REVIEW:  Natural and supernatural lessons in Company One’s ‘Haunted’

What more could be haunting this haunted house?

Spiritually stuck in the Y2K era and in an often vacant house for the past 20 years, two indigenous brother ghosts long to rise to the great beyond and reunite with Creator and their ancestors.  However, something more is haunting this house beyond the antics they use to chase prospective home buyers away.   Using dance as escapism and as a way to cope, Bradley Lewis depicts an over the top Ash who never had the chance to grow up while older brother Aaron, portrayed with reticence by Chingwe Padraig Sullivan, carries a lot that he cannot move beyond as well.

Bradley Lewis, Katherine Callaway, Evan Turissini, Tanya Avendaño Stockler (Photo by Ken Yotsukura Photography)

Written, directed and choreographed by Tara Moses, Company One presents thought provoking horror comedy Haunted continuing live and in person in Rabb Hall at the Boston Public Library through Saturday, February 15.  The show runs approximately two hours with one 15 minute intermission and tickets are available at a pay what you can basis.  Click here for more information and for tickets.

Chingwe Padraig Sullivan, Katherine Callaway, Bradley Lewis (Photo by Ken Yotsukura Photography)

Y2K reigns supreme as two brothers are culturally frozen in time having never moved beyond Ash’s adoration of Britney Spears or Aaron rocking out to Creed since their deaths in 2003.  However, Danielle Delafuente’s scenic design reflects how frequently time marches on as books, furniture and portraits change as the brothers imagine and fret over an all too predictable future.   A nice touch is the ice film on the windows to indicate paranormal activity.  However, the brothers often play music and can make the living see things, yet it is a wonder why the living do not acknowledge when Ash plays one song after another.  Is the living so steeped in their world that they cannot hear or see what is playing on a boom box?

Elmer Martinez’s symbolic lighting and Aubrey Dube’s foreboding sound design builds intensity and keeps the lines of communication going embodying this unknown entity through flashing pink and purple lights, ominous chimes and illuminated images on the walls.

Evan Turissini (Photo by Ken Yotsukura Photography)

With the exception of the two brothers and JāQuan Malik Jones as Vincent, the remaining cast members portray a number of unlikable stereotypes.  From a righteous Quaker to a scholarly intellectual historian, Evan Turissini often portrays these shallow characters with a mix of dark humor and audacity while Katherine Callaway and Tanya Avendaño Stockler become increasingly more manipulative with each newcomer.  The ghosts often make assumptions everyone acts a certain way perhaps in fear of being disappointed.  It might have been more intriguing if Vincent and the brothers saw more than one side of these characters. 

Chingwe Padraig Sullivan, Katherine Callaway, Evan Turissini, Tanya Avendaño Stockler, Bradley Lewis (Photo by Ken Yotsukura Photography)

On the flip side, JāQuan Malik Jones delivers an impressive performance as level headed Vincent whose actions are anything but predictable.  Lewis as Ash and Sullivan as Aaron  share a likable rapport as paranormal brothers whose bickering and conflicts often stem from too much time together, but they also share a mutual respect partly due to this supernatural bonding time.

Chingwe Padraig Sullivan, JāQuan Malik Jones, Bradley Lewis (Photo by Ken Yotsukura Photography)

Haunted has some inconsistencies and may have benefited by a shorter run time, but offers a lot of educational insights into man’s connection to the land, indigenous culture, the Land Back movement, and how one can learn more and contribute to change.

Company One presents thought provoking horror comedy Haunted continuing live and in person in Rabb Hall at the Boston Public Library through Saturday, February 15.  The show runs approximately two hours with one 15 minute intermission and all tickets are available at a pay what you can basis.  Click here for more information and for tickets.

REVIEW:  Wishing upon a ‘Soft Star’ at Boston Playwrights Theatre

Somewhere in Minnesota, two best friends with a complex history each wish on what is deemed a soft star in the sky.  What develops over time will test the limits of their friendship and much more.

Contemplatively directed by Bridget Kathleen O’Leary, Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival.  This absorbing production runs 85 minutes with no intermission.  Click here for more information and for tickets.

The cast of Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

Boston Playwrights Theatre’s Fall Rep Festival features two new productions from living authors taking place on one stage and scenic designer Maggie Shivers continues to make distinctive use of the space for these two vastly different productions.  With fold out compartments that pose as couches, a barbecue grill and shelves, cast members transform the set and props between scenes from a beachside setting to a completely new landscape.  Zachary Connell’s starlit and warm lighting adds an ethereal quality to the production featuring lanterns and luminous creatures boosted by Kai Bolman’s mystical sound design.  Set within the span of the 70’s and 80s, E. Rosser’s colorful costumes depicts fashion trends of the time such as baby doll dresses, keds sneakers, and Henley shirts.

Annika Bolton and Mairéad O’Neill in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

A complex drama of jealousy, isolation, insecurity, secrets and longing, Soft Star is poignant and wistful as Jane and Belle search for a sense of belonging as they contemplate about the direction their lives have taken.  There is a real sense of uncertainty from these individuals as the show progresses. Annika Bolton as Jane, Jesse Kodama as Dick, Mairéad O’Neill as Belle and Kamran Bina as Mitch make up a tightly woven group that also share building tension and passive aggressiveness, especially among Dick and Mitch who are best friends working together as well as a palpable chemistry between Mitch and Jane.

What is wonderfully fascinating about Soft Star is how best friends Annika Bolton as Jane and Mairéad O’Neill as Belle’s connection and priorities mature and evolve over time.  From two coming of age girls to established women, Esper’s script explores the transforming interests of these individuals and at the same time, depicts how some reflections on their lives never change. 

Annika Bolton in Tina Esper’s ‘Soft Star’ Photo by Amelia Cordischi

With an elements of magic and mysticism, Soft Star is an intriguing and imaginative drama fueled by Esper’s layered script which unfolds from a straightforward narrative to how life becomes immensely complicated through circumstances and when other emotions take hold.  Emotions that linger and ripen even as people mature exasperated by a wish. 

Boston Playwrights Theatre presents Tina Esper’s supernatural drama Soft Star through Sunday, November 24 part of the Boston Playwrights Theatre’s Fall Rep Festival.  The show runs 85 minutes with no intermission.  Click here for more information and for tickets.

REVIEW: New Ohio Theatre’s ICE Factory’s ‘Here I Fall Up’ and ‘How I Disappeared’

A girl is starting to wonder if she is fall apart or is she just falling up?

Gianna Milici, Sophia Drapeau, and Lauren-Quigley in ‘Here I Fall Up’ Photo credit to Natalie Powers

Featuring chiming melodies, a girl is somehow tethered to her family’s seaside home in a way that makes her question her own sanity.  Surrounded by her sisters who narrate the story, Here I Fall Up is thoughtfully directed and composed by Beth Golison and directed creatively by Annabel Heacock and Maiya Pascouche and is just under an hour.  It was featured at New Ohio Theatre’s ICE Factory in NYC and was streaming through August 12.  Click here for more information.

The girl, portrayed sympathetically and realistically by Sophia Drapeau, ventures into dark places that keeps the audience guessing whether the girl is actually experiencing something outside this world or is it all happening inside the girl’s head?  Drapeau’s suffering throughout this production makes a real case for either and watching the girl attempt to cope with anxiety and a severe degree of agoraphobia is heartfelt, earnest, and a bit distressing to witness. The bluish and haunting shadows by Chris Voegels combined with the simple, multifunctional set by Jessie Baldinger are as imaginative as it is symbolic of a girl longing to make a connection outside the girl’s fears and vulnerabilities.

Rose Tablizo and Sophia Drapeau in ‘Here I Fall Up’ Photo credit to Natalie Powers

Here I Fall Up’s inviting, folksy, and intermittently catchy acapella harmonies from sisters and narrators Samantha Medina Chachra, Lauren Rose Quigley, and Gianna Millici combined with Rose Tablizo’s mysterious presence keeps the production a bit lighter while tackling some darker issues. 

Here I Fall Up is thoughtfully directed and composed by Beth Golison and directed creatively by Annabel Heacock and Maiya Pascouche and is just under an hour.  It was featured at New Ohio Theatre’s ICE Factory and was streaming through August 12.  Click here for more information.

Courtesy of CHUANG Stage

Does it matter where I put my roots down?

Identity should be not what one is, but who one is.  Not the labels, but the person.  That is not such an easy journey living in NYC.

Told from the perspective of six immigrant Asian individuals living in NYC, How I Disappeared is a bilingual production about grasping for acceptance in the world without assumptions or grief, but with understanding.  Directed by Tianding He and produced by CHUANG Stage, it is done creatively, though not always clearly in this abstract and Avant Garde production.

Courtesy of CHUANG Stage

How I Disappeared is just under an hour and was featured at New Ohio Theatre’s ICE Factory and was streaming through August 12.  Click here for more information.

From an individual covered in overwhelming and all encompassing remnants of NYC including a liberty hat, Broadway sign, wearing a mask and carrying a suitcase subway map to the desolate and metaphorical marine characters on the NYC subway, How I Disappeared emphasizes the intimidating, overwhelming, noisy, and isolating city atmosphere.

The glassy reflections particularly stand out in this part projection by Brian Shin-Hua Ellis and part animated puppetry by Wilden Weihn production.  From a Puffer fish to a whale wandering on a subway, each distinctive marine creature delivers a combination of bittersweet and relatable humor as the narrator describes each creature’s authentic capabilities and defenses.  Steeped in soothing blue aquatic lighting by Will DeJianne, it seems absurd witnessing them on the subway, and yet it becomes a snapshot of humanity as the show progresses.

Courtesy of CHUANG Stage

The production does have lighter moments of dancing including catchy and original live music by John Tsung and Siyi Chen as well as its fair share of silliness with underlying messages of perseverance in the face of fears, doubt, and judgment.  Staying true to oneself and anything is possible.

How I Disappeared is just under an hour and was featured at New Ohio Theatre’s ICE Factory and was streaming through August 12.  Click here for more information.

REVIEW: Theatre@First delivers a compelling and haunting ‘Hamlet’

According to the Guinness Book of World Records, William Shakespeare’s work has garnered the most screen adaptations of any author in history in any language.  Shakespeare’s Romeo and Juliet boasts the most screen adaptations, but it’s hard to imagine Hamlet being far behind.

Shakespeare’s Hamlet has taken the stage and screen by storm from looser adaptations such as Disney’s stunning The Lion King in musical, animated, and live action form to Shakespeare on the Common to several films starring everyone from Laurence Olivier to Mel Gibson to Benedict Cumberbatch.  Why?  It’s a thrilling classic tale beloved by many about love, betrayal, and retribution with a haunting twist.

Theatre@FIrst Hamlet cast Johanna Bobrow

The cast of Theatre@First’s ‘Hamlet’ Photo courtesy of Johanna Bobrow/Theatre@First

Directed purposefully by Elizabeth Hunter, Theatre@First continues Shakespeare’s Hamlet through Saturday, November 23 at Unity Somerville in Somerville, Massachusetts.  Click here for more information and tickets.

Not a bad seat in the house as the audience gathered in Unity Somerville’s church basement for Theatre@First’s Hamlet.  The show is an immersive experience as the production expands beyond the stage and cast members can enter from anywhere in the venue.

Shakespeare’s Hamlet is about a Prince of Denmark who discovers his mother has married his uncle after his father has been murdered.  An urgent message inspires Hamlet to believe “something is rotten in the state of Denmark.”

Theatre@First’s Hamlet is a stylish, compelling drama that boasts some iridescent and impressive special effects as a translucent figure paces from a mysterious location.  It is not revealed which actor portrays that particular figure, but his moving and affecting presence is a highlight of the production.

Theatre@First Hamlet Laertes Nathan Phillip Andrew Harrington as Polonius and Evelyne Cardella Ophelia Johanna Bobrow

Clowning…. Nathan Phillip Johnson as Laertes, Andrew Harrington as Polonius and Evelyne Cardella as Ophelia Photo courtesy of Johanna Bobrow/Theatre@First

The show also blends the contemporary with the historical through its more casual tone and costume choices while Shakespeare’s alluring text and action sequences remain the same.  Carolyn Jones’s and Katie Caroll’s costume design nods to the late Middle Ages setting in Elsinore, Denmark while also boasting a contemporary flair.  For example, Hatem Adell portrays Hamlet wearing stone washed jeans and a crown on his t-shirt while Gertrude, depicted by Ron Lacey, wears a gown more faithful to the historical time period.  Makeup artists Meg Boeni, Mack Caroll, and their assistants did an extraordinary job transforming the cast into their respective roles.

Hamlet features a capable cast that occasionally engages the audience.  The dialogue can be a bit rushed at times in its conversational tone which lessens the gravitas of Shakespeare’s eloquent text.  Andrew Harrington is an unforgettable presence as Polonius.  Wearing a beard and a bow tie, Harrington has natural comic timing with a distinctive voice and lighthearted demeanor.  A bit of a scene stealer, he humorously engages the audience with his offhanded and frank observations while offering wisdom and insight to his children.

Theatre@First Hamlet Hatem Adell and Evelyne Cardella Ophelia Johanna Bobrow

Evelyne Cardella as Ophelia and Hatem Adell as Hamlet Photo courtesy of Johanna Bobrow/Theatre@First

Evelyn Cardella glows as Ophelia with a wide smile, bright eyed virtue, and complete infatuation with Hamlet.  Playful and charming, Cardella has a sweet chemistry with Nathan Phillip Johnson as her brother, Laertes and Andrew Harrington as their warm and wise father, Polonius.  Cardella navigates the character with vulnerability and heartfelt poignancy as her emotions turn on a dime.

Theatre@First Hamlet Nathan Philip Johnson as Laertes and Myra Hope Eskridge as Claudius Johanna Bobrow

Nathan Phillip Johnson as Laertes and Myra Hope Eskridge as Claudius Photo courtesy of Johanna Bobrow/Theatre@First

Hatem Adell certainly has exacted the alarming rage expected of Hamlet in the face of betrayal.  Adell delivers the famous “To Be or Not to Be” soliloquy with finesse.  He also excels at Hamlet’s darkly playful demeanor, especially in a powerful scene alone with Ophelia.  Nathan Phillip Johnson also gives a memorable performance as valiant and forthright Laertes, infusing a natural charisma in each scene.

Myra Hope Eskridge as Claudius delivers a suave poker face, but lacks the devious nature expected of the character.  Claudius is a calculating character and leaves little room for sympathy.  A brief exchange with Laertes later in the production showed just a glimpse of Claudius’s true nature.

Hamlet is not complete without the appearance of Rosencrantz and Guildenstern, portrayed with fresh humor by Chantelle Marshall and Julia Kennedy respectively.  They make a seeming pair of jolly, dimwitted bookends as Hamlet’s childhood friends, dressed identically and interchangeably.  However, they are more than meets the eye.

Theatre@First Hamlet Hatem Adell Rosencrantz Chantelle Marshall and Guildenstern Julia Kennedy Johanna Bobrow

Hatem Adell as Hamlet joined by Chantelle Marshall as Rosencrantz and Julia Kennedy as Guildenstern Photo courtesy of Johanna Bobrow/Theatre@First

Get thee to Theatre@First’s final performances of Hamlet through Saturday, November 23 at Unity Somerville, 6 William Street in Somerville, Massachusetts.  Click here for more information, tickets, and how to support Theatre@First.