REVIEW: Reagle Music Theatre of Greater Boston captures virtual musical magic with ‘Entr’acte’

Like many of us, I miss theatre.

When not working on the next house project, the last few months have brought many opportunities as an avid television and film fan to stream from home.  From Knives Out to the Netflix hit, To All the Boys I’ve Loved Before, settling into the living room has been convenient and strongly advised.

However, theatre belongs in a separate category.  It’s not only the buzz of anticipation from an exhilarated crowd as the lights dim, but live theatre begins a journey into a different world upon a unique and dynamic stage as I let the new setting settle into my psyche.   Whatever may come of theatre over the next months or year, a live venue and the slow murmur as the curtain goes up has become more valuable to me than it ever has before.

Theatre has survived everything in history from World Wars to disasters to pandemics.  It has transformed and overcome every obstacle it has faced.  This time will be no different.  Ah, but that glorious feeling.

In the meantime, virtual streaming broadcasts have made their way to center screen.  New content seems to be popping up every day from theatre to music groups that are hoping to keep things afloat and longing to perform for an audience – even if it is one they cannot hear or see.   Some are short, some are interactive, and some don’t translate well.  Virtual award shows have also popped up in the last few months.

Perhaps I’m feeling more nostalgic than usual because each summer, Reagle Music Theatre of Greater Boston sets the stage for a trio of summer musicals ranging from classic to contemporary.  This time last year, Sleepless Critic reviewed Reagle Music Theatre of Greater Boston’s musical classic, The Sound of Music.  It was a glorious production flanked with sprawling sets and an enchanting cast that left you humming the timeless soundtrack long after the show’s moving finale.  Click here for the full review.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children

A few of The Sound of Music’s promising talent lent their voices to Reagle Music Theatre of Greater Boston’s live, theatrical fundraiser Entr’acte that premiered on Sunday, June 28 and is still available on Reagle’s website.   Hosted by Reagle veterans JT Turner and Mark Linehan and directed by Marisa Diamond, Reagle Music Theatre of Greater Boston lifted the virtual curtain and offered a glimpse of summer musical magic featuring a showcase of musical favorites, familiar local and renowned talent,  and some interactive fun while delving into Reagle’s rich history.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

Among the many highlights were Jennifer Ellis who reprised her award-winning role in My Fair Lady with a soaring, blissful rendition of I Could Have Danced All Night.  The Von Trapp children from The Sound of Music delivered their own number and youth performer Kimora Yancey delivered a powerful rendition of I Know Where I’ve Been from Hairspray. Pier Lamia Porter, who has been doing her own wonderful charity work for Covid 19, also shared her flourishing vocals for If I Loved You from Carousel, Reagle’s premiere musical in 1969.  Scott Wahle brought his usual charisma for Music Man’s 76 Trombones, Leigh Barrett reprised her role for It’s Today from Mame, and Dwayne Mitchell sang, I am What I Am from last year’s La Cage Aux Folles.  Found Robert Eagle also shared some of Reagle’s vivid history.

Reagle Music Theatre Entracte performers

Reagle Music Theatre of Greater Boston’s ‘Entr’acte’ performers Photo courtesy of Reagle Music Theatre of Greater Boston

Beloved musical duo Sarah Pfisterer and Rick Hilsabeck were among the many presenters that popped up during the musical benefit.

Reagle's Rick and Sarah

Rick Hilsabeck and Sarah Pfisterer Photo courtesy of Reagle Music Theatre of Greater Boston

Reagle Music Theatre recently celebrated its 50th season and Sleepless Critic has cheered their outstanding work for musicals over the years such as Joseph and the Amazing Technicolor Dreamcoat, La Cage Aux Folles, Wonderful Town, Me and My Girl, and their annual show, ChristmasTime, which has become a traditional favorite.  Without these musical productions though the summer season and the live shows they put on throughout the year, Reagle needs support in order to keep going.

Virtually, they are all singing to that man, woman, or child behind the computer screen, phone, or on television.  While this is flattering, it also makes me a bit sad.  I miss hearing them sing while I quietly sing along, upstaging my performance in every way.  How I have missed most steps in the dance…but can’t see their feet.

From the heart thumping 42nd Street to the cool cats in Guys and Dolls to Singin’ in the Rain to their annual, stunning production of ChristmasTime, their shows must simply go on and spark another 50 years.

Click here for more on Reagle Music Theatre of Greater Boston located at 617 Lexington Street in Waltham, Massachusetts.  Their virtual youth theatre workshops are happening now and their second workshop session will start on July 20.

 

REVIEW: Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ a moving summer gem

The Sleepless Critic has reviewed a few beautiful productions of ‘The Sound of Music,’ a riveting true story set in Austria about the resilient Von Trapp family who not only attempt to resist the Nazi regime in 1938 Pre-war Salzburg, but also attempt to move on without their late mother.  A blend of grace, faith and strength in the face of an indelible sadness, no doubt makes it a stirring classic.  Yet, with the exception of Audra McDonald’s brilliant turn as Mother Abbess in NBC’s 2013’s ‘The Sound of Music Live‘ musical, her extraordinary vocals lifting Fox’s arguably mediocre production with this glorious anthem, Climb Every Mountain, the music to ‘The Sound of Music’ has generally never been my favorite.

Make no mistake, Rodgers and Hammerstein’s classic, Academy Award-winning musical score is nevertheless respected and appreciated for its mark in musical history.   However, what makes Reagle Music Theatre of Greater Boston’s musical, ‘The Sound of Music’ particularly special is its resonant harmonies, a brilliant lead in Aimee Doherty as Maria, and the lively vocals and playful choreography delivered by this wonderful, lighthearted cast.  It convinced me to care for ‘The Sound of Music’ score, which has never sounded lovelier.

With a mix of tradition, opulence, and a few songs not featured in the iconic 1965 film starring Julie Andrews, Reagle Music Theatre’s ‘The Sound of Music’ is the perfect lighthearted summer treat, even in its serious moments.  ‘The Sound of Music’ continues at the Robinson Theatre in Waltham, Massachusetts through Sunday, July 21.  Click here for more information and tickets.

Reagle Music Theatre The Sound of Music Aimee Doherty as Maria Confidence in Me

Aimee Doherty as Maria I Have Confidence Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

The Sound of Music has many highlights, but one of its brightest is Aimee Doherty’s glowing, enchanting turn as Maria.  This Maria is a tad more youthful, boasting flowing dark hair and a wide, playful smile.  Doherty brings light and gravitas to the role, her infectious charm and soaring vocals especially noticeable during the playful, yet pensive number, I Have Confidence.  Paired with Daniel Forrest Sullivan’s buoyant choreography, it is one of Maria’s more subtle, but powerful moments.

Reagle Music Theatres The Sound of Music Von Trapp Children

Emma Heistand as Leisl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, Libby Sweder as Gretl, and Aimee Doherty as Maria  Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Each of the adorable Von Trapp children featuring Emma Heistand as sweet, but rebellious Liesl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as precocious Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, and Libby Sweder as Gretl have their moment to shine, and their charming number Do-Re-Mi with Doherty is a delight.  The children’s colorful, identical, and traditional Austrian wardrobe enhance each scene.  Liesl, portrayed by Emma Heistand and Rolf, depicted by Max Currie impressively develop swift chemistry over the playful number, Sixteen Going on Seventeen, largely thanks to Sullivan’s breezy choreography.

Reagle Music Theatre's The Sound of Music Sixteen Going on Seventeen

Emma Heistand as Liesl and Max Currie as Rolf in ‘Sixteen Going on Seventeen’ Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

There is a moment during the production where Doherty states, “When God closes a window” and Mark Linehan completes her sentence with, “he opens a door.”  The expression is actually the other way around, but Mark Linehan as Captain von Trapp instantly picks up on her phrase and completes her statement, indicating how in tune they both are onstage.  Mark Linehan has shown a natural charisma in other productions and there is no shortage of that here, delivering a powerful performance in the dour, firm, but forthright Captain.  However, his biggest strength is in the quieter moments of the show, especially in the moving reprise of the title song The Sound of Music and bittersweet Edelweiss.

Reagle Music Theatre The Sound of Music Captain Elsa and Max

L to R: Mark Linehan as Captain von Trapp, Janis Hudson as Elsa, and Robert Orzalli as Max Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

From the first few notes of the Nuns’ gorgeous, a capella chant, Preludium, Reagle Music Theatre of Greater Boston have certainly outdone themselves.  Their resonant harmonies are among the production’s most beautiful moments.  Mara Bonde delivers an understated performance as patient, insightful, and ceaselessly faithful Mother Abbess, enhanced by a soaring rendition of the show’s inspiring anthem, Climb Every Mountain.  Ever the standout, Yewande Odetoyinbo also makes a remarkable impression as outspoken Sister Berthe.

Reagle Music Theatre of Greater Boston The Sound of Music Aimee Doherty as Maria and Mara Bonde as Mother Abbess

Aimee Doherty as Maria and Mara Bonde as The Mother Abbess Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Elsa, portrayed with flashy elegance by Janis Hudson, is a sophisticated, marginally manipulative socialite, with a taste for the finer things.  In what could be a potentially unlikable character, Hudson strikes a delicate balance of a woman who struggles with what she wants and yet, wishes to do the right thing.  She and Robert Orzalli as comical and seemingly smarmy Max are quite a comical pair, especially during the little known number, How Could Love Survive.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

As wonderfully potent to the ears as visually vibrant, experience Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ though Sunday, July 21 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.  Reagle Music Theatre will soon cap off its summer musical season with the comedy classic, ‘La Cage aux Folles’ in August.  Click here for more information and tickets.  Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.

 

 

 

Kristen H. Tremblay talks role in Hingham Civic Music Theatre’s ‘Cabaret’ to kick off 70th anniversary season

Hingham Civic Music Theatre (HCMT) is thrilled to kick off their 70th anniversary.  Over the past 7 decades, The Wizard of Oz, Rogers and Hammerstein’s Oklahoma, Young Frankenstein, Disney’s Beauty and the Beast and The Sound of Music are just a few of the wide range of musical productions HCMT has produced on the South Shore of Massachusetts.  They are launching their milestone season with award-winning spring musical, Cabaret, a captivating musical which celebrated its 50th anniversary just a couple of years ago.

HCMT Cabaret poster

Photo courtesy of Hingham Civic Music Theatre

Set in the Kit Kat Club in Berlin, Germany as the Nazi Party was rising to power, Cabaret focuses on nightclub girl Sally who becomes embroiled in a love triangle.  Winner of multiple Tony awards, Cabaret is known for its glamorous dance numbers while dealing with serious issues of the era.  The 1972 film was directed by dance legend Bob Fosse and starred Liza Minnelli in her star making role.  This show is not intended for children and contains mature themes.

Sleepless Critic caught up with Kristen H. Tremblay who will make her HCMT debut as Sally Bowles in Cabaret for two weekends only from Friday, April 20 through Sunday, April 29 at Sanborn Auditorium in Hingham, Massachusetts.  Click here for more information and tickets.

HCMT Kristen as Sally

Kristen H. Tremblay as Sally Bowles

Sleepless Critic:  How does it feel to star in the first show of Hingham Civic Music Theatre’s 70th season?  It is quite a milestone.

Kristen H. Tremblay:  I’m so thrilled to be playing a leading role in such a great show as part of this wonderful theater group’s 70th anniversary season! A very special honor for sure!

SC:  What do you like most about being part of Hingham Civic Music Theatre?

KHT:  This is my first production with Hingham Civic Music Theatre. They have such a wonderful reputation and it’s been great getting to know everyone in the group.

SC:  This season also includes the beloved musical, Annie this fall.  You star as Sally Bowles in Cabaret.  Have you ever done this show before?  What was the audition process like for you?

KHT:  I’m a classical soprano and usually play roles very different from Sally. As I get older, I’m trying to challenge myself by going out for roles that might be a stretch for me creatively. Sally Bowles is a complicated, meaty character and love every moment in her shoes.

I auditioned to challenge myself and because I have known the director, Nathan Fogg, for years and think he does great work. I didn’t think I had a shot at getting Sally, but felt really positive about my audition. The day after the audition, I was in line at the grocery store when I got the call. I was shocked and incredibly thrilled.

SC:  The multiple Tony award-winning musical, Cabaret celebrated its 50th anniversary a couple of years ago.  It is a unique musical with memorable songs such as Maybe This Time, Wilkommen, and its famous title track, Cabaret.  What was most challenging about this role?

KHT:  Sally is an iconic character in musical theater. There’s some intimidation associated with the pressure of doing her justice!  She has many sides to her and many intriguing levels. It’s been fun exploring how best to portray her.

HCMT Cabaret production photo 2

Aaron Stolicker as Emcee with cast in production photo

SC:  How has it been putting the show together?

KHT:  I adore everyone in this cast. They are such a fantastic group of kind, talented, and hard working people. We are having a blast and we all have deeply bonded. No question I’ve made lasting friendships.

SC:  What is the best reason one should see Hingham Civic Music Theatre’s Cabaret?

KHT:  Cabaret is a very different theatrical experience unlike anything else out there right now. It will not disappoint!  It’s edgy, honest, shocking, funny, and thought provoking.

Directed by Nathan Fogg, Hingham Civic Music Theatre proudly presents their spring musical, Cabaret for two weekends from Friday, April 20 through Sunday, April 29 at the Sanborn Auditorium, 210 Central Street in Hingham, Massachusetts.  Click here for more information and tickets.

Click here to take advantage of “Facebook Friday” offer exclusively for the April 20 performance.  Use password “pineapple” to get a pair of tickets for 35 dollars.  Follow HCMT on Facebook.

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