REVIEW: Greater Boston Stage Company explores two notorious figures in historical comedy, ‘Founding F%!#ers’

Did the Boston Massacre really start over a snowball?

Not exactly, but colonists who threw snowballs at British soldiers did escalate growing tension leading up to this historical event.  It is one of many wildly staged ideas explored in Greater Boston Stage Company’s Founding F%!#ers, a historical comedy which dives into the lives of laidback renegade Vermonter Ethan Allen and meticulous Connecticut-born military officer Benedict Arnold through the American Revolution.  These notorious and egotistical individuals cross paths shortly after the Boston Massacre and would become frenemies, but they also might share a lot more in common than they would ever care to admit. 

Olivia Dumaine and the cast of Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

History buffs, prepare to be entertained.  Boasting Will McGarrahan’s candid and compelling narration, Greater Boston Stage Company delivers a historical comedy whose two strong leads face missteps and misfortune worse than witnessing poor Stewart Evan Smith and Jules Talbot as soldiers enduring the throes of a punishing Boston winter.

Stewart Evan Smith and Jules Talbot in Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Directed with a contemporary comical edge by Weylin Symes, Greater Boston Stage Company presents the world premiere of Conor Casey’s Founding F%!#ers live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 18.  The production is approximately two hours with one intermission.  Click here for more information and for tickets.

Rumor, gossip, spies, backstabbing, conspiracies and tall tales all come to a head in a story that looks back on events with the full knowledge of how these events were bound to turn out.  It is also full of local references and colonial fare making Massachusetts the ideal spot to debut this world premiere production with Vermont running a close second. 

Marge Dunn and Jules Talbot in Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Plans take shape and also go humorously awry with brief contemporary references such as Hamilton interspersed throughout the play.  Iconic moments in history are played out under McGarrahan’s capable narration, which keeps the show from becoming an arduous history lesson.  Never preachy, McGarrahan is a wonderful and animated narrator, also peppering his performance with occasional candid reactions to the action before stepping in later as John André.  André is a cunning individual that I would have like to have known better.

The cast personify a number of roles as the show progresses such as Jeff Mitchell portraying sweet Rosie the barmaid and John Adams.  Within Jenny S. Lee’s multiple roles, Lee’s pivotal role as resourceful Peggy Burr brings mischievous intrigue.

Jenny S. Lee and the cast of Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Corey Whittemore’s warm lighting illuminate Katy Monthei’s sliding rustic wooden colonial set.  Deirdre Gerrard’s exacting costume design includes a combination of New England and period colonial pieces with accessories such as leather hats, white wigs, gold buttons, suede, lace, fringe and makeshift mustaches.

Dressed in a suede fringe jacket, William Johnston depicts laidback renegade Ethan Allen, head of the Green Mountain Boys, with a combination of charisma and the ability to spin a good yarn.  Allen is dodgy, impulsive and often inebriated and Olivia Dumaine as Allen’s trusty and reasonable cousin Seth Warner does an admirable job in steadying Allen’s spontaneity.

Marge Dunn Olivia Dumaine and William Johnston in Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Marge Dunn does double duty as Fight Captain and Benedict Arnold, boasting a serious and commanding demeanor longing to rise up the military ranks.  Arrogant and orderly, Arnold insists on following the rules of engagement until something unexpected takes shape.  They share an interesting and unpredictable rapport and it is good fun to anticipate whether they are finally in agreement or about to double cross each other.  They are both impressive in these roles as they get under each other’s skin and to watch them make the decisions that lead to their ultimate fate.

William Johnston and the cast of Greater Boston Stage Company’s Founding F%!#ers Photo by Maggie Hall Photography

Founding F%!#ers is plenty informative and not edgy as the title may suggest, even as they are embarking on exaggerated battles with a good dose of physical and satirical humor from Quebec to West Point and beyond.  While it may run a bit long at times, the show has a lot to cover and does so with a combination of action, comedy, silliness…and irony.  I guess hindsight really is 20/20.

Greater Boston Stage Company presents the world premiere of Conor Casey’s Founding F%!#ers live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 18.  Click here for more information and for tickets.

REVIEW:  ‘Driving in Circles’ a winding and resilient concert journey at Boston Playwrights’ Theatre

Now here is something refreshingly different.

Directed with energizing flair by Sam Plattus, innovative sound design by Gage Baker and cleverly written and performed by Jay Eddy, Boston Playwrights’ Theatre presents Driving in Circles live and in person at Boston Playwrights’ Theatre in Boston, Massachusetts through Saturday, April 6.  This new, deeply personal concert-style work is 100 minutes with no intermission.  Click here for more information and for tickets.

Jordan Palmer Zach Fontanez and Jay Eddy in Driving in Circles Photo credit to Scornavacca Photography

Infusing storytelling, relatable humor, and a fascinating blend of hard hitting and uplifting original music, Everett-born Jay Eddy as Jill/Bill is a witty individual who has faced a daunting set of physical and emotional challenges at a young age.  Eddy is raw, honest, funny, and self deprecating tackling trauma at its core as well as the aftershocks of these events demonstrated in a catchy opening number that explains how to survive an earthquake.  Eddy counts backwards in time at the prevalent ages in which Eddy endured these hardships.

Jay Eddy on guitar in ‘Driving in Circles’ Photo credit to Scornavacca Photography

Scenic designer Danielle DelaFuente with set construction by Carly Stegall has fittingly set up a highway rest stop with a dart board, colorful vintage license plates and vinyl records.  A hanging pink bathrobe is just one of the significant Easter eggs shown on Eddy’s reflective journey.  Wearing red eye shadow and white boots, Jay Eddy, keyboardist Jordan Palmer, and guitarist Zach Fontanez sport similar blue uniforms by costume designer Eric Tran as they perform on a staged road while lighting designer Kevin Fulton sets an atmospheric vibe including twinkling lights and multicolored linear array lights that illumine each performer’s space.

Jay Eddy sharing a humorous weather report in ‘Driving in Circles’ Photo credit to Scornavacca Photography

Driving in Circles is essentially an emotionally-charged concert road trip through a variety of beautiful and traumatic events that have shaped Eddy’s life.  It is powerful, sad, and disturbing at times, but is also hopeful, charming and lighthearted on this unpredictable road to healing.  This is not lighthearted fare and the material is a bit too serious to be considered standup, but Eddy’s enthusiasm and interactive style is relatable, warm, sincere, and funny.  Sharing home movies creatively projected by Maria Servellón, Eddy is not limited to the stage and engages the audience in a compelling manner that makes you feel a part of her journey brimming with detours, twists and turns on past road trips and misadventures that include destinations such as Seattle, Nashville, Vermont and Maine.  Driving in Circles contains plenty of local references and Eddy shares a compelling and relatable tale getting lost on the road in what should have been a simple trip to the dentist.

Jay Eddy in ‘Driving in Circles’ Photo credit to Scornavacca Photography

Eddy’s original electronic music is performed on the spot as lead vocals in a three piece band.  Eddy is a master on the audio board expertly delivering vocals and sound effects while keyboardist Jordan Palmer and guitarist Zach Fontanez enhance this dynamic blend of lively songs.  Eddy is a powerful, edgy and expressive singer and it is amazing to listen to it navigated through the audio board, but Eddy’s bare vocals are also incredibly affective.  Shrill Woman, Time Traveler, Another Day, the soothing You’ll Feel Better with Fontanez delivering a notable guitar solo, uplifting The Dog Days of Summertime and hopeful The World is Ending Anyway are just a few highlights.

Jay Eddy in ‘Driving in Circles’ Photo Credit Scornavacca Photography

A perceptive work with plenty of heart, Driving in Circles is a powerful and original work about resilience and hope even through harrowing events.  Eddy demonstrates music’s healing power through art as well as the music that helped Eddy cope from artists such as Simon and Garfunkel and Tom Petty.   After all, Driving in Circles can still lead to beautiful destinations.

Jordan Palmer, Jay Eddy, and Zach Fontanez in ‘Driving in Circles’ Photo credit to Scornavacca Photography

Directed with energizing flair by Sam Plattus, innovative sound design by Gage Baker and cleverly written and performed by Jay Eddy, Boston Playwrights’ Theatre presents Driving in Circles live and in person at Boston Playwrights’ Theatre in Boston, Massachusetts through Saturday, April 6.  This new, deeply personal concert-style work is 100 minutes with no intermission.  Click here for more information and for tickets.

REVIEW: GBH’s inviting virtual ‘A Christmas Celtic Sojourn’ maintains warmth and tradition in 2020

2020 has been many things, but traditional is not one of them.  However, this year’s virtual A Christmas Celtic Sojourn brought back holiday traditions, beautiful performances, reflections, stirring carols, and dare I say a bit of normalcy to 2020.

With a selection of live performances and an option to watch on-demand, GBH’s A Christmas Celtic Sojourn was brought into your home in a warm, inviting, and spirited atmosphere.  From a majestic, candlelit cathedral in Ireland to a festive outdoor step dance in Ottawa, Canada, it unconventionally included all the elements of what is beloved about this annual New England show and somehow broadened its possibilities worldwide. 

Host Brian O’Donovan and fiddle player Jenna Moynihan at Rockport Music Photo credit to Dan Jentzen

Brilliantly directed by Jenna Worden, A Christmas Celtic Sojourn offered seven live streaming opportunities to watch virtually from your home Tuesday, December 15 at THE VETS in Providence, RI, Wednesday, December 15 at Hanover Theatre in Worcester, MA, Thursday, December 17 at The Zeiterion Performing Arts Center in New Bedford, MA, Friday, December 18 at Shalin Liu Performance Center in Rockport, MA, Saturday, December 19 at The Cutler Majestic Theatre in Boston, MA, and Sunday, December 20 in GBH Studios in Boston, MA  These locations are usually where A Christmas Celtic Sojourn tours annually.  A bonus encore presentation also occurred on Christmas Eve. 

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through January 2, 2021.  A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

Celtic harpist, pianist, and Assistant Music Director Maeve Gilchrist Photo credit to Dan Jentzen

Though a portion of the performers were at home, audiences were treated to harmonies created from multiple locations nationally and internationally while enjoying festive, international scenery.  For a person who has lacked the chance to travel the world this year, it was a more than welcome opportunity to take a glimpse and to share in some international traditions. 

From the stirring, candlelit opening of beloved carol, O Come Emmanuel sung in Latin by Cathy Jordan from gorgeous Sligo Cathedral in Ireland, A Christmas Celtic Sojourn transported audiences to Ireland and to other places around the world as they were unable to bring Ireland to the stage.  The show also boasted dueling harmonies simultaneously sung from Vermont, Scotland, and various parts of Massachusetts. 

Host Brian O’Donovan brought a mix of humor, melancholy, and wistful reflections toward this difficult year, engaging storytelling, and fond tidings.  Though this year has presented its challenges, A Christmas Celtic Sojourn still managed to keep the rituals and long-awaited music right at your fingertips delivering jubilant, soulful moments while still embracing winter’s dark and sacred stillness.

Music Director and multi-instrumentalist Seamus Egan with fiddlers Jenna Moynihan and Maura Shawn Scanlin Photo credit to Dan Jentzen

Thanks to Rockport Music, multi-instrumentalist and Music Director Seamus Egan, Assistant Music Director, Celtic harpist, and pianist Maeve Gilchrist, Bouzouki and Harmonium player Owen Marshall, guitarist Conor Hearn, and fiddle players Jenna Moynihan and Maura Shawn Scanlin returned to perform cheerful medleys and energetic jam sessions filmed in Rockport Music at Shalin Liu Performance Center in Rockport, Massachusetts.  Seamus Egan’s brilliance shone through as he reached for multiple instruments for separate songs and at one point reaching for a banjo for a joyful freestyle. 

Fiddle players Jenna Moynihan and Maura Shawn Scanlin with Bouzouki and Harmonium musician Owen Marshall Photo credit to Dan Jentzen

A traditional wassail in Edinburgh, Scotland, rollicking sing-along carols and dance from A Christmas Celtic Sojourn’s past, a peerless lullaby carol involving a newborn, original song and stirring new renditions of classic carols, a lighthearted percussive dance from Michigan by Nic Gareiss, and returning step dancer and choreographer Cara Butler reveling in her backyard to a jubilant tune in Ottawa, Canada are just some of the highlights of this carefully-executed, moving production.  There were plenty of welcome surprises not to be revealed here.

Spending an awful lot of time at home and not in the car, music is less of a tradition in my house.  GBH’s  A Christmas Celtic Sojourn created a haven of holiday comfort in song that though we are far apart, some rituals and traditions can still stay the same.

GBH’s virtual A Christmas Celtic Sojourn is still available.  Click here for more information and to enjoy the show on-demand through January 2, 2021

REVIEW: Currently on tour, Ice Dance International’s ‘In Flight: Live’ delivered a stylish farewell to the Skating Club of Boston

The memories certainly flow after a century.

Ice Dance International’s Executive Artistic Director and choreographer Douglas Webster reflected wistfully as he introduced what was likely Ice Dance International’s final performance on The Skating Club of Boston’s ice rink on Saturday, February 29.  With a 100-year reputation of bringing everything from amateur to Olympic skaters to the ice, The Skating Club of Boston has been sold and will move to a much larger facility in Norwood, Massachusetts.  During the week of Ice Dance International’s historic performance in Boston,  WGBH’s Open Studios’ star Jared Bowen interviewed Ice Dance International’s exemplary ice dancers at WGBH and took to the ice with them for a stunt or two.

01 -- IDI Tour Cast Photo David J Murray

ICE DANCE INTERNATIONAL “IN FLIGHT: LIVE” TOUR 2020 FULL Cast Front Row: Laura Seal, Klabera Komini, Lara Shelton, Douglas Webster, Alissa Czisny, Kseniya Ponomaryova; Back Row: Ian Lorello, Neill Shelton, Rohene Ward, Collin Brubaker Not pictured: Adam Kaplan Photo credit to David J. Murray, ClearEyePhoto.com

Ranging from searing romance to lighthearted fun to big band to catching the wind, Ice Dance International’s ‘In Flight:  Live’ gave The Skating Club of Boston a proper send off with a sold out show at 1240 Soldiers Field Road in Cambridge, Massachusetts.  Ice Dance International, who holds residence at Strawbery Banke Museum in Portsmouth, Massachusetts, is currently on a national tour through April 4.    Click here for more information and tickets.

06.1 Till The End PHOTO Daphne Backman

Neill Shelton and Kseniya Ponomaryova in ‘Till the End’ Choreographed by Douglas Webster

Ice Dancing is not competitive skating, but a unique artistic journey on ice.  Not only did ‘In Flight’ feature captivating and extraordinary ice dancers that delivered more than their share of eye-popping stunts, but what was most impressive was how different each dance was from the other.  Featuring dynamic choreography from Douglas Webster, Trey McIntyre, Stephanee Grosscup, and Benoit Richaud, Ice Dance International delivered a wide range of music from classical to contemporary including pop, hip hop, and ballads evoking stories of heartache, excitement, humor, and passion.

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Just a few of the highlights included a stirring couples skate from Collin Brubaker and Kseniya Ponomaryova called ‘Till the End’ to the haunting ballad, Kissing You by Des’ree.  A passionate and bittersweet performance, the pair seemed to float upon the ice as Collin dipped, spun, and lifted Kseniya. They joined together as one before he must let go.  Another elegant performance was delivered by Klabera Komini and Neill Shelton called ‘In Space’ choreographed by Douglas Webster with music by Tom Yorke called Suspirium.   To a luminous, piano-infused melody with a deeper meaning, the dancers skillfully glided together connected only by a sheer purple scarf.

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Alissa Czisny and Rohene Ward delivered beautiful solo performances.  Rohene was charming and humorous in a beard and suspenders in ‘Wind Dancer’ choreographed by Stephanee Grosscup while Alissa was a vision in blue skillfully keeping a precise, quick pace to Yo-Yo Ma’s Cello Suite No. 1 in G Major in ‘Primavera.’

Some lighter moments included a group skate with Collin Brubaker, Adam Kaplan, Ian Lorello, Laura Seal, and Lara Shelton to Ben Kweller and Parsonfield’s  How It Should Be.  In a dance appropriately called ‘A Blade of Sunshine,’ what looked like a freestyle, fun loving group skate in bright, rich colors culminated into a jaw dropping moment as one dancer dove underneath and through the group of moving dancers and landed on his feet.  It’s only one example of the sensational stunts witnessed throughout the evening from daring lifts to high speed spins to impossible twists and turns.

Ice Dance International’s ‘In Flight:  Live’ continues its 2020 national tour through Saturday, April 4, concluding in Aspen, Colorado.  Click here for more information and tickets.  For upcoming events and more, follow Ice Dance International on Facebook.

Renowned singer-songwriter Grace Potter returns for Vermont’s Grand Point North Music Festival in September

Award-winning singer-songwriter and multi-instrumentalist Grace Potter will make her annual return to her beautiful home state this fall to perform at Burlington, Vermont’s exciting, family-friendly music festival she co-founded with the band, Higher Ground, the Grand Point North Music Festival.  Celebrating their 7th year, the Grand Point North Music Festival highlights local and national artists around New England, enlivening Vermont for one monumental weekend.  Grand Point North Music Festival also includes a VIP tent, with a variety of food, beverages, and more.  Click here for further details and ticket information.  Children under 12 attend for free and the festival will be held rain or shine.

Grand Point North Grace Potter

Grand Point North Music Festival co-founder Grace Potter Photo courtesy of Grand Point North

Performing both nights and headlining Saturday night is Vermont-native rock star Grace Potter with Tony award-nominee and Phish band member, Trey Anastasio and his band headlining on Sunday at Burlington’s Waterfront Park on Lake Champlain from Saturday, September 16 and Sunday, September 17.  Troy Millette and Dylan Gombas have been voted favorite local band contest by Vermont’s renowned alt news weekly Seven Days and have been added to the Grand Point North Music Festival lineup.  Also included in Grand Point North’s lineup is New Orleans folk-blues group Hooray for the Riff-Raff, L.A. rock band Dawes, Detroit boogie band Low Cut Connie, rock and roll band Lake Superior, Portland sister trio Joseph, Philadelphia R&B singer Son Little, and many more.

Details on Grand Point North Music Festival’s after party is coming soon.  Gates open at on Saturday, September 16 at 3 p.m.  On Sunday, September 17, gates open at 2 p.m.  VIP tickets include early entrance into the show, closer view by the soundboard, access to the VIP tent offering shade with discounted food and beverages, and more.

Grand Point North concert sunset

Concert sunset at Burlington’s Waterfront Park Photo courtesy of Grand Point North

Click here for further ticket details, call 802-652-0777, or go to the Higher Ground Box Office located at 1214 Williston Road in South Burlington, Vermont.  Soak in a hint of fall foliage as well as some of the tremendous concert flavor at the Grand Point North Music Festival in September.  Follow Grand Point North Music Festival on Facebook and Twitter for updates.