REVIEW:  Umbrella Stage Company gets up close and personal with ‘Network’

How far will anyone go for ratings?

It’s a mad world and UBS is here for it.

With compelling direction by Ashley Kelly Tata, adapted for the stage by Lee Hall and based on Paddy Chayefsky’s Academy Award-winning screenplay, The Umbrella Stage Company presents dark satirical drama Network live and in person at Umbrella Arts Center in Concord, Massachusetts through Sunday, November 3.  This well-timed production is 90 minutes with no intermission and contains explicit language and adult themes.  Click here for more information and for tickets.

Set in September of 1975, UBS is a struggling television station drowning in the ratings.  Tensions are sky high as executives scramble to save it.   As a result, world weary veteran newsman and widower Howard Beale, a metamorphic portrayal by Bill Mootos, has been forced to retire after 25 years dedicating his whole life to his work.  In an act of desperation, Beale makes a shocking decision that impacts everyone around him. 

Bill Mootos stars as Howard Beale in ‘Network’ Photo by Jim Sabitus

Steeped in nostalgic glory, Network seamlessly rewinds the clock to a time where television was the world’s primary source for news, information, and entertainment.  From three piece suits to wrap dresses to Barrymore collars, costume designer Nancy Leary captures the essence of the 70s while Afsoon Pajoufar’s duel level retro studio set features vintage studio equipment, a line of wall clocks keeping track of various time zones all over the world and a multitasking wooden desk. 

The cast of ‘Network’ Photo by Jim Sabitus

 The towering UBS logo printed across SeifAllah Salotto-Cristobal’s projection screen can be distracting at times, but symbolically portrays the media’s monstrous influence on the world over anything else. Not only does it provide a window into nostalgic television but an intimate account into the characters’ reactions as if the camera is always rolling.   Featuring flashes of famous 70s commercials to searing headlines to classic TV shows like Laverne and Shirley, Salotto-Cristobal’s montages are overwhelming, rapid and impactful.  Even the television test signal can be unsettling.  Aubrey Dube’s audio design bring to life some particularly intense moments as well as satirical humor demonstrated in David Bowie’s meticulously placed Fame during a pivotal scene in the production. 

Blythe de Oliveira Foster as Diane and Bill Mootos as Howard Beale in ‘Network’ Photo by Jim Sabitus

Having worked through the Golden Age of Television, Howard Beale has seen the trends change into a darker tomorrow.  Mootos craftily transforms as alcoholic newsman turned influencer Howard Beale.  From a professional newsman straightening his tie, Mootos captures the derailment methodically from weary to anguish and everything in between struggling to learn what is really important.     

Workaholic Diane, ferociously portrayed by Blythe de Oliveira Foster, is a laser focused executive voracious for success and ratings that she flagrantly talks of immorality like she is ordering a drink at a bar.  Justifying unimaginable things hungry to accomplish her goals, Foster as Diane brings gall, gumption and a dark humor to her greediness that make her fascinating in her audacity.  Foster delivers some thought provoking scenes with Barlow Adamson who is impressive as tough yet rational Max and one of the few sympathetic voices of reason in this production.   Will McGarrahan also makes a lasting impression as menacing Arthur Jensen.   

Jennifer Bubriski as Sheila and Blythe de Oliveira Foster as Diane in ‘Network’ Photo by Jim

Network is a cleverly executed and gripping production that becomes so immersive that it may encourage you to contemplate whether anything has changed today or worsened especially in this digital age.  Network’s lighting is almost glaringly bright during show time and shadows take over behind the scenes depicting a darker reality.  Tata’s direction is invasive and revealingly up close and personal to expose the nature of many of the production’s themes including corporate greed, corruption, sensationalism, consumerism, scandal, violence and fame.  It is a barrage of ideas that are peeled away bit by bit and what is unveiled is both fascinating, alarming and not so unfamiliar before it reaches its shocking conclusion.  When has it all gone too far? 

Bill Mootos is “Mad as hell” and he’s “not going to take it anymore” as Howard Beale in a new stage adaptation of the 1976 classic film, ‘Network’ Photo by Jim Sabitus

The Umbrella Stage Company presents dark satirical drama Network live and in person at Umbrella Arts Center in Concord, Massachusetts through Sunday, November 3.  This well-timed production is 90 minutes with no intermission and contains explicit language and adult themes.  Click here for more information and for tickets.

REVIEW: Umbrella Stage Company delivers boldly funny ‘The Full Monty’

For a few average guys down on their luck, the time has come to risk it all.

The Chippendales have landed in Buffalo, New York and have captured the local women’s attention while a local factory has closed down leaving a group of steel workers on the unemployment line to support themselves and their families, but on a quest to regain their self confidence and mojo back.   Suddenly Michael Levesque as Jerry realizes the only way to get ahead is with some daring ingenuity to the tune of $50,000.

The cast of Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

With upbeat direction by Leigh Barrett and zany choreography by Najee Brown, The Umbrella Stage Company continues musical comedy The Full Monty live and in person at the Umbrella Arts Center in Concord, Massachusetts through Sunday May 19.  This show contains adult themes, partial nudity and runs approximately two hours and 20 including one intermission.  Click here for more information and for tickets.

Andrea Giangreco, Sarajane Morse Mullins, Shonna McEarchern, and Stephanie Barney in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Set in 1989, Rebecca Glick’s colorful and at times neon costumes were quite a wild walk down memory lane.  From neon scrunchies to tiger print sequins and jean jackets to track suits, it was such fun to revisit that late 80s nostalgia.  Jenna McFarland Lord’s realistic and rolling two floor set reflect the run down nature of Buffalo in the stained metal walls, steel accents, and the paradox of escapism in the glowing sign and glittery curtains of Club Giordano.

Michael Levesque and Jackson Wisco in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

The Full Monty is more of a comedic romp than it is provocative, but both play an important role in this production.  This Full Monty is lighter on the innuendo and essentially explores the lives of a group of blue collar workers just trying to make it in this steel town as they face unemployment and various personal problems as explained in the humorous number, Scrap.  For example, depressed Night guard Malcolm in a lovably sympathetic performance by John Breen, wants to find his independence living alone with his ailing and emotionally abusive mother, depicted in a dual role by Jennifer Bubriski while Michael Levesque as impulsive yet sympathetic Jerry needs to earn enough to pay child support to his ex-wife, Pam portrayed by Stephanie Barney.  Levesque as Jerry shines in the heartfelt ballad, Breeze off the River and shares some endearing scenes with Jackson Wisco as adorable Nathan.  Tim Lawson as Jerry’s best friend Dave wants to support Jerry and soon realizes his own ardent need for a win.

Jennifer Bubriski, Joshua Wolf Coleman and the cast of Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Combining a charming group of actors to portray ego-bruised men with great chemistry, witty banter, and well timed physical humor placed in a vast array of awkward situations is no easy feat, but this skilled group shares a moving bond with exceptional camaraderie.  Joshua Wolf Coleman delivers fervent vocals and smooth dance moves in tweed as widower Horse during a hilarious audition process.  Tim Lawson’s Dave boasts strong vocals and notable comedic timing especially evident in a heartfelt duet with Will McGarrahan as Harold in You Rule My World and in the darkly satirical tune with Breen and Levesque for Big Ass RockJacob Thomas Less brings a delightful lightheartedness to the role of Ethan and Breen delivers a stirring and earnest rendition of You Walk with Me

Michael Levesque, John Breen, and Tim Lawson in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Jennifer Bubriski is excellent as spunky, several times divorced accompanying piano player Jeanette.  Bubriski is frank and no filter funny which makes her a bit of a scene stealer.   Bubriski keeps the laughs coming in an excellent rendition of Jeanette’s Showbiz NumberAimee Doherty transforms a somewhat shallow role as Harold’s younger materialistic wife, Vicki and infuses absorbing charm and likability beyond the catchy, Latin-inspired number Life with Harold.

Will McGarrahan, Aimee Doherty, Louis Brogna and the cast of Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

Najee Brown nails this particular brand of introverted and awkward dance moves into some of the most exciting parts of the production.  Got the Goods and Let it Go are equal parts embarrassing, raunchy, lively and funny with Got the Goods particularly feeding into each character’s insecurities.  One of the best parts of the show is watching those characters amusingly let loose.

Jennifer Bubriski, John Breen. Will McGarrahan, Tim Lawson, Michael Levesque, Joshua Wolf Coleman, and Jacob Thomas Less in Umbrella Stage Company’s ‘The Full Monty’ Photo by Jim Sabitus

The Full Monty has come a long way.  From a British 1997 film that I could not get through to a musical comedy tastefully bringing sexy back in ridiculous and heartfelt ways leaving you rooting for these six down on their luck men to show Buffalo what they are made of.

With upbeat direction by Leigh Barrett and zany choreography by Najee Brown, The Umbrella Stage Company continues musical comedy The Full Monty live and in person at Umbrella Arts Center in Concord, Massachusetts through Sunday May 19.  This show contains adult themes, partial nudity and runs approximately two hours and 20 including one intermission.  Click here for more information and for tickets.