REVIEW:  ‘Zebra 2.0’ at New Ohio’s ICE Factory boasts an unconventional meet cute with fascinating zip

One is nicknamed Zebra and another knows everything there is to know about Zebras….except how Zebras feel.

Zebra 2.0 is technological ice breaker and a breakthrough unlike any other.  An interesting meet cute for the modern age, AnomalousCo, Wistaria Project, and Romanian Cultural Institute’s sci-fi rom com Zebra 2.0 was presented at New Ohio Theatre’s ICE Factory in NYC and is now streaming through August 12.  The show runs for 1 hour and 30 minutes.  Click here for more information and how to stream the film.

Alina Mihailevschi and Tim Craig in ‘Zebra 2.0’ Photographer: Jarrett Robertson

A computer and a woman meet in a lab.  She calls it Al and Al nicknames her Zebra 2.0.  As Al coordinates a line of numbers, inquisitive Zina, energetically depicted by Alina Mihailevschi, realizes that Al, portrayed with intellectual charm by Tim Craig, have much more in common than either of them realized.  Zebras are only the beginning.

Zebra 2.0 has an enchanting way of delving into various topics such as the environment, biology, science, books, music, immigration, standardized tests, employment, and the nature of being human in a clever and fascinating manner.  Though Zina only chance meets Al as she cleans up a laboratory, her friendly and candid conversations with Al spark some compelling results.  Written by Saviana Stanescu and directed by Jeremy Goren, Zebra 2.0 combines method and sentiment into a sweet, intense, and astute production with resounding messages about humanity.  Tim Craig is impressive, gradually molding Al into a charismatic and sympathetic character and Mihailevschi epitomizes lonely, zealous, friendly, rebellious, and imaginative Zina who longs for knowledge and dreams of a better life.

Tim Craig and Alina Mihailevschi in ‘Zebra 2.0’ Photographer: Jarrett Robertson

John Jannone, Michi Zaya,  and Amy Liou’s luminous projection and  video, Duncan Davies’s incredible multicolor lighting and Ras Badejo’s epic music and sound combine to make Al into a dazzling, fervent, and a powerful entity that blurs fantasy and reality inside a pristine, windowless, and futuristic space by Xinan Helen Ran.  These special effects display some of the most exciting scenes in the production only second to Craig and Mihailevschi’s humorous and engaging chemistry that just might deliver greater meaning than anything Al can calculate.

Alina Mihailevschi and Tim Craig in ‘Zebra 2.0’ Photographer: Jarrett Robertson

Written ambitiously by Saviana Stanescu with elevated direction by Jeremy Goren, AnomalousCo, Wisteria Project, and Romanian Cultural Institute’s sci-fi rom com Zebra 2.0 was presented at ICE Factory in NYC and is now streaming through August 12.  The show runs for 1 hour and 30 minutes.  Click here for more information and how to stream the film.

REVIEW:  Sisterhood is the new black in Hub Theatre Company of Boston’s vivacious ‘Love, Loss, and What I Wore’

Call this cast a girl squad and a sisterhood.

With potent direction by Paula Plum and based on the bestselling memoir by Ilene Beckerman, Hub Theatre Company of Boston presents Nora Ephron and Delia Ephron’s semi-interactive production of Love, Loss, and What I Wore live and in person at Club Café in Boston, Massachusetts through Saturday, August 5.  This show is 90 minutes with no intermission and pay-what-you-can tickets are available.  It occasionally contains adult and unfiltered language.  Purchase a drink during this show and Club Café also offers a full menu.  Click here for more information and for tickets.

Lauren Elisa, June Kfoury, Barbara Douglass, Evelyn Holley, and Nettie Chickering in Hub Theatre’s ‘Love, Loss, and ‘What I Wore’ Photo credit to Tim Gurczak

The name Nora Ephron must ring a bell.  She was a famous award-winning rom-com journalist, writer, and filmmaker best known for 1983’s Silkwood, 1989’s When Harry Met Sally as well as 90s rom com classics Sleepless and Seattle and You’ve Got Mail before co-writing the screenplay for Julie and Julia in 2009.  Ephron’s signature style tackled the seriousness of life with a lighthearted demeanor and always found some relatable humor along the way.  With her sister Delia, Nora lends that empowering humor and charm to Love, Loss, and What I Wore.

June Kfoury, Evelyn Holley, Nettie Chickering, Lauren Elias, and Barbara Douglass in ‘Hub Theatre’s ‘Love, Loss, and What I Wore’ Photo credit to Tim Gurczak

One of the greatest strengths of Love, Loss and What I Wore is the ensemble’s beautiful camaraderie.  Love Loss and What I Wore has a gift for eloquently associating fashion with life’s bittersweet challenges.  Portraying several ages while sharing that walk down memory lane is Nettie Chickering, Barbara Douglass, Lauren Elias, Evelyn Holley, and June Kfoury.  Dressed in chic black by Kat Lawrence, they allow their vibrant experiences to take center stage.  From fashion faux pas to that eternally favorite garment, five women lay bare their fondest memories and insecurities.  It is a love letter to growing up and growing older in all of its wonder and complications. 

Nettie Chickering in Hub Theatre’s ‘Love, Loss, and What I Wore’ Photo credit to Tim Gurczak

To an array of lighthearted club hits between scenes, this dynamic group share silly, sad, courageous and important stories with collaborative flair and wistfulness.  They dance, grieve, conspire, tease, support and relate to each other all while discussing everything from relationships to family to roommates to the trials and tribulations of being a woman in a fun loving and deeply personal manner.  A few lighter moments include witnessing Lauren Elias and her hilarious and empathetic comments about carrying a purse, Douglass’s wise and humorous motherly advice, and the sheer joy and supportive manner in which these women appreciate each other’s company.   However, what stirs the production the most is contained in this group’s most significant challenges.  The stories they share are raw, honest, at times rueful, and may seem familiar as well.

June Kfoury in Hub Theatre’s ‘Love, Loss, and What I Wore’ Photo credit to Tim Gurczak

With Talia Elise’s dazzling lighting powering a bright and cheerful set which includes glowing string lights, a luminous neon hanger, shimmering disco ball, multicolor boas, and an illustrated clothing rack by Justin Lahue and Maggie Shivers plus a wonderful dose of nostalgia, Love Loss and What I Wore is a captivating experience into life’s surprises and how to discover what is truly important.

Hub Theatre Company of Boston presents Nora Ephron and Delia Ephron’s semi-interactive production of Love, Loss, and What I Wore live and in person at Club Café in Boston, Massachusetts through Saturday, August 5.  This show is 90 minutes with no intermission and pay-what-you-can tickets are available.  It occasionally contains adult and unfiltered language.  Click here for more information and for tickets.

REVIEW:  It’s a great time for sleuthing at Greater Boston Stage Company’s ‘Clue: On Stage’

During a dark and stormy night, a group of strangers are required to gather in a mysterious mansion under puzzling circumstances.  The real reason for the gathering is just one of many twists and turns in this famous dark and comedic murder mystery.

Last year, Ryan Reynolds announced he would star in a new Clue film reboot for 20th Century Studios which, like a lot of reboots, seems unnecessary since the 80’s film Clue is an enduring cult classic.  The popular Parker Brothers board game (now owned by Hasbro) has been revamped a number of times as a board game and has been translated into various forms of entertainment including a live Scavenger Hunt and interactive dinner theatre.  This is one mystery that people have been anxious to solve for generations.  Having seen the 80’s film many times over as well as played the popular board game, this is the first time seeing it done live onstage. 

The Players of ‘Clue: On Stage’ Photo credit to Nile Scott Studios

Directed mischievously by Weylin Symes, Greater Boston Stage Company continues Sandy Rustin’s Clue: on Stage live and in person at Greater Boston Stage Company in Stoneham, MA through June 25.  Clue: on Stage is family friendly, but after all, a black comedy murder mystery which has its dark turns.  The violence is not gruesome, but like the Parker Brothers board game, probably most appropriate for kids ages 8 and up.  This show is 90 minutes with no intermission.  Click here for more information and for tickets.

Clue is a great murder mystery farce, but it really takes a cohesive cast led by famous butler Wadsworth to make this production simmer.  Recent Elliot Norton Award winner Paul Melendy is just the man for the job not only bringing a unique twist to resourceful Wadsworth, but by fostering a new take on the character as does Bryan Miner as Mr. Body.  Tim Curry will always be THE Wadsworth, but Melendy makes this refreshing interpretation his own while keeping Curry’s core characteristics still intact right down to his playful eyebrow lift and smirking grin. 

Paul Melendy as Wadsworth and Maureen Keiller as Miss Peacock Photo credit to Nile Scott Studios

Whether in moments of scheming or over thinking, the cast has compelling chemistry as funny and fascinating adversaries.   Genevieve Lefevre makes a mischievous Yvette while Jennifer Ellis is pitch perfect as Miss Scarlet creating a wonderful balance of sophistication and dry humor.  Maureen Keiller portrays chatty, nervous, and panicky Miss Peacock.  Wearing signature black glasses, Miss Peacock’s character could be interpreted as shrill and abrasive, but Keiller’s distinct comic timing makes Miss Peacock one of the funniest parts of the production.   

L to R: Paul Melendy as Wadsworth Bill Mootos as Colonel Mustard and Genevieve Lefevre as Yvette Photo credit to Nile Scott Studios

In a classic mustache, Bill Mootos brings comic wit to somewhat dim witted Colonel Mustard while Mark Linehan as Professor Plum and Stewart Evan Smith as squeamish Mr. Green both bring an enigmatic quality to their characters.   

Sara Coombs is a good Mrs. White, but would have liked Mrs. White to be less soft spoken and more humorously cryptic.  From stern to silly, Katie Pickett juggles a number of memorable roles as the story unfolds.

Paul Melendy as Wadsworth, Stewart Evan Smith as Mr. Green and Genevieve Lefevre as Yvette Photo credit to Nile Scott Studios

Whether in Miss Peacock’s spectacular blue and green glittering dress, Colonel Mustard’s military garb, Miss Scarlet’s vampy red dress, Yvette’s classic French maid costume, Wadsworth’s coat and tails or Mrs. White’s jet black furs, costume designer Deirdre Gerrard creates an elegant and vintage look authentic to each of the character’s iconic personas.

Paul Melendy as Wadsworth and Jennifer Ellis as Miss Scarlet Photo credit to Nile Scott Studios

Keeping its vintage 50s charm, Clue on Stage’s set by scenic designer Katy Monthei injects some similarities to the 80s film cult classic from the haunting and soft glow at the iconic mansion’s enigmatic front door to the comical and sophisticated portable set pieces.  Lighting designer Jeff Adelberg and sound designer Caroline Eng work overtime to seamlessly and simultaneously up the ante on suspense, humor, and drama through the evolving lighting from foreboding to revealing to flashing to playful  while the sound design transforms from sinister to lively to jolly. 

The show’s innovative blocking and moving staging is a riot as it cleverly makes the most of every inch of the space with its transformative style and  the cast’s ‘athletic’ movements choreographed by Alexander Platt and Cait Zweil.

The Players of ‘Clue: On Stage’ Photo credit to Nile Scott Studios

Sandy Rustin’s fun and comical script is no rehash of the film adaptation, but delivers fresh humor without leaving out some of the iconic quotes and scenes from the 80s film.  Revisiting Clue was such an entertaining experience that I would gladly see it again.

Greater Boston Stage Company continues Sandy Rustin’s Clue: on Stage live and in person at Greater Boston Stage Company in Stoneham, MA through June 25.  This show is 90 minutes with no intermission.  Click here for more information and for tickets.

REVIEW: The Huntington’s bold and savory comedy, ‘Clyde’s’ serves up the works

Talk about mouthwatering fare.

Don’t arrive to Clyde’s hungry as Lynn Nottage’s illustrative script is not only a feast for the senses, but Clyde’s is where the sandwich is undeniably king in every sense of the word.  For a group of enigmatic employees struggling to get out from under a scant Pennsylvania trucker stop, the sandwich is the key to all things great.  However, with a tyrannical boss at the helm, Clyde has plenty to say over whom or what reigns supreme.

Harold Surratt as Montrellous and April Nixon as Clyde in Lynn Nottage’s Tony award nominated play Clyde’s Photo by Kevin Berne

Directed intuitively by Taylor Reynolds, The Huntington, in a co-production with Berkeley Repertory Theatre, presents captivating, Pulitzer Prize-winning and Tony award-nominated dramedy Clyde’s through Sunday, April 23 live and in person at the Huntington Theatre in Boston, Massachusetts.  The show is one hundred minutes with no intermission.  Click here for more information and for tickets.

Clyde’s is a fascinating, no holds barred yet comedic look into the hectic lives of Clyde’s employees and the mysterious reasons why they are there.  Nottage’s sterling script balances the heartache of home life and arduous work when the cards are stacked with the dream of pursuing perfection. 

Louis Reyes Mcwilliams as Jason and Cyndii Johnson as Letitia in Lynn Nottage’s Tony Award nominated play, ‘Clyde’s’ Photo by Kevin Berne

The cast does an amazing job collaboratively building surprising comedic moments within a show rife with tension and serious themes.  Harold Surratt epitomizes wise and discerning Montrellous as he poetically describes the art of the sandwich with ‘intangible grace and aromas’ and deems artichokes as ‘grace notes.’   Surratt, unconventional in multicolored and kaleidoscopic garments, portrays amiable Montrellous as the calm within a fiery storm.   Surratt’s warm smile and soothing vocals can charm almost anyone into discovering the joy in life’s simplicity.  Wesley Guimaraes as sous-chef Rafael share some of that optimism and grace striving to achieve the peace that Montrellous seemingly exudes.  Guimaraes shares some refreshing, playful, and flirtatious scenes with Cyndii Johnson as Letitia on prep.  Their remarkable chemistry is a highlight of the production.  Johnson enthusiastically captures the outspoken, fast talking, and sympathetic Letitia who is both caring yet not to be trifled with while Louis Reyes McWilliams searingly portrays guarded Jason, building his own tension with every careful move.

Cyndii Johnson as Letitia and Wesley Guimarães as Rafael in Lynn Nottage’s Tony award- nominated play ‘Clyde’s’ Photo by Muriel Steinke

However, the prime source of unease can be found in Clyde, a force to be reckoned with depicted glacially by April Nixon.  From Montrellous’s unique ensembles to Leticia’s exuberant headscarves, costume designer Karen Perry creates incredible and vampy ensembles that exude Nixon’s egotistical, booming, and militaristic Clyde.  Tiger prints, multicolored, scalloped sleeves, sparkling pumps, and astounding incandescent wigs by Megan Ellis help bring out Nixon’s spicy Clyde in and out of the kitchen.  Nixon’s gusto is evident from the very first scene, channeling the kitchen’s mood under Clyde’s manicured fingertips.

April Nixon as Clyde and Harold Surratt as Montrellous in Lynn Nottage’s Tony award-nominated play ‘Clyde’s’ Photo by Kevin Berne

Aubrey Dube’s catchy and upbeat sound design fuel this bustling and rustic kitchen designed by Wilson Chin.  Plants, boom box, storage boxes, utensils, silver gleaming fridge, grill, Tupperware, and to go boxes are reminiscent of the authentic clutter out of The Bear or Kitchen Nightmares.  The flashy and vibrant monument sign, fueled by lighting designer Amith Chandrashaker, work spectacularly with the show’s memorable score and its fast paced setting.

As Montrellous muses, ‘over complication obscures the truth’ so take a trip to Clyde’s for a bold and powerfully- charged dramedy where aspiration is never off the menu.

The Huntington, in a co-production with Berkeley Repertory Theatre, presents captivating, Pulitzer Prize-winning and Tony award-nominated comedy Clyde’s through Sunday, April 23 live and in person at the Huntington Theatre in Boston, Massachusetts.  The show is one hundred minutes with no intermission.  Click here for more information and for tickets.

REVIEW:  Down True Repertory Theatre’s winding and thought provoking ‘Rabbit Hole’

Grief is just love with nowhere to go.

It can be getting too close while saying too much and then not enough.  Holding on too tight or letting go too fast.  What to do not knowing what to do and finding where to meet in the middle.

Starring and insightfully directed by Victoria Bond, True Rep Theatre’s latest production was David Lindsay-Abaire’s Pulitzer Prize and Tony award-winning play, Rabbit Hole which was onstage for one weekend only from Friday, March 24 through Sunday, March 26 at the Beal House in Kingston, Massachusetts.  Hope Floats in Kingston partnered with True Repertory Theatre for Rabbit Hole.  Click here for more information and for more about True Rep Theatre.

Victoria Bond as Becca and Julie Butler in True Rep’s ‘Rabbit Hole’ Photo credit to True Repertory Theatre

Rabbit Hole examines the aftermath of an unimaginable tragedy for a struggling family and all who are connected to it on a journey through loss.  It explores a variety of ways in which conflict can arise from miscommunication, loneliness, and the uncertain future.  It also has moments of humor, but Lindsay-Abaire’s meaty script seems to have metaphorically placed everyone on their own grieving life raft as each individual attempts to keep each other afloat.

Songs by Al Green, Florence and the Machine, Matt Alber, Damien Jurado and Gary Jules are just a few of the artists that enhance the show’s complicated beauty and the semi-immersive set draws the audience further into its engrossing content.  The Beal House, without a bad set, features a functioning kitchen which flows seamlessly through each of True Rep’s distinctive productions.  Colin Gaynor’s sweet vocals lends to the show’s stirring sound design.

Rabbit Hole features an intimate cast that delivers powerful and intense performances and it is difficult to imagine these actors not feeling emotionally depleted after each show.  Victoria Bond both directs and stars as Becca, a normally levelheaded wife devastated over the sudden death of her young son. 

Some of Rabbit Hole’s eloquence is that it does not take place prior to a tragedy, but months later on a day not unlike any other day.  This renowned play is a mass of subtle intricacies that seem small, but pack a wallop.  With a somewhat slumped walk and a reticent and sullen voice, Bond melts into the role of an anxious and irritable perfectionist Becca with ingenuity and a creeping tension just below the surface.  It is a relatable portrait of a worn mother struggling to hold on while searching for a way forward.

Victoria Bond as Becca and Donald Sheehan in ‘Rabbit Hole’ Photo credit to True Repertory Theatre

Donald Sheehan depicts Becca’s husband Howard who is coping with his son’s death differently.   With a feigned smile and with greater openness than his wife, Sheehan treads carefully for Becca’s sake.  Having seen the 2010 film of the same name, Howard was depicted as less likable than in this production.  However, Sheehan brings patience and greater understanding of his wife’s needs to the role, though their marriage is not without conflict.  Sheehan and Bond’s complicated relationship ebbs and flows unsteadily. 

On a lighter note, Julie Butler portrays Becca’s tough, aimless, but caring sister Izzy.  With blue, pink, and red hair and bold fashion sense, Butler’s blunt and edgy charm makes for some entertaining and comedic moments.  Butler has great chemistry with each dysfunctional family member and is a breath of fresh air within the show’s heavier content.  Lisa Caron Driscoll as Becca’s chatty and nagging mother Nat makes it easy to see where Izzy gets her outspoken demeanor.  However, Nat is also a pillar of strength and though Nat’s grief seems buried deep, Driscoll impressively unravels this multi-layered character inch by almost unendurable inch.   

Lisa Caron Driscoll as Nat and Victoria Bond as Becca Photo credit to True Repertory Theatre

Patrick McCarthy depicts sympathetic Jason with humbleness and an innate sincerity.  Through a shared persistence, McCarthy and Bond poignantly develop a bizarre and bittersweet connection on this heartrending journey.

True Rep Theatre’s latest production was David Lindsay-Abaire’s Pulitzer Prize and Tony award-winning play, Rabbit Hole which was onstage for one weekend only from Friday, March 24 through Sunday, March 26 at the Beal House in Kingston, Massachusetts.  Hope Floats in Kingston partnered with True Repertory Theatre for Rabbit Hole.  Click here for more information and for more about True Repertory Theatre.

REVIEW:  SpeakEasy Stage Company offers a shrewd and exceptional ‘Fairview’

Mama is about to have a birthday bash no one will soon forget.

Prepared by Yewande Odetoyinbo as Beverly and Dominic Carter as Dayton who delivered playful and endearing chemistry previously seen in Lyric Stage Company’s production The Light, SpeakEasy Stage Company’s brilliant production of Fairview is an impactful and evolving show that has so much to say, but yet so little should be said before witnessing it.  Its humor ranges from conventional to absurd to acerbic and should be watched, understood, and thought over.

Yewande Odetoyinbo and Dom Carter. Nile Scott Studios

SpeakEasy Stage Company presents Jackie Sibblies Drury’s Pulitzer prize-winning Fairview live and in person at Calderwood Pavilion in Boston, Massachusetts through Saturday, March 11.  Powerfully directed by Pascale Florestal, Fairview boasts an excellent and dynamic cast.  Fairview runs one hour and 45 minutes with no intermission and contains adult themes.  Click here for more information and tickets.

Lyndsay Allyn Cox, Yewande Odetoyinbo, and Victoria Omoregie. Nile Scott Studios

Amid an Obama family portrait on the left and a Langston Hughes poem on the right with upscale furniture and a dangling crystal chandelier overhead by Erik D Diaz, the production opens to an inviting and seemingly affluent household as Beverly, attempting to quell her nerves, begins to dance while peeling a carrot for Mama’s birthday dinner.  Soon joined by Dayton, Lyndsay Allyn Cox as Beverly’s sister Jasmine and Victoria Omoregie as Beverly and Dayton’s daughter Keisha, Fairview reveals a dysfunctional family gearing up for a big night for Mama.  Beverly’s only wish is for everything to be perfect.

Fairview addresses the nature of observing and perspective in a unique, palpable and unpredictable manner and it is quite a wild ride to its astonishing conclusion, so be still and observe.  This may be unlike anything witnessed before onstage and most assuredly worth the journey.

SpeakEasy Stage Company presents Jackie Sibblies Drury’s Pulitzer prize-winning Fairview live and in person at Calderwood Pavilion in Boston, Massachusetts through Saturday, March 11.  Fairview runs one hour and 45 minutes with no intermission and has adult themes.  Click here for more information and tickets.

REVIEW:  Lyric Stage Company delves into musical genius Rachmaninoff’s chaotic mind in mesmerizing ‘Preludes’

Ever wondered if legendary musicians would still be who they are if they lacked any vices or instabilities?  Would they still achieve that same level of success or become even greater?

Some of the most extraordinary musicians also endured turmoil in their lives whether through external circumstances or within the depths of their very being.  Most come to the general consensus that the artist simply wouldn’t have that level of genius without everything that came with it.  For Russian composer, pianist, and conductor Sergei Rachmanioff, he endured quite a battle on his journey to greatness and his music continues to live on.

Dan Prior and Aimee Doherty in ‘Preludes’ Photo by Mark S. Howard

Directed profoundly by Courtney O’Connor, Lyric Stage Company presents Dan Malloy’s musical Preludes through Sunday, February 5 live and in person at Lyric Stage Company in Boston, Massachusetts.  The production is approximately 2 hours with a 15 min intermission.  Click here for more information and tickets.

Preludes references Rachmaninoff’s classic works, but the word itself describes what happens before an important event. It delves head first into Rachmanioff’s massive struggle to create which included fear of failure, Marfan syndrome, and mental instabilities that led to his historical writer’s block. Dan Rodriguez’s music direction combined with Andrew Dunkan Will’s complicated, vivid, and occasionally manic sound design illustrates the turmoil and genius of a musician on the brink of something bigger, but struggling to pull through.

Preludes boasts a fascinating cast including Will McGarrahan taking on multiple roles during the production.  Wringing his hands, frustrated, and utterly exhausted, Dan Prior embodies frazzled and despondent ‘Rach,’ his world seized by hesitation and regret delivered cleverly in the opening number Your Day.  Rachmaninoff battled life through music, but both can become blaringly stringent.  Battling all these limiting factors, Rach freezes.  Music Director Dan Rodriguez performs double duty depicting the mood setting musical side of pianist Rachmanioff with earnestness and peaks of humor and charm. Keyboardists Bethany Aiken and Mindy Cimini enhance this complex score that keeps up with the chaos of Rach’s mind and the reality surrounding it.

Prior’s subtle yet searing performance delves into a defeated man reaching for a lifeline through therapist Dahl, depicted skillfully by Aimee Doherty with a contemporary vibe in a Pink Floyd T-shirt, black glasses and edgy depth.  Doherty’s inquisitive and unorthodox methods may be the calm in the storm.  Kayla Shimizu is relatable as steadfast, optimistic, and maybe in over her head Natalya.  Shimizu brings a smooth and natural ease to the number Vocalize as well as a powerful and painfully honest rendition of Natalya as she struggles in her limited understanding of Rach’s condition.  Shimizu and Prior bring compelling chemistry and connection in their moving rendition of Not Alone

Dan Prior, Aimee Doherty, Dan Rodriguez and Anthony Pires Jr in ‘Preludes’ Photo by Mark S. Howard

Enhanced by Karen Perlow’s mind bending lighting, Preludes is at times trippy and often teetering between daydream and reality.  Highlighted by amazing and intricate choreography, Anthony Pires Jr as Chaliapin slides into an entrancing and catchy Loop with finesse and charisma while blending elegant vocals between jarring beats. It is a standout number that may ruminate long after the show is over. Taking on multiple roles and delivering inspiring and thought provoking pearls of wisdom is Will McGarrahan who portrays a number of dynamic historical figures. McGarrahan’s commanding voice, distinct characterizations, and dark comedic timing make him a treat to watch each time he appears onstage.

Kayla Shimizu, Anthony Pires Jr, Dan Prior, Will McGarrahan, and Dan Rodriguez in ‘Preludes’ Photo by Mark S. Howard

Scenic Designer Shelley Barish’s insightful circular staging moves fluidly with the performers with a piano set perfectly at center stage accented by lilacs, ordered blocks of vibrant colors, and an ever changing, mood-induced colored backdrop. The scalloped trim and soft lighting from various hung fixtures add an eclectic elegance as does the eye popping vintage couch and ottoman.

In some ways, Rachmaninoff’s struggles also made him distinctive. He had Marfan Syndrome which is a genetic disorder that affects the connective tissue of the body and organs. It is a very difficult way of life, but also gave him unusually long fingers. Much of his work is difficult to play because he could reach the piano keys more easily than the average person. This weakness was also a strength and part of what made him seem destined for greatness.

Lyric Stage Company presents Dan Malloy’s musical Preludes through Sunday, February 5 live and in person at Lyric Stage Company in Boston, Massachusetts.  The production is approximately 2 hours with a 15 min intermission.  Click here for more information and tickets.

REVIEW: Front Porch Arts Collective serves up a spirited and resonating ‘Chicken and Biscuits’

‘Family is a loaded word.’

Spoken by one of the characters in Chicken and Biscuits by Douglas Lyons, this statement perfectly encompasses the essence of this spirited family dramedy. The holidays tend to bring out family dysfunction in rare form and Front Porch Arts Collective has it covered with Chicken and Biscuits delivered just in time for the holidays on December 9.

Judgment is passed at every angle and tensions run high as one family must reunite for a funeral honoring the family patriarch. As Jacqui Parker as Baneatta’s opening scene suggests, the power of prayer may be the only way for this family to get through this complicated day.

Matriarch Beneatta Jacqui Parker contemplates the family’s happy future in Front Porch Arts Collectives production of Chicken and Biscuits PHOTO credit Ken Yotsukura

Hosted by Suffolk University, Front Porch Arts Collective ventured into their first solo show in residence with The Huntington with Chicken and Biscuits at the Modern Theatre in Boston, Massachusetts through January 8.  Directed reflectively by Lyndsay Allyn Cox, Chicken and Biscuits is one hour and 45 minutes with no intermission.  Click here for more information and for tickets.

Everyone is part of the congregation in Modern Theatre’s modest sized theatre without a bad seat in the house.  Set inside a sunlit church in Connecticut, one of the beautiful highlights of Erik D. Diaz’s transformative set design include the tree lined and then colorful stained glass windows with authentic hanging sanctuary lamps. Anna Drummond’s dynamic sound design lent to the heart and humor of the production while M. Berry’s exceptional lighting varied from somber to uplifting and every mood in between as revelations unfold.  With fine details by Earon Chew Neasley, Zoe Sundra’s striking costumes which includes dignified hats varying from elegant to over the top, embellish each character’s distinct personalities. Prop master Lauren Corcuera’s intricate details completed the hospitable atmosphere, especially those homestyle chicken and biscuits.

Reginald Robert Cornelius preaches a sermon in Front Porch Arts Collectives production of Chicken and Biscuits PHOTO credit Ken Yotsukura

Though this production delves into grief and family dysfunction, it also delivers a wealth of high spirited comedy and stirring moments from a cast of vibrant characters.  It does not take long to grasp that Father and Grandfather Bernard Jenkins was the glue that held this family together. His loss has touched each family member in a unique way while a few of the family members have their own unique ideas on how to celebrate his life.

Filled with quiet consternation, Jacqui Parker portrays compelling Baneatta who is just barely holding it together as she and her optimistic and charismatic husband Robert Cornelius as Reverend Reginald Mabry prepare to attend the service.  Baneatta has a unique effect on each family member and Parker carries that aura with a certain gravitas.  Though she and her husband appear to be opposites, Cornelius and Parker are impressive as a longtime married couple comfortable with each other’s idiosyncrasies.  Cornelius has a natural charisma and delivers a particularly noteworthy and powerful performance as easygoing Reginald, especially as he addresses the congregation with a rousing sermon.

From her razor red fingernails to her curve hugging blue dress, Thomika Bridwell depicts outrageous and outspoken hairstylist Beverly Jenkins with Lorraine Kanyike as La’Trice Franklin, Beverly’s smirking aspiring rapper daughter, not far behind.  Bridwell and Kanyike’s snappy comedic dialogue and chemistry make for some ludicrous and entertaining moments as they proudly march to the sound of their very own drummer.  Fiercely protective and flirtatious, Beverly’s scene stealing personality is a force to be reckoned with while Kanyike, in a pleather vest and revealing pants, exudes La’trice’s confident, attention seeking demeanor which also contains a grain of insightful teenage wisdom.

L to R Mishka Yarovoy Thomika Bridwell and Adrian Peguero in Front Porch Arts Collectives Chicken Biscuits PHOTO by Ken Yotsukura

Mishka Yarovoy delivers an empathetic and endearing performance as Logan, who longs for as little as the family getting his name right and Adrian Peguero as conflicted Kenny mourns a grandfather who understood him best.  However, Sabrina Lynne Sawyer stands out in a stellar performance as serious, distinguished, and multi-faceted Simone who struggles and strives for perfection.

Anxiety, gossip, bickering, and a few surprises are inevitable at most family gatherings whether it is on a holiday, a family reunion, or even at a family funeral.  Chicken and Biscuits, named after Bernard’s favorite meal, can also provide comfort, grace, and love as long as everyone can sit together, take a breath, and listen. 

Hosted by Suffolk University, Front Porch Arts Collective ventured into their first solo show in residence with The Huntington with Chicken and Biscuits at the Modern Theatre in Boston, Massachusetts through January 8.  Click here for more information and for tickets.

REVIEW: SpeakEasy Stage Company’s ‘Heroes of the Fourth Turning’ delves deep

A fire pit and backyard party in the deep woods of Landon, Wyoming seems the perfect setting for fun and good conversation.  What could go wrong?

Certainly a relatable situation in contemporary society, Heroes of the Fourth Turning knows how to tackle difficult discussions in a heady and thought provoking way, but leaving the conversation between these five distinct individuals unscathed is seldom a realistic scenario.

Dayna Cousins, Nathan Malin, and Jesse Hinson in ‘Heroes of the Fourth Turning.’ Photo by Nile Scott Studios.

Directed by Marianna Bassham who previously directed SpeakEasy’s acclaimed People Places and Things, SpeakEasy Stage Company presents Will Arbery’s Heroes of the Fourth Turning through October 8 live and in person at the Calderwood Pavilion in Boston, Massachusetts.  This show has adult themes.  Click here for more information and tickets.

One of the greatest strengths of Heroes of the Fourth Turning is its multifaceted approach to each of its characters.  Each individual is complex and struggling in some way, but are rarely stereotyped and the production is not approached in a divisive way.  The show is most effective by keeping an open mind.

It is satirical and darkly humorous from its opening scene with Justin, in hunting gear and a plaid shirt, moments away from shooting a deer.  This scenario may seem indicative of some the preconceived notions of conservative thinking and the nature of its forthcoming characters, but it gradually thwarts any preconceived expectations.  Its strength is not in the black and white, but delves into the gray corners of each of its characters.

Arbery’s script does not shy away from hot button and controversial issues and the atmosphere can get realistically heated and uncomfortable as it would at any gathering in contemporary society.  It offers a glimpse of each character’s unique perspective while their struggle unfolds as well as their flaws.

Dayna Cousins, Nathan Malin, and Jesse Hinson in ‘Heroes of the Fourth Turning.’ Photo by Nile Scott Studios.

This cast of well rounded characters and their easy camaraderie is a convincing depiction of a group that has known each other for years, especially between Dayna Cousins as Teresa and Nathan Malin as Kevin.  The quirks they know about each other demonstrate their long history.  Visiting her hometown from New York, Teresa is the seeming intellectual of the group.  Portrayed with nerve and intensity, Teresa has adapted a way of know-it-all thinking that makes her cold and unable to see another viewpoint, stereotyping whoever is unlike her.  As she boldly discusses her opinions on the world, she lets loose an air of authority, waiting to be challenged.

Dayna Cousins, Nathan Malin, and Jesse Hinson in ‘Heroes of the Fourth Turning.’ Photo by Nile Scott Studios.

Nathan Malin, who showed off his impressive dark comedic skills previously in SpeakEasy’s Admissions and The Sound Inside, portrays comical, chatty, and tormented Kevin.  Always ready for a party and deep conversation, Kevin longs to know the real secret of happiness in life as he contends with deep seated guilt and loneliness.

Justin, host of the party and veteran, is portrayed with a mix of sympathy and an air of mystery by Jesse Hinson.  A seemingly compassionate individual and clearly affected by his past experiences, it doesn’t take long to see there is much more to his story.

Jesse Hinson, Dayna Cousins, and Karen MacDonald in ‘Heroes of the Fourth Turning.’ Photo by Nile Scott Studios.

Battling physical ailments is Emily, an angelic portrayal by Elise Piliponis.  Emily is sweet and nonjudgmental, but with her own strong and compassionate views.  Bearing the brunt of her daily challenges, Emily is insightful and introverted and would like to do anything but argue. 

Emily’s mother and much admired Gina, portrayed with charisma and decorum by Karen MacDonald, is no stranger to complex characters such as in SpeakEasy’s The Children and as Erma in Merrimack Repertory Theatre’s Erma Bombeck:  At Wit’s End.  MacDonald thrives here too, depicting a complicated political figure that has impacted each of the other character’s lives.

Jesse Hinson, Dayna Cousins, and Karen MacDonald in Heroes of the Fourth Turning. Photo by Nile Scott Studios.

Heroes of the Fourth Turning is a fascinating, darkly humorous, and concerning look at human nature and though the ending seems outlandish, the clever script offers an interesting perspective on what happens even among the supposed like minded.

SpeakEasy Stage Company presents Will Arbery’s Heroes of the Fourth Turning through October 8 live and in person at the Calderwood Pavilion in Boston, Massachusetts.  This show has adult themes.  Click here for more information and tickets.

REVIEW: OBIE Award-winning New Ohio ICE Factory’s ‘Isla,’ ‘Acheron: The River of Tragedy’ and ‘Body Through Which the Dream Flows’

The OBIE-Award winning New Ohio ICE Factory is celebrating its 29th year and has been presenting a number of innovative works each summer that continue through August 20 live and in person at New Ohio Theatre, 154 Christopher Street in New York City.  Virtual shows are available through August 27.  Isla, Acheron:  The River of Tragedy, and Body Through Which the Dream Flows are just a few of works presented during this annual festival.  Click here for further details, how to stream, and for tickets.

Photo courtesy of New Ohio Theatre

Bikes fly, a plane takes off, and cars zoom as a world unfolds in interactive shadows.  Produced by Hit the Lights Theatre, Isla is a documentary experience which combines shadow puppets, photos, animation, and live action to depict the warmth of Samantha Blaine’s homeland and the realities of the Cuban invasion she grew up in.  Her unique and personal journey with her mother and two free spirited sisters integrates nature and song to demonstrate the realities of invasion, family, and how everything is connected.  Featuring strong vocals as well as heartwarming and wistful performances by Samantha Blain, Marlena Mack, Tiffany Ortiz, Kristopher Dean, Mikayla Stanley, Claron Hayden, and Casey Scott Leach,  Isla is a fascinating production that explores heartache, division, political turmoil, pollution, and how Blaine’s world was shaken by communism. 

‘Isla’ Photo by Claron Haydon

A car crash and a tense, mysterious encounter lead to much more than either of these characters bargained for at a river at the Mexican-US border.  Directed by Martin Balmaceda, Spanish language production Acheron:  The River of Tragedy serves up a wealth of twists and turns in this sordid and at times clever tale.  This production has mature themes and is not for children.

A secretive and menacing presence, portrayed by Cinthia Perez Navarro, has entered the life of Leonardo, portrayed with strained intensity by Aline Lemus Bernal, a nattering, impulsive, and yet perpetual optimist who dreams of freedom as soon as that tumultuous river is crossed.  However, there is a heavy price for that dream and neither are savory characters.  Navarro’s searing intensity and cryptic glances make for some skittish moments while Bernal’s jaunty moves and brisk chatter never quite distract from Navarro’s distressing wrath.  Cinthia Perez Navarro and Aline Lemus Bernal are also behind the show’s sharp choreography.  Acheron:  The River of Tragedy is a gritty tale about the darker side of humanity in the pursuit of happiness.

Acheron ©Hugo Freeman With Aline Lemus Bernal (left) and Cinthia Perez Navarro (right)

Body Through Which the Dreams Flows also explores what it takes to achieve a dream.  In this case, it is achieving the Olympic dream as past footage of Olympic champions kick off the production.  Part documentary and part stage performance, creator Soomi Kim and company takes a look at the incredible world of gymnastics and the corruption and tragedy that has seeped into the sport and the lives of young girls in training.  What does it take to be a champion?  Sometimes the price is too steep.

What is really compelling about Body Through Which Dreams Flow are the reenactments of some real life footage as well as Soomi Kim and Alexandra Beller’s beautiful choreography, the sheer athleticism, and interpretation from athletes Lucy Meola, Olivia Caraballoso, Madison Rodriguez, Shayna Wilson, Nora Avci, and Ai Clancy.  Enhanced by Amanda Ringger’s haunting lighting, Body Through Which the Dream Flows is a stirring and eye opening production addressing the pressures and what seems like the impossible expectations from coaches while focusing on what past athletes have endured.  It also delivers a powerful message on the importance of a child having the chance to be a child.

New Ohio BTWtheDF Full cast_ Ai Clancy, Soomi Kim, Madison Rodriguez, Nora Avci, Shayna Wilson, Lucy Meola, Olivia Caraballoso

The New Ohio ICE Factory 2022 continues live and in person at the New Ohio Theatre through August 20 with virtual availability through August 27.  Click here for more information and tickets.