trust

REVIEW:  Teatro Chelsea’s ‘Fade’ a tense cautionary tale

Posted on by The Sleepless Critic

Tanya Saracho’s Fade proves the daily grind should always contain some chic choreography.

Accented by Desiree Salvo’s multicolored and club-inspired lighting and Armando Rivera’s intense and Latin-inspired upbeat rhythms, two people energetically tackle their workday.  These eclectic and lively dance breaks provide a clever reprieve and gradually become more meaningful afterhours inside a television station where drama takes a front seat.

Directed thoughtfully by Armando Rivera with playful chorography designed by Movement Director Audrey Johnson, Teatro Chelsea presented Tanya Saracho’s Fade live and in person at Chelsea Theatre Works through Sunday, June 30.  Though it is not necessary to understand both Spanish and English to enjoy this production, those who understood some of the dialogue in Spanish have a bit of an advantage. This partially bilingual show was approximately 100 minutes with no intermission and contained explicit language.  Click here for more information and for more on Teatro Chelsea’s upcoming performances.

Luz Lopez and Cristhian Mancinas-Garcia in Teatro Chelsea’s ‘Fade’ Photo by Elainy Mata

The intimate manner in which the audience is situated offers a uniquely exclusive peek into Rivera’s detailed set design complete with commercial carpet, notes scribbled on a white board, a personalized bulletin board and functioning office equipment.  Fade turns the tables a bit to focus on an individual who is not necessarily a likable figure.  Mexican-born novelist Lucia (Lus-sea-a), portrayed with fiery anxiousness by Luz Lopez, is the new scriptwriter at a television station and is not quite sure where to begin.  When Lucia meets quiet yet observant Mexican-American custodian Abel (A-bell) in an absorbing portrayal by Cristhian Mancinas-Garcia, she seemingly sees a like minded individual, but they soon realize that they are not exactly on a united front.

Luz Lopez and Cristhian Mancinas-Garcia in Teatro Chelsea’s ‘Fade’ Photo by Elainy Mata

Lucia, feeling under qualified and insecure, is chatty, nosy, and opinionated as she rants about how unfair life has been for her living in California.  She is anxious about success and blames everyone but her own abilities for the work she has done.  To some points, she is justified working in a primarily white male environment.  She jumps to conclusions, is a sneaky rule breaker and hotheaded while Abel is mysterious, reserved and reluctant to speak with her.  However, their conversations progress from awkward to tense as focused, humble, and patient Abel cannot help but politely comply as Lucia uses guilt and pressure in order to have her way.

Lopez delivers a convincing and bold portrayal as Lucia who would be easy to sympathize with if she was more respectful of Abel’s wishes.  Lopez’s Lucia is dramatic, persuasive, and a clear spark exists between her and Mancinas-Garcia as Abel.  Mancinas-Garcia’s Abel is an immediately sympathetic character, forthright, and brutally honest which seems to be good for Lopez’s Lucia.  However, delving into everything from family to politics and everything in between, things get complicated the more they learn about each other.    

Cristhian Mancinas-Garcia and Luz Lopez in Teatro Chelsea’s ‘Fade’ Photo by Elainy Mata

Luz Lopez and Armando Rivera make a visually compelling statement in Lucia’s clothing which reflects her gradual character transformation from low key basic attire to lavish and flattering accented with a patterned scarf while Mancinas –Garcia’s Abel’s uniform remains the same. 

There lies a twist in this tale and it is startling even if it is one you might see coming.  A tense workplace drama tempered by some comedic and upbeat flair, Fade tackles many topics including intuition, integrity and where you place your trust.

Directed thoughtfully by Armando Rivera with playful chorography designed by Movement Director Audrey Johnson, Teatro Chelsea presented Tanya Saracho’s Fade live and in person at Chelsea Theatre Works through Sunday, June 30.  Though it is not necessary to understand both Spanish and English to enjoy this production, those who understood some of the dialogue in Spanish have a bit of an advantage. This partially bilingual show was approximately 100 minutes with no intermission and contained explicit language.  Click here for more information and for more on Teatro Chelsea’s upcoming performances.

Itamar Kubovy of modern dance troupe, ‘Pilobolus,’ discusses fascinating footwork and Celebrity Series of Boston return

Posted on by The Sleepless Critic

Ever since Celebrity Series of Boston’s annual, free season opener Let’s Dance Boston at Dewey Square on September 13 featuring dancers that brought the audience to its feet, the 2017-18 has been a non-stop celebration.  Adding to the excitement from Friday, October 27 through Sunday, October 29, international modern dance troupe, Pilobolus, returns to Boston to share their distinctive, always fascinating moves in Pilobolus Maximus: Beyond the Limits of Dance at the Boch Center Shubert Theatre in Boston, Massachusetts.  Click here for more information and for tickets.

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Photo courtesy of Grant Halverson/Celebrity Series of Boston

Pilobolus has taken the stage in over sixty countries and thrilled audiences with television appearances at the Academy Awards, the Oprah Winfrey Show and the Olympics as well as made film appearances in Little Miss Sunshine, The Devil Wears Prada and Snakes on a Plane.  Executive Producer of Pilobolus, Itamar Kubovy, discussed Pilobolus’s fascinating footwork, its unique name, and the troupe’s love for Boston.

Sleepless Critic:  This is your 12th performance with Celebrity Series of Boston.  You must know Boston pretty well.

Itamar Kubovy:  We love performing in Boston and that’s not just lip service. We’ve always found our audience to teach us a huge amount about our work. The laughs, gasps, and paper rattling teach us about the work we are making.  In Boston, we encounter a crowd that makes us better at what we do and allows us to sharpen our performances.

Celebrity Series of Boston - Pilobolus Maximus

From the program, ‘Branches’ Photo courtesy of Ben McKeown

 SC:  Pilobolus is named after speedy barnyard fungus.  In the dance, I can see the symbolism behind the name.  Is there an interesting story behind it?

IK:  Jonathan Wolken, the co-founder who named the company, had a scientist dad studying the Pilobolus fungus in his biology lab, an organism about ¼ of an inch tall that grows in cow dung and has a large eye at its tip that always leans toward light. When the time is right to reproduce, the fungus shoots its head off of its body at the fastest acceleration known in nature. This alacrity and attraction to the light inspired Jonathan to name their first dance and the fledgling company after the phototropic fungus.

SC:  It seems like a quite a physically demanding job for these dancers.  What kind of routine keeps the dancers in shape and how do they best prepare for a performance?

IK:  When our dancers are in the studio, they work 9 to 5 Monday through Friday. They are lifting each other and working with tremendous physical intensity for close to 40 hours a week. The additional prep involves body maintenance, stretching, group work, and yoga.  Regarding the prep right before the show, we warm-up with an open curtain so the audience coming in watches the dancers move on the stage.  Both the audience and dancers need some time to prepare and we try to share that time. It makes the show all the more exciting when the lights go down.

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International dance troupe, Pilobolus in Pilibolus Maximus: Beyond the Limits of Dance   Photo courtesy of Grant Halverson

SC:  I imagine live performances and sometimes dangerous stunts can hold some surprises every once in a while.

IK:  They do, but the work these people do together day in and day out really limits the risk based on the trust they build between one another. Most importantly, these dancers know how to instantly adjust when something goes wrong. While we certainly have our moments of injury, we have a great deal of confidence going into every show.

Celebrity Series of Boston - Pilobolus Maximus

From the program, ‘On the Nature of Things’ Photo courtesy of Ben McKeown

SC:  Improvising is invaluable.  How is trust developed between other members of the group?

IK:  Trust is mysterious, but there is no doubt in my mind that the physical giving of one’s weight and balance to another person, literally putting yourself entirely in their hands over and over again speeds that process up.  Some of the principals in which our process is based is the human physical connection by sharing, giving, and taking weight.  Trust is a powerful by-product of caring touch.

Celebrity Series of Boston - Pilobolus Maximus

From the program, ‘Echo in the Valley’ Photo courtesy of Ben McKeown

Pilobolus Maximus:  Beyond the Limits of Dance will take the Boch Center Shubert Theatre stage at 265 Tremont Street in Boston, Massachusetts from Friday, October 27 through 29, as part of their national tour.  A free, post artist performance artist talk moderated by Peter DiMuro of the Dance Complex will be held on opening night. Click here for more information and for tickets.  Click here for more information on Celebrity Series of Boston, their full schedule, and how to support them during their 79th season.  Learn more about their season and get updates through Facebook and Twitter.