REVIEW: Kristin Chenoweth thrills Boston with her unshakable optimism, humor, and unstoppable vocals

“Boston is my second favorite place in the world,” reveals a glimmering Kristin Chenoweth, “Don’t tell New York.”  Wearing a black, glitzy cocktail dress paired with shining silver pumps and a megawatt smile, award-winning singer and film, television, and musical theatre actress Kristin Chenoweth excitedly burst onto the Boston Symphony Hall stage, standing before an equally shimmering microphone as the crowd roared.  “I feel like I’m in Oklahoma,” she revealed, sipping from a large Dunkin’ Donuts cup, “It feels right.”

It also felt right for the enthusiastic, packed house as Chenoweth kicked off her one night only, Celebrity Series of Boston debut of An Intimate Evening with Kristin Chenoweth on Sunday, April 30.  Symphony Hall was appropriately lit in Chenoweth’s signature color as Greek statues above the balconies gave off a violet and pink hue.

Celebrity Series Symphony stage

Celebrity Series of Boston at Symphony Hall Photo courtesy of Jeanne Denizard

Greeting the audience with Should I be Sweet by Vincent Millie Youmans from the musical, Take a Chance, a thrilling, flirtatious ode debating the perfect way to present oneself, Chenoweth immediately lured the audience in with her engaging, vivacious, and wonderfully charming personality as well as her rich, unstoppable vocals.  From beautiful stories about her parents to her unfailingly optimistic, humorous, and unbridled reflections on her life and career, Chenoweth proved not only a brilliant entertainer, but an incredible joy just to spend time with.

Accompanied by her Worcester-raised Music Director Michael Orland on piano, who is also the vocal coach to the hit show, Little Big Shots, Kristin Chenoweth spoke about a few of her past career highlights in television such as GCB, West Wing, Glee, Pushing Daisies, and Hairspray Live, to new projects such as a recently filmed pilot set in Boston as well as her new role on American Gods that premiered on Starz that same evening.  Chenoweth also revealed a few significant roles that horrified her God-fearing parents, having been raised in the Bible belt in Oklahoma.  For instance, having heard about Chenoweth’s new role as a witch in Wicked, Jerry and Judy Chenoweth shockingly asked, “Is the show satanic?”  She also launched into the scandalous Broadway tune from the hit musical, A Chorus Line called Dance Ten Looks Three, cheekily toning down the lyrics to coincide with her conservative upbringing.

Kristin Chenoweth in Boston

Photo courtesy of Robert Torres/Celebrity Series of Boston

What makes An Intimate Evening with Kristin Chenoweth so powerful is for that evening, Chenoweth’s uplifting view of life helped to make life a bit more bearable, even in its sadder moments.  Her recitation of The Obituary of the Pillsbury Doughboy was a particular highlight as a moment of silly humor following a glorious and emotional rendition of the beloved song, Bring Him Home from the musical, Les Miserables as she alluded to the Boston and Oklahoma bombings, a painful reminder of what Boston and her hometown have in common.

Chenoweth warmly shared her early experiences longing to become a ballerina, her surprising friendship with Julie Andrews, and what inspired her latest Grammy-nominated album full of Chenoweth’s favorite songs from the American Songbook, The Art of Elegance.  She sang a poignant, timeless selection from the album by Hoagie Carmichael and Johnny Mercer, I Get Along Without You Very Well.  She also delivered a few of her signature songs with lively exuberance such as Taylor, The Latte Boy and Popular from the musical, Wicked, her soaring, silvery, classically-trained vocals dancing from pop to operatic, perfectly complementing her witty sense of humor.

Kristin Chenoweth on Symphony Hall stage

Kristin Chenoweth with the Boston Conservatory and the Boston City Singers Photo courtesy of Robert Torres/Celebrity Series of Boston

Chenoweth surprised the audience by bringing out the Boston Conservatory and Boston City Singers to join her onstage to perform as she expressed her love of mentoring students and her love of all faiths.  “For those who don’t believe,” Chenoweth added, “this will be over in four minutes.”  Accompanied by the two choirs, she launched into the worship song, Upon this Rock.  Her performance closed with what Chenoweth refers to as her anthem, I was Here, though her tender, memorable encore, Smile, may have also stayed with the audience long after the show was over.

Click here to see where the award-winning Kristin Chenoweth will be touring next as well as how to get a copy of her latest album, The Art of Elegance.  A few performances remain in the Celebrity Series of Boston’s season.  Click here for tickets and for a closer look at this season’s shows and here to take a peek at their recently announced 2017-18 season.  Follow Celebrity Series of Boston on Facebook and Twitter for updates.

Kristin Chenoweth, making her Celebrity Series of Boston debut on April 30, talks favorite roles, latest album, and more

From a church choir soloist to an Emmy and Tony award-winning actress and singer, Kristin Chenoweth has been dazzling audiences on film, television, and on stage with her dynamic range and powerful vocals for over 20 years.  Currently promoting her sixth album, The Art of Elegance, she will be making her Celebrity Series of Boston debut for ‘An Intimate Evening with Kristin Chenoweth’ at Symphony Hall on Sunday, April 30 at 7 p.m.   The evening will include a selection of her most popular songs, pop, American standards, and Broadway tunes.  Click here for more information and for tickets.

Kristin Chenoweth talks about some of her favorite and most challenging roles, the inspiration behind her Grammy-nominated album, and a few surprises she has encountered along the way.   Click here for more on her upcoming projects.

Celebrity Series 1739-Kristin-Chenoweth-Credit-Bryan-Kasm

The Art of Elegance with Kristin Chenoweth Photo courtesy of Bryan Kasm

Sleepless Critic:  You’re an actress, singer, Broadway performer, and voiceover artist.  You sang in church at an early age.  Was singing your first love?

Kristin Chenoweth:  My first love was ballet.  I wanted to be a ballerina, but I didn’t have the flexibility in my feet.  I was so glad I had that training at a young age because I began to hear classical music and then I wanted to take piano.  I think I was about eight years old when I had my first solo in church and that’s kind of when things shifted for me.

SC:  You will be exploring a number of genres during your upcoming concert.  Pop, songbook classics, Broadway, a bit of everything you’re known for.  What kind of music do you enjoy listening to?

KC:  I love all kinds of music and I shift in and out and change a lot.  Right now, I’m listening to a lot of Linda Ronstadt.  I get on these kicks and I’ll just listen to something over and over and it shifts all the time.  There are so many artists I admire, but that’s what I am doing right now.

SC:  Have you ever had a role that you had certain expectations of and you ended up totally surprised by on Broadway or otherwise?

KC:  Absolutely, I think playing the female lead in Promises, Promises.  I knew it would be a challenge for me to play her, but it was really surprising how much I fell in love with her and came to really understand her.  There’s a big part of me who really knew who this person was.  It might not have been what fans wanted necessarily, but it is important as an artist to not always do what is expected.  The part scared me and that is how I knew I needed to do it.

SC:  You won a Tony as Sally Brown in You’re a Good Man Charlie Brown. What has been your favorite role so far?

KC:  On Broadway, it is definitely Lily Garland in On the 20th Century.  It was a role that required a lot of my own skill set and it is an operetta with tons of movement and high brow comedy.  I probably never worked harder, but it was extremely gratifying.

SC:  You have such a great vocal range.   Was there a note that you discovered you could hit that took you by surprise?

KC:  I remember being in a voice lesson while at Oklahoma City University.  My teacher was vocalizing with me.  I didn’t study voice growing up.  I just sang in choir and was in drama in high school.  That was my training, so I never had a voice lesson.  When I went to OCU, she vocalized with me up to a high F sharp above high C.  I knew that was high, but I couldn’t believe it.

For many years, I sang arias that required a high F and I noticed it’s maybe not there like it used to be.  I would say I am living in more of the D or E flat area, but that was a crazy high note.

SC:  When a song is particularly challenging, how do you overcome it?

KC:  It’s so funny, we were just talking about one of the songs from Promises, Promises the other day with Michael Orland, my music director on this tour.  The song is called, Knowing When to Leave by Hal David and Burt Bacharach.  I just told him that it hammered away at my voice eight times a week because it is very repetitive in an area of my voice that is what we call passaggio.  That song scared me.

Finally in rehearsals, I thought less about being note perfect and more about the character.  I find that when you let go, you really think about what you are singing and mean what you are singing.  It hasn’t always gone that way and I don’t always make the right decisions, but that is when you let go, you can get there.  That song was a big challenge for me and to this day, I think it’s hard, but I worked on it, wrote it down, lived it, and warmed up to it.  Who knows?  Maybe I’ll pull it out again.

SC:  The Art of Elegance is your latest album.  What was the inspiration behind it and why did you choose American songbook classics this time around?

KC:  Basically, I made a list of a bunch of songs and it kept pointing to this era.  I love the lyrics.  I love the melody of its time and they are some of the greatest songs ever written by composers such as Gershwin and Cole Porter.  I didn’t know The Very Thought of You very well.  I think I heard it a couple of times and then I really started to investigate the song.  That happened a lot on this album and now, of course, I just feel like I want to do a part two.

Click here for more information and for tickets to Celebrity Series of Boston presents ‘An Intimate Evening with Kristin Chenoweth’ at Symphony Hall, 301 Massachusetts Ave. in Boston, Massachusetts on Sunday, April 30 at 7 p.m.  Celebrity Series of Boston just announced their 2017-18 season.  Subscriptions, gift cards, group, and student discounts available.  Click here for more on their upcoming season.

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