REVIEW:  Whimsical and festive, Celebrity Series of Boston at Home extends the holiday season with Jason Palmer Quintet’s distinct and upbeat free digital concert

We all just wanted the holiday season to last just a bit longer.

With the uncertainty and bitter temperatures in this New Year just weeks into 2022, it is difficult to part from the bustling excitement of last year’s holiday season.  Musicals, plays, concerts, and more burst onto the stage cautiously but assuredly to deliver holiday cheer, some escapism, and to offer new and hopeful insight into what we have all been going through.

Trumpeter Jason Palmer, tenor saxophonist Noah Preminger, pianist Kevin Harris, bassist Max Ridley and drummer Lee Fish continues digital stream for two more months. Photo courtesy of Celebrity Series of Boston

In December, The Jason Palmer Quintet lit up the Arlington Street Church in Boston live and in person amid festively adorned green and gold wreaths while sharing some new music twists to a few beloved Christmas carols.  Don’t expect to hear these traditional Christmas carols without some clever and spirited flair.

Celebrity Series of Boston at Home is extending the spirit of the season with their free pre-recorded digital concert, part of the Neighborhood Arts, Jazz and Contemporary Music Series, The Jason Palmer Quintet.  This warmhearted concert is accessible for two more months and runs under 90 minutes with no intermission.  Click here for more information and additional selections from Jason Palmer and his quintet.

Trumpeter Jason Palmer, tenor saxophonist Noah Preminger, bassist Max Ridley and drummer Lee Fish Photo courtesy of Celebrity Series of Boston

Infusing music dynamos Duke Ellington and brothers Elvin and Thad Jones into eloquent compositions, The Jason Palmer Quintet arranges what trumpeter Jason Palmer affectionately calls ‘derangements.’ These derangements weave unique and lighthearted spins into traditional carols while each performer has their own chance to shine. 

Bassist Max Ridley and drummer Lee Fish caught on camera! Photo courtesy of Celebrity Series of Boston

Some of the concert highlights include an extended and impressive trumpet solo to open the show in the smooth and mid-tempo Sunset and Mockingbird/Christmas Song and Lee Fish’s playful drum solo during Rudolph the Red Nosed Reindeer as the drum beat imitates hooves on a rooftop.  It’s a sweeping, quiet build to Rudolph’s catchy chorus.  Trumpeter Jason Palmer, tenor saxophonist Noah Preminger, pianist Kevin Harris, bassist Max Ridley and drummer Lee Fish are all so well in sync and it is fascinating to watch them pair off as the instruments ‘chat,’ jam, and gradually build before circling back to that familiar tune with an unexpected flair and flourish.

ChristmasTime is Here is an expressive, rumbling, and fast-paced imagining of Vince Guaraldi’s easygoing classic number.  With more hustle, the musicians glide and veer into their own peaks and valleys highlighted by dynamic pianist Kevin Harris tickling the keys under a church sign that reads ‘To the Glory of God.’

Pianist Kevin Harris in action Photo courtesy of Celebrity Series of Boston

What is certain about this quintet is if the viewer listens carefully to their clever compositions, one may detect an extra carol or two within their potent rhythms.  For example, stray lyrics to Sleigh Ride can be heard within an eclectic medley of Silver Bells/A Child is Born and Santa Claus in Coming to Town emerges from a rolling and upbeat Greensleeves medley.  They certainly kept this enthusiastic audience on their toes.

Celebrity Series at Home is extending the mistletoe and holly with free digital concert, The Jason Palmer Quintet for two more months.  Click here to view the concert, more information, and additional selections from Jason Palmer and his quintet.

REVIEW:  ‘Christmas Revels In Celebration of Winter Solstice’ a clever and inviting return to the stage

Performing for a full and enthusiastic crowd and dedicating the performance to Revels friend Julie Smith, this year’s Christmas Revels offers a lot to its audience, but most importantly, it ushers in the excitement and gratefulness of being together again with a sing-along as well as emphasizing helping those in need.   

Christmas Revels’ audience sang live in Sanders Theatre in Cambridge, Massachusetts and now until January 9, you are invited to sing along virtually from your own living room.  Be sure to download the program first and follow along to songs from the middle ages to classic Christmas carols to contemporary classic songs.   Directed cleverly by Patrick Swanson, The Christmas Revels in Celebration of Winter Solstice is approximately 90 minutes with no intermission.  Click here for more information and how to see this year’s show.

Scene from the Mummers Play (William Forchion as The Dragon, Regie Gibson as the MC/referee, and Mark Jaster as Saint George) Photo courtesy of Shep Ferguson

From last year’s selection of new songs mixed in with some of their greatest performances over Christmas Revels’ 50-year run, Christmas Revels is back to a bit of storytelling and theatrics while still tying in the past with the present day – pandemic times, masks, and all.  An unconventional battle with a dragon is only portion of this wild and peculiar tale where traditions are challenged and life today takes an unexpected turn for this lively cast during a caroling and Christmas party. 

It also weighs in the vintage with the contemporary while infusing its own share of lighthearted humor and enough fantastical elements to create a concise and innovative story.  Acknowledging our present woes, Christmas Revels offers insight and hope into how to best help each other through these difficult times. 

Christmas Revels boasts a large, collaborative cast which includes the lighthearted return of Paula Plum and Richard Snee’s quick-witted observational skills.  With dynamic chorography by Kelli Edwards, Tony Tucker, and Gillian Stewart, charismatic David Coffin returns as Master of the Revels leading an uplifting rendition of Lord of the Dance and beautiful a cappella harmonies for Donna Nobis Pacem.  Alex Cumming and the Revels Morris dancers also impress with the traditional and eclectic Pudding Jig.

The Elizabethan’s arrive! (William Forchion, Regie Gibson, Mark Jaster) Photo courtesy of Shep Ferguson

William Forchion portrays pub owner Joe with Carolyn Saxon as his wife.  Forchion is affable and charismatic keeping a cool head as the pub experiences some unexpected surprises.  He shows off some fancy footwork in a drum-infused sword dance and his smooth vocals are also put to the test in a dual role that is anything but cool.  Regie Gibson portrays sophisticated and no nonsense Reginald while Sabrina Selma Mandell amusingly delivered cheerful comedic nonsense as Flunky, a seemingly dimwitted jester. 

Carolyn Saxon bringing the house down at the George and Dragon’s annual carol party Photo courtesy of Shep Ferguson

Carolyn Saxon gives an amazing performance every time she lifts her voice.  Her vibrant vocals shine in her warm delivery of Oh Happy Day, her heartfelt rendition of Lean on Me, and inspiring Someday at Christmas accompanied by the entire cast.

The Ha’Penny Wassail Children also do a splendid job as they join together for a festive “zoom” to We Wish You a Merry Christmas, their own sweet rendition of Someday at Christmas with harp accompaniment, and leading off a glorious Wassail medley while decorating a tree.

Elizabethan’s strut their stuff (dancing) Photo courtesy of Shep Ferguson

Heidi Hermiller’s colorful costumes varies from humorous ugly Christmas sweaters to festive pub wear to resplendent, gold embroidered and delicately laced gowns.  Jeremy Barnett’s hospitable and festive pub setting includes subtle sparks of hope and encouragement weaved into the surroundings such as a ‘You’ll Never Walk Alone’ sign by the bar.  With a glowing fireplace in the background, the warm atmosphere boasts a festively decorated room enhanced with lit evergreen trim wrapped around the entire theatre as Jeff Adelberg innovative lighting flashes to the beat as the live onstage Pickled Eggs House Band showcase a variety of music styles led by Music Director George Emlen and Associate Music Director Edmar Colon.

The Christmas Revels in Celebration of Winter Solstice continues its virtual run through January 9.  Click here for more information and how to see the show.

REVIEW:  Greater Boston Stage Company’s ‘All is Calm:  The Christmas Truce of 1914’ moving and miraculous

Witnessing a phenomenon is a rare and precious thing.  It was nothing short of miraculous watching Greater Boston Company’s All is Calm:  The Christmas Truce of 1914 which details that short period in history where enemies united briefly during the depths of War War I on Christmas Eve 1914.  Disillusioned and missing their loved ones, soldiers demonstrated compassion and the mercy of the human spirit as both sides sang carols, exchanged goods, and mutually wished for the war to end.

In the Greater Boston Stage Company’s lobby. Authentic combat uniform and gear from the Veteran Association of the First Corps of Cadets and Museum Photo courtesy of Greater Boston Stage Company

Directed poignantly by Ilyse Robbins and compellingly written by Peter Rothstein, Greater Boston Stage Company presents the award-winning documentary musical,  All is Calm:  The Christmas Truce of 1914 through December 23 as a digital performance and live in person at Greater Boston Stage Company, 395 Main Street in Stoneham, Massachusetts.  The show is approximately 70 minutes with no intermission.  Click here for more information and tickets.

It is surprising that The Christmas Truce of 1914 is not more widely known.  Joyeux Noel, The Christmas Truce, various documentaries, and this show are a few of the ways that this short historical period is recorded.  It should be an annual tradition like How the Grinch Stole Christmas, Frosty, Rudolph or A Charlie Brown Christmas.  It stands as a significant reminder of a Christmas Eve miracle that occurred only once during War World I’s long and grueling four year time span.  Most soldiers first joined thinking the war would end by Christmas. 

The cast of ‘All is Calm: The Christmas Truce of 1914’ Photo credit to Nile Scott Studios/Greater Boston Stage Company

A dimly lit, bare stage is all that is revealed at the start of All is Calm, but what transpires as the show progresses is a rich landscape of moonlight, song, and memories.  Though this show features musical interludes, it is not a traditional musical.  It is more like a documentary that features stunning music and carols inviting the audience into the warmth, spirit, sacrifice, and the true meaning of the season.

Comprised of ten cast members who take on several identities during the production as they recollect that time period, All is Calm boasts powerful and silvery harmonies chiming into the wintry night sung a cappella without a band.  Music Director Matthew Stern does a sensational job with Erick Lichte and Timothy Takach’s vocal arrangements which includes popular carols such as Silent Night, O Holy Night, We Wish You a Merry Christmas, Angels We Have Heard on High, and Auld Lang Syne.

Michael Jennings Mahoney and the cast of ‘All is Calm’ Photo credit to Nile Scott Studios/Greater Boston Stage Company

 All is Calm is a beautiful ensemble piece and each cast member rises to the occasion, but when a renowned German tenor leads a stirring rendition of Franz Gruber’s Stille Nacht in No Man’s Land, it is difficult to pinpoint a more memorable moment. 

Dressed in muted military uniforms and kilts faithful to the era’s period and culture by Bethany Mullins, the collaborative cast demonstrates heartwarming chemistry and yet simultaneously depicts each soldier’s growing isolation in sorrow, fear, turmoil, and anguish as they progressively experience war’s cruel reality.  Integrating direct quotes from soldiers, narration, and uplifting carols such as Wassail as well as exceptional and heartrending songs such as I Want to Go Home, many times moved me beyond words. 

Though the extraordinary harmonies are a large part of the production, the production’s real mastery also resides in its stillness.  That brief interlude during a harrowing time where friendships were forged and sweet peace was nestled in the silence of enemies who joined together in the joy of the season and the sadness in their hearts for what was in store.

Greater Boston Stage Company presents the award-winning documentary musical, All is Calm:  The Truce of 1914 through December 23 as a digital performance and live in person at Greater Boston Stage Company in Stoneham, Massachusetts.  The show is approximately 70 minutes with no intermission.  Click here for more information, tickets, and a look at their upcoming events.

REVIEW:  Lyric Stage Company’s ‘The Last Five Years’ a shrewd and beguiling look at love

Start from the beginning.  No, start from the end. 

Not certain which way is best to tell a love story, but Jason Robert Brown certainly makes a powerful argument by the innovative way this story is told as Lyric Stage Company ’s musical The Last Five Years continues through December 12 at the Lyric Stage Company, 140 Clarendon Street in Boston, Massachusetts.  The show is 90 minutes with no intermission.

Directed intuitively by Leigh Barrett with eloquent musical direction by Dan Rodriguez, The Last Five Years describes an ardent romance between a promising writer and an up and coming actress.  It’s blissful love at first sight when suddenly, life goes into overdrive.

Jared Troilo as Jamie and Kira Troilo as Cathy Photo by Mark S Howard/Lyric Stage Company

Having seen the 2014 film adaptation of the same name starring Broadway dynamos Jeremy Jordan and Anna Kendrick, I had high hopes for this production and like Jamie Wellerstein and Cathy Hiatt, fell for both immediately.  The Last Five Years is a compelling, poignant and multi-dimensional journey of love’s elation, humor, compromise, and struggle as life veers into unexpected directions.  The Last Five Years doesn’t hold back in revealing the complex nature of this blossoming relationship, showing its vibrancy and its cracks in equal measure.  How do two people stay afloat when life is throwing so many things at them in completely different ways?

Intimately performed in theatre-in-the-round with a seamless six piece band, the beauty in Lyric Stage Company’s The Last Five Years is not only in its wonderful lead casting with married couple Jared Troilo as Jamie and Kira Troilo as Cathy, but in its unique depiction of time and place through a cosmic and multi-functional rotating stage and the engaging way it consistently involves the audience. 

Jamie and Cathy are earnest and likable and their faults are seen and met with sympathy, heartache, and a degree of discernment when they don’t perceive their own shortcomings.  It’s an intriguing and thought-provoking piece as it explores a kaleidoscope of emotions with intensity and realism and perhaps recognizing yourself in their shoes for a moment or two.

Having witnessed amazing Jeremy Jordan as Jamie in the film adaptation, Jared had a lot to live up to, but he captures the essence of Jamie’s endless humor, charm, and determination while adding his own contagious enthusiasm and captivating vocals.  He is a gleeful and conspiring storyteller for The Schmuel Song and displays ego and earnest sincerity in If I Didn’t Believe in You.  Kira’s soaring vocals depict Cathy’s fragility, sheer determination, and playful optimism in I Can Do Better Than That.  Another highlight involves Kira reflecting on A Summer in Ohio, portraying Cathy’s dry sense of humor and insecurity.  However, she is the most enchanting in Goodbye until Tomorrow.   

Kira Troilo as Cathy Photo by Mark S Howard/Lyric Stage Company

Jenna McFarland-Lord’s enthralling set design and Karen Perlow’s mood-induced lighting reflects two sides of love through its multi-color backdrops such as violet, teal, and purple as well as floating gold rings that shine alone and in pairs.

Jason Robert Brown’s music ebbs and flows much like love from bright to poignant, confident to humbling, and from rueful to triumphant.  No matter how love changes, it is always a memorable journey.

Lyric Stage Company presents Jason Robert Brown’s musical The Last Five Years through December 12 at Lyric Stage Company in Boston, Massachusetts. Click here more information and tickets.

REVIEW:  Boasting two stellar leads, Central’s Square’s ‘The Half Life of Marie Curie’ full of inspiration and crackling chemistry

For revolutionary physicist and chemist Marie Curie, not everything can be solved through a calculation.

On the verge of her second Noble Prize for Chemistry, anxious and introspective Marie Curie finds herself embroiled in a scandal and at one of the lowest points of her life.  Quite literally bursting onto the scene is brilliant and charismatic electromechanical engineer and suffragette Hertha Ayrton ready to bring humor and optimism to what seems like a bleak situation.

Lee Mikeska Gardner as Marie Curie Debra Wise as Hertha Ayrton Photo courtesy of Nile Scott Studios

Brimming with crackling chemistry between Lee Mikeska Gardner as Marie Curie and Debra Wise as Herthe Ayrton, Central Square Theater opened their fall season with Lauren Gunderson’s The Half Life of Marie Curie continuing through December 12 at the Central Square Theater in Cambridge, Massachusetts.  The show is 85 minutes with no intermission.  Click here for more information and tickets.

The stage is deceptively serene for Lauren Gunderson’s The Half Life of Marie Curie. Lindsay Genevieve Fuori’s colorful, innovative, and functional scenic design comes to life as stirring sound effects and a mysterious and foreboding piano score by sound designer Elizabeth Cahill make an intriguing combination fused with Whitney Brady-Guzman’s dynamic and surreal lighting.

A production that picks up from the very start, these two driven pillars of science with contrasting personalities are a fascinating pair to watch and listen to their musings.  Gunderson’s sharp script strikes a delicate balance between intellectual prowess and absorbing dramedy.  They share their views on life, family, and work with wit, humor and candor, yet instinctually encourage each other forward with respect and admiration.  Both are widows and mothers who struggle with how women were perceived in the early 20th century, but their sheer determination and passion for science ultimately make an indelible mark on the world.

Lee Mikeska Gardner as Marie Curie and Debra Wise as Hertha Ayrton in 1910s swimwear Photo courtesy of Nile Scott Studios

Adorned in a lovely feathered black hat and flowing emerald green dress, Debra Wise brings gravitas, confidence, ego, and clever charm as Hertha Ayrton.  From the moment Ayrton bursts onto the stage with a confident cock of her head, gleam in her eye, and cheerful intonation, a lightheartedness sets in to her passionate and outspoken persona as opposed to Curie’s darker sensibilities.  Dressed demurely in a rich purple dress, Gardner skillfully embodies tense Curie in her careful and calculated movements.  You can practically see the wheels turning in Curie’s constantly analyzing mind and consider the lengths she would go for the sake of her work.

Lee Mikeska Gardner as Marie Curie Debra Wise as Hertha Ayrton Photo courtesy of Nile Scott Studios

Marie Curie and Hertha Ayron’s exchanges are no ordinary gabfests.  From sexual politics to love to family and everything in between, Wise and Gardner, as different in their approaches are and as opposite their personalities, they understand each other as equals, colleagues, and kindred spirits. Celebrating each other’s triumphs and supportive in hardship, theirs is a true testament to unyielding and enduring friendship and it stands at the center of this auspicious and biographical story.

Directed astutely by Bryn Boice, Central Square Theater presents Lauren Gunderson’s The Half Life of Marie Curie through December 12 at the Central Square Theater in Cambridge, Massachusetts.  The show is 85 minutes with no intermission.  Click here for more information and tickets.

REVIEW: SpeakEasy Stage Company’s comedy-drama ‘BLKS’

A glow in the dark graffiti soaked Brooklyn apartment and street set the stage for SpeakEasy Stage Company’s production of BLKS continuing through Saturday, November 20 live and in person at Calderwood Pavilion at Boston Center for the Arts in Boston, Massachusetts.  Raw, raunchy, and at times more shocking than funny, BLKS delves into one long and hazy 24-hour period for a group of 20-something city singles.  Infidelity, danger, and sex are just a few of the issues addressed in this one hour and 45 minute comedy-drama by Aziza Barnes.  This show has no intermission and contains mature themes, adult content and language.  Click here for more information and tickets.

Shanelle Chloe Villegas, Kelsey Fonise, and Thomika Marie Bridwell in SpeakEasy Stage’s production of ‘BLKS’ Photo by Nile Scott Studios

On the surface, BLKS tackles the life of a group of strong Brooklyn 20-something singles living together.  After they all endure a tough day, they decide to party and forget their troubles.  However, as the night wears on with plenty of pitfalls in the way from a broken heel to a broken heart, getting what they hope for will be far more difficult than they ever expected.  Each individual faces their own insecurities and long for belonging, whether it comes to love, commitment, career, or identity.  They all want to fit in where they are and yet, each person can’t shake what is missing.

Struggling comedian Imani, portrayed by Kelsey Fonise, longs to be like comedy legend Eddie Murphy and like Murphy’s standup comedy, much of the humor in BLKS is fierce, aggressive, and pulls no punches.  It runs the gamut of relatable to squeamish to unabashedly funny.  Thomika Marie Bridwell as level headed June seems to be climbing the corporate ladder, but is perpetually stuck in love while filmmakers Sandra Seoane-Seri as forthright Ry and Shanelle Chloe Villegas as flighty Octavia clash as they attempt to label their relationship.  Bridwell has a gift for the one liner while Villegas as Octavia displays a knack for physical humor. 

Sharmarke Yusuf portrays a number of dynamic characters including seemingly sweet Justin.  A climatic scene between Yusef and Villegas in an apartment display the daring lengths these two will go for a laugh.  Bridwell as June and Yusef as Justin also share some charming moments.

Roommates Octavia, June, and Imani have a moment on the street and one in the apartment when they reflect on the struggles they deal with on a daily basis and this is where the production shows such potential and solid relevance.  With the exception of Justin who reveals an immediate emotional center, it is a chance to get to know these characters on a deeper level, but these moments pass by too soon.  It gets weighed down at times by the need for shock and comedy over substance rather than delving into these characters more closely.

BLKS is primarily a comedy and these roommates also share their fill of junk food, gossip, and partying in their quest to find love, success, and contentment in which they all share good chemistry.  Like many 20-something singles, they find comfort facing the struggle together.

Directed by Tonasia Jones, SpeakEasy Stage Company’s continues Aziza Barnes’s production of BLKS through Saturday, November 20 at Calderwood Pavilion at Boston Center for the Arts in Boston, Massachusetts.  Click here for more information and tickets.

REVIEW: TCAN Players’ classic comedy ‘Harvey’ full of imaginative charm

We’ve all had that peculiar relative.  It might be an odd extended family member that raises a few eyebrows at family gatherings.   A sweet and wonderful person that is often misunderstood.   In the Dowd family, that person is Elwood P. Dowd, a mix of old fashioned charm, amiability, and humbleness who just so happened to have inherited his mother’s estate.  He is a wealthy bachelor that likes to socialize around town and graciously supports his socialite sister and niece.  However, Elwood has something that probably no other relative you might know has in common…Elwood claims a large bunny called Harvey is always by his side.  Is he crazy?

Now, Harvey is no ordinary bunny.  He’s a rather extraordinary figure to anyone around him and he makes an incredible impact in TCAN Players classic comedy, Mary Chase’s Pulitzer Prize-winning Harvey continuing through Sunday, November 14 at TCAN Center for Arts in Natick, Massachusetts.  Click here for more information and tickets.

Photo courtesy of TCAN Players

This popular 1944 production was adopted into an Oscar-winning film of the same name starring Jimmy Stewart, steeped in affable charm as Elwood and accomplished Josephine Hull, who nabbed an Oscar for Best Supporting Actress as Veta.  TCAN Players’ Harvey boasts a wonderful cast especially from Jo d’Angelo as Veta.  D’Angelo perfects Elwood’s dramatic, intense, at times hysterical, but caring socialite sister who certainly goes through quite a lot in the production’s full three acts.  She portrays fed up to a tee and her sharp comedic skills have her swinging from collected to sheer panic in an instant.  D’Angelo takes on this meaty role so naturally that it is easy to get swallowed up in her unending drama. 

Ashley Harmon gleefully portrays conspiratorial and impressionable Myrtle Mae, Veta’s cooped up daughter longing for adventure.  Scott Salley has a gift for comedy as seen in previous TCAN productions such as First Things First and he holds his own as he portrays the straight man in this production.  As resident psychiatrist Lyman Sanderson, Salley’s smooth, seemingly knowledgeable delivery with a touch of arrogance makes for a number of amusing moments.  He has great chemistry with Sylvia Czubarow as beautifully beaming and complex nurse Ruth Kelly who offers a few zingers of her own.  David Dooks depicts seemingly level headed and imposing psychiatrist William Chumley with gravitas and some good-natured absurdity, especially in scenes with delightful John Alzapiedi as Elwood.  Though the role of Elwood is so clearly made for Jimmy Stewart which brought Stewart an Oscar nomination, Alzapiedi clearly does not lean on the portrayal and makes compassionate and forthright Elwood his own.

Directed with vintage flair by Lisa Astbury, Harvey is set in the present, but from the classic songs bookending the show, the polished set design by Tom Powers, and Donna Cabibbo’s detailed, retro costumes nods to the show’s 1944 setting.  Warmly decorated in floral trim and vintage portraits hanging from the Dowd’s library as well as rotary telephones hearken to that era.  The costumes are also faithful to the period ranging from women adorned in floral dresses, rabbit furs, and sophisticated hats to men decked out in trench coats, ties, and sharp suits. The set is divided into two sides, the latter a typical doctor’s office.

Harvey delves into some darker places, but never let you forget it is a comedy.  Elwood’s lightheartedness seems to diffuse any stressful situation simply by Alzapiedi’s soothing, influential voice and good nature so the show never embarks into disturbing territory.  It is an exploration into relatable family dynamics, a touch of greed, and the power of a little faith.

TCAN Players presents Mary Chase’s inventive comedy Harvey live and in person through Sunday, November 14 at TCAN Center for Arts in Natick, Massachusetts.  Click here for more information and tickets.

REVIEW:  Company Theatre’s ‘Jordie:  A Celebration of Life and Concert’

In her good works, her loving and encouraging persona, and perhaps in a misbehaving microphone, Company Theatre’s beloved co-founder Jordie Saucerman’s presence was unmistakably felt in Jordie A Celebration of Life and Concert continuing through Saturday, November 6 at 7:30 PM.  This dynamic tribute is held live onstage with no intermission at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts. Click here for more information.

Courtesy of Zoe Bradford/Company Theatre

Though there are moments of tearful recollections, this thoughtful, Mardi Gras-inspired tribute brought more joy than sadness not unlike Jordie herself.  She made an indelible mark not only in theatre and film, but her humor, drive, and generous nature made her an unforgettable presence in the lives she encountered, especially in children that often felt alone and misunderstood.  Her discernment, treatment of others, and her endless bowls of chicken soup and treats allowed them to shine.

Young Jordie Saucerman Photo courtesy of Zoe Bradford/Company Theatre

A large cast that included Academy of the Company Theatre (ACT) students paid warmhearted tribute to Jordie with hit Broadway tunes, pop and uplifting gospel songs, captivating dance numbers, and personal stories.  Composed of present and former students that she fondly referred to as family and those whose lives she touched over her 49 years in the arts, needless to say the stage was full.

Some highlights included a poignant montage of film clips capturing Jordie’s wonderful life, including her telling first and final reflections.  A stirring homily from Cathy Torrey and insightful, ballet-inspired choreography created by Jordie’s wife and Company Theatre choreographer Sally Forrest led in song by Paula Markowitz depict how beautiful she was inside and out.

Ballet-inspired tribute Photo courtesy of Michael Hammond/Company Theatre

The Company Theatre presents Jordie A Celebration of Life and Concert for one more show on Saturday, November 6 at 7:30 p.m.  Click here for more information.

In Jordie’s memory, The Company Theatre has created The Jordie Saucerman Forever Fund.  Click here to contribute to her legacy.

REVIEW:  Boston Ballet off to a brilliant ‘reSTART’

Boston, it’s time to reSTART.

Embarking on a journey from beloved local landmarks to overseas to inside the Boston Ballet studios, Boston Ballet’s reSTART amps up the excitement of their highly-anticipated return live onstage in time for the holidays.

With a versatile lineup that includes recently filmed jazz-infused contemporary dance, classic tales, traditional dance, and a season preview as well as a full range of costumes including street wear by Yin Yue and Jens Jacob Worsaae and Judanna Lynn’s spectacular royal fashion, Boston Ballet’s virtual reSTART, available through November 7, delivers an elegant and dynamic show for dance lovers everywhere.  Click here for more information and for Boston Ballet’s full season.

Boston Ballet in Yin Yue’s A Common Movement, photo by Brooke Trisolini; courtesy of Boston Ballet

Over the past year and a half, the renowned Boston Ballet has become much more than a force onstage.  It has been inspiring to see this sophisticated and athletic company in various settings, using creative and unconventional methods to evoke their passion for their extraordinary work.  Lighthearted, romantic, and refreshing, Boston Ballet’s season premiere reSTART demonstrates a brilliant new season to come.

It all starts right in the city of Boston.  Renowned contemporary choreographer Yin Yue delivers jazz-infused spirit into the Boston Common as fifty dancers brighten this beloved October landscape in A Common Movement.  In comfortable and modest attire, the dancers come together in a joyful and sweeping dance as horns blare creating a vintage vibe under a peerless sun.  With catchy tunes performed by Quincy Jones and Alice Coltrane, these charismatic dancers take over the Common with a swift beat in a smooth, mischievous, and calibrated performance enhanced by a slick dance by Maria Alvarez, Louise Hautefeuille, Lauren Herfindahl, Sangmin Lee, Ao Wang, and Patrick Yocum on the Boston Public Garden Foot Bridge.

Haley Schwan and My’Kal Stromile in Yin Yue’s A Common Movement, photo by Brooke Trisolini; courtesy of Boston Ballet

Clever choreography and digital technology bring together pairs Ji Young Chae and Tyson Clark and Haley Schwan and My’kal Stromile in an unexpected way for a fascinating performance in the Public Garden.

Boston Ballet delves into a classic tale with fantasy flair featuring Soo-bin Lee and SeokJoo Kim, a stunning duo as they perform a deeply romantic Pas de Deux in an excerpt from Romeo and Juliet.   Angelically adorned in a halo of ribbons and flowing gown by Song Bohwa and Hanna Kim, Lee is a vision in an idealistic dark forest.  Despite a hint of foreboding, Prokofiev’s score is uplifting and glorious as Lee and Kim enchant each other building into bursts of joy, seeming to move as one into an embrace.

Addie Tapp and Lasha Khozashvili in Jorma Elo’s Ruth’s Dance, photo by Brooke Trisolini; courtesy of Boston Ballet

From classic tale to classic dance, another highlight of reSTART features Bach’s soothing, piano-driven rhythms as Addie Tapp and Lasha Khozahvili perform a tender and delicate dance as Khozahvili quite literally sweeps Tapp off her feet.  

Muses take on full form as Paul Arrais beguiles inspiration as bold and fresh faced Apollo in a pivotal classic work which first brought choreographer Balanchine and composer Stravinsky together.  What is particularly captivating about Balanchine’s choreography is the mechanical synchronization between muses Lia Cirio as majestic Terpsichore, Viktorina Kapitonova as mysterious and foreboding Calliope, and Chryrstyn Fentroy as jubilant and charismatic Polyhymnia.  Their dance is meticulously precise as they rhythmically pivot in unison, at one point forming a beautiful silhouette until each have a chance to portray their own distinct chemistry with Arrais’s mesmerizing Apollo.  They join together, hinging onto each other and one might wonder who is in control.

The Boston Ballet kicks off their new season with virtual reSTART continuing through Sunday, November 7.  Click here for more information and a closer look at Boston Ballet’s new season.

REVIEW: Fueled by a nostalgic rock soundtrack and a charismatic storyteller, Merrimack Repertory Theatre’s ‘Wild Horses’ a lively and momentous tale

Nothing brings back memories quite like a song.

The power of music is in full force in Merrimack Repertory Theatre’s (MRT) production of Alison Gregory’s Wild Horses streaming on demand through Sunday, October 17.  Merrimack Repertory Theatre previously offered the production in person from September 15 through October 3 at Western Avenue Studios in Lowell, Massachusetts.  The show contains mature language and some adult themes. Click here for more information and tickets to this virtual performance.

Directed with heart and humor by Courtney Sale, Wild Horses delves into the life of the mother of a teenage daughter, portrayed with a blend of lively charm and excitable nervousness by Leenya Rideout, as she gets wrapped up recalling her story of a special California summer during her 13th year in the 70s while onstage at an open mic night.  Rideout evokes a sense of adventure during this musically-fueled Moth Radio Hour featuring lyrics from 70s greats Rolling Stones, Heart, Van Morrison, America, and more.

Having delivered a likable performance in the 2020 indie film, Love, Repeat, Rideout further showcases her dynamic range in this meatier Wild Horses role with a humorous, heartfelt and sometimes raunchy performance.  See what Sleepless Critic had to say about Rideout in Love, Repeat here

With a love for music almost as much as horses, Rideout sings, strums an acoustic guitar, and proves an energetic and engaging storyteller sharing her experiences from a studious perfectionist to a teenager not afraid to break a few rules with the encouragement from her daring friends.   With no shortage of excitement, scandal, humor, and heartache, Rideout’s onstage demeanor switches from responsible mother in need of a night out to wide eyed, youthful innocent with all the angst that goes with it.  She blends what she remembers with her current wisdom, dwelling in the sacredness of youth. Ranging from teenage pranks to rites of passage, Rideout recalls these stories with wistfulness and passion, interacting with the audience like old friends.

Costume designer A. Lee Viliesis has Rideout ready to rock in an animal print scarf, Fender T Shirt, and ripped jeans and accompanied by guitarist Rafael Molina, she slips right into this adolescent spirit longing to be wild and free.  All that is necessary is a little courage.

Here’s to the ‘freedom takers’ with Merrimack Repertory’s production of Wild Horses continues streaming through Sunday, October 17.  Click here for more information and to get a closer look on MRT’s new season.