The Bands Visit | The Sleepless Critic

REVIEW: Kindness stirs in North Shore Music Theatre’s uplifting ‘Come from Away’

Posted on 1 Day Ago by The Sleepless Critic

It’s the furthest place from Disneyland.

In a small town where everyone knows everyone, a melting pot of 7,000 strangers from around the world make an impact on these unsuspecting residents on September 11, 2001, one of the most harrowing days in U.S. history. Abandoning all their self interests and in the middle of a Gander strike, Gander, Newfoundland put everything aside to find out what they can do to help.

Fueled by Kevin P. Hill’s inspired direction and intricate choreography with Dr. Michael McBride’s affecting music direction, Bill Hanney’s North Shore Music Theatre continues the extraordinary folk-rock musical, Come from Away live and in person at North Shore Music Theatre in Beverly Massachusetts through Sunday, September 27. Based on a true story, this semi-interactive theater-in-the-round musical runs approximately 90 minutes with no intermission. Click here for more information and for tickets.

The cast of “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Come from Away first took the stage as the result of a student workshop in Ontario, Canada in 2013 before finding its way to Broadway in 2017 to win a Tony Award for Best Director of a Musical.

This inspiring musical finished its run in Gander, Newfoundland on September 13 days after observing the 25^th anniversary of 9/11 before North Shore Music Theatre’s Come from Away made its timely stage debut on Wednesday, September 16 continuing through Sunday, September 27.

I wasn’t aware of what happened in Newfoundland 25 years ago on September 11 until seeing this production and haven’t witnessed this degree of kindness in a musical since The Huntington’s The Band’s Visit which is also based on a true story. What a revelation.

A group of distinct and strategically-placed chairs form the basis of Jack Mehler’s creative scenic design as the colorful and atmospheric lighting transforms the tiered stage from a crowded plane to a coffee shop to an impromptu celebration. Ryan Marsh’s intense sound design excels, especially during sudden and pivotal moments. From business suits to cultural and traditional attire to flannels to the vibrant Sou’wester, costumer Rebecca Glick distinctively dresses each individual, but brings an entirely new significance to their attire when characters find themselves in someone else’s shoes.

Compelling from its first scene, Come from Away is rich in tone delivering a balanced mix of warmth and urgency. It contains a variety of captivating Celtic-tinged drum, acoustic and fiddle-laden rhythms steeped in enchanting, contemplative, intricate and multilayered harmony. From hopeful to suspenseful to uplifting and everywhere in between, Come from Away boasts a strong collaborative cast who work wonderfully off each other sharing testimonies while articulating a number of resonating emotions looking back on that fateful day.

Based on real life individuals including rookie reporter Janis Moser to trailblazing airline pilot Beverley Bass, each cast member skillfully navigates more than one character with an authenticity and quiet resonance as thousands of strangers from all over the world face an unknown future stranded in a mysterious land.

Laurel Harris as Beverley in “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Matthew Bryan Feld and Susan Oliver share a sweet camaraderie, especially during the reflective number Stop the World. Laurel Harris delivers a memorable and exhilarating rendition of Me and the Sky and Carla Wood is lovely and sympathetic for an earnest rendition of I Am Here. Kevin T. Hannah’s consoling vibrato rises with the cast for a moving Prayer and Welcome to the Rock’s pulsing and infectious rhythms may stay with you long after the musical ends.

Carla Woods (Hannah) and Mary Callanan (Beulah) in “Come From Away” at Bill Hanney’s North Shore Music Theatre from September 16 -September 27, 2026. Photo © Paul Lyden

Come from Away is not without moments of shock, distress and uncertainty, but holds many more moments of warmth, encouragement and humor delivered in rich harmony that could very well spark a renewed faith in humanity.

Bill Hanney’s North Shore Music Theatre continues the extraordinary folk-rock musical, Come from Away live and in person at North Shore Music Theatre in Beverly, Massachusetts through Sunday, September 27. Click here for more information and for tickets.

REVIEW: Fueled by a mesmerizing soundtrack, witness The Huntington and SpeakEasy Stage Company’s quietly stirring ‘The Band’s Visit’

Posted on December 1, 2023 by The Sleepless Critic

Imagine longing for a phone call from a loved one or the act of just mustering up enough courage to speak to a girl. Imagine welcoming a group of strangers to your table and into your private home for the night because they are in need of a place to stay. Think about that kind of selflessness and hospitality freely given without a second thought. These seemingly small acts of kindness make a big impact in The Band’s Visit.

Cast of The Band’s Visit; Photo by T Charles Erickson

Directed warmly by Paul Daigneault with mesmerizing music direction by Jose Delgado, The Huntington with SpeakEasy Stage Company presents The Band’s Visit by Itamar Moses through December 17. The show is 90 minutes with no intermission. Click here for more information and for tickets.

The Band’s Visit made its Broadway debut in 2017 with Tony Shaloub as Tewfiq and went on to win multiple Tony Awards. Much of this acclaimed show hinges on its eclectic and spellbinding music soundtrack which ties the band and the locals together, particularly essential when they are feeling misunderstood. This multi-talented onstage band certainly can jam especially for the numbers Soraya and Haj-Butras and receives some additional hidden accompaniment which is delightedly revealed in an unexpected way.

Set in 1996 in a small Israeli town located in the middle of the Negrev Desert where nothing unusual ever seems to happen, the townsfolk are dazzled by a traveling and stranded Egyptian band wearing distinguished powder blue uniforms by Miranda Kau Giurleu. The Band’s Visit is an unconventional and unassuming musical that quietly and most assuredly will open hearts and minds to the little things in life that are sometimes overlooked.

The Band’s Visit unveils heartache and hope in such a remote land that the locals may sometimes feel forgotten. Many aspects of Jimmy Stubbs and Wilson Chin’s nostalgic scenic design fondly rewinds the clock using iconic pieces of nostalgia while also evoking the isolated nature of the town which includes a towering lamp post, a phone booth richly and authentically detailed with fingerprints and grime on its plastic cover, and a deserted blue street with yellow stripes. One of the most memorable scenes recreates a retro roller skating rink equipped with multicolored lights, disco ball and DJ.

Jennifer Apple, Brian Thomas Abraham; Photo by T Charles Erickson

This production delivers many surprises and this intriguing cast is no exception. Brian Thomas Abraham wonderfully portrays modest orchestra leader Tewfiq. Abraham’s reserved Tewfiq expresses his art with charisma, but offstage, he is a man of few words. Guarded and mysterious, Abraham shares fascinating chemistry with Jennifer Apple, a natural as feisty divorcee Dina especially for the beguiling numbers Omar Sharif and Something Different. Stunning in a gorgeous red flowing burgundy frock, Apple captures Dina’s resilience and yearning for happiness beyond what this small town can offer but something is holding her back. Apple’s bright smile and intensity is particularly notable in a scene stealing incident slicing watermelon in It is What it Is.

Marianna Bassham, Andrew Mayer, Robert Saoud, James Rana, Jared Troilo; Photo by T Charles Erickson

Mariana Bassham, who has a history of impactful roles including a starring role in SpeakEasy Stage’s People Places and Things from 2022, is impressive alongside Jared Troilo as Iris, Itzik’s long suffering and resentful wife. Even in an uplifting scene involving household instruments, Bassham’s vacant expression and fatigue is the picture of indifference and discontented heartache as she stares into the abyss of a life unfulfilled. Troilo’s Itzik is warm and helplessly optimistic despite his family’s circumstances. Troilo has a powerful voice which is understated for this particular performance for a quietly tender Itzik’s Lullaby.

Noah Kieserman, Mac Ritchey, Jared Troilo; Photo by T Charles Erickson

The Band’s Visit also offers a mix of lighthearted comedic moments. Jesse Garlick shines as awkward and bewildered Papi for the zany number Papi Hears the Ocean as Josephine Moshiri Elwood as self effacing Julia looks on. Kareem Elsamadicy is much more than meets the eye as Haled in the smooth and lovely rendition of Haled’s Song about Love. Emily Qualmann as Anna and Fady Demian as Zelgar make an entertaining pair of partiers and Noah Kieserman delivers gorgeous vocals with the cast for the enthralling number, Answer Me.

Directed warmly by Paul Daigneault with mesmerizing music direction by Jose Delgado, The Huntington with SpeakEasy Stage presents The Band’s Visit by Itamar Moses through December 17. The show is 90 minutes with no intermission. Click here for more information and for tickets.