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REVIEW: Boston Lyric Opera celebrated Morris Robinson and a revered love story with Verdi and Ghislanzoni’s stunning ‘Aida’

Posted on November 20, 2024 by The Sleepless Critic

For one night only, a revered love story caught between impossible choices took shape set in a war-torn country.

With over 200 artists involved including the Back Bay Chorale as well as Boston Lyric Opera Orchestra and Chorus, Boston Lyric Opera (BLO) presented Verdi and Ghislanzoni’s stunning Italian opera, Aida for one gala benefit performance during Veteran’s Day weekend on Sunday, November 10 at 3PM at the Emerson Colonial Theatre in Boston, Massachusetts. All funds raised benefited Boston Lyric Opera’s education, youth and community programs. Part of BLO’s You’ll Never Walk Alone themed season, this epic production ran 2 hours and 50 minutes including one 20-minute intermission. Click here for more information.

David Angus conducts the BLO Orchestra and BLO Chorus (Brett Hodgdon, Chorus Director) including members of Back Bay Chorale) Photo by Nile Scott Studios

Prior to the start of the production, the Boston Lyric Opera celebrated a milestone for renowned bass-baritone opera singer Morris Robinson. Twenty-five years ago to the day on November 10, 1999, Robinson debuted onstage in the role of the King for Boston Lyric Opera’s Aida. Not only was he named the 2024 Artistic Honoree, but Mayor Wu named November 10^th Morris Robinson Day. The honor was presented to him by his mentor Sharon Daniels. Once a Boston University college football player, a clearly moved Robinson delivered an inspiring and relatable speech about career pivoting and the stellar chance he received from Boston Lyric Opera.

Morris Robinson as Ramfis in Boston Lyric Opera’s AIDA – Photo by Nile Scott Studios

Robinson’s charismatic presence as well as his rich, deep and commanding vocals as Ramfis in the following production depicts why Morris has had a lasting presence with Boston Lyric Opera.

Having never seen Aida performed as an opera but twice before as the Elton John and Tim Rice’s musical, it was amazing to see Verdi’s version which is the foundation in which this story was told. With the Boston Lyric Opera orchestra center stage and the chorus situated behind them, Aida was treated as a gala event enlivened by Aja M. Jackson’s atmospheric lighting in pinks, reds, blues, and gold backdrop weaving in images and symbols from the Egyptian Book of the Dead. Jackson’s lighting had an encompassing effect creating a semi-panoramic view of images of multicolored Egyptian animals moving along the back of the theatre.

BLO Music Director David Angus leads the BLO Orchestra in Boston Lyric Opera’s AIDA – Photo by Nile Scott Studios

With trumpet accompaniment from the balconies, BLO conductor David Angus with Annie Rabbat, Brett Hodgdon, and Back Bay Chorale Music Director Stephen Spinelli navigates this complex orchestration of music to enrich this bold and compelling love story. Even with a brief pause during the production, Boston Lyric Opera handled the situation efficiently.

A fictional tale surrounding historical events, Aida explores a number of conflicted characters deliberating on love and loyalty during the Egyptian and Ethiopian war. Tenor Diego Torre delivers an impassioned performance as Radamès, an Egyptian commander in love with soprano Michelle Johnson as Ethiopian slave Aida while Aida’s father Amonasro, portrayed by baritone Brian Major, is a war prisoner. Mezzo-soprano Alice Chung delivers a multifaceted performance as resourceful Egyptian princess Amneris who wonders what it will take to win the love of Radamès .

Diego Torre as Radamès in Boston Lyric Opera’s AIDA – Photo by Nile Scott Studios

Adorned in gala attire rather than costumes, the cast’s powerhouse vocals exude despair, passion and desperation into characters facing impossible choices. Decked out in coat and tails, Torres evokes sympathy through his torment and soaring vocals as commander Radamès torn between his love for Aida and loyalty to his people. In a distinctive multicolored gown, Michelle Johnson illustrates the gravity of Aida’s rage, passion and despair over her decisions, torn between her secret love for Radamès and her own people. Johnson as Aida is bold, charming, and audacious while always carrying a heavy heart.

Michelle Johnson (l.) as Aida and Alice Chung as Amneris in Boston Lyric Opera’s AIDA – Photo by Nile Scott Studios

However, Alice Chung as shrewd and privileged Amneris has plans of her own and strategizes how to get what she wants. With dynamic range in a jeweled accented gown, Chung brings her own psychological warfare in a stunning duet with Johnson. Their intense and melodic vocals deliver gravitas in a suspenseful stand off as romantic rivals. Chung is confident and manipulative catching Aida at her most vulnerable, but also brings sympathy to her character in the looming fear of losing what she holds most dear.

(L.-r.) Stefan Egerstrom (King of Egypt), Brian Major (Amonasro) and Morris Robinson (Ramfis) in Boston Lyric Opera’s AID

Johnson’s Aida also shares a powerful scene with Major as Amonasro. Major is eloquent and stealthily convincing in a pivotal scene in which Aida is faced with the consequences of her decisions. This weighty exchange is filled with raw emotion and distress as she is backed into a corner.

The riveting harmonies, the fervent declarations, and the deeply romantic lyrical context of this production demonstrate why Boston Lyric Opera has returned to this memorable show over the years since first performing Aida at the Hatch Shell in 1981. Its rich exploration of passion, torment, war, and loss always has something new to say in a classic tale where love transcends everything.

Cast members and BLO Chorus (with members of Back Bay Chorale) in Boston Lyric Opera’s AIDA – Photo by Nile Scott Studios

Boston Lyric Opera (BLO) presented Verdi and Ghislanzoni’s stunning Italian opera, Aida for one gala benefit performance during Veteran’s Day weekend on Sunday, November 10 at 3PM at the Emerson Colonial Theatre in Boston, Massachusetts. All funds raised benefited Boston Lyric Opera’s education, youth and community programs. Click here for more information.

REVIEW: Go see Academy of the Company Theatre’s heartwarming, moving, and family-friendly ‘Joseph and the Amazing Technicolor Dreamcoat’

Posted on April 29, 2022 by The Sleepless Critic

The one thing more magnificent then Joseph’s dream coat is the tale behind it. An interactive, endearing, and humorous production, Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat has been entertaining audiences for over 50 years with its exuberant story and its versatile and brilliant music by the Academy Award-winning team of Andrew Lloyd Webber and Tim Rice. Joseph’s music offers a wide spectrum of music genres for any taste from calypso to rock and roll which accompanies the unique retelling of a sacred tale of treachery and unceasing hope.

Photo courtesy of Zoe Bradford/Company Theatre

A tale so wonderful that it needs three narrators, Academy of the Company Theatre (ACT) presents Andrew Lloyd Webber’s wondrous and family-friendly musical comedy Joseph and the Amazing Technicolor Dreamcoat continuing at the Company Theatre in Norwell, MA through Sunday, May 1. The production is almost sold out. Click here for more information, tickets, and for classes that ACT has to offer.

Based on the Book of Genesis and set in the land of Canaan and Egypt, Joseph and the Amazing Technicolor Dreamcoat explores the incredible journey of Joseph and his brothers as Joseph struggles to discover his destiny. It is very much a collaborative, ensemble piece featuring three engaging narrators portrayed by Gilbert Dabady last seen in ACT’s Les Miserables, Cate Healey, and Elizabeth Nunnery as they share Joseph’s tale not only with the audience, but with the surrounding and energetic young cast gathered onstage. Dabady, Healey, and Nunnery all have powerful and very different voices that complement each other throughout the performance.

Brothers – Corin O’Neill – Abington, Jay Feeney- Hansen, Henry Jacobs – Norwell, Colin SanGiacomo – Norwood, Roland Schulze – Hingham, Matthew Porro – Hanover, Tim Bevens (Joseph) – Hingham, Ben Cavallo Smith-Hingham and cast Photo courtesy of Zoe Bradford/Company Theatre

With a sweet smile and unassuming demeanor, Tim Bevens portrays humble, yet forthright dreamer Joseph with instant likability from his first opening number, a warm and melodious rendition of Any Dream Will Do. Bevens delivers a compelling performance as a naïve outsider, his versatile vocal range effortless for the soothing Any Dream Will Do to stirring Close Every Door, his tone heart rendering and sympathetic.

Wearing a white beard, Jacob Yates takes on the mostly silent role of Jacob, Joseph’s devoted father. Yates makes the most out of this role with an amusing walk and some physical humor. Led by Charlie Flaherty’s standout portrayal as Joseph’s smirking and sneaky brother Reuben, One More Angel in Heaven depicts the united camaraderie not only by Joseph’s eleven brothers, but from the cast, all in on a little secret. Another excellent number that depicts the brothers’ united front is delivered by Ben Cavallo-Smith as Judah and his brothers for Roland Schulz as Benjamin, a catchy, amusing song called Benjamin Calypso.

Combining blue, glitter, and gold into dazzling Egyptian attire, Sal Garcia, who was last seen as Jean Val Jean in ACT’s Les Miserables, makes a grand entrance in suave sunglasses and a bouffant hairstyle as Pharaoh, complete with shimmering gold sneakers. Garcia shows off his comedic talent and charisma in the show stopping number Song of the King, combining the essence and high energy of a certain king not to be revealed here and Jack Black. It is fun to watch Garcia in a role where he can let loose.

Sal Garcia as Pharaoh Photo courtesy of Zoe Bradford/Company Theatre

The transformative lighting by Dean Palmer Jr. ranges from a lone spotlight to doubling for the hot, desert sun to flashing, multicolored spotlights for Go Go Go Joseph to the warm candlelight and modest staging of Close Every Door. Though most of the sets are colorful and fun, there is something special about the translucent, simple staging for Close every Door by candlelight, letting Tim Bevens’s poignant rendition speak for itself without distractions.

Elsa Hancock-Happ – Rockland, Calvin Jacobs – Norwell, Reese Warshaw – Hingham, Izzie Donnelly – Hingham, Nora Joyce – Weymouth, Silvia Thompson – Hingham, Tim Bevens – Joseph – Hingham, Laird Lacoste and cast Photo courtesy of Zoe Bradford/Company Theatre

Among the vibrant and bold costumes by John Crampton and Alison Gordon is the famous coat in yellow and green and ochre… Joseph’s magnificent, flowing, and sparkling coat is a head turner decked out in multi-colored stars on the back. The cast wearing sunglasses, an unusual camel, and cute Egyptian “beetles” among the crowd on a unconventional journey to Egypt are just a few of the subtle, cheerful touches added to this lighthearted production that certainly has its share of stirring and difficult moments, but with far more uplifting and spirited ones, it’s difficult to feel down for long.

Tim Bevens (Joseph) and cast Photo courtesy of Zoe Bradford/Company Theatre

Directed by Zoe Bradford with lively choreography by Sally Ashton Forrest and musically directed by Melissa Carubia, Academy of the Company Theatre (ACT) presents Andrew Lloyd Webber’s wondrous and family-friendly musical comedy Joseph and the Amazing Technicolor Dreamcoat continuing at the Company Theatre in Norwell, MA through Sunday, May 1. The production is almost sold out. Click here for more information and for tickets.

REVIEW: Company Theatre’s ‘Evita’ is a touch of star quality

Posted on March 30, 2019 by The Sleepless Critic

She was a mystery, but everyone thought they knew her. From a sassy, excitable teenager to rising political figure, Eva (Evita) Peron knew she belonged at the top before she ever knew how to get there. Having recently celebrated its 40^th Anniversary like the Company Theatre, The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at The Company Theatre in Norwell, Massachusetts. This production is currently sold out. Click here for more information on the Company Theatre’s upcoming productions and more.

Evita, with music, book and lyrics by award-winning collaborators Andrew Lloyd Webber and Tim Rice, is a rock opera set in Argentina. Part of what makes Evita such a captivating work is its vibrant pacing, handled beautifully by Sally Ashton Forrest. Based on the life of Maria Eva Peron, Evita’s life moves much like the soundtrack’s quick rhythms. The audience is taken through song from night club to city street to porch step with barely a pause for applause, its sweeping sets divulge Eva’s life in its sheer magnitude.

Company Theatre Evita Kristen Huberdeau as Evita with cast

Kristen Huberdeau as Evita with cast Photo courtesy of The Company Theatre

This version of Evita features real footage from Eva Peron’s life and includes songs not featured in the latest 1996 film. The Art of the Possible, a cryptic number not in the film and featuring five officers, is particularly engaging. Evita is a young woman taking Argentina by storm…until she locks eyes with Peron, portrayed with regal like mindedness by Dan Kelly.

The Company Theatre Evita Dan Kelly as Peron

Dan Kelly as Peron Photo courtesy of The Company Theatre

Kristen Huberdeau exudes excitable sass and a bright, wide smile when she first appears as a teenager. However, Huberdeau’s Evita, behind her feigned naivete, is shrewd as soon as her feet hit the ground for the catchy, effervescent number, Buenos Aires. Huberdeau takes Evita from a vivacious teenager onward and excels at her developing influence and maturity through the years. She hits her stride with Buenos Aires, a joyous, catchy number about her instant love for the city and keeps up the brisk pace for this demanding role throughout, though some notes were a bit strained. She delivered an impressive version of Evita’s signature number, Don’t Cry for Me Argentina, glowing in a pristine gown.

No one succeeds without opposition. Che, portrayed with charisma and sardonic wit by Ken Bayliss, is part keen observer, part narrator, and represents the working class. In a beret and military fatigues, he occasionally engages the crowd, but his primary focus is on Evita. Bayliss captures the essence of Che and makes the role uniquely his own, leaving no trace of previous versions I have seen. From his observations in Oh What a Circus, his humorous duet in Good Night and Thank You with Huberdeau, and the reflective ballad, High Flying Adored, you’ll be glad to be taking this musical journey with Bayliss.

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With rich, charming vocals for his signature song. On This Night of a Thousand Stars, Ryan Barrow blends sensitivity, melodrama, and humor to night club singer, Magaldi and was a hit with the audience. A couple of other notable numbers include a sweet rendition of Another Suitcase in Another Hall by Sydney Palmer and a stirring, candlelit rendition of Santa Evita.

The Company Theatre proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through March 31 at the Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts. This production is currently sold out. Click here for more information and and how to support Company Theatre’s future. Follow Company Theatre on Facebook, Instagram and Twitter for more on their upcoming events.

Bill Hanney’s North Shore Music Theatre presents Disney’s award-winning musical, ‘Beauty and the Beast’

Posted on June 23, 2017 by The Sleepless Critic

A mysterious candlestick, a robust clock, a talkative dresser, an imperfect cup, and a warm tea pot could very well be the right ingredients to true love. On the heels of the blockbuster, live action remake of Disney’s blockbuster film starring Emma Watson, Bill Hanney’s North Shore Music Theatre proudly presents the spectacular, award-winning Disney musical, Beauty and the Beast from Tuesday, July 11 through Sunday, July 30 at North Shore Music Theatre, 62 Dunham Road in Beverly, Massachusetts. Tickets for children up to 18 years old are half price, but no children under the age of 4 are permitted in the theatre. Click here for further details, tickets, and special performances that feature free post-show talks.

Based on the classic fairy tale, Beauty and the Beast is about a prince who resides in a magical castle under a dark spell. Belle is the beloved child of an inventor who seems more interested in the life of a good tale than reality. When Belle’s father gets lost in the forest, a series of events will test their capacity for compassion and love. With music by Alan Menken and lyrics by Howard Asman and Tim Rice, Beauty and the Beast boasts enchanting musical numbers audiences know and love such as Be Our Guest, Belle, Something There, and the musical’s beautiful title track.

Bill Hanney’s North Shore Music Theatre kicks off their 2017 musical season with Disney’s Beauty and the Beast from Tuesday, July 11 through Sunday, July 30. The Mel Brooks musical comedy, Young Frankenstein, the epic musical Evita, the toe tapping 42^nd Street, and the return of the holiday classic, A Christmas Carol round out this year’s stellar season. Follow North Shore Music Theatre on Facebook, Twitter, and Instagram for updates and more.