REVIEW: Reagle Music Theatre of Greater Boston captures virtual musical magic with ‘Entr’acte’

Like many of us, I miss theatre.

When not working on the next house project, the last few months have brought many opportunities as an avid television and film fan to stream from home.  From Knives Out to the Netflix hit, To All the Boys I’ve Loved Before, settling into the living room has been convenient and strongly advised.

However, theatre belongs in a separate category.  It’s not only the buzz of anticipation from an exhilarated crowd as the lights dim, but live theatre begins a journey into a different world upon a unique and dynamic stage as I let the new setting settle into my psyche.   Whatever may come of theatre over the next months or year, a live venue and the slow murmur as the curtain goes up has become more valuable to me than it ever has before.

Theatre has survived everything in history from World Wars to disasters to pandemics.  It has transformed and overcome every obstacle it has faced.  This time will be no different.  Ah, but that glorious feeling.

In the meantime, virtual streaming broadcasts have made their way to center screen.  New content seems to be popping up every day from theatre to music groups that are hoping to keep things afloat and longing to perform for an audience – even if it is one they cannot hear or see.   Some are short, some are interactive, and some don’t translate well.  Virtual award shows have also popped up in the last few months.

Perhaps I’m feeling more nostalgic than usual because each summer, Reagle Music Theatre of Greater Boston sets the stage for a trio of summer musicals ranging from classic to contemporary.  This time last year, Sleepless Critic reviewed Reagle Music Theatre of Greater Boston’s musical classic, The Sound of Music.  It was a glorious production flanked with sprawling sets and an enchanting cast that left you humming the timeless soundtrack long after the show’s moving finale.  Click here for the full review.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children

A few of The Sound of Music’s promising talent lent their voices to Reagle Music Theatre of Greater Boston’s live, theatrical fundraiser Entr’acte that premiered on Sunday, June 28 and is still available on Reagle’s website.   Hosted by Reagle veterans JT Turner and Mark Linehan and directed by Marisa Diamond, Reagle Music Theatre of Greater Boston lifted the virtual curtain and offered a glimpse of summer musical magic featuring a showcase of musical favorites, familiar local and renowned talent,  and some interactive fun while delving into Reagle’s rich history.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

Among the many highlights were Jennifer Ellis who reprised her award-winning role in My Fair Lady with a soaring, blissful rendition of I Could Have Danced All Night.  The Von Trapp children from The Sound of Music delivered their own number and youth performer Kimora Yancey delivered a powerful rendition of I Know Where I’ve Been from Hairspray. Pier Lamia Porter, who has been doing her own wonderful charity work for Covid 19, also shared her flourishing vocals for If I Loved You from Carousel, Reagle’s premiere musical in 1969.  Scott Wahle brought his usual charisma for Music Man’s 76 Trombones, Leigh Barrett reprised her role for It’s Today from Mame, and Dwayne Mitchell sang, I am What I Am from last year’s La Cage Aux Folles.  Found Robert Eagle also shared some of Reagle’s vivid history.

Reagle Music Theatre Entracte performers

Reagle Music Theatre of Greater Boston’s ‘Entr’acte’ performers Photo courtesy of Reagle Music Theatre of Greater Boston

Beloved musical duo Sarah Pfisterer and Rick Hilsabeck were among the many presenters that popped up during the musical benefit.

Reagle's Rick and Sarah

Rick Hilsabeck and Sarah Pfisterer Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre recently celebrated its 50th season and Sleepless Critic has cheered their outstanding work for musicals over the years such as Joseph and the Amazing Technicolor Dreamcoat, La Cage Aux Folles, Wonderful Town, Me and My Girl, and their annual show, ChristmasTime, which has become a traditional favorite.  Without these musical productions though the summer season and the live shows they put on throughout the year, Reagle needs support in order to keep going.

Virtually, they are all singing to that man, woman, or child behind the computer screen, phone, or on television.  While this is flattering, it also makes me a bit sad.  I miss hearing them sing while I quietly sing along, upstaging my performance in every way.  How I have missed most steps in the dance…but can’t see their feet.

From the heart thumping 42nd Street to the cool cats in Guys and Dolls to Singin’ in the Rain to their annual, stunning production of ChristmasTime, their shows must simply go on and spark another 50 years.

Click here for more on Reagle Music Theatre of Greater Boston located at 617 Lexington Street in Waltham, Massachusetts.  Their virtual youth theatre workshops are happening now and their second workshop session will start on July 20.

 

REVIEW: Massasoit Theatre Company’s “Miracle on 34th Street the Musical” a faithfully-festive, whimsical adventure

miracles-rockettes

The cast of Massasoit Theatre Company’s production of “Miracle on 34th Street the Musical.” Cast as the Rockettes and a train conductor.

miracles-kelly-hines-and-austin-archabal

Photo courtesy of Jeanne Rocheteau. From L to R: Austin Archabal as Susan and Kelly Hines as Doris in Massasoit Theatre Company’s “Miracle on 34th Street the Musical”

It is easy to see why Massasoit Theatre Company selected “Miracle on 34th Street the Musical” as part of its 50th anniversary season. While holiday shows often delve into the true meaning of the Christmas season, “Miracle” also festively explores with heartwarming humor what makes one shun imagination and blind faith for solemn practicality. It also reminds the audience what makes faith in everything so precious. Directed by Nathan Fogg, produced by Mark Rocheteau, and choreographed by Samantha Brior Jones, Massasoit Theatre Company continues its run of “Miracle on 34th Street the Musical” through Sunday, December 18. Click here for more information and for tickets.

Set in New York City on Thanksgiving Day prior to an impressive depiction of the Macy’s Thanksgiving Day Parade, Kelly Hines as Doris is in the midst of a crisis. The Santa Claus they hired for the parade is out of commission at the last minute. Enter Craig O’Connor as charismatic and whimsical Kris, who may be just what Macy’s is looking for. This family friendly, classic tale is further enhanced by its beautiful, uplifting score by Meredith Wilson, who co-penned another beloved musical classic, “The Music Man” with Franklin Lacey. Massasoit’s Theatre Company’s “Miracle on 34th Street the Musical” delves into familiar carols such as It’s Beginning to Look a Lot like Christmas as well as catchy, playful, original numbers such as She Hadda Go Back, a song reminiscent of Music Man’s memorable, comedic number, Trouble. Each number offers deeper, meaningful insight into each character and heightens the show’s inherent message without veering off course.

Kelly Hines portrays Doris’s irrepressibly determined nature right down to her poised chin. Protective and practical, Hines exudes a sweet chemistry with Austin Archabal as Doris’s precocious, but curious daughter Susan, especially evident during their harmonious number, Arm in Arm. Hines also shows a new, incalculable side to her when she meets Matt Torrance as personable, but disciplined Fred Gailey. Hines offers an impassioned performance, especially with the number, You Don’t Know.

Austin Archabal shines as Susan, demonstrating her mother’s spunk, but peppered with wide-eyed wonder. She has natural, touching chemistry with each cast member, but is most memorable with Craig O’Connor’s wise, whimsical, and with a certain twinkle portrayal of bearded, spectacled Kris, especially during the number, Expect Things to Happen.

With equal twinkle and charisma is Matt Torrance’s brilliant performance as Fred. With a smooth, silvery voice, natural tap skills, and personable nature, Torrance is captivating in each scene and takes the humorous numbers, She Hadda Go Back and Look, Little Girl to a new level.

In a three piece suit, glasses, and an often frenzied look, Alexander Hagerty adds a hefty dose of zany humor as enthusiastic, and at times, bumbling Macy’s store assistant Marvin Shellhammer. From his wild antics and outlandish jingles, Hagerty is a comedic scene stealer. Possessing a melodic alto, Athan Mantalos also delivers a forthright, commanding performance as R.H. Macy.

From the portrayal of iconic holiday figures such as the Rockettes and Raggedy Ann and Andy to name a few to extraordinary, imaginative characters, the entire cast embraces holiday cheer, setting a lively, ‘50s city tone enhanced by sets depicting colorful city skylines, bright, detailed Christmas decorations, and a wide variety of creative costumes by Jennifer Spagone. Above all, Massasoit’s Theatre Company’s “Miracle on 34th Street the Musical” depicts just what love and letting go will do.

Massasoit Theatre Company’s 50th anniversary season presents their holiday production of “Miracle on 34th Street the Musical” continuing through Sunday, December 18. All performances are held at Buckley Performing Arts Center, 1 Massasoit Boulevard in Brockton, MA.  Click here for tickets and for further details of their 50th season.  Follow them on Facebook for the latest updates.