REVIEW: With a double dose of vintage flair, Lyric Stage’s ‘Little Shop of Horrors’ will make audiences thirsty for more

This sad little flower shop on Skid Rowe holds a secret.

Tattered, lesser known movie posters such as ‘Mothra,’ ‘Planet of the Vampires,’ and ‘Attack of the Puppet People’ strewn fervently on brick, graffiti-covered walls provide is just a hint of the zany, B-movie glory that opens Lyric Stage Company of Boston’s 45th season with retro sci-fi musical comedy, ‘Little Shop of Horrors’ continuing through Sunday, October 6 at Lyric Stage in Boston, Massachusetts.  Click here for more information and tickets.

From the inventive special effects to the fascinating, ‘blooming’ set,’ Lyric Stage makes two things abundantly clear:  Don’t feed the plants and everyone’s life should be narrated by a streetwise, Greek chorus.

‘Little Shop of Horrors,’ based on Jack Cullier’s 1932 story Green Thoughts, went on to become a cult classic, featuring actors such as Jack Nicholson, Bill Murray, Rick Moranis, Steve Martin, and John Candy stepping into its various film adaptations.  A remake is in the works as it marks its 60th anniversary in 2020.

It’s a seemingly simple tale about young love on Skid Rowe in a fledgling flower shop that houses a curious, unique breed of plant.  Some critics have compared it to the daring tone of the cult classic, ‘Rocky Horror Picture Show,’ but ‘Little Shop of Horrors’ offers a more subtle brand of campy charm.

Lyric Stage's Little Shop of Horrors Trio

From L to R: Pier Lamia Porter as Chiffon, Carla Martinez as Ronnette, and Lovely Hoffman as Crystal Photo credit to Mark S. Howard/Lyric Stage Company of Boston

Janie E Howland’s vivid, transformative set is remarkable right down to its carefully timed shop bell.  Not only does it pay homage to vintage films of its time, but ‘Little Shop of Horrors’ is packed with 50s and 60s references such as ‘I Love Lucy,’ Howdy Doody, Donna Reed, and Betty Crocker.

Before going any further, let’s start with that Greek Chorus.  With few exceptions, the music, with lyrics by award-winning composer Alan Menken, have a catchy, rock n roll vibe including tunes that pay tribute to 60s girl groups.  From casual street garments to flashy glam, these three electrifying vocalists certainly know how to make an entrance.  Pier Lamia Porter as Chiffon, Lovely Hoffman as Crystal and Carla Martinez as Ronnette are a tough, humorous, and street-smart trio who unveil the real ins and outs of Skid Rowe through harmony, kicking it off with the catchy signature track, Little Shop of Horrors.

Lyric Stage Little Shop Remo Airaldi Dan Prior Katrina Z Pavao and Jeff Marcus

L to R: Remo Airaldi as Mr. Mushnik, Dan Prior as Seymour, Katrina Z Pavao as Audrey, and Jeff Marcus as a customer Photo credit to Mark S. Howard/Lyric Stage Company of Boston

The show has a gift for funny, ironic contrasts with a cast that has increasingly complicated motives.  Wearing black-rimmed glasses, a baseball cap, and fervently wiping his brow, Dan Prior gives real heart to Seymour, a sympathetic, yet conflicted botanist.  With an anxious demeanor and a light city accent, Prior emphasizes Seymour’s inherent, inescapable loneliness as he struggles to remain forthright and honest as the show progresses.  He shines in the darkly tender number Grow for Me and in his awkward adoration for trusting and frequently unlucky Audrey, portrayed wonderfully with plucky charm by Katrina Z Pavao.  In a particularly comical moment, Seymour hopes to take Audrey to “a fancy dinner at Howard Johnson’s.”

Pavao’s lovely soprano vocals carry a lullaby or a soulful belt with equal skill.  She shares her simple, 50s domestic dreams in a funny and tender rendition of Somewhere That’s Green and with Seymour in a powerful rendition of Suddenly Seymour.

Lyric Stage 'Little Shop of Horrors' Dan Prior as Seymour and Remo Airaldi as Mr Mushnik

Dan Prior as Seymour and Remo Airaldi as Mr. Mushnik Photo credit to Mark S. Howard/Lyric Stage Company of Boston

Disheveled and desperate in an old cardigan, Remo Airaldi takes on the role of frustrated flower shop owner, Mr. Mushnik.  Having delivered a deliciously dark comedic turn as Ben in Lyric Stage’s ‘The Little Foxes,’ Airaldi once again delivers a dark and memorable performance.  He is especially clever with Dan Prior as Seymour for the manipulative and comical number, Mushnik and Son.

Lyric Stage's 'Little Shop of Horrors' Carla Martinez Pier Lamia Porter Lovely Hoffman and Jeff Marcus

From L to R: Carla Martinez as Ronnette, Pier Lamia Porter as Chiffon, Lovely Hoffman as Crystal, and Jeff Marcus as Orin Photo credit to Mark S. Howard/Lyric Stage Company of Boston

Jeff Marcus brings out his campy, satiric best in several roles including a no-holds-barred performance as Orin, a belligerent, narcissistic biker dentist punctuated with a howling, maniacal laugh.  Marcus and Prior are particularly fun to watch, playing well off each other in the number, Now (It’s Just the Gas). 

Lyric Stage's 'Little Shop of Horrors' Dan Prior as Seymour and Audrey II

Dan Prior as Seymour and Yewande Odetoyinbo as Audrey II Photo credit to Mark S. Howard/Lyric Stage Company of Boston

However, the real spectacle is  Audrey II, the sly, soulful plant that changes everything.  With versatile and grimly wise vocals by Yewande Odetoyinbo, inventively manipulated by Tim Hoover, and skillfully designed by Cameron McEachern, Audrey II is a comical, extraordinary specimen right down to her bright colors and shiny, dangling teeth.  Audrey II is handled is such an innovative, natural, and majestic way, the results are truly mesmerizing.

Directed and choreographed by Rachel Bertone, Lyric Stage’s ‘Little Shop of Horrors’ continues through October 6 at the Lyric Stage Company of Boston, 140 Clarendon Street in Boston, Massachusetts.  Click here for more information and tickets and here for what is coming up during Lyric Stage’s 45th season.

REVIEW: Hub Theatre Company of Boston’s ‘Steel Magnolias’ boasts humor, heartache, and hairspray

A good story is usually rooted in truth.

Robert Harling’s ‘Steel Magnolias’ is partially based on a true story.  Harling wrote the play, ‘Steel Magnolias’ in 1987 and based it off of real people he knew in Louisiana.  In the popular 1989 film (which included a parade of famous actresses such as Dolly Parton, Olympia DukakisDaryl Hannah,  and Shirley MacLaine), the part of M’Lynn was portrayed by Sally Field and Julia Roberts was Shelby.  Harling based M’Lynn on his mother and Shelby (whose real name was Susan) on his sister.

Directed by Paula Plum, Hub Theatre Company of Boston celebrates the 30th anniversary of the 1989 film with comedy drama ‘Steel Magnolias’ continuing at Hub Theatre Company of Boston’s summer home, Club Cafe through Sunday, August 3.  This show is on a pay-what-you-can basis.  Click here for more information and tickets.

The Sleepless Critic also recently spoke to Hub Theatre of Boston Artistic Producing Director’s Lauren Elias about ‘Steel Magnolias,’ the future of Hub Theatre Company of Boston, and more.  Click here for the podcast.

Set entirely in Truvy’s Beauty Shop in Chinquapin, Louisiana in 1985, this bittersweet tale follows a group of vastly different women who find strength in each other through hardships and triumphs with a great deal of understanding, humor, and hairspray.  Though it has its share of serious themes, ‘Steel Magnolias’ offers more humor and relatable moments seeped in a wealth of 80s references that include mentions of Jane Fonda, and Elizabeth Arden.

Hub Theatre Company of Boston Steel Magnolias full cast 2

From L to R: Maureen Adduci as Ouiser, Liz Adams as M’Lynn, Oye Ehikhamhen as Shelby (center), Lauren Elias as Annelle, June Kfoury as Clairee, and Catherine Lee Christie as Truvy Photo courtesy of Hub Theatre Company of Boston

With bold costumes by Chelsea Kerl and Wig Master Caroline Clancy, the show impressively rewinds the clock into the 80s big hair era and memorable fashion sense while highlighting each woman’s distinct personality.  It is also refreshing to look at back at life at a time before the internet where people shared time, recipes, and hair tips in person.

Directed impressively by Paula Plum, ‘Steel Magnolias’ also thrives through its smart casting and the developing chemistry and growth between these primarily outspoken southern women, keeping this popular show fresh.  With a gift for gab and gossip, Catherine Lee Christie portrays Truvy Jones with charm and sass.  As a big fan of the movie, it is hard to imagine this part for anyone other than Dolly Parton, but Christie, in an array of distinct, sparkling, and mismatched fashion, rises to the occasion.  Her scenes with Lauren Elias as mysterious and humble Annelle make for some quirky, heartwarming moments.

Hub Theatre Company of Boston Steel Magnolias full cast

From L to Right: Maureen Aducci as Ouiser, Liz Adams as M’Lynn, Oye Ehikhamhen as Shelby (center), Lauren Elias as Annelle, June Kfoury as Clairee, and Catherine Lee Christie as Truvy Photo courtesy of Hub Theatre Company of Boston

Maureen Adduci’s sardonic, frank, and darkly amusing Ouiser delivers some of the most entertaining moments in the show.  Adduci’s exhausted scowl alone in Truvy’s cheery beauty salon is enough to crack a smile.  Her sarcastic facade rings true with the priceless line, “I don’t see plays because I can nap at home for free…and I don’t read books because if they are any good, they are going to make them into a miniseries.”  June Kfoury as Clairee, a stylish and gossip-driven widow with good intentions and a knowing smile, amuses herself by teasing Ouiser and their exchanges create their own spark.

However, the most captivating relationship is the family dynamic between Liz Adams as M’Lynn and Oye Ehikhamhen as M’Lynn’s daughter Shelby.  The push and pull between the two make it easy to see them as mother and daughter.  As in any mother-daughter relationship, one minute they exchange nagging barbs and the next, nurturing affection.

Hub Theatre Company of Boston Steel Magnolias Liz Adams as MLynn and Oye Ehikhamhen

Liz Adams as M’Lynn and Oye Ehikhamhen as Shelby Photo courtesy of Hub Theatre Company of Boston

Liz Adams portrays M’Lynn with a quiet, palpable tightness and a bundle of suppressed feelings.  It is easy to feel the weight of the world on her shoulders.  This M’Lynn has a bit of a tougher edge and a dry sense of humor as she meticulously looks after everyone but herself.  Though M’Lynn and Shelby are both dramatic and stubborn, Oye Ehikhamhen as Shelby is a ceaselessly optimistic force where happiness is a requirement, not an option.  With a broad smile and easy chemistry with the entire cast, Oye as Shelby shines in a charismatic, compassionate performance.

Club Cafe’s stage is an air-conditioned, intimate space that includes tables set up for food and drinks.  In honor of the production, Club Cafe offers themed specialty cocktails such as Truvy’s Twister, Blush and Bashful, Wack-A-Ouiser, and Chinquapin Parish Punch.

Directed by Paula Plum, rewind the clock and take a trip south to Truvy’s for Hub Theatre Company of Boston’s ‘Steel Magnolias’ at Club Café  at 209 Columbus Ave through Saturday, August 3. This show is on a pay-what-you-can basis.  Click here for more information about Hub Theatre and tickets.  Hub Theatre Company of Boston is also taking donations of beauty products and toiletries at every performance to be donated to Rosie’s Place and other charities.

REVIEW: Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ a moving summer gem

The Sleepless Critic has reviewed a few beautiful productions of ‘The Sound of Music,’ a riveting true story set in Austria about the resilient Von Trapp family who not only attempt to resist the Nazi regime in 1938 Pre-war Salzburg, but also attempt to move on without their late mother.  A blend of grace, faith and strength in the face of an indelible sadness, no doubt makes it a stirring classic.  Yet, with the exception of Audra McDonald’s brilliant turn as Mother Abbess in NBC’s 2013’s ‘The Sound of Music Live‘ musical, her extraordinary vocals lifting Fox’s arguably mediocre production with this glorious anthem, Climb Every Mountain, the music to ‘The Sound of Music’ has generally never been my favorite.

Make no mistake, Rodgers and Hammerstein’s classic, Academy Award-winning musical score is nevertheless respected and appreciated for its mark in musical history.   However, what makes Reagle Music Theatre of Greater Boston’s musical, ‘The Sound of Music’ particularly special is its resonant harmonies, a brilliant lead in Aimee Doherty as Maria, and the lively vocals and playful choreography delivered by this wonderful, lighthearted cast.  It convinced me to care for ‘The Sound of Music’ score, which has never sounded lovelier.

With a mix of tradition, opulence, and a few songs not featured in the iconic 1965 film starring Julie Andrews, Reagle Music Theatre’s ‘The Sound of Music’ is the perfect lighthearted summer treat, even in its serious moments.  ‘The Sound of Music’ continues at the Robinson Theatre in Waltham, Massachusetts through Sunday, July 21.  Click here for more information and tickets.

Reagle Music Theatre The Sound of Music Aimee Doherty as Maria Confidence in Me

Aimee Doherty as Maria I Have Confidence Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

The Sound of Music has many highlights, but one of its brightest is Aimee Doherty’s glowing, enchanting turn as Maria.  This Maria is a tad more youthful, boasting flowing dark hair and a wide, playful smile.  Doherty brings light and gravitas to the role, her infectious charm and soaring vocals especially noticeable during the playful, yet pensive number, I Have Confidence.  Paired with Daniel Forrest Sullivan’s buoyant choreography, it is one of Maria’s more subtle, but powerful moments.

Reagle Music Theatres The Sound of Music Von Trapp Children

Emma Heistand as Leisl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, Libby Sweder as Gretl, and Aimee Doherty as Maria  Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Each of the adorable Von Trapp children featuring Emma Heistand as sweet, but rebellious Liesl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as precocious Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, and Libby Sweder as Gretl have their moment to shine, and their charming number Do-Re-Mi with Doherty is a delight.  The children’s colorful, identical, and traditional Austrian wardrobe enhance each scene.  Liesl, portrayed by Emma Heistand and Rolf, depicted by Max Currie impressively develop swift chemistry over the playful number, Sixteen Going on Seventeen, largely thanks to Sullivan’s breezy choreography.

Reagle Music Theatre's The Sound of Music Sixteen Going on Seventeen

Emma Heistand as Liesl and Max Currie as Rolf in ‘Sixteen Going on Seventeen’ Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

There is a moment during the production where Doherty states, “When God closes a window” and Mark Linehan completes her sentence with, “he opens a door.”  The expression is actually the other way around, but Mark Linehan as Captain von Trapp instantly picks up on her phrase and completes her statement, indicating how in tune they both are onstage.  Mark Linehan has shown a natural charisma in other productions and there is no shortage of that here, delivering a powerful performance in the dour, firm, but forthright Captain.  However, his biggest strength is in the quieter moments of the show, especially in the moving reprise of the title song The Sound of Music and bittersweet Edelweiss.

Reagle Music Theatre The Sound of Music Captain Elsa and Max

L to R: Mark Linehan as Captain von Trapp, Janis Hudson as Elsa, and Robert Orzalli as Max Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

From the first few notes of the Nuns’ gorgeous, a capella chant, Preludium, Reagle Music Theatre of Greater Boston have certainly outdone themselves.  Their resonant harmonies are among the production’s most beautiful moments.  Mara Bonde delivers an understated performance as patient, insightful, and ceaselessly faithful Mother Abbess, enhanced by a soaring rendition of the show’s inspiring anthem, Climb Every Mountain.  Ever the standout, Yewande Odetoyinbo also makes a remarkable impression as outspoken Sister Berthe.

Reagle Music Theatre of Greater Boston The Sound of Music Aimee Doherty as Maria and Mara Bonde as Mother Abbess

Aimee Doherty as Maria and Mara Bonde as The Mother Abbess Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Elsa, portrayed with flashy elegance by Janis Hudson, is a sophisticated, marginally manipulative socialite, with a taste for the finer things.  In what could be a potentially unlikable character, Hudson strikes a delicate balance of a woman who struggles with what she wants and yet, wishes to do the right thing.  She and Robert Orzalli as comical and seemingly smarmy Max are quite a comical pair, especially during the little known number, How Could Love Survive.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

As wonderfully potent to the ears as visually vibrant, experience Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ though Sunday, July 21 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.  Reagle Music Theatre will soon cap off its summer musical season with the comedy classic, ‘La Cage aux Folles’ in August.  Click here for more information and tickets.  Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.

 

 

 

REVIEW: Greater Boston Stage Company and Front Porch Arts Collective’s ‘The Three Musketeers’ packs action, comedy, and a contemporary twist

‘The Three Musketeers‘ stands the test of time for a reason.  Full of swashbuckling adventure, revenge, humor, and romance, ‘The Three Musketeers’ has a universal appeal, a historical tale of three not-so-flawless defenders of the crown in dangerous 17th century Paris, a time where an ambush could take place at any moment.

Many different versions of this classic tale have taken over the stage and screen over the years and that is no surprise.  It’s a pliable tale with lots of room for creativity.

The Greater Boston Stage Company, in collaboration with The Front Porch Arts Collective, creates a re-imagined adaptation for their final production of the season.  This time, from fights to music to storyline to breaking the fourth wall, ‘The Three Musketeers’ weaves in the classic with the contemporary presenting a new twist of how this story could have played out.

Adapted by Catherine Bush from the novel by Alexandre Dumas, Greater Boston Stage Company continues ‘The Three Musketeers’ through Sunday, June 30 in Stoneham, Massachusetts.  Click here for more information and tickets.  Click here for more on the Front Porch Arts Collective.

Greater Boston Stage Company - The Three Musketeers cast

The Three Musketeers cast Photo courtesy of Greater Boston Stage Company

The last time the Sleepless Critic reviewed a show featuring the Front Porch Arts Collective, it was in collaboration with the Lyric Stage Company for the critically-acclaimed musical, ‘Breath and Imagination’ back in December.  It was a brilliant, dramatic piece with an incomparable performance by Davron S. Monroe as opera great Roland Hayes.

The Front Porch Arts Collective shows its lighter side with ‘The Three Musketeers.’  Though Alexandre Dumas’s novel can be a heavy read, the films and stage productions have always been an exciting romp with some adaptations better than others.  The Greater Boston Stage Company weaves together a wealth of elements, including stylized action sequences, a good dose of humor, eclectic, bolder costumes, and creative casting, but stays pretty faithful to the classic storyline otherwise.

‘The Three Musketeers’ follows Marc Pierre as a fresh-faced country boy named D’Artagnan who wishes to offer his services to the disheveled, world-weary Musketeers.  Pierre portrays D’Artagnan with a love struck charm, wide-eyed wonder, and transparency.  He’s an easy character to root for.

The Greater Boston Stage Company Tonasia Jones as Madame de Treville and Marc Pierre as D'Artagnan

Teaching the ropes. Tonasia Jones as Madame de Treville and Marc Pierre as D’Artagnan Photo courtesy of Greater Boston Stage Company

Instead of women as primarily damsels in distress, some of the damsels are the Musketeers themselves.  Paige Clark as Aremis and Lyndsey Allen Cox as Athos prove they are more than up to the challenge, showing prowess and agility in their perspective roles.  Cox as witty and sardonic Athos has some great lines in this show and one of the most memorable is “Love is a lottery whose prize is death.”  Along with James Richardo Milord, who gives gravitas to goofy, selfish, but well-meaning Porthos, this trio has good chemistry as they embark on new adventures.

The Greater Boston Stage Company - Maurice Emmanuel Parent as Cardinal Richelieu

Maurice Emmanuel Parent as Cardinal Richelieu Photo courtesy of Greater Boston Stage Company

The humor is there, especially from Maurice Emmanuel Parent, the Executive Director of Front Porch Arts Collective, as dastardly Cardinal Richelieu.  From his raised, mischievous eyebrow to his magnificent, resonating laugh as he occasionally lets the audience in on an elusive inside joke, he steals the show.  Tonesia Jones also gives a charismatic and commanding performance as Madame de Treville.  Her interaction with the Musketeers lands with drive and heart.

Margaret Clark is a spellbinding spitfire as M’Lady while J.T. Turner, wearing an eye patch, portrays shrewd and creepy Rocheford as he lurks in the shadows.

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What also stands out in this production is the exciting action and stellar fight scenes, led by fight director Angie Jepson.  From barrooms to the king’s court, the battles are fought valiantly with a good dose of comedy and high jinks.  This show takes a lot of modern liberties in a good fight and takes a more serious turn in the second half, so like a Musketeer, be prepared for anything.

Adapted by Catherine Bush from the novel by Alexandre Dumas, Greater Boston Stage Company, in collaboration with The Front Porch Arts Collective, continues ‘The Three Musketeers’ through Sunday, June 30 at 395 Main Street in Stoneham, Massachusetts.  Click here for more information and tickets and here for a closer look at Front Porch Arts Collective.

REVIEW: Currently on tour, The Whiskey Treaty Roadshow raised the roof at Club Passim for album release party

Part of what makes folk music fascinating are the inflections of various genres weaved into each track.  Add some insightful lyrics and it creates its own unique journey.  Unlike other music genres, folk experiments a wide variety of eclectic rhythms.  Currently on tour, rock and roots folk music band The Whiskey Treaty Roadshow does one better.  Each band member writes and performs their own songs, voiced from their own perspectives.

Very much a collaborative band, The Whiskey Treaty Roadshow, made up of singer-songwriters and musicians Greg Smith, David Tanklefsky, Billy KeaneTory Hanna, and banjo picker Chris Merenda all have distinctive styles, but when they collaborate, it is spot on.  They have attended songwriting retreats together and collaborate on each of their compositions in various stages of completion, so everything syncs with the band’s sound the way it should.

Whiskey Treaty Roadshow Tour Schedule 2019

The “Band Together” tour schedule Photo courtesy of The Whiskey Treaty Roadshow

The Whiskey Treaty Roadshow returned to Club Passim celebrating the release of their new album, ‘Band Together‘ and played for some familiar faces on June 7.  With band members hailing from different parts of Massachusetts including the Berkshires and Boston, the sold out crowd was thrilled as each of its five members made their individual entrances onto Club Passim’s stage.  Click here to see where The Whiskey Treaty Roadshow will appear next, here for an interview with band member, David Tanklefsky, and here for more on Club Passim.

Sam Chase from Scituate opened for the Whiskey Treaty Roadshow, and there was a brief intermission before the band took the stage.  From quiet, horn-infused reflections in ‘Reasons‘ to the rolling and the ebb and flow rhythms of ‘Jimmy the Whiskey Boy,’ ‘Rock n Roll Déjà Vu,’ and ‘Perfect Day,’ to the lightning-fast, freestyle tempo of ‘Born to Pick Bluegrass’ to observations on the current state of the world with ‘Hey Lady,’ ‘Close to the Edge,’ and ‘Pass the Peace,’ The Whiskey Treaty Roadshow delivered a variety of insightful, optimistic songs as each band member took the lead to tell their story.

Telling jokes, improvising, and revealing some inspiration behind their songs, it is easy to see their breezy camaraderie as they make the most out of Club Passim’s intimate stage.  Dressed casually in jeans and distinctive hats (one band member in a signed tank top), their music travels an eclectic emotional spectrum, from acoustic to electric with lyric-heavy compositions tinged in rock, reggae, roots, country, and blues.  Passersby outside peaked into Club Passim’s lower level concert space as the band performed for an enthusiastic crowd.

The Whiskey Treaty Roadshow band

Whiskey Treaty Roadshow – Billy Keane, David Tanklefsky, Tory Hanna, Greg Smith, and Chris Merenda Photo courtesy of Whiskey Treaty Roadshow

Though The Whiskey Treaty Roadshow has an easygoing vibe, they have been hard at work having just released a new album and are currently on a national tour.  They also boast a Berkshire-based, award-winning short documentary, Whiskey Treaty Roadshow:  Of Brotherhood, Music, and Fine Spirits that can be found here.

After a few encores, Whiskey Treaty Roadshow’s Billy Keane playfully sung an uplifting love song, Leave Your Light On with lyrics such as “If you admit I try and damn, look how much I’ve done/And my love for you is strong, look at the lengths in which I’ve gone,” a fitting end for a band that you should leave your light on for in the future.

This memorable, fun evening marks my first time concert experience at Club Passim, 47 Palmer Street in Cambridge, Massachusetts.  Convenient to the Harvard Square T stop, Club Passim features daily live concerts from promising to professional artists with some hailing from Passim School of Music.  Concerts are situated with table seating with their own restaurant serving appetizers, sandwiches, and more.  Click here for more about Passim and all the venue has to offer.

 

 

 

 

 

 

 

 

 

 

 

REVIEW: From the creator of ‘Riverdale’, Flat Earth Theatre delivers a bizarre and suspenseful ‘King of Shadows’

The theme of Flat Earth Theatre’s 13th season has been a thought provoking, mind-bending journey exploring the extraordinary in Delicate Particle Logic, the mythical in Not Medea, and now the mysterious and fantastical in King of Shadows from Roberto Aguirre-Sacasa, the creator of Riverdale. This season’s unique, message-driven productions bend reality to reveal a bigger picture.

As a fan of the twist-ending, they have been nothing short of fascinating.  Directed by Michael Hisamoto, Flat Earth Theatre continues King of Shadows through June 22 at the Mosesian Center for the Arts in Watertown, Massachusetts.  Click here for more information and tickets.  This show may be haunting for children.

Flat Earth Theatre King of Shadows set

The setting of Flat Earth Theatre’s ‘King of Shadows’ Photo courtesy of Flat Earth Theatre

Much like Riverdale, an ordinary setting withholds extraordinary secrets. Grounded in the reality of missing children in San Francisco, King of Shadows delves into the lives of four distinct characters, all affected by their dark past.  The haunting set and intimate, encompassing staging, especially PJ Strachman’s light design, Bram Xu’s sound design, Stage Manager/Puppeteer Amy Lehrmitt, and scenic designer Ryan Bates, create an immersive, unsettling atmosphere for what is about to unfold.

Compassionate and ambitious Berkeley graduate student Jessica, portrayed with finesse by Laura Chowenhill, may be in over her head when she meets Nihar, a mysterious, wise-beyond-his-years homeless teenager portrayed by Trinidad Ramkissoon.  Ramkissoon’s penetrating gaze and inquisitive nature give Nihar an edgy charisma.  He has a fuzzy past, but that does not stop Jessica from her perpetual desire to help others.

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Logical and protective policeman Eric Saunders, portrayed impressively by Matt Crawford, is suspicious that Nihar may have a dangerous agenda.  Crawford’s Eric is a great foil for Chowendill’s pensive and conflicted Jessica, setting the stage for some sparks.  Jessica’s resentful and impulsive younger sister Sarah, portrayed with sarcasm and sass by Abigail Erdelatz, is capable of anything as she longs for a different life.

Flat Earth’s multi-layered production, King of Shadows is best seen without revealing too many details.  Though it’s an increasingly outlandish tale, King of Shadows has more than its share of suspense, leaving the audience constantly wondering where each character’s loyalty truly lies.

Flat Earth Theatre - King of Shadows Trinidad Ramkissoon as Nihar

Trinidad Ramkissoon as Nihar Photo courtesy of Flat Earth Theatre

Flat Earth Theatre’s final production of its 13th season, King of Shadows continues through Saturday, June 22 at the Black Box at the Mosesian Center for the Arts, 321 Arsenal Street in Watertown, Massachusetts.  Click here for more information and tickets.

Partially surrounded by a lush green lawn that gives it a campus feel, The Mosesian Center for the Arts houses a number of productions, concerts, and exhibits during the year.  Offering free parking and next door to Panera Bread,  Earful and Gilly Assuncao are among the featured concerts this month while The Wizard of Oz and the opera, La Cenerentola, are among the upcoming theatrical productions.  Click here to see all that Mosesian Center for the Arts has to offer.

 

 

 

 

 

REVIEW: Footlight Club’s ‘The Importance of Being Earnest’ clever and comedic fun

It’s the age old question:  “What’s in a name?”  Apparently it makes all the difference in the world in Oscar Wilde’s classic play, The Importance of Being Earnest, a high society romantic farcical comedy written twenty years after The Footlight Club was established in 1877.  Full of adages about life and relationships as well as its fair share of ploys, elaborate scheming, love at first sight, and mistaken identity, The Importance of Being Earnest proves that some things are timeless.

The Footlight Club, the oldest running theatre in the nation, boasts renovations that include new seating and more at Eliot Hall.  Directed by David Marino, Oscar Wilde’s The Importance of Being Earnest continues at Eliot Hall in Jamaica Plain, Massachusetts through Sunday, June 15.  Click here for more information and for tickets.

It is amazing to see how far theatre has come over the years.  The Importance of Being Earnest is a lighthearted production told in three acts with each act separated by the drop of the stage curtain.  It is refreshing to see this production in vintage form, especially in a day and age where rolling sets and elevated scenery eliminates the need to close the curtain until intermission.

The Footlight Club The Importance of Being Earnest Michael Jay and Frances Price

Michael Jay as Jack and Frances Price as Lady Bracknell Photo credit to Elizabeth Bean/Footlight Club

Zach Best, David Alger, and Cara Guappone’s elegantly-detailed set, which includes a brass chandelier, seemingly expensive wall hangings, and plush furniture, reflect 1895 London, where high society’s seemingly biggest worries are when to dine, when to have tea, and when to go to the club.  However, even in Audrey Stuck-Girard’s regal costumes, the rich nevertheless have their own relatable issues whether it’s over family, love, and happiness.

What keeps Oscar Wilde’s show so relevant is its witty and hilarious script, showing even the simplest things in life can be the most elusive.  Its comic observations about family, love and society can be scathing, but possess a remarkable ring of truth.

The madcap, clever cast has impressive comic timing, especially Bradley Boucher’s knack for physical humor as Algernon Moncrieff.  Back in 2002, Rupert Everett starred as Algernon Moncrieff at age 43 in the film adaptation joined by a stellar cast that included Colin Firth, Reese Witherspoon, Judi Dench, and Tom Wilkinson.  At first glance, Bradley Boutcher looked too young to portray the suave and sardonic Algernon, especially as he spends a great deal of the show making quips about life as only a well-experienced individual can.  However, Boutcher’s smug smile and shrewd comic timing gradually won me over despite some misgivings and he became quite a scene stealer.

Footlight Club The Importance of Being Earnest Elizabeth Loranth as Gwendolyn and Michael Jay as Jack Worthing

Elizabeth Loranth as Gwendolyn and Michael Jay as Jack Worthing Photo credit to Matt McKee/Footlight Club

Boutcher as Moncrieff and Michael Jay as excitable and anxious Jack Worthing share an amusing, competitive camaraderie as they attempt to prove one wiser than the other.  It is fun to see two very different personalities collide over something as trivial as muffins.

In an extravagant feathered hat, Frances Price flourishes as outspoken, society-minded Lady Augusta Bracknell.  Price strikes a delicate balance between well intentioned and intrusive, making distinguished Lady Bracknell likable, even when her lips curve into a judgmental frown.

Kevin Brunton’s droll presence as Lane/Merriman enhances each scene while Gabrielle Jaques as seemingly sweet, wide-eyed Cecily and Elizabeth Loranth as elegant Gwendolyn are fascinating to watch as their characters become increasingly more complicated.  Jennifer Bean as quirky, love struck Miss Prism and Tim Joseph as amiable Reverend Chasuble round out this stellar cast and make Earnest much more than a name, indeed.

Footlight Club The Importance of Being Earnest Jennifer Beam as Miss Prism and Tim Joseph as Reverend Chasuble

Jennifer Bean as Miss Prism and Tim Joseph as Reverend Chasuble Photo credit to Elizabeth Bean/Footlight Club

The Footlight Club presents Oscar Wilde’s The Importance of Being Earnest at Eliot Hall, 7A Eliot Street in Jamaica Plain, Massachusetts through Sunday, June 15.  Click here for more information and tickets to Footlight’s Club final show of the season.