REVIEW: Let loose and laugh a lot about life with inventive musical comedy ‘The Other Josh Cohen’

What if life could nudge you in the right direction when nothing seems to be going right?  The romantic musical comedy The Other Josh Cohen inventively and comically explores this concept and more continuing at the Westside Theatre in New York, New York through April 7.  This production is 90 minutes without an intermission.  Click here for more information and tickets.

Imagine a studio apartment being robbed on a holiday with Grinch-like stealthiness, perhaps even the thief figuratively “taking the last can of Who Hash” which in this case is unceremoniously a radio.  However, rather than it taking place on Christmas Eve, it’s on Valentine’s Day, and what little the thief does leave behind becomes your most treasured possession – a certain CD.  It’s easy to relate to this scenario because my own car was robbed once and I knew kids were probably responsible because they left the movie soundtrack to Titanic behind.  Ah, kids today.

The victim in this robbery is Josh Cohen, portrayed with lovable earnestness by Steve Rosen as Narrator Josh, portrayed with confidence and charm by David Rossmer, looks on.  It seems that nothing is going quite right for Josh until an unforeseen circumstance just might turn his life around.

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Steve Rosen and David Rossmer as The Other Josh Cohens Photo courtesy of Caitlin McNaney/The Other Josh Cohen

This multi-layered musical comedy is as ambitious as it is hilarious.  Not only does the show take off right away and I’m not just talking about most of the set, but it plays with time frames, utilizing a small, but ceaselessly hardworking, multi-talented cast capable of playing several characters at the drop of a dime.  How many shows can say that the cast is also the band and it all runs like clockwork?

With orchestrations by Dan Lipton and David Rossmer, The Other Josh Cohen is packed with catchy, insightful, comical, and frequently optimistic tunes about life and isn’t afraid to get occasionally silly.   The lighthearted, rock and roll and pop soundtrack includes Hang On, The Other Josh Cohen, What If, Change a Thing, and Samuel Cohen’s Family Tree which come highly recommended.   The Other Josh Cohen star-studded CD soundtrack features the voices of Hank Azaria, Sutton Foster, Sarah Bishop, and Richard Kind to name just a few.

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From L to R Louis Tucci, Kate Wetherhead, Luke Darnell-Hannah Elless Photo courtesy of Caitlin McNaney/The Other Josh Cohen

There is a great deal of natural chemistry among this small cast and though they seem to be improvising at times, it is an entirely scripted show punctuated by timely pop culture references.  Cathryn Wake, Jane Bruce, Luke Darnell, Louis Tucci, and Megan Loomis all make portraying several roles look easy as glittering Aunt Bea, Josh’s neighbor who is part of the “she” street band, the superintendent, Josh’s father, and the dentist are particular highlights.

 

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So The Other Josh Cohen is funny, inventive, semi-interactive, and has a multi-talented cast, but what makes this show special?  Even when life shows its dark side, there is always hope.  It’s good to laugh a little (or a lot) and through its catchy, sometimes self-deprecating songs, everything in life just might turn out ok.  That makes for more than just a fun night out.

The Off-Broadway, romantic musical comedy, The Other Josh Cohen continues at the Westside Theatre at 407 W 43rd Street New York, New York through April 7.  Click here for more information and tickets.  Click here for further details on that star-studded soundtrack.

 

 

Acclaimed producer Sue Gilad talks Tony nominations, girl power, and heartwarming musical, ‘A Taste of Things to Come’

From the award-winning Natasha, Pierre, and the Great Comet of 1812 to Angels in America, renowned theatre producer Suzanne Gilad has an eye for the next big show.  Boasting an array of memorable tunes, Sue’s current musical project, A Taste of Things to Come, has been described as Jersey Boys meets Betty Crocker meets the 60s feminist movement.  It takes the stage at Chicago’s Broadway Playhouse through April 29.

A Taste of Things to Come poster

Photo courtesy of Broadway in Chicago

Sue discusses getting Tony nominations, bringing A Taste of Things to Come to Chicago, and Turtle Wax.  Click here for more information and tickets to A Taste of Things to Come.

Sleepless Critic:  You are involved in a number of well known projects such as Angels in America, Madame Butterfly, Natasha, Pierre, and the Great Comet of 1812, and upcoming project, The Other Josh Cohen.  What first brought you into the theatre world?

Sue Gilad:  I was a performer a long time ago and then started doing voice overs, which took me down a completely separate and fun path.  A few years ago, a friend created a show and asked me if I would help shape it.  I discovered being a producer meant that I could be responsible and still have a life. We get to be creative in terms of what kinds of work we bring to the public to see and hopefully open their minds and hearts.  It made sense and there are still relatively few female producers in the business, although that is changing.  There is a lot of growth for that.

I would jump Broadway projects as a co-producer and that is what is happening with the recently opened Angels in America.  People ask me if they can meet Andrew Garfield who delivers a tremendous and transformative performance in the show.  I’ve never seen him like that.

SC:  What was it like for you when Natasha, Pierre, and the Great Comet of 1812 got multiple Tony nominations?

SG:  It was such a big honor that the show received the most Tony nominations of any show last year.  The best part about getting the nominations was The Great Comet was a big creative risk.  I don’t think anyone thought it was going to be on Broadway with its tiny stage and cast.  When it was at the American Repertory Theatre (A.R.T) in Cambridge, Massachusetts, Diane Paulus wanted to take the show which was in the round and remount it into proscenium theatre.  She did to great acclaim and it became an immersive production, unlike anything Broadway has ever seen before.

A Taste of Things to Come women

Libby Servais (Broadway: Wicked, Lysistrata Jones), Cortney Wolfson (Broadway: The Addams Family, Les Miserables) Broadway’s Linedy Genao (On Your Feet! Original Broadway Cast), Marissa Rosen (Off-Broadway’s The Marvelous Wonderettes) Photo courtesy of Broadway in Chicago

 

SC:  A Taste of Things to Come has an all female crew.  Was it planned that way?

SG:  Dare I say that the women were the most qualified for the job?  A Taste of Things to Come, written by Hollye Levin and Debra Barsha, is based on Hollye’s experience of her mom and a part of it tells the story of the life her mom had growing up.  Then director Lorin Latarro came onboard when the show debuted at Bucks County Playhouse in Pennsylvania.  Everybody loved her and she brings tremendous things to the show.

The show features four women that age from age 25 in 1957 to age 35 in 1967.  Everything blows open in the beginning of Act 2 when they are 10 years older and wiser with more opportunities for women and delicious secrets about race, religion, and sexuality which is not something you really talked about in the 1950s.  By the 1960s, there was a real space for it.  You get to see these women’s journeys during an incredible moment in history.

SC:  What was it about A Taste of Things to Come that grabbed your attention?

SG:  I saw a rehearsal or reading of this show and loved it.  It gave me the opportunity to articulate my gratitude to the generation before me that broke through so many glass ceilings I didn’t even know existed.

Women of that generation either didn’t work or they became teachers and nurses so my generation can become doctors and superintendents.  Then my kids’ generation can do whatever they want for work or nothing for work.  It’s just extraordinary and gave me a window into the past.  I can share it with my mom and, if I wanted to, bring my teenage daughters to it.  It’s a celebration of friendship, solidarity, and kind of interestingly timed with the advent of the ‘me too’ and ‘times up’ movement that women in their time also had to take a stance for things that were beyond their comfort zone or what was socially acceptable at the time.

A Taste of Things to Come cast

The cast of ‘A Taste of Things to Come’ Photo courtesy of Broadway in Chicago

SC:  The New York Times has described A Taste of Things to Come as ‘a recipe for catchy musical theatre.’  Please tell me a little about the music and your favorite songs.

SG:  Composer Debra Barsha worked on Jersey Boys on Broadway for ten years so it starts out with the popular tunes of the 1950s.  Ten years later, things become a lot groovier and it had a really distinctive 60s sound.  My favorite song has been shifting as I get to know it better, but today I love the song, Blessings in Disguise.  It’s a testament to the things we think will challenge us which are actually the things that make us stronger and give us unexpected gifts.  My other favorite song is In Time, the final song of the show.  The entire cast sings it and they look back at what they have been through together as individuals and as a group of friends.  The best things happen in time.

SC:  What has it been like putting the show together?

Since the show is set in Winnetka, A Taste of Things to Come is making its home in Chicago.  It’s been fun listening to the audio discs during previews because of the way the audience giggles with any Winnetka or Chicago reference.  We were very lucky to get New York Broadway actresses but we also have an understudy that can swing all four roles.  Madison Kauffman is a Chicago native who just graduated from college.  She came in for the first day of rehearsal completely off book for all four roles.  Her level of excitement and passion is so thrilling.

A Taste of Things to Come Chicago cast

The cast of ‘A Taste of Things to Come’ Photo courtesy of Broadway in Chicago

SC:  What kind of support is the show looking for?

SG:  We have a great sponsor based out of Chicago called Turtle Wax.  It is in the script because it was wax that men were using in 1957 for their cars.  We would be open for Chicago-based companies to sponsor the show because we do have a wonderful, primarily female, well-educated audience.

SC:  What is in store for the future of the show?

SG:  We have wonderful theatres interested in having the show at their theatre so we might take the show on tour.  Then we’re hoping to get it licensed so every school, regional theatre, community, and worldwide theatre can perform it and share the victories of womanhood.

A Taste of Things to Come continues at the Broadway Playhouse in Chicago through April 29.  Click here for more information and for tickets.  Follow A Taste of Things to Come on Facebook and Twitter.

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