REVIEW: Theatre@First delivers a compelling and haunting ‘Hamlet’
According to the Guinness Book of World Records, William Shakespeare’s work has garnered the most screen adaptations of any author in history in any language. Shakespeare’s Romeo and Juliet boasts the most screen adaptations, but it’s hard to imagine Hamlet being far behind.
Shakespeare’s Hamlet has taken the stage and screen by storm from looser adaptations such as Disney’s stunning The Lion King in musical, animated, and live action form to Shakespeare on the Common to several films starring everyone from Laurence Olivier to Mel Gibson to Benedict Cumberbatch. Why? It’s a thrilling classic tale beloved by many about love, betrayal, and retribution with a haunting twist.
Directed purposefully by Elizabeth Hunter, Theatre@First continues Shakespeare’s Hamlet through Saturday, November 23 at Unity Somerville in Somerville, Massachusetts. Click here for more information and tickets.
Not a bad seat in the house as the audience gathered in Unity Somerville’s church basement for Theatre@First’s Hamlet. The show is an immersive experience as the production expands beyond the stage and cast members can enter from anywhere in the venue.
Shakespeare’s Hamlet is about a Prince of Denmark who discovers his mother has married his uncle after his father has been murdered. An urgent message inspires Hamlet to believe “something is rotten in the state of Denmark.”
Theatre@First’s Hamlet is a stylish, compelling drama that boasts some iridescent and impressive special effects as a translucent figure paces from a mysterious location. It is not revealed which actor portrays that particular figure, but his moving and affecting presence is a highlight of the production.
The show also blends the contemporary with the historical through its more casual tone and costume choices while Shakespeare’s alluring text and action sequences remain the same. Carolyn Jones’s and Katie Caroll’s costume design nods to the late Middle Ages setting in Elsinore, Denmark while also boasting a contemporary flair. For example, Hatem Adell portrays Hamlet wearing stone washed jeans and a crown on his t-shirt while Gertrude, depicted by Ron Lacey, wears a gown more faithful to the historical time period. Makeup artists Meg Boeni, Mack Caroll, and their assistants did an extraordinary job transforming the cast into their respective roles.
Hamlet features a capable cast that occasionally engages the audience. The dialogue can be a bit rushed at times in its conversational tone which lessens the gravitas of Shakespeare’s eloquent text. Andrew Harrington is an unforgettable presence as Polonius. Wearing a beard and a bow tie, Harrington has natural comic timing with a distinctive voice and lighthearted demeanor. A bit of a scene stealer, he humorously engages the audience with his offhanded and frank observations while offering wisdom and insight to his children.
Evelyn Cardella glows as Ophelia with a wide smile, bright eyed virtue, and complete infatuation with Hamlet. Playful and charming, Cardella has a sweet chemistry with Nathan Phillip Johnson as her brother, Laertes and Andrew Harrington as their warm and wise father, Polonius. Cardella navigates the character with vulnerability and heartfelt poignancy as her emotions turn on a dime.
Hatem Adell certainly has exacted the alarming rage expected of Hamlet in the face of betrayal. Adell delivers the famous “To Be or Not to Be” soliloquy with finesse. He also excels at Hamlet’s darkly playful demeanor, especially in a powerful scene alone with Ophelia. Nathan Phillip Johnson also gives a memorable performance as valiant and forthright Laertes, infusing a natural charisma in each scene.
Myra Hope Eskridge as Claudius delivers a suave poker face, but lacks the devious nature expected of the character. Claudius is a calculating character and leaves little room for sympathy. A brief exchange with Laertes later in the production showed just a glimpse of Claudius’s true nature.
Hamlet is not complete without the appearance of Rosencrantz and Guildenstern, portrayed with fresh humor by Chantelle Marshall and Julia Kennedy respectively. They make a seeming pair of jolly, dimwitted bookends as Hamlet’s childhood friends, dressed identically and interchangeably. However, they are more than meets the eye.
Get thee to Theatre@First’s final performances of Hamlet through Saturday, November 23 at Unity Somerville, 6 William Street in Somerville, Massachusetts. Click here for more information, tickets, and how to support Theatre@First.