor. Tony Ferrieri’s layered aquatic scenic design combined with Franklin Meissner Jr’s impressive lighting enhances the complexion and depth of the production’s kaleidoscopic waves, transforming from welcoming to at times threatening along a backdrop steeped in puffy clouds.

King Triton’s Kingdom Disney’s The Little Mermaid presented by Reagle Music Theatre thru August 6 in Waltham Photo by Herb Philpott.

Based on the Hans Christian Anderson tale and the Disney film, The Little Mermaid is about a curious mermaid princess named Ariel, depicted with vibrant charm and soaring vocals by Kayla Shimizu, who falls in love with not only a human prince, but the world on land. She is offered a way to escape the sea, but will she take it?

Ariel (Kayla Shimizu) singing Part of Your World in Reagle Music Theatre’s ‘The Little Mermaid’ through August 6. Photo by Herb Philpott

The Little Mermaid boasts a completely lovable cast led by Ariel, portrayed with enthusiastic, wide eyed wonder by Kayla Shimizu. Shimizu’s compelling performance and powerful vocals are remarkably reminiscent of Jodi Benson, the actress who voiced Ariel in the 1989 film. Shimizu shines with splendid renditions of Part of Your World, The World Above and If Only. Shimizu shares captivating moments with Ray Robinson as amiable and refined Prince Eric, sweet camaraderie with endearing Kenny Lee as shy, friendly and adorable Flounder and brave, streetwise, and frank Jack Mullen as seagull Scuttle. Having depicted Will Parker in Reagle’s previous musical, Oklahoma, Mullen again demonstrates his sharp comic wit and jubilant dance moves in a hilarious rendition of Positoovity.

Positoovity from Disney’s The Little Mermaid presented by Reagle Music Theatre in Waltham. Photo Herb Philpott.

A vision in deep, sparkling red, Davron S. Munroe is exemplary as strict and critical crab Sebastian who assists King Triton, portrayed with wise regality by Cristhian Mancinas-Garcia. In a display of bursting color and enchanting merriment, Munroe’s calypso-infused rendition of Under the Sea is stupendous and Kiss the Girl not only has tender charm, but delivers a humorous and delightful depiction of twilight, especially as frogs look on.

Sibling rivalry has never been more fun as showcased through Ariel’s mersisters consisting of Kindred Moore, Aimee Coleman, Joy Clark, Ellie Lauter, Aubrie-Mai Rubel and Olivia Foght. They are gorgeous beauty queens who gossip, laugh and try to upstage each other. They perform a catchy, 50s style rendition of She’s in Love with Flounder where even the fishy puns are cute.

Kenny Lee as Flounder and the Mersisters perform ‘She’s in Love’ from Disney’s The Little Mermaid presented by Reagle Music Theatre in Waltham. Photo Herb Philpott.

Rich Allegretto as Grimsby is also impressive as Prince Eric’s traditional yet sympathetic advisor and Teddy Edgar as deranged and passionate Chef Louis is hilarious even in a brief appearance for a marvelous rendition of Les Poissons. Edgar’s menacing eyes and passion for food make every moment count!

Katherine Pecevich as Ursula and Eels in Reagle Music Theatre’s Disney’s The Little Mermaid thru August 6. Photo by Herb Philpott.

A trio of dastardly proportions takes shape in Katherine Pecevich as Ursula and Ursula’s two lurking and smirking neon electric eel henchmen portrayed by Miki Grubic as Flotsam and Alan Cid as Jetsam. With wild hair and a black and purple glittering gown, Pecevich’s slippery manipulations and brash, yet shrewd machinations match whatever Cid and Grubic have in their co-conspiring minds. Even though Ursula is the main attraction, Cid and Grubic’s functioning and eye catching costumes do a bit of their own scene stealing. However, Pecevich’s charisma shines in a devious rendition of Poor Unfortunate Souls, her husky vocals only second to her maniacal laughter.

REVIEW: ‘Zebra 2.0’ at New Ohio’s ICE Factory boasts an unconventional meet cute with fascinating zip

Posted on August 1, 2023 by The Sleepless Critic

One is nicknamed Zebra and another knows everything there is to know about Zebras….except how Zebras feel.

Zebra 2.0 is technological ice breaker and a breakthrough unlike any other. An interesting meet cute for the modern age, AnomalousCo, Wistaria Project, and Romanian Cultural Institute’s sci-fi rom com Zebra 2.0 was presented at New Ohio Theatre’s ICE Factory in NYC and is now streaming through August 12. The show runs for 1 hour and 30 minutes. Click here for more information and how to stream the film.

Alina Mihailevschi and Tim Craig in ‘Zebra 2.0’ Photographer: Jarrett Robertson

A computer and a woman meet in a lab. She calls it Al and Al nicknames her Zebra 2.0. As Al coordinates a line of numbers, inquisitive Zina, energetically depicted by Alina Mihailevschi, realizes that Al, portrayed with intellectual charm by Tim Craig, have much more in common than either of them realized. Zebras are only the beginning.

Zebra 2.0 has an enchanting way of delving into various topics such as the environment, biology, science, books, music, immigration, standardized tests, employment, and the nature of being human in a clever and fascinating manner. Though Zina only chance meets Al as she cleans up a laboratory, her friendly and candid conversations with Al spark some compelling results. Written by Saviana Stanescu and directed by Jeremy Goren, Zebra 2.0 combines method and sentiment into a sweet, intense, and astute production with resounding messages about humanity. Tim Craig is impressive, gradually molding Al into a charismatic and sympathetic character and Mihailevschi epitomizes lonely, zealous, friendly, rebellious, and imaginative Zina who longs for knowledge and dreams of a better life.

Tim Craig and Alina Mihailevschi in ‘Zebra 2.0’ Photographer: Jarrett Robertson

John Jannone, Michi Zaya, and Amy Liou’s luminous projection and video, Duncan Davies’s incredible multicolor lighting and Ras Badejo’s epic music and sound combine to make Al into a dazzling, fervent, and a powerful entity that blurs fantasy and reality inside a pristine, windowless, and futuristic space by Xinan Helen Ran. These special effects display some of the most exciting scenes in the production only second to Craig and Mihailevschi’s humorous and engaging chemistry that just might deliver greater meaning than anything Al can calculate.

Written ambitiously by Saviana Stanescu with elevated direction by Jeremy Goren, AnomalousCo, Wisteria Project, and Romanian Cultural Institute’s sci-fi rom com Zebra 2.0 was presented at ICE Factory in NYC and is now streaming through August 12. The show runs for 1 hour and 30 minutes. Click here for more information and how to stream the film.

REVIEW: Sisterhood is the new black in Hub Theatre Company of Boston’s vivacious ‘Love, Loss, and What I Wore’

Posted on August 1, 2023 by The Sleepless Critic

Call this cast a girl squad and a sisterhood.

With potent direction by Paula Plum and based on the bestselling memoir by Ilene Beckerman, Hub Theatre Company of Boston presents Nora Ephron and Delia Ephron’s semi-interactive production of Love, Loss, and What I Wore live and in person at Club Café in Boston, Massachusetts through Saturday, August 5. This show is 90 minutes with no intermission and pay-what-you-can tickets are available. It occasionally contains adult and unfiltered language. Purchase a drink during this show and Club Café also offers a full menu. Click here for more information and for tickets.

Lauren Elisa, June Kfoury, Barbara Douglass, Evelyn Holley, and Nettie Chickering in Hub Theatre’s ‘Love, Loss, and ‘What I Wore’ Photo credit to Tim Gurczak

The name Nora Ephron must ring a bell. She was a famous award-winning rom-com journalist, writer, and filmmaker best known for 1983’s Silkwood, 1989’s When Harry Met Sally as well as 90s rom com classics Sleepless and Seattle and You’ve Got Mail before co-writing the screenplay for Julie and Julia in 2009. Ephron’s signature style tackled the seriousness of life with a lighthearted demeanor and always found some relatable humor along the way. With her sister Delia, Nora lends that empowering humor and charm to Love, Loss, and What I Wore.

June Kfoury, Evelyn Holley, Nettie Chickering, Lauren Elias, and Barbara Douglass in ‘Hub Theatre’s ‘Love, Loss, and What I Wore’ Photo credit to Tim Gurczak

One of the greatest strengths of Love, Loss and What I Wore is the ensemble’s beautiful camaraderie. Love Loss and What I Wore has a gift for eloquently associating fashion with life’s bittersweet challenges. Portraying several ages while sharing that walk down memory lane is Nettie Chickering, Barbara Douglass, Lauren Elias, Evelyn Holley, and June Kfoury. Dressed in chic black by Kat Lawrence, they allow their vibrant experiences to take center stage. From fashion faux pas to that eternally favorite garment, five women lay bare their fondest memories and insecurities. It is a love letter to growing up and growing older in all of its wonder and complications.

Nettie Chickering in Hub Theatre’s ‘Love, Loss, and What I Wore’ Photo credit to Tim Gurczak

To an array of lighthearted club hits between scenes, this dynamic group share silly, sad, courageous and important stories with collaborative flair and wistfulness. They dance, grieve, conspire, tease, support and relate to each other all while discussing everything from relationships to family to roommates to the trials and tribulations of being a woman in a fun loving and deeply personal manner. A few lighter moments include witnessing Lauren Elias and her hilarious and empathetic comments about carrying a purse, Douglass’s wise and humorous motherly advice, and the sheer joy and supportive manner in which these women appreciate each other’s company. However, what stirs the production the most is contained in this group’s most significant challenges. The stories they share are raw, honest, at times rueful, and may seem familiar as well.

June Kfoury in Hub Theatre’s ‘Love, Loss, and What I Wore’ Photo credit to Tim Gurczak

With Talia Elise’s dazzling lighting powering a bright and cheerful set which includes glowing string lights, a luminous neon hanger, shimmering disco ball, multicolor boas, and an illustrated clothing rack by Justin Lahue and Maggie Shivers plus a wonderful dose of nostalgia, Love Loss and What I Wore is a captivating experience into life’s surprises and how to discover what is truly important.

Hub Theatre Company of Boston presents Nora Ephron and Delia Ephron’s semi-interactive production of Love, Loss, and What I Wore live and in person at Club Café in Boston, Massachusetts through Saturday, August 5. This show is 90 minutes with no intermission and pay-what-you-can tickets are available. It occasionally contains adult and unfiltered language. Click here for more information and for tickets.

REVIEW: ‘Deadclass Ohio’ at New Ohio Theatre’s Ice Factory captures the past, loneliness, grief and disconnection with an unlikely witness

Posted on July 29, 2023 by The Sleepless Critic

Imagine seeing a relative’s picture for the first time. Ever wonder what was happening when that moment was captured? What is the significance behind it and what was going on through their mind? Photos from the past bring up a great deal of curiosity and Deadclass Ohio imagines some of these possibilities as a woman attempts to pay tribute to long lost relatives who were Holocaust survivors in a Jewish cemetery.

Based on Tadeusz Kantor’s documentary Umarla Klaza and directed with experimental complexity by Mitchell Polonsky and Chloe Claudel, The Goat Exchange’s Deadclass Ohio offers various perspectives on a photo and situation with a mix of humor and poignancy as it tackles loneliness, grief, and disconnection while capturing a harrowing time in history. It also explores the nature of the past.

New Ohio Theatre’s ICE Factory continues streaming The Goat Exchange’s play Deadclass Ohio through August 12. The production is approximately one hour. Click here for more information and how to view this play.

A lone bench, an escalating pile of laundry, a dining room table, a scrambled TV set and a floral arrangement is the foundation of two unique and related scenes on a dark and minimal stage. Two people enter a cemetery and commiserate about a photo of a woman’s grandmother as they contemplate what is behind the photograph and what happened when the photo was taken. Featuring Paul Lazar, Marcus Amaglo, Chloe Claudel, and Juliana Sass with Jim Fletcher, Deadclass Ohio holds many revelations which should not be unveiled here except it invites a sense of déjà vu and reaching into history.

Marcus Amaglo and Chloe Claudel Photo credit Hana Mendel

Each skilled member of this intimate cast faces a challenging task of bringing emotional depth to each scene as well as presenting a new perspective to each scenario. This is all while the plot progresses in unexpected ways. Little nuances of each actor’s performance shift the perspective and the production becomes more personal while it simultaneously delves into the unusual. Two memorable scenes metaphorically explore the nature of pigeons while the other echoes a haunting rendition of Too Young by Nat King Cole.

Mitchell Polonsky’s vivid sound and media design and Abraham E.S. Rebello Trujillo’s quirky costume design lends to the production’s mysterious atmosphere. Enhanced by a poignant violin score performed by Sasha Yakub, Deadclass Ohio contains some absurd and meaningful humor through some clever blocking, but it also keeps the viewer guessing at different points during the production. The show does not always make its intentions clear, but it does deliver the stirring emotional weight of loneliness, loss, disconnection, and a longing to be understood which becomes more prevalent as the production continues.

New Ohio Theatre’s ICE Factory continues streaming The Goat Exchange’s Deadclass Ohio through August 12. The production is approximately one hour. Click here for more information and how to view this play.

REVIEW: Gloucester Stage examines love’s good, bad, and funny side in Noel Coward’s ‘Private Lives’

Posted on June 21, 2023 by The Sleepless Critic

Two pairs of British honeymooners embark on a luxurious beachside vacation without a care in the world…until their exes come into view. Then panic sets in.

Directed with vintage finesse by Diego Arciniegas, Gloucester Stage presents the amusing and at times hilarious romantic comedy, Private Lives live and in person at Gloucester Stage in Massachusetts through June 25. The show is presented in three acts and is approximately two hours with two intermissions. Click here for more information and for tickets.

Gloucester Stage’s ‘Private Lives’ Gunnar Manchester as Elyot and Katie Croyle as Amanda Photo Credit to Jason Grow

Seeing an ex can be excruciating, embarrassing, and depending on the circumstances in which it ended, a resentful experience. Every individual is different, but unless one parts way in a resplendent and amicable manner resembling a typical Reese Witherspoon romantic comedy where everyone is cheerfully and most times unrealistically understanding, seeing an ex can take the wind out the sails and become a harrowing and at best, brief and awkward experience. During what should be the happiest time in these honeymooners’ lives, encountering a complicated ex can spell disaster.

Gloucester Stage’s ‘Private Lives’ Serenity S’rae as Sibyl Photo Credit to Jason Grow

Private Lives may be a bit outdated in some of its thinking, but the nature of love remains the same. It boasts Noel Coward’s snappy dialogue that resembles 1940 classic comedy His Girl Friday about ten years before that film existed. Set in the 1930s, Private Lives features gorgeous classic love songs designed by Eric Hamel and possesses the charm of times gone by including marvelous vintage couture and outdoor wear by Nia Safarr Banks and landline telephones back when no one could identify who was on the other end of the line until it was picked up. Refreshingly, not a cell phone in sight. Another bright facet of Private Lives is Izmir Ickbal’s elegant scenic design that matches the show’s pristine sophistication from matching French-style furniture and grand piano to a pristine marble patio, balustrades, and lush greenery.

Gloucester Stage’s ‘Private Lives’ Stephen Shore as Victor and Katie Croyle as Amanda Photo Credit to Jason Grow

Essentially though, it explores the good, the bad, and the ugly side of love. The patterns of falling in and out of love while learning from what went wrong. When it comes to love on a scale of when it’s good, it’s perfect, but when it becomes ugly, watch out.

Gloucester Stage’s ‘Private Lives’ Jennifer Bubriski as Louise Photo Credit to Jason Grow

Each character has an eloquent speaking style and sophistication in manner, tone, and behavior evident even in chatty, young, and impressionable Sibyl depicted with vigor and excitable humor by Serenity S’rae. S’rae as Sibyl is not to be underestimated and her scenes with Gunnar Manchester as Elyot are full of idealistic expectations. Manchester certainly has the charisma for it as brooding, mysterious and a gambler in every sense of the word Elyot. While his motives are often in question, Elyot is a fascinating sort that never walks blindly into a situation. Katie Croyle embodies headstrong Amanda with wit and cynicism, yet still idealistic about love and hoping she has outsmarted her past. Stephen Shore, who shares a passing resemblance to Matt Damon, depicts chatty, protective, yet heart on his sleeve Victor while Jennifer Bubriski portrays Louise, a comedic bystander in this situation with perfectly timed, deadpan one-liners. The cast have compelling chemistry as well as quick witted comedic timing. Each character also demonstrates various outlooks on love, but will it serve them well?

Gloucester Stage’s ‘Private Lives’ Stephen Shore as Victor Serenity S’rae as Sibyl and Gunnar Manchester as Elyot Photo credit to Jason Grow

Energetic, tense, and with plenty of engaging physical and absurd humor, Private Lives is a smart, lighthearted, and hopeful romantic comedy about searching for love that is perfect in its imperfection.

Gloucester Stage presents the amusing and at times hilarious romantic comedy, Private Lives live and in person at Gloucester Stage in Massachusetts through June 25. The show is presented in three acts and is approximately two hours with two intermissions. Click here for more information and for tickets.

REVIEW: Gloucester Stage’s ‘Paradise Blue’ a savvy and intriguing noir experience

Posted on September 16, 2022 by The Sleepless Critic

Paradise, a longtime 40s Detroit Jazz Club, holds many secrets. As those secrets gradually unfold, nothing is as it seems.

With multi-faceted direction by Elise Joyner and Logan Pitts, Gloucester Stage Company presents Dominique Morisseau’s noir drama Paradise Blue through Sunday, September 18 live and in person at Gloucester Stage, 267 E Main Street on Cape Ann in Gloucester, MA. The show has some adult language. The half moon stage and intimate venue does not have a bad seat in the house. Click here for more information and for tickets.

Gloucester Stage’s ‘Paradise Blue’ Darian Michael Garey as P-Sam, Destiny Deshuan Washington as Pumpkin, and Dereks Thomas as Corn Photo Credit to Jason Grow

Though the show’s main focus didn’t seem immediately clear, many revelations piece the production together for its stunning conclusion that may leave you thinking about it long after the show is over.

Paradise Blue focuses on a group of people tied in one way or another to a jazz club/boarding house called Paradise, run exclusively by no-nonsense Blue, portrayed with guarded complexity by horn player Durrell Lyons. Now in danger of closing, the club has its own mysterious roots in Detroit and everyone in Blue’s world has a stake in the club’s future.

Gloucester Stage’s ‘Paradise Blue’ Darian Michael Garey as P-Sam and Dereks Thomas as Corn Photo Credit to Jason Grow

Paradise Blue taps into the cast’s multilayered personas as each character makes surprising choices as the show progresses. This complex and unpredictable production boasts strong performances with particular standouts from Destiny Deschaun Washington as Pumpkin and Alexandria Danielle King as Silver. Destiny Deschaun Washington infuses Pumpkin with warmth, humbleness and compassion towards everyone while consistently putting others first at times to her own detriment. Pumpkin’s maternal nature endears her to each cast member as she shares bittersweet and complicated moments with Blue and a natural camaraderie with James Ricardo Milord who only recently joined the cast, but kept up with the best of them as trusting and steadfast piano player Corn.

Gloucester Stage’s ‘Paradise Blue’ Alexandria Danielle King as Silver, Durrell Lyons as Blue, Darian Michael Garey as P-Sam, and Dereks Thomas as Corn, Photo credit to Jason Grow

Chatty, curious, and hardworking, Pumpkin is the seeming antithesis to new tenant Silver, portrayed with blunt and worldly shrewdness by Alexandria Danielle King. Both Silver and P-Sam, depicted with agitated energy by Darian Michael Garey, possess a learned tenacity and restlessness from bitter past experiences. Darian Michael Garey exudes palpable energy while King simmers. Seeing these characters face conflict in their own unique way is a fascinating character study, but due to vastly differing perspectives, Pumpkin and Silver are particularly intriguing with each interaction.

Gloucester Stage ‘Paradise Blue’ Destiny Deshuan Washington as Pumpkin and Alexandria Danielle King as Silver Photo Credit_Jason to Grow

Paradise Blue itself exudes its own restlessness in the Black Bottom neighborhood of Detroit which society considers the club a ‘blight.’ Word travels fast and gossip carries its own weight in this enigmatic neighborhood. Paradise Blue succinctly carries the tense and rueful undertones through Toni Sterling’s stirring lighting and Aubrey Dube’s soulful and bluesy sound design. Nia Safarr Banks’s sharp vintage suits and distinctive and colorful dresses pop against Janie Howland’s modest and earthy-colored set.

‘Paradise Blue’ Stage set Photo Credit to Jason Grow

Paradise Blue is a powerful drama with grit and gall as each character pours their hopes into Paradise for a brighter future unsuspecting of what lies ahead.

Gloucester Stage Company presents Dominique Morisseau’s noir drama Paradise Blue through Sunday, September 18 live and in person at Gloucester Stage, 267 E Main Street on Cape Ann in Gloucester, MA. Click here for more information and for tickets.

REVIEW: OBIE Award-winning New Ohio ICE Factory’s ‘Isla,’ ‘Acheron: The River of Tragedy’ and ‘Body Through Which the Dream Flows’

Posted on August 19, 2022 by The Sleepless Critic

The OBIE-Award winning New Ohio ICE Factory is celebrating its 29^th year and has been presenting a number of innovative works each summer that continue through August 20 live and in person at New Ohio Theatre, 154 Christopher Street in New York City. Virtual shows are available through August 27. Isla, Acheron: The River of Tragedy, and Body Through Which the Dream Flows are just a few of works presented during this annual festival. Click here for further details, how to stream, and for tickets.

Bikes fly, a plane takes off, and cars zoom as a world unfolds in interactive shadows. Produced by Hit the Lights Theatre, Isla is a documentary experience which combines shadow puppets, photos, animation, and live action to depict the warmth of Samantha Blaine’s homeland and the realities of the Cuban invasion she grew up in. Her unique and personal journey with her mother and two free spirited sisters integrates nature and song to demonstrate the realities of invasion, family, and how everything is connected. Featuring strong vocals as well as heartwarming and wistful performances by Samantha Blain, Marlena Mack, Tiffany Ortiz, Kristopher Dean, Mikayla Stanley, Claron Hayden, and Casey Scott Leach, Isla is a fascinating production that explores heartache, division, political turmoil, pollution, and how Blaine’s world was shaken by communism.

A car crash and a tense, mysterious encounter lead to much more than either of these characters bargained for at a river at the Mexican-US border. Directed by Martin Balmaceda, Spanish language production Acheron: The River of Tragedy serves up a wealth of twists and turns in this sordid and at times clever tale. This production has mature themes and is not for children.

A secretive and menacing presence, portrayed by Cinthia Perez Navarro, has entered the life of Leonardo, portrayed with strained intensity by Aline Lemus Bernal, a nattering, impulsive, and yet perpetual optimist who dreams of freedom as soon as that tumultuous river is crossed. However, there is a heavy price for that dream and neither are savory characters. Navarro’s searing intensity and cryptic glances make for some skittish moments while Bernal’s jaunty moves and brisk chatter never quite distract from Navarro’s distressing wrath. Cinthia Perez Navarro and Aline Lemus Bernal are also behind the show’s sharp choreography. Acheron: The River of Tragedy is a gritty tale about the darker side of humanity in the pursuit of happiness.

Acheron ©Hugo Freeman With Aline Lemus Bernal (left) and Cinthia Perez Navarro (right)

Body Through Which the Dreams Flows also explores what it takes to achieve a dream. In this case, it is achieving the Olympic dream as past footage of Olympic champions kick off the production. Part documentary and part stage performance, creator Soomi Kim and company takes a look at the incredible world of gymnastics and the corruption and tragedy that has seeped into the sport and the lives of young girls in training. What does it take to be a champion? Sometimes the price is too steep.

What is really compelling about Body Through Which Dreams Flow are the reenactments of some real life footage as well as Soomi Kim and Alexandra Beller’s beautiful choreography, the sheer athleticism, and interpretation from athletes Lucy Meola, Olivia Caraballoso, Madison Rodriguez, Shayna Wilson, Nora Avci, and Ai Clancy. Enhanced by Amanda Ringger’s haunting lighting, Body Through Which the Dream Flows is a stirring and eye opening production addressing the pressures and what seems like the impossible expectations from coaches while focusing on what past athletes have endured. It also delivers a powerful message on the importance of a child having the chance to be a child.

New Ohio BTWtheDF Full cast_ Ai Clancy, Soomi Kim, Madison Rodriguez, Nora Avci, Shayna Wilson, Lucy Meola, Olivia Caraballoso

The New Ohio ICE Factory 2022 continues live and in person at the New Ohio Theatre through August 20 with virtual availability through August 27. Click here for more information and tickets.

REVIEW: Reagle Music Theatre of Greater Boston’s ‘Pippin’ delivered magic with more to come

Posted on August 17, 2022 by The Sleepless Critic

The quest to discover one’s destiny can be both exciting and harrowing.

After opening with musical classic West Side Story last month to kick off Reagle Music Theater of Greater Boston’s summer season, Bob Fosse’s unmistakable style took the stage in Reagle’s follow up summer musical Pippin, a tale within a tale about destiny and realizing where one fits in the world. Pippin resembles a morality play and Pippin, portrayed with earnest naiveté and enthusiasm by Kenny Lee, is convinced he was created for an extraordinary purpose and will stop at nothing to find it.

Directed and choreographed by Rachel Bertone with Music Direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston had a lot more magic to do, but the musical Pippin had to shorten its run due to Covid concerns. However, Reagle Music Theatre of Greater Boston will have another chance to create some magic at a one night only cabaret fundraiser featuring the Pippin cast on live and in person on August 26 at Reagle Music Theatre of Greater Boston in Waltham, MA at 7 p.m. Purchase tickets early and get a discount. Click here for more information and tickets.

Reagle Music Theatre of Greater Boston presents a one night only cabaret on August 26. Photo courtesy of Herb Philpott/Reagle Music Theatre of Greater Boston

Led by Boston based award-winning actor and singer Davron Monroe, the musical Pippin was a wonder to witness though the plot itself is a bit uneven at times and the musical is not appropriate for children. Based on the originally-directed Bob Fosse musical and Diane Paulus’s Tony award-winning revival, Pippin ran at Reagle Music Theatre of Greater Boston in Waltham, MA through August 7. Click here for more on Reagle Music Theatre of Greater Boston’s upcoming events.

Davron Monroe as Leading Player Photo courtesy of Reagle Music Theatre of Greater Boston

Set initially in a traveling circus, cast members immersed the audience in this mystical tale within a tale also set in the Middle Ages by occasionally marching down the aisles, addressing the audience and encouraging an occasional sing-along.

Kenny Lee as Pippin Photo courtesy of Reagle Music Theatre of Greater Boston

Scenic designer Cameron McEchern seamlessly handled the frequent “magical” changes of scenery as Pippin explored various aspects of one’s existence from sophisticated royalty to military life to the simplicity of farming life and much more in between. From bright, bedazzled and exotic costumes to the simplicity of the Middle Ages, costume designer Jake O’Hara and Emerald City Theatricals helped to create this versatile and dynamic world shared skillfully by charismatic Davron Monroe as the complicated narrator and mysterious advisor, Leading Player. Monroe’s resounding vocals and quick comic wit lent to his compelling performance, especially for Magic to Do and the lively On the Right Track. However, Monroe’s most captivating work was saved for the twist-filled finale.

The costumes along with Rachel Bertone’s dazzling and at times racy choreography offered subtle nods to Fosse’s signature style including top hat, cane, and scantily clad, Chicago-inspired dancers. Even Monroe gave a subtle nod to Fosse’s Razzle Dazzle.

Damon Singletary as Charlemagne Photo courtesy of Reagle Music Theatre of Greater Boston

Like Chicago, Pippin has some surprising moments and often addressed the dark side of humanity. Pippin is looking for meaning as expressed quite wonderfully with Corner of the Sky. Lee portrays Pippin with wide-eyed optimism, chatty naiveté, and a free spirit which make him more sympathetic than egotistical, even when Pippin makes some poor choices.

Kathy St. George as Berthe © Joe Henson Photography 2006 All Rights reserved.

King Charlemagne, depicted with gravitas, charm, and stubbornness by Damon Singletary, is no stranger to the monarchy having portrayed the king in Concord’s past Umbrella Arts Theatre musical, Head over Heels. Stern and shrewd Singletary delivered some wise and memorable dialogue and has a good rapport with his son, Pippin. Kathy St. George as spicy and fun loving Berthe is a particular highlight, especially during the number, No Time at All. Berthe offers Pippin and the audience valuable life lessons and an occasional sing-along through humor, joy, and wit. Kenny Lee as Pippin and Kathy St. George have some endearing chemistry and Berthe’s vibrant dance moves and her occasional engagement with the audience make her a difficult act to follow.

Katie Anne Clark as Fastrada Photo courtesy of Reagle Music Theatre of Greater Boston

Katie Ann Clark as seductive and materialistic Fastrada and Joel Douglas as handsome, dimwitted and egotistical Lewis make formidable adversaries and Kayla Shimizu shines as headstrong, patient, and graceful Catherine.

It is a shame that Pippin could not continue for its full run because it had a lot to say about the key to happiness and what is truly important in life. However, Reagle Music Theatre of Greater Boston will have another opportunity for some magic at a one night only cabaret fundraiser featuring the Pippin cast live and in person on August 26 at Reagle Music Theatre of Greater Boston in Waltham, MA at 7 p.m. Click here for more information and tickets.

REVIEW: Hub Theatre Company of Boston’s zany and immersive dinner comedy ‘Slow Food’ survival of the hangriest

Posted on July 27, 2022 by The Sleepless Critic

Having to wait for food isn’t easy, but the crazy antics that result are quite extraordinary in Slow Food, a wild comedy that focuses on a long time married couple on their anniversary vacation who finds themselves in pursuit of their meal. It’s a good thing that Hub Theatre Company of Boston cleverly sets this production in a dinner theatre setting because not only does the show address love, marriage, manipulative food service and more, but most importantly, the very art of being frustratingly hangry.

With witty direction by Daniel Bourque, Hub Theatre Company of Boston presents Slow Food through Saturday, July 30 live and in person at Club Café Boston at 209 Columbus Ave in Boston, MA. This show is 90 minutes with no intermission and tickets are on a pay-what-you can-basis. Club Café offers a discount on the menu when attending Slow Food. Click here for more information and for tickets.

Jyoti Daniere as Irene, Victor L. Shopov as Waiter Stephen, and Steve Auger as Peter Photo courtesy of Lauren Elias/Hub Theatre Company of Boston

Club Café’s backroom was once artfully transformed into a hair salon setting for Steel Magnolias, one of Hub Theatre Company of Boston’s lighthearted past productions held at Club Café Boston. Though a Palm Springs Greek restaurant setting is less of a stretch, set designer Justin Lahue’s subtle candlelit setting, vine adorned walls and framed photos onstage flow with the candlelight and Ukraine flags that frame Club Café while sound designer Ted Kearnan’s inviting Greek soundtrack sets the mood.

Slow Food’s immersive and interactive vibe continues as Jyoti Daniere as Irene, Steve Auger as Peter and Victor J. Shopov as Stephen the Waiter wander through Club Café at various times, making it easy to engage in the frustrating hilarity of this pair as they attempt to navigate a stubborn, preoccupied waiter and each other through it all.

Slow Food features a small and strong cast with dialogue that is pretty snappy at times. Shopov pushes all the right buttons and stealthily builds tension as a nosy, savvy and neurotic waiter that doesn’t know his boundaries. With a dry sense of humor, natural chemistry, and a gift for pushing each other’s buttons, Daniere and Auger make a likeable and relatable couple. Daniere as perceptive, exasperated, and sympathetic Auger as business minded, occasionally distracted and blunt Peter know they must rally to negotiate a good meal if they can get past their personal grievances as secrets gradually unfold along the way.

Slow Food is only the name of the show and Club Café delivered quick and attentive service. Try the delicious Raspberry White Chocolate Cheesecake for dessert.

Hub Theatre Company of Boston presents Slow Food through Saturday, July 30 live and in person at Club Café Boston at 209 Columbus Ave in Boston, MA. This show is 90 minutes with no intermission and tickets are on a pay-what-you can-basis. Club Café offers a discount on the menu when attending Slow Food. Click here for more information, tickets, and for more about Hub Theatre Company of Boston.

REVIEW: Reagle Music Theatre of Greater Boston makes an exciting return to the stage with a moving and remarkable ‘West Side Story’

Posted on July 14, 2022 by The Sleepless Critic

‘I’ve just met a girl named Maria/And suddenly that name/will never be the same/to me.”

Having seen the classic musical West Side Story from the stage to the 1961 film adaptation to Spielberg’s recent Oscar worthy film, Reagle Music Theatre’s Blake Du Bois as Tony’s moving rendition of the classic song, Maria is a must see. Many Tonys have floated through this number with surprise, naiveté, and the excitement of attraction while blinded by love, but Du Bois’s delivery evokes a more meaningful perspective. Enhanced by his extensive vocal range, this soulful rendition depicts not naiveté, not necessarily blindness, but an overwhelming feeling of love for Maria and the fear of what that means. So overcome by love that he must move forward in spite of it. It was like understanding Maria anew.

Eevie Perez as Maria and Blake Du Bois as Tony in Reagle Music Theatre of Greater Boston’s ‘West Side Story’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Sharply directed and choreographed by Rachel Bertone with seamless musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston delivered powerful and clever performances as it kicked off its summer musical season with West Side Story continuing through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA. This show is not intended for children under 13. Click here for more information and for tickets.

Based on Shakespeare’s Romeo and Juliet, West Side Story is the timeless tale of the Sharks and the Jets, two rival gangs who cannot seem to coexist in Manhattan without a fight. However, when Blake Du Bois as streetwise Tony and Eevie Perez as idyllic Maria lock eyes, everything quickly becomes complicated.

The Sharks Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Helmed by a captivating cast, Reagle Music Theatre’s West Side Story is intriguing from the start as it lays out mischief, antics and petty outrage over owning the streets. A broad city landscape, chain linked fences, a retro jukebox and detailed drug store are just part of Janie Howland’s retro, rolling set that successfully rewinds the clock back to the 1950s.

The cast of West Story Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

A great deal of West Side Story hinges on its sharp dance and fight choreography and director and choreographer Bertone hits the ground running. Along with Fight and Intimacy Director Angie Jepson, the high-kicking choreography blurs the lines between dance and fighting as the gangs intertwine in innovative and precise movements. A leap becomes a punch and aggressiveness turns graceful…all in the same move. Jack Mullen delivers an intense performance as the tough talking, swaggering Jet leader Riff, especially during a catchy and memorable rendition of Cool as each tense moment pops to Franklin Meissner, Jr’s intricate lighting. Mullen as Riff and Du Bois as Tony share some affable camaraderie as they do with their fellow Jets and their fair share of united animosity toward the Sharks. Nate Walsh stood out as hot head Action, on edge and ready for a fight while Gracin Wilkins delivers a stirring performance as outcast Anybodys.

Bianca Rivera-Irions as Anita with the Shark Girls performing ‘America.’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Eevie Perez is charming and spot on as Maria, her chiming vocals and naiveté especially evident with Ana Viveros as Consuela, Marissa Pineda as Rosalia, and Karina Gonzalez as Tesesita in the exuberant and playful number, I Feel Pretty and in a gorgeous duet with Du Bois as Tony for One Hand, One Heart. Tall and distinctive, charismatic Bianca Rivera-Irions as Anita knows how to make an entrance in a show stopping red dress, just one of the many rich, vintage, and vibrant costumes provided by Tiffany Howard. A lively dancer, Rivera-Irions as Anita stands out in any room as only Anita can. Rivera-Irions as Anita and Diego Klock-Perez as proud and protective Shark leader Bernardo share lighthearted and steamy chemistry. The dynamic cast performs an exhilarating rendition of Tonight, their robust sound and stirring harmonies build the anticipation and excitement of a night that will change everything.

Reagle Music Theatre of Greater Boston presents musical classic West Side Story continues through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA. This show is not intended for children under 13. Click here for more information and for tickets.