REVIEW: Piecing together an elegant puzzle in Greater Boston Stage Company’s crime thriller, ‘Dial M For Murder’
Prior to witnessing this re-imagined working of the Alfred Hitchcock classic, Dial M for Murder, Greater Boston Stage Company cleverly sets the mood with a variety of 50s antique deco rotary phones and other paraphernalia in the lobby before entering the theatre. To those who have seen this crime thriller before, the phone plays a key role in this cognizant tale of love, blackmail, greed and murder.

Scrupulously directed by Weylin Symes, Greater Boston Stage Company continues Dial M for Murder live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 19. This sleuth-laden production is two hours with a 10 minute intermission. Click here for more information and for tickets.

Like a lot of Alfred Hitchcock thrillers, Dial M for Murder offers strategically placed doses of winking self awareness in its characters as Margot, depicted by Kimberlee Connor and Lily Kaufman as Maxine contemplate and fixate on the nature of a perfect murder. Right off the bat, what becomes clear is this is no murder mystery. The audience knows whodunit, but the real question is exactly how all will be revealed. Set in 1950s London, the cast exact British accents beautifully which lends a heightened sophistication to the production thanks to dialect coach Lee Nishri-Howitt.

Dial M for Murder offers a scandalous love triangle as did the 1954 film with a twist. The love triangle is fully intact but Max is now Maxine depicted by Lily Kaufman who was once a love interest of Michael Ryan Buckley as Tony who is married to Kimberlee Connor’s Margo and Margo was more recently having an affair with Maxine.

Dial M for Murder embraces the classic noir crime thriller with finesse in sleek and stylish 50s attire by Deirdre Gerrard in red lipped glamour, pearls and upscale attire, especially in Lily Kaufman as Maxine. Kaufman looks like a glamorous screen starlet from Old Hollywood in smart, button down business suits reminiscent of Rosalind Russell with coiffed hair, clipped accent and poised mannerisms. Maxine is a struggling writer with a new book out and hopes to sell it through an important interview on the BBC. Wealthy heiress and housewife Margot is sheltered but not to be underestimated and Michael Ryan Buckley portrays a terrific Tony. Buckley’s bright, chatty vocals and genteel demeanor is a great façade for smirking and evasive concern. It’s fascinating to watch Buckley work a room.

Bill Mootos impressively portrays an elusive character under many names and Robert D. Murphy as Inspector Hubbard is on the case of what happened, how, and why.

Dial M for Murder boasts a gorgeous set by Katy Monthei featuring Venetian blinds, long silk curtains, plush white couches, translucent foyer, French doors, and gold accented furniture. Jeff Adelberg’s sophisticated yet eerie lighting design and the slanted illusion of set dimensions is reminiscent of Hitchcock’s grand visual illusions in his work demonstrated in his psychological thriller films like Vertigo. Andrew Duncan Will’s compelling sound design is an intricate combination of robust radio feed and well as a vintage and riveting music score.

The show is a bit of a talkie, but the suspense is always looming and with capable and levelheaded Murphy as shrewd inspector Hubbard, this complex case of conspiracy and cover ups just might get cracked.
Scrupulously directed by Weylin Symes, Greater Boston Stage Company continues Dial M for Murder live and in person at Greater Boston Stage Company in Stoneham, Massachusetts through Sunday, May 19. This sleuth-laden production is two hours with a 10 minute intermission. Click here for more information and for tickets.





