REVIEW: Friendship, camaraderie and mischief take center field in Imaginary Beasts’ engaging ‘Casey at the Bat: An All American Panto’

How far would you go for your dream?

For Cameron Hinkle as ambitious entrepreneur Homer Humdinger and many characters in Mudville, baseball is king and some are willing to do almost anything for it.  Exploring integrity, celebrity, ambition, the true nature of friendship and the spirit of the game, a lot is at stake in Imaginary Beasts’ production of Casey at the Bat:  An All American Panto.

Directed wistfully by Matthew Woods, Imaginary Beasts presented Evan Turissini, Kiki Samko and Matthew Woods’s Casey at the Bat: An All-American Panto from October 18 through October 26 live and in person at Topsfield Town Hall in Topsfield, Massachusetts.  The show was approximately two hours with one intermission.  Click here for more information.

Hot popcorn and baseball-themed concessions were sold prior to the show and intermission as a lively audience arrived for an interactive Panto.  A panto is a form of wintertime family entertainment in the UK that weaves in puns, wordplay, jokes, and moreBoasting a friendly drawl and wicker hat, Molly Kimmerling warmly portrayed guardian angel, wise narrator and townie Pop Fly who shared the wild tale of Casey at the Bat partially based on the classic poem by Ernest Lawrence Thayer.  It delved into a mysterious deal with the devil in order to bring baseball to a town like Mudville.  However, things quickly get complicated as events unfold.

Julia Hertsberg, Hampton Richards, Cameron Hinkle, Laura Ditwiler, and Tommy Vines in ‘Casey at the Bat’ Photo credit to Imaginary Beasts

The continual audience engagement fueled this exaggerated tale that meandered and veered off course on occasion while humorously weaving in fitting contemporary pop and winking adult references.  Billie Eilish, Ebay, Marilyn Monroe, Mae West and various musical and baseball film references are just a few examples. 

With so many productions that rely on the zip and zing of digital effects, CGI, and AI, it is exciting to again see director Matthew Woods solely rely on homespun creativity and audience interaction to bring to life this patriotic and unpredictable spin on a classic poem.

Imaginary Beasts has been excelling at creating vivid costumes and mesmerizing settings as if walking into a storybook.  Mudville is a cheerful and optimistic world and the imaginative and layered set folded out in a wonderful way standing as a portrait of vintage baseball nostalgia which included inflatable bats, fields, a locker room and as baseball is America’s pastime, American flags and patriotic ribbons wrapped around the set. 

Kiki Samko and Matthew Woods in ‘Casey at the Bat’ Photo credit to Imaginary Beasts

Casey at the Bat poem was published in 1888 and the uniforms reflect that colorful retro quality which included the old time milkmen and barbershop as part of this vintage landscape.  Cotton-Talbot-Minkin’s captivating costumes reflect baseball nostalgia with a dash of steam punk.  As the look is inspired by silent films, distinctive patterns combined with bow ties, top hats, sporty converse sneakers, bodices, velvet, vintage baseball uniforms, pearls, and boots.  This panto also delivered a dynamic assortment of tunes including calliope music, characters breaking out into baseball themed song, a pop tune a tap dance or Camille Chartier as eternally Shakespearean and mischievous accordion playing Sox the Cat.

With swagger and a winning smile, Evan Turissini charismatically portrayed the Mighty Casey with a dose of gruff and ego seemingly striding through life.

In a velvet red coat and top hat and scowling eyes, mustachioed Matthew Woods schemed and plotted as Silverado Quick who will stop at nothing to win over a soul, even if it means tricking everyone in his path.  However, the person assigned for the actual dirty work was the multi-tasking Miss Slump portrayed with versatile comic timing by Kiki Samko.  Slump did what she must and she was great. 

Cameron Hinkle, Tommy Vines, Laura Detwiler and Camille Chartier in ‘Casey at the Bat’ Photo credit to Imaginary Beasts

Fresh faced Tommy Vines was earnest as idealistic and wide eyed Dewey who dreams of becoming a star baseball player.  Vines’s enthusiasm shone through the production boosted by some endearing scenes with Julia Hertsberg as shrewd yet sweet Katie, baseball’s biggest fan especially in a rendition of Frank Sinatra’s High Hopes

Casey at the Bat is a love letter to the sport in many ways.  Although it had its corny moments, these animated characters delivered a quirky tale with high jinks, scheming and sleuthing through memorable and poetic dialogue including vintage expressions such as ‘flimflam’ and ‘hop to’ to deliver a meaningful message about inspiration, friendship, and doing what is right.

Evan Turissini, Tommy Vines, Molly Kimmerling, Julia Hertzberg, Cameron Hinkle and Colin McIntire in ‘Casey at the Bat’ Photo courtesy of Imaginary Beasts

Directed wistfully by Matthew Woods, Imaginary Beasts presented Evan Turissini, Kiki Samko and Matthew Woods’s Casey at the Bat: An All-American Panto from October 18 through October 26 live and in person at Topsfield Town Hall in Topsfield, Massachusetts.  Click here for more information and upcoming events by Imaginary Beasts.

REVIEW:  Spectacular and uplifting, the world premiere of ‘The Neil Diamond Musical:  A Beautiful Noise’ is anything but a song sung blue

After watching The Neil Diamond Musical:  A Beautiful Noise, one thing is clear.  Every story should be told with brilliant swing backup dancers.

Directed shrewdly by Michael Mayer, The world premiere of The Neil Diamond Musical:  A Beautiful Noise continues its pre-Broadway run at Emerson Colonial Theatre in Boston, MA live and in person through August 7.  The show is two hours and 30 minutes including an intermission.  Click here for more information and tickets.

Tony Award® nominee Will Swenson as Neil Diamond – Then and the Swings Photo credit to DCM O & M/Emerson Colonial Theatre

Kicking off with surprising, self-deprecating humor, A Beautiful Noise might have been just what one would expect from a musical biopic, but Neil Diamond takes it to the next level.  Diamond’s music beginnings are a bit reminiscent of Carole King’s journey from creative songwriter delivering hits such as I’m a Believer to songwriter solo act. Part riveting, sing-along concert within a musical, part dive into Diamond’s past, but yet there is so much more to this solitary man.  Even if Neil Diamond’s songs aren’t at the top of your playlist, this wonderful musical helmed by Will Swenson’s stellar performance as then Neil Diamond just might end up being music to your ears.

Tony Award® nominee Will Swenson as Neil Diamond – Then Photo credit to DKC O & M/Emerson Colonial Theatre

One of the best selling musicians of all time and yet Neil Diamond is not what one might expect.  Now Diamond, portrayed with pensive fortitude by Mark Jacoby, is a rather gruff and unassuming man who does not like to talk about himself.  Many deep thinking individuals steeped in the pressures for success seem to also have what Neil Diamond calls ‘clouds’ and the show does not shy away from that, but this musical is much more of a celebration. 

Neil Diamond’s hit songs are explored, but on a more comprehensive and personal level.  Much of the production is a luminous foray into how songs like catchy Cherry, Cherry, Song Sung Blue, America which delves into Diamond’s Polish heritage, traditional Boston Red Sox song Sweet Caroline met with rousing applause and many others factor into this revered songwriter’s remarkable journey. 

Tony Award® nominee Will Swenson as Neil Diamond – Then and Tony award nominee Robyn Hurder as Marcia Photo credit to DKC O & M/Emerson Colonial Theatre

Charismatic and charming, it is difficult to imagine a better Then Diamond than Will Swenson.  A compelling singer with a dry sense of humor, Swenson has an indelible stage presence from the moment he first appears with his guitar.  He and Jessie Fisher as optimistic and sympathetic Jayne Posner have endearing chemistry and deliver a powerful and tense duet for Love on the RocksRobyn Hurder gives an electrifying performance of Forever in Blue Jeans as charming and soulful Marcia Murphey.  Bri Sudia in a dual role is comic gold as outspoken and caring record producer Ellie Greenwich from her very first line with Swenson as Then Diamond. Their snappy chemistry creates some of the production’s funniest and most inspiring moments.

Tony Award® nominee Will Swenson as Neil Diamond – Then with Swings Photo credit to DKC O & M/Emerson Colonial Theatre

Whether soaked in beautiful shadows or in a multi-colored glow on a concert stage, lighting designer Kevin Adams exacts each mood-induced scene masterfully.  Emilio Sosa’s lively and glittering costumes have a retro feel delving into the wild, vibrant patterns of the late 60’s and onward while Diamond’s progressive stage presence flaunt his signature fringe, suede, leather, and glittering sequins.  David Rockwell’s inviting and eye-catching set design enhances this dazzling musical experience which includes dynamic hanging light fixtures and a stunning, innovative multi-tiered, spot-lit band richly conducted by Sonny Paladino and Sinai Tabak.

Tony Award nominee Mark Jacoby as Neil Diamond – Now, Linda Powell as Doctor, and the Swings Photo credit to DCM O & M/Emerson Colonial Theatre

A Beautiful Noise is a clever, eloquent, and illuminating look at Diamond without taking itself too seriously.  Now to those incredible swing dancers that accompany Diamond on his journey.  Fueled by Steven Hoggett’s upbeat, athletic, and era-driven choreography, the Swings brightened each scene even its darker moments to make this effervescent musical journey feel so good.

The world premiere of The Neil Diamond Musical:  A Beautiful Noise continues at Emerson Colonial Theatre in Boston, MA live and in person through August 7.  Click here for more information and tickets.