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REVIEW: Reputation and a darker vision in Reagle Music Theatre of Greater Boston’s stirring ‘Evita’

Posted on July 17 by The Sleepless Critic

She was a mystery, but everyone thought they knew her.

From a wily and ambitious teenager to rising political figure, Eva (Evita) Perón knew she belonged at the top before she ever knew how to get there.

Thoughtfully directed with sweeping chorography by Rachel Bertone as well as robust musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through Sunday, July 20 at The Robinson Theater in Waltham, Massachusetts. This production is approximately 2 hours with a fifteen minute intermission. Click here for more information and for tickets.

Eddie Noel Rodriguez and the cast of Reagle Music Theatre of Greater Boston’s ‘Evita’

Evita, with music, book and lyrics by award-winning collaborators Andrew Lloyd Webber and Tim Rice, is a rock opera set in Argentina from 1934-1952. Part of what makes Evita such a captivating work is its vibrant pacing and memorable soundtrack. Based on the life of Maria Eva Perón, Evita’s life moves much like the soundtrack’s quick rhythms as it journeys through song from night club to city street to majestic balcony with barely a pause for applause. Cameron McEachearn’s grand set divulges Eva’s life in its sheer magnitude in its sterling balcony with brick bursting out of its cracked walls.

This version of Evita includes songs not featured in the 1996 film of the same name. The Art of the Possible, a cryptic number not in the film and featuring a group of officers, is particularly engaging. Eva, in a powerful performance by Isabella Bria Lopez, is a young woman taking Argentina by storm and sees opportunity in Juan Perón, depicted with regal like mindedness by Ryan Mardesich.

Eddie Noel Rodríguez as Che; Isabella Bria Lopez as Eva Perón; and the Cast of Evita

Lopez exudes stealthy charm in a knowing smile when she first appears as a teenager. However, behind her feigned naiveté, Eva is shrewdly on the move as soon as her feet hit the ground for the catchy and effervescent number, Buenos Aires. Lopez takes Eva from a vivacious teenager onward and excels at her developing influence and maturity through the years.

She hits her vivacious stride with Buenos Aires which delves into her instant love for the city and keeps up the brisk pace for this demanding role throughout, though some notes at times can sound a bit strident. She delivers an impressive version of Evita’s signature number, Don’t Cry for Me Argentina, glowing in a pristine glittering gown, one of Ellie De Lucia’s 400 vintage costumes in a multitude of dress patterns from casual to elegant to military garb. The production’s visceral ensemble ranges from heartwarming to heartbreaking as they collectively portray the elite to peasants to Eva’s fascinating family.

Eddie Noel Rodríguez as Che; Isabella Bria Lopez as Eva Perón; Ricardo “Ricky” Holguin_ as Magaldi

No one succeeds without opposition. Che, depicted with charisma and sardonic wit by Eddie Noel Rodriguez, resonates as part keen observer and part narrator while representing not only the poor working class, but perhaps the truth in his personable delivery. In a vest, gray slacks and a scally cap, he occasionally engages the crowd, but his primary focus is on Evita. Tempering each scenario with satirical flair, Rodriguez captures the essence of Che and makes the role uniquely his own as he travels on a risky path for speaking up. From his mocking observations in Oh What a Circus as well as And the Money Kept Rolling In, his humorous duet in Good Night and Thank You with Lopez, and the reflective ballad, High Flying Adored, you’ll be glad to be taking this musical journey with Rodriguez.

Ricardo “Ricky” Holguin and cast in Reagle Music Theatre’s ‘Evita’

Boasting rich and charming vocals for Magaldi’s signature song, On This Night of a Thousand Stars, Ricardo “Ricky” Holguin blends sensitivity, melodrama, and humor to bombastic night club singer, Magaldi and was a hit with the audience. Other notable numbers include a tender rendition of Another Suitcase in another Hall by Rebekah Rae Robles and the stirring harmony of Santa Evita.

Rebekah Rae Robles in Reagle Music Theatre of Greater Boston’s ‘Evita’

Engulfing the audience from the moment of Eva Perón’s death from the very beginning, Reagle Music Theatre’s Evita delivers a darker and more distinctive version of Evita. Baron Pugh’s alarming red and yellow lighting intensifies the fanaticism, dark humor and the power struggle not only between Eva and Juan tempering Eva’s supercilious ambition to run things behind the scenes, but among the masses and in the hypnotic cries of ‘Perón!’ Previous versions portray Eva and Juan as likeminded, but share a genuine love. Here they seem more like fellow conspirators and Lopez’s You Must Love Me becomes less of a realization or statement, but a desperate plea.

Isabella Bria Lopez; Ryan Mardesich and the Cast of Evita

Reagle Music Theatre of Greater Boston’s Evita offers a unique and memorable perspective that sets it apart from other versions in its resonating and cautionary storytelling while leaving room to get lost in the music and motivations of this intriguing, enigmatic and controversial figure yearning for the spotlight.

Reagle Music Theatre of Greater Boston proudly presents Andrew Lloyd Webber’s Tony award-winning musical, Evita through Sunday, July 20 at The Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

REVIEW: Love takes a spectacular turn in Reagle Music Theatre of Greater Boston’s picturesque ‘An American in Paris’

Posted on August 15, 2024 by The Sleepless Critic

Beneath the elegant puddle iron rivets of Paris’s Eiffel Tower on the River Seine, lies a romantic tale among an array of artists at the end of World War II where tension still resides as recalled by narrator and composer Adam in a multi-layered performance by Jared Troilo. An American in Paris is an eloquent and classic tale, but its true emotional core in Reagle Music Theatre of Greater Boston’s adaptation lies in Gershwin’s rich lyrics and Rachel Bertone’s sweeping choreography.

With book and lyrics by legendary composers George and Ira Gershwin with Rachel Bertone’s multi-faceted direction and choreography, Reagle Music Theatre saved the best for last in its 55^th summer season with An American in Paris continuing through Sunday, August 18 live and in person at the Robinson Theatre in Waltham, Massachusetts. This gorgeous production is approximately two hours 30 minutes with a 15 minute intermission. Click here for more information and for tickets.

Adam Hochberg (Jared Troilo) and Lise (Samantha Barnes) and Ensemble in Reagle Music Theatre’s ‘An American in Paris’ Photo Credit Robert Pascucci

By the end of An American in Paris’s opening musical montage as people reunite with their loved ones while war tension is still in the air during the stirring number Concerto in F, Bertone’s powerful choreography has unexpectedly brought me to tears. Ranging from delicate to lively to showy to humorous, each superb dance montage expands into a stunning progression of the production while connecting a timeless statement about our world. Dancers utilize brightly-colored parasols, hats and scarves while Bertone’s choreography flows effortlessly and lightheartedly with each scene.

A love story as well as a ballet within a musical, An American in Paris is a treasure trove of some of Gershwin’s classic tunes including They Can’t Take That Away from Me, But Not for Me, I Got Rhythm, S’Wonderful and Shall We Dance. In the past, I have been disappointed in the context of how some classic numbers actually apply to a particular musical, but each one of these classic tunes are lively, joyous, stirring and absolutely memorable. Without giving much away, a particular highlight is watching the cast make some makeshift music during I Got Rhythm. It’s simple and yet absolutely extraordinary.

Cameron McEachern’s watercolor-inspired sets are portraits in motion highlighted by a scene where detailed gold frames become props and also get swept up in a dance. Franklin Meissner’s soft yet vibrant multi-colored lighting not only enhances each beautiful skyline but depicts silhouettes, illuminates street lights, and keep the sparkling Seine visibly flowing in the background. Floral enhancements, Parisian furniture and an integral piano are elegantly swept on and off stage in the fanciful style of the Golden Age of Musicals. From flowing dresses to glittering gowns to various looks that come right out of the film of the same name, Emerald City Theatricals once again enlivens each landscape with personality and zeal.

Pictured Henri Baurel (Christopher Lewis) and Ensemble in Reagle Music Theatre’s ‘An American in Paris’ Photo credit Robert Pascucci

It was a brand new experience watching Reagle Music Theatre of Greater Boston’s An American in Paris having not seen a stage production or the astronomically lauded, 1951 Academy Award-winning film featuring dance dynamos Gene Kelly and Leslie Caron. However, anyone who knows of Gene Kelly or Leslie Caron’s work is aware that those are big shoes to fill. Without hesitation though, Jack Mullen as former GI turned artist Jerry Mulligan and Samantha Barnes as promising dancer Lise Dassin are a wonderful pair and fill those shoes with grace, brilliant charm and proficiency.

Pictured Lise Dassin (Samantha Barnes) and Jerry Mulligan (Jack Mullen) in Reagle Music Theatre’s ‘An American in Paris’ Photo credit Robert Pascucci

Jack Mullen as Jerry possesses a bit of Tom Holland charm, glowing charisma and an easy going demeanor which eases the pressures and aspirations that Barnes as Lise often feels to become as skilled a dancer as her lauded ballet dancer mother. They have endearing and playful chemistry right from Mullen’s teasing number I’ve Got Beginner’s Luck. Mullen rises to the challenge of the sheer stamina of this role, highlighted by a mischievous jazz-inspired number called Fidgety Feet in an enchanting and rollicking chair dance.

Jared Troilo, a fabulous dancer in his own right, takes on the part of narrator and composer Adam who has a disability and is often observing and composing the beauty in other people’s lives. It is a meaty role and Troilo’s humble and self-effacing delivery is never more moving than in the sympathetic number, But Not For Me.

Pictured l to r Milo Davenport (Rebekah Rae Robles) and Jerry Mulligan (Jack Mullen) in Reagle Music Theatre’s ‘An American in Paris’ Credit Robert Pascucci

With an amazing belt and unshakable self confidence, Rebekah Rae Robles shines as Milo Davenport, a woman ahead of her time especially for the potent number Shall We Dance. Carolyn Saxon as Madame Baurel and Jean-Alfred Chavier once again make a sweet pair reuniting as Henri’s parents in this production having portrayed a pair of love interests in Reagle’s All Shook Up. It took a minute to recognize him, but Christopher Lewis as secretive, anxious yet sophisticated Frenchman Henri also starred in Reagle’s All Shook Up as the Elvis figure Chad. Lewis again proves his wonderful comic timing and soaring vocals sharing some boisterous camaraderie with Troilo and Mullen for S Wonderful as a trio of inseparable friends, performs a grand and splashy version of (I’ll Build a) Stairway to Paradise, and a lovely rendition of The Man I Love with Barnes.

Pictured_ l to r- Jerry Mulligan (Jack Mullen), Adam Hochberg (Jared Troilo), and Henri Baurel (Christopher Lewis) in Reagle Music Theatre ‘An American in Paris’ Photo credit Robert Pascucci

Boasting an amazingly talented cast, Reagle Music Theatre of Greater Boston’s An American in Paris is elegant, meaningful, and an absolute delight! Get swept up in this beautiful musical as soon as you can.

With book and lyrics by legendary composers George and Ira Gershwin and Rachel Bertone’s multi-faceted direction and choreography, Reagle Music Theatre saved the best for last in its 55^th summer season with An American in Paris continuing through Sunday, August 18 live and in person at the Robinson Theatre in Waltham, Massachusetts. This gorgeous production is approximately two hours 30 minutes with a 15 minute intermission. Click here for more information and for tickets.

REVIEW: Turn up that jukebox for Reagle Music Theatre of Greater Boston’s lively musical comedy ‘All Shook Up’

Posted on July 18, 2024 by The Sleepless Critic

Meet Chad, a would-be Elvis big on swagger, sideburns and love for the ladies.

From that electric Jailhouse Rock opening, All Shook Up soaks up the nostalgia and the lighthearted side of the ‘Fabulous ‘50s.’ Adding humor, fun frivolity and amazing choreography, All Shook Up boasts powerful vocals and plenty of love to the beat of Elvis’s greatest hits. Turn up that jukebox. It’s time for a ride down memory lane.

Reagle Music Theatre of Greater Boston will be rocking when ALL SHOOK UP, featuring 25 of Elvis’ hit songs, takes the stage July 12 – 21, 2024. (l to r) Chad (Christopher Lewis) and Ensemble. Photo by Robert P.

With exuberant direction by Arthur Gomez, tight and sweeping choreography by Larry Sousa with upbeat music direction by Mindy Cimini, Reagle Music Theatre of Greater Boston presents All Shook Up live and in person at the Robinson Theatre in Waltham, Massachusetts through July 21. This engaging musical comedy is approximately two hours with one 15 minute intermission and not for young children. Click here for more information and for tickets.

eagle Music Theatre of Greater Boston will be rocking when ALL SHOOK UP, featuring 25 of Elvis’ hit songs, takes the stage July 12 – 21, 2024. (l to r) Chad (Christopher Lewis) and Ensemble. Photo by Robert P.JPG

Vibrantly charged in florescent blue and red by Frank Meissner Jr, Reagle Music Theatre of Greater Boston brings the 50’s back to life with Janie Howland’s vintage set design of Main Street USA which includes Sylvia’s Honkey Tonk, Jim’s Service Station, Main Street Museum and appropriately Town Shoes which is a hint for those blue suede shoes. Each locale plays an integral part in roustabout Chad’s wild journey.

Boasting a Bye Bye Birdie vibe with Grease energy, All Shook Up looks at a small Midwestern town’s perspective on a summer day in 1955 when Chad, portrayed distinctly by Christopher Lewis, makes an instant impact. Lewis shakes up Main Street USA for the better while unearthing a guitar-tinged bebop vibe that self righteous and plotting Mayor Matilda, depicted with sharp comedic timing by Janis Hudson in a performance reminiscent of Joan Cusack, is determined to stop. In cat eye glasses and alongside James Turner the III as suspicious Sheriff Earl, Hudson shines in the fierce and catchy number The Devil in Disguise, humorously posing and barking out orders with zeal and authority.

Reagle Music Theatre of Greater Boston will be rocking when ALL SHOOK UP, featuring 25 of Elvis’ hit songs, takes the stage July 12 – 21, 2024. (l to r) Mayor Matilda (Janis Hudson) and (Christopher Lewis) and Sheriff Earl (James Turner III) Photo by Robert P.

All Shook Up is full of deadpan jokes and clever quips with Elvis song titles and lyrics. When a townsperson points out Chad’s blue suede shoes, Chad casually warns to lay off them. Part impersonation with the vocal chops to match, Chad embodies the larger than life qualities of Elvis, but takes it one step further making the part his own exemplified in a resonating rendition of I Don’t Want to demonstrating Lewis’s own unique and dynamic range.

A storm of unrequited love and love triangles taken from a mix of Shakespearean comedies, this ‘50s musical comedy infuses a lot of elements into this lively tale and it works. Christopher Lewis as Chad makes a powerful impression on everyone he meets. Gwynne Wood as Natalie is the mechanic and is looking for more excitement than this little town can hold. Wood is endearing as Natalie who is sensible, timid, and resourceful with a powerful belt for One Night with You. Wood shares some charming chemistry with Jackson Jirard as best friend Dennis who only has eyes for Natalie. Jirard also shares some amusing scenes with Lewis, Wood, and Alfred-Jean Chavier’s Jim as the voice of reason.

Tader Shipley as vampy blond bombshell Miss Sandra also makes her own impression with a soaring rendition of Let Yourself Go and alongside the cast for a sassy take on Teddy Bear/Hound Dog.

Carolyn Saxon brings sincerity and candidness to Sylvia and shares a varying yet sweet rapport with her daughter, Lorraine, depicted by Amaris Rios and Jean-Alfred Chavier as forthright and apprehensive widow Jim. Saxon performs a stunning rendition of There’s Always Me.

Reagle Music Theatre of Greater Boston will be rocking when ALL SHOOK UP, featuring 25 of Elvis’ hit songs, takes the stage July 12 – 21, 2024. Sylvia (Carolyn Saxon). Photo by Robert P.

The production also flips the script in more ways than one while staying faithful to the Shakespearean twists. Rebellious Lorraine and Preston Karp as dutiful Dean share exciting chemistry and their rendition of It’s Now or Never is a delight alongside Sousa’s innovative bus choreography.

Reagle Music Theatre of Greater Boston will be rocking when ALL SHOOK UP, featuring 25 of Elvis’ hit songs, takes the stage July 12 – 21, 2024. Dean (Preston Karp) and Lorraine (Amaris Rios) Photo by Robert P.

C’mon everybody is a classic and vintage showstopper weaving in classic dance moves as Emerald City Theatrical does it again in vintage gleaming colored costumes ranging in plaids, bowling shirts, and gorgeous fit and flair crinoline dresses.

All Shook Up is bright, catchy and a lot of fun with an inherent message within an array of beloved Elvis hits that might lighten the weight of this world for awhile.

With exuberant direction by Arthur Gomez, amazing choreography by Larry Sousa with upbeat music direction by Mindy Cimini, Reagle Music Theatre of Greater Boston presents All Shook Up live and in person at the Robinson Theatre in Waltham, Massachusetts through July 21. This engaging musical comedy is approximately two hours with one 15 minute intermission. Click here for more information and for tickets.

REVIEW: Reagle Music Theatre of Greater Boston looks at love and sacrifice in a breezy ‘South Pacific’

Posted on June 22, 2024 by The Sleepless Critic

Long ago and far away on the islands of the South Pacific, the turbulence of World War II leaves the South Pacific in peril. The challenges that face this particular group of people may be the only thing that turns the tide.

Directed and choreographed by Rachel Bertone and adapted from James A. Michener’s Pulitzer prize-winning novel, Tales of the South Pacific, Reagle Music Theatre of Greater Boston kicked off its 55^th season with Rodgers and Hammerstein’s Golden Age musical classic, South Pacific live and in person at the Robinson Theatre in Waltham, Massachusetts through Sunday, June 23. This family-friendly production is approximately two hours and 30 min with a 15 minute intermission. Click here for more information and for tickets.

Penelope Rhoads and Lola Rhoads in Reagle Music Theatre of Greater Boston’s ‘South Pacific’ Photo by Bob Pascucci

Rodgers and Hammerstein’s South Pacific focuses on love, sacrifice, and survival during a turning point in World War II, but also features many lighthearted and humorous moments under Rachel Bertone’s direction and mix of delicate and energetic choreography from the endearing Dites-Moi featuring graceful Penelope Rhoads as Nguana and Lola Rhoads as Jerome to the high-spirited There is Nothing Like a Dame to the carefree comedy of Honey Bun featuring charismatic, wisecracking but well-meaning Luther depicted impressively by Brendan McGrady with a smirk and thick New York accent. With strong and engaging vocals navigated by Music Director David Coleman, South Pacific boasts a long list of Rodgers and Hammerstein’s revered American Standard classic tunes.

Janie E. Howland’s breezy, tropical, and wicker-infused set includes painted tropical flowers, towering palm trees, and signs of significant locations as well as a surprising special effect with a helicopter. Blended with Frank Meissner Jr’s radiant lighting, South Pacific illuminates compelling landscapes from dawn to daybreak as well as a gleaming aqua coastline. Emerald City Theatrical’s terrifically retro costumes range from vintage cheerfully colored casual wear to authentic looking uniforms.

Jennifer Ellis and Christopher Chew in Reagle Music Theatre of Greater Boston’s ‘South Pacific’ Photo by Bob Pascucci

Jennifer Ellis blends effervescence and effortless charm as Nellie Forbush, a GI nurse from Arkansas who quickly falls for Christopher Chew as Emile de Becque, an older, worldly and mysterious Frenchman who resides on an island plantation. Both are incredibly curious about the other and consider each other way out of their league. Chew and Ellis share romantic tension-fueled chemistry, making it sweet to witness their awkward conversions. There is warmth between these two and Chew’s marvelous vocals deliver a beautiful rendition of Some Enchanted Evening after Ellis shares her lighthearted nature in an enchanting rendition of Cockeyed Optimist.

Emile and Nellie seem to have a mature love that is often tested as the production progresses. This show is less about love triangles, but more about love at first sight and the challenges that each one of them face as war hangs in the balance.

Lisa Yuen in Reagle Music Theatre of Greater Boston’s ‘South Pacific’ Photo by Bob Pascucci

Another captivating yet fiery presence is Lisa Yuen as determined, practical and shrewd businesswoman Bloody Mary. Yuen’s candid, direct and persistent demeanor as a Tonkinese woman attempting to find success is excellent, especially as she outsmarts some GIs she encounters for a deal. She has a wonderful rapport and chumminess with the GIs, especially during the number Bloody Mary through Bertone’s lively choreography. Yuen shares a funny first encounter with Blake DuBois as cool, collected and enigmatic Lieutenant Joseph Cable who delivers a memorable rendition of Younger than Springtime. Yuen’s Bloody Mary just might be the most earnest and levelheaded individual in the production, her haunting vocals on full display in Bali Ha’i and heartfelt alongside Calico Valasco as Liat in Happy Talk.

Lisa Yuen and Calico Valasco in Reagle Music Theatre of Greater Boston’s ‘South Pacific’ Photo by Bob Pascucci

Some aspects of South Pacific still seem dated and a little cloying and with much respect to Rodgers and Hammerstein, South Pacific is not as emotionally charged as their other works and often found myself questioning the motivation of some of these characters. For example, Ellis as Nellie seems impulsive and indecisive just as quickly as she seems so certain. Perhaps it was just a different time. Otherwise, Reagle Music Theatre of Greater Boston’s South Pacific is a memorable, family-friendly day at the theatre with a strong and timeless inherent message.

Jennifer Ellis as Nellie and the cast of Reagle Music Theatre of Greater Boston’s ‘South Pacific’ Photo by Bob Pascucci

REVIEW: Dive under the sea with Reagle Music Theatre of Greater Boston’s magical ‘The Little Mermaid’

Posted on August 3, 2023 by The Sleepless Critic

Sebastian is right.

Life under the sea is better than anything we have up here especially if it is Reagle Music Theatre of Greater Boston’s lively and family-friendly production of Disney’s The Little Mermaid. Having witnessed Disney’s 1989 classic The Little Mermaid several times, one of the many reasons to see Reagle Music Theatre’s stage version is it contains additional songs and scenes while still delivering all the beloved dialogue, music, and costumes from the 1989 film. It was refreshing to see that The Little Mermaid has so much more to say.

Directed and choreographed exuberantly by Taavon Gamble with buoyant music direction by David Coleman, Reagle Music Theatre of Greater Boston presents Disney’s The Little Mermaid through Sunday, August 6 live and in person at the Robinson Theatre in Waltham, Massachusetts. This production is 130 minutes with a fifteen minute intermission. Click here for more information and for tickets.

Ariel (Kayla Shimizu) and Sebastian (Davron and ensemble perform ‘Under the Sea’ in Reagle Music Theatre’s Disney’s The Little Mermaid. Photo by Herb Philpott

Less than 35 years after the release of Disney’s 1989 classic film and not too long after the release of Disney’s live action remake The Little Mermaid this year, Reagle Music Theatre of Greater Boston has chosen a grand time to bring this land and sea classic to life onstage. Some will recognize the set pieces and settings from the 1989 film, but Reagle’s production also boasts a great deal of originality as well.

From shimmering fins to uniquely- shaped, brilliantly colored costumes adorned with carefully structured headdresses, Emerald City Theatrical delivers Caribbean charm in all of its animated splendor. Tony Ferrieri’s layered aquatic scenic design combined with Franklin Meissner Jr’s impressive lighting enhances the complexion and depth of the production’s kaleidoscopic waves, transforming from welcoming to at times threatening along a backdrop steeped in puffy clouds.

King Triton’s Kingdom Disney’s The Little Mermaid presented by Reagle Music Theatre thru August 6 in Waltham Photo by Herb Philpott.

Based on the Hans Christian Anderson tale and the Disney film, The Little Mermaid is about a curious mermaid princess named Ariel, depicted with vibrant charm and soaring vocals by Kayla Shimizu, who falls in love with not only a human prince, but the world on land. She is offered a way to escape the sea, but will she take it?

Ariel (Kayla Shimizu) singing Part of Your World in Reagle Music Theatre’s ‘The Little Mermaid’ through August 6. Photo by Herb Philpott

The Little Mermaid boasts a completely lovable cast led by Ariel, portrayed with enthusiastic, wide eyed wonder by Kayla Shimizu. Shimizu’s compelling performance and powerful vocals are remarkably reminiscent of Jodi Benson, the actress who voiced Ariel in the 1989 film. Shimizu shines with splendid renditions of Part of Your World, The World Above and If Only. Shimizu shares captivating moments with Ray Robinson as amiable and refined Prince Eric, sweet camaraderie with endearing Kenny Lee as shy, friendly and adorable Flounder and brave, streetwise, and frank Jack Mullen as seagull Scuttle. Having depicted Will Parker in Reagle’s previous musical, Oklahoma, Mullen again demonstrates his sharp comic wit and jubilant dance moves in a hilarious rendition of Positoovity.

Positoovity from Disney’s The Little Mermaid presented by Reagle Music Theatre in Waltham. Photo Herb Philpott.

A vision in deep, sparkling red, Davron S. Munroe is exemplary as strict and critical crab Sebastian who assists King Triton, portrayed with wise regality by Cristhian Mancinas-Garcia. In a display of bursting color and enchanting merriment, Munroe’s calypso-infused rendition of Under the Sea is stupendous and Kiss the Girl not only has tender charm, but delivers a humorous and delightful depiction of twilight, especially as frogs look on.

Sibling rivalry has never been more fun as showcased through Ariel’s mersisters consisting of Kindred Moore, Aimee Coleman, Joy Clark, Ellie Lauter, Aubrie-Mai Rubel and Olivia Foght. They are gorgeous beauty queens who gossip, laugh and try to upstage each other. They perform a catchy, 50s style rendition of She’s in Love with Flounder where even the fishy puns are cute.

Kenny Lee as Flounder and the Mersisters perform ‘She’s in Love’ from Disney’s The Little Mermaid presented by Reagle Music Theatre in Waltham. Photo Herb Philpott.

Rich Allegretto as Grimsby is also impressive as Prince Eric’s traditional yet sympathetic advisor and Teddy Edgar as deranged and passionate Chef Louis is hilarious even in a brief appearance for a marvelous rendition of Les Poissons. Edgar’s menacing eyes and passion for food make every moment count!

Katherine Pecevich as Ursula and Eels in Reagle Music Theatre’s Disney’s The Little Mermaid thru August 6. Photo by Herb Philpott.

A trio of dastardly proportions takes shape in Katherine Pecevich as Ursula and Ursula’s two lurking and smirking neon electric eel henchmen portrayed by Miki Grubic as Flotsam and Alan Cid as Jetsam. With wild hair and a black and purple glittering gown, Pecevich’s slippery manipulations and brash, yet shrewd machinations match whatever Cid and Grubic have in their co-conspiring minds. Even though Ursula is the main attraction, Cid and Grubic’s functioning and eye catching costumes do a bit of their own scene stealing. However, Pecevich’s charisma shines in a devious rendition of Poor Unfortunate Souls, her husky vocals only second to her maniacal laughter.

REVIEW: Reagle Music Theatre of Greater Boston kicks up its heels with Rodgers and Hammerstein’s classic ‘Oklahoma!’

Posted on June 30, 2023 by The Sleepless Critic

From the first few divine notes of the show’s opening number, Oh, What a Beautiful Morning captured vividly by Jared Troilo’s charismatic Curly, Troilo creates one morning not to be missed. Reagle Music Theatre of Greater Boston’s Oklahoma! combines top notch choreography, a jubilant cast, and an interactive set that invites the audience to settle into its own home on the range.

Reagle Music Theatre’s ‘Oklahoma’ Aunt Eller Carolyn Saxon and Ensemble Photo credit Robert Pascucci

With luminous direction and exceptional choreography by Rachel Bertone, Reagle Music Theatre kicks off their summer musical season with the stomping fun of Rodgers and Hammerstein’s musical classic, Oklahoma! continuing live and in person through July 2 at the Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

With its wealth of historical references weaved into Rodgers and Hammerstein’s classic soundtrack capturing the spirit of the time, it is no wonder that Oklahoma! won the Pulitzer Prize for musical composition in 1944 and is still thriving after 80 years.

Musically directed and conducted by Dan Rodriguez, Reagle Music Theatre delivers the production’s joyous zest for life, the thrill of camaraderie, timeless messages as well as dark, tense and suspenseful moments. Rodgers and Hammerstein wrote their second musical, Carousel shortly after Oklahoma’s success and both shows share some of the same themes. Reagle Music Theatre delicately weaves its joyous moments with themes of loneliness, temptation, and obsession effectively especially through its powerful chorography and soundtrack, balancing this timeless tale.

Based on Lynn Riggs play, Green Grow the Lilacs, a colorful and rustic set rewinds the clock to the Oklahoma Indian Territory just after the turn of the century, equipped with softly flickering lanterns, vintage photographs, wooden fences, prairie landscapes, a wooden and winding fence, and interactive props hanging from the walls. Franklin Meissner Jr.’s evolving lighting gradually becomes its own character, effectively transforming the mood from a soft rising sun to a nightmarish hue.

Emerald City Theatrical wonderfully captures the authenticity of the time with cheerful costumes from plaids to pinstripes as well as richly colored bandanas, suede stirrups, leather vests, cowboy boots, and pastel puffed sleeved dresses with stylish Victorian boots.

Reagle Music Theatre’s ‘Oklahoma’ Curly (Jared Troilo) and Laurey (Kayla Shimzu) Photo credit Robert Pascucci

Ruggedly dressed in suede chaps with a button down shirt, leather vest, and cowboy boots, Jared Troilo’s Curly McLain has an imaginative streak and an innate zest for life albeit infused with an occasional bit of overconfidence. Whether engaging Kayla Shimizu as Laurey in a whimsical carriage ride during the imaginative The Surrey with the Fringe on Top or musing about life in Oh What a Beautiful Morning, Troilo puts his heart into Curly delivering an inspired performance. Troilo also has a sweet rapport with Carolyn Saxon who brings wise sensibility and playfulness to Aunt Eller through her considerable grin, yet she is a woman not to be trifled with.

Reagle Music Theatre’s ‘Oklahoma’s’ Aunt Eller and Curly Photo credit Robert Pascucci

In a fishtail braid and striped overalls, Shimizu depicts headstrong and practical Laurey with sass, strong vocals, and introspective charm. The production more clearly examines nonconformist Laurey who wants to do anything but what is traditionally expected, yet still yearns for a big love. Through refined, twirling and ballet-infused choreography that combines the traditional with the contemporary topped with lace lined parasols, Many a New Day illustrates that contrast as Laurey longs for her own path.

Reagle Music Theatre’s ‘Oklahoma’ Laurey and Girls (Out of My Dreams) Photo credit Robert Pascucci

Jack Mullen has many standout moments showing off rodeo and dance skills as fun loving, somewhat hotheaded, and spontaneous Will. Will’s rendition of Kansas City has never been more fun with lively vocals and slick choreography as The Territory Boys stomp, tap, and perform various stunts.

Oklahoma’s Ado Annie (Rebekah Rae Robles)and Will Parker (Jack Mullen) Photo credit Robert Pascucci

A vision in pink, Rebekah Rae Robles depicts excitable Ado Annie with a feigned wild-eyed innocence and childish mischievousness. With a glimmer in her eye, Robles’s chemistry with both Will and Johnny Gordon as bewildered peddler Ali Hakim has its own distinct charm. Wearing a green suite, Gordon as Ali Hakim cleverly balances this dynamic character with comedy and slyness. Rick Sherburne also makes a lasting impression as Andrew Carnes, Ado’s intimidating and overprotective father, especially during the number, The Farmer and the Cowman.

Reagle Music Theatre’s ‘Oklahoma’ Dream Laurey and Jud Daniel Forest Sullivan. and Girls Photo credit Robert Pascucci

Daniel Forest Sullivan brings a deeper sadness to skilled hired hand and loner Jud residing in a one room smokehouse. Sullivan masters this role in its quieter moments, amplifying each scene’s tension and making his character that much more mysterious. His scenes with Curly are somber and powerful even through Jud’s twisted judgment. With an unmistakable laugh, Caitlin Zerra Rose as Gertie Cummings is a great deal of frivolous fun.

Reagle Music Theatre’s ‘Oklahoma’ Dream Ballet Dream Laurey (Nicole Volpe) and Dream Curly (Joel Douglas) Photo credit Robert Pascucci

However, the biggest reason to see Oklahoma! is Bertone’s stellar choreography from the powerful and symbolic ballet Out of My Dreams to the snappy excitement of its title track. The show exemplifies the closeness and camaraderie of simpler times. It captures the joy of being in one another’s company which has become more precious in the last couple of years. The entire cast captures the distinct spirit of Oklahoma! in all its sweeping joy.

Reagle Music Theatre kicks off the summer musical season with Rodgers and Hammerstein’s musical classic, Oklahoma! continuing live and in person through July 2 at the Robinson Theatre in Waltham, Massachusetts. Click here for more information and for tickets.

REVIEW: Reagle Music Theatre of Greater Boston’s ‘Pippin’ delivered magic with more to come

Posted on August 17, 2022 by The Sleepless Critic

The quest to discover one’s destiny can be both exciting and harrowing.

After opening with musical classic West Side Story last month to kick off Reagle Music Theater of Greater Boston’s summer season, Bob Fosse’s unmistakable style took the stage in Reagle’s follow up summer musical Pippin, a tale within a tale about destiny and realizing where one fits in the world. Pippin resembles a morality play and Pippin, portrayed with earnest naiveté and enthusiasm by Kenny Lee, is convinced he was created for an extraordinary purpose and will stop at nothing to find it.

Directed and choreographed by Rachel Bertone with Music Direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston had a lot more magic to do, but the musical Pippin had to shorten its run due to Covid concerns. However, Reagle Music Theatre of Greater Boston will have another chance to create some magic at a one night only cabaret fundraiser featuring the Pippin cast on live and in person on August 26 at Reagle Music Theatre of Greater Boston in Waltham, MA at 7 p.m. Purchase tickets early and get a discount. Click here for more information and tickets.

Reagle Music Theatre of Greater Boston presents a one night only cabaret on August 26. Photo courtesy of Herb Philpott/Reagle Music Theatre of Greater Boston

Led by Boston based award-winning actor and singer Davron Monroe, the musical Pippin was a wonder to witness though the plot itself is a bit uneven at times and the musical is not appropriate for children. Based on the originally-directed Bob Fosse musical and Diane Paulus’s Tony award-winning revival, Pippin ran at Reagle Music Theatre of Greater Boston in Waltham, MA through August 7. Click here for more on Reagle Music Theatre of Greater Boston’s upcoming events.

Davron Monroe as Leading Player Photo courtesy of Reagle Music Theatre of Greater Boston

Set initially in a traveling circus, cast members immersed the audience in this mystical tale within a tale also set in the Middle Ages by occasionally marching down the aisles, addressing the audience and encouraging an occasional sing-along.

Kenny Lee as Pippin Photo courtesy of Reagle Music Theatre of Greater Boston

Scenic designer Cameron McEchern seamlessly handled the frequent “magical” changes of scenery as Pippin explored various aspects of one’s existence from sophisticated royalty to military life to the simplicity of farming life and much more in between. From bright, bedazzled and exotic costumes to the simplicity of the Middle Ages, costume designer Jake O’Hara and Emerald City Theatricals helped to create this versatile and dynamic world shared skillfully by charismatic Davron Monroe as the complicated narrator and mysterious advisor, Leading Player. Monroe’s resounding vocals and quick comic wit lent to his compelling performance, especially for Magic to Do and the lively On the Right Track. However, Monroe’s most captivating work was saved for the twist-filled finale.

The costumes along with Rachel Bertone’s dazzling and at times racy choreography offered subtle nods to Fosse’s signature style including top hat, cane, and scantily clad, Chicago-inspired dancers. Even Monroe gave a subtle nod to Fosse’s Razzle Dazzle.

Damon Singletary as Charlemagne Photo courtesy of Reagle Music Theatre of Greater Boston

Like Chicago, Pippin has some surprising moments and often addressed the dark side of humanity. Pippin is looking for meaning as expressed quite wonderfully with Corner of the Sky. Lee portrays Pippin with wide-eyed optimism, chatty naiveté, and a free spirit which make him more sympathetic than egotistical, even when Pippin makes some poor choices.

Kathy St. George as Berthe © Joe Henson Photography 2006 All Rights reserved.

King Charlemagne, depicted with gravitas, charm, and stubbornness by Damon Singletary, is no stranger to the monarchy having portrayed the king in Concord’s past Umbrella Arts Theatre musical, Head over Heels. Stern and shrewd Singletary delivered some wise and memorable dialogue and has a good rapport with his son, Pippin. Kathy St. George as spicy and fun loving Berthe is a particular highlight, especially during the number, No Time at All. Berthe offers Pippin and the audience valuable life lessons and an occasional sing-along through humor, joy, and wit. Kenny Lee as Pippin and Kathy St. George have some endearing chemistry and Berthe’s vibrant dance moves and her occasional engagement with the audience make her a difficult act to follow.

Katie Anne Clark as Fastrada Photo courtesy of Reagle Music Theatre of Greater Boston

Katie Ann Clark as seductive and materialistic Fastrada and Joel Douglas as handsome, dimwitted and egotistical Lewis make formidable adversaries and Kayla Shimizu shines as headstrong, patient, and graceful Catherine.

It is a shame that Pippin could not continue for its full run because it had a lot to say about the key to happiness and what is truly important in life. However, Reagle Music Theatre of Greater Boston will have another opportunity for some magic at a one night only cabaret fundraiser featuring the Pippin cast live and in person on August 26 at Reagle Music Theatre of Greater Boston in Waltham, MA at 7 p.m. Click here for more information and tickets.

REVIEW: Reagle Music Theatre of Greater Boston makes an exciting return to the stage with a moving and remarkable ‘West Side Story’

Posted on July 14, 2022 by The Sleepless Critic

‘I’ve just met a girl named Maria/And suddenly that name/will never be the same/to me.”

Having seen the classic musical West Side Story from the stage to the 1961 film adaptation to Spielberg’s recent Oscar worthy film, Reagle Music Theatre’s Blake Du Bois as Tony’s moving rendition of the classic song, Maria is a must see. Many Tonys have floated through this number with surprise, naiveté, and the excitement of attraction while blinded by love, but Du Bois’s delivery evokes a more meaningful perspective. Enhanced by his extensive vocal range, this soulful rendition depicts not naiveté, not necessarily blindness, but an overwhelming feeling of love for Maria and the fear of what that means. So overcome by love that he must move forward in spite of it. It was like understanding Maria anew.

Eevie Perez as Maria and Blake Du Bois as Tony in Reagle Music Theatre of Greater Boston’s ‘West Side Story’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Sharply directed and choreographed by Rachel Bertone with seamless musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston delivered powerful and clever performances as it kicked off its summer musical season with West Side Story continuing through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA. This show is not intended for children under 13. Click here for more information and for tickets.

Based on Shakespeare’s Romeo and Juliet, West Side Story is the timeless tale of the Sharks and the Jets, two rival gangs who cannot seem to coexist in Manhattan without a fight. However, when Blake Du Bois as streetwise Tony and Eevie Perez as idyllic Maria lock eyes, everything quickly becomes complicated.

The Sharks Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Helmed by a captivating cast, Reagle Music Theatre’s West Side Story is intriguing from the start as it lays out mischief, antics and petty outrage over owning the streets. A broad city landscape, chain linked fences, a retro jukebox and detailed drug store are just part of Janie Howland’s retro, rolling set that successfully rewinds the clock back to the 1950s.

The cast of West Story Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

A great deal of West Side Story hinges on its sharp dance and fight choreography and director and choreographer Bertone hits the ground running. Along with Fight and Intimacy Director Angie Jepson, the high-kicking choreography blurs the lines between dance and fighting as the gangs intertwine in innovative and precise movements. A leap becomes a punch and aggressiveness turns graceful…all in the same move. Jack Mullen delivers an intense performance as the tough talking, swaggering Jet leader Riff, especially during a catchy and memorable rendition of Cool as each tense moment pops to Franklin Meissner, Jr’s intricate lighting. Mullen as Riff and Du Bois as Tony share some affable camaraderie as they do with their fellow Jets and their fair share of united animosity toward the Sharks. Nate Walsh stood out as hot head Action, on edge and ready for a fight while Gracin Wilkins delivers a stirring performance as outcast Anybodys.

Bianca Rivera-Irions as Anita with the Shark Girls performing ‘America.’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston

Eevie Perez is charming and spot on as Maria, her chiming vocals and naiveté especially evident with Ana Viveros as Consuela, Marissa Pineda as Rosalia, and Karina Gonzalez as Tesesita in the exuberant and playful number, I Feel Pretty and in a gorgeous duet with Du Bois as Tony for One Hand, One Heart. Tall and distinctive, charismatic Bianca Rivera-Irions as Anita knows how to make an entrance in a show stopping red dress, just one of the many rich, vintage, and vibrant costumes provided by Tiffany Howard. A lively dancer, Rivera-Irions as Anita stands out in any room as only Anita can. Rivera-Irions as Anita and Diego Klock-Perez as proud and protective Shark leader Bernardo share lighthearted and steamy chemistry. The dynamic cast performs an exhilarating rendition of Tonight, their robust sound and stirring harmonies build the anticipation and excitement of a night that will change everything.

Reagle Music Theatre of Greater Boston presents musical classic West Side Story continues through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA. This show is not intended for children under 13. Click here for more information and for tickets.

REVIEW: Reagle Music Theatre’s ‘La Cage aux Folles’ a rollicking, madcap extravaganza with heart

Posted on August 16, 2019 by The Sleepless Critic

Robin Williams had many memorable roles, but one of his most amusing roles was alongside Nathan Lane in the 1996 film adaptation of “La Cage Aux Folles,” “The Birdcage.” Who could forget when Robin gave that dance tutorial?

Though “The Birdcage” was set in Miami Beach, the musical production of “La Cage Aux Folles” is set in Saint Tropez, France. With European flair and heart, Reagle Music Theatre of Greater Boston presents the wild, gender-bending, and hilarious musical, “La Cage Aux Folles” through Sunday, August 18 at Robinson Theatre in Waltham, Massachusetts. Click here for more information and tickets.

Reagle Music Theatre of Greater Boston La Cage aux Folles James Darrah as Albin with the Cagelles

James Darrah as Albin (center) and Les Cagelles Photo courtesy of Reagle Music Theatre of Greater Boston

A translucent, glittering blue curtain was just a glimpse of the glitz behind it as the musical’s catchy and exotic overture began, peppered with European flair. Directed by Susan Chebookjian with book by Harvey Fierstein and music and lyrics by Jerry Herman, “La Cage aux Folles” is about Georges (J.T. Turner) who runs a drag night club and Albin (James Darrah) is the show’s star attraction. When Georges’s son announces his engagement, everyone realizes they are in for a lot more than they bargained for.

With amazing choreography by Susan M. Chebookjian and Daniel Forest Sullivan, “La Cage aux Folles” bursts with color, razzle dazzle, and unlike “The Birdcage,” features a lot more dance numbers delivered by the sharp and athletic Les Cagelles. The opening, gender bending tune, We Are What We Are, is a nimble display of tight choreography while the signature number, La Cage aux Folles is stylized, bizarre, and fascinating. The show is also semi-interactive, which contributes to some of the productions most amusing moments.

Matthew Wright and Alison Pugh’s fantastic costumes are flashy, elegant, and over the top featuring wild, multi-colored wigs, shimmering gowns accented with furs and other costumes using an array of materials such as velour and silk with a bit of 70s flair. The colorful set, by David Allen Jeffrey, is equally exotic featuring velvet couches and gold accents as well as its share of seaside, Mediterranean flavor and little French nuances at Cafe Renaud.

Reagle Music Theatre of Greater Boston La Cage aux Folles J.T. Turner as Georges

J.T. Turner as Georges Photo courtesy of Reagle Music Theatre of Greater Boston

The quirky, madcap cast is an excellent study in contrasting perspectives and family dysfunction. In a purple velour coat with bowtie, J.T. Turner delivers a charming, comical, and tender performance as Georges. Love struck and irresistibly likable, Georges is the heart of the show. He has a beautiful rapport with Jonathan Acorn as his son, Jean-Michel and James Darrah as Albin, delivering heartfelt renditions of Look over There and wistful Song in the Sand. The impressive comic timing between Turner as Georges and Darrah as Albin doesn’t get much better than during the number, Masculinity, especially while demonstrating their best John Wayne.

Reagle Music Theatre of Greater Boston La Cage aux Folles Cafe Renaud

James Darrah as Albin (center), J.T. Turner as Georges (right) and cast Photo courtesy of Reagle Music Theatre of Greater Boston

James Darrah as Albin, who possesses more than a passing resemblance to Nathan Lane, delivers a dramatic, engaging, and powerful performance as Albin. Often not so fashionably late, Albin contends with his longing to hide from the world and his undeniable need to make an entrance. His rendition of I Am What I Am is a Tour de Force performance, the best number of the show. Full of bravery, yearning, and emotional weight, it is an anthem for those who feel like they do not belong.

Reagle Music Theatre of Greater Boston La Cage aux Folles James Darrah as Albin

James Darrah as Albin in Reagle Music Theatre of Greater Boston’s “La Cage aux Folles” Photo courtesy of Reagle Music Theatre of Greater Boston

Jonathan Acorn as anxious Jean-Michel is madly in love with his fiancée Anne. She delivers a sweet and earnest performance by Lily Steven. Theirs is a sweet love story and Acorn’s beautiful timbre is on full display during the affectionate number Anne on my Arm.

The show cuts loose with adventurous and delightful Maureen Brennan as Marie up against Rich Allegretto as relentlessly frowning, disdainful and uptight M. Dindon. Speaking of cutting loose, Benz Atthakarunpan’s energetic, smirking Jacob delivers more than a few self deprecating moments in outrageous and surprising costumes while Ellen Peterson brings cleverness and a great set of pipes to Jacqueline.

Reagle Music Theatre of Greater Boston La Cage aux Folles Dinner

J.T. Turner as Georges, Jonathan Acorn as Jean-Michel, Lily Steven as Anne, Rich Allegretto as Dindon, Maureen Brennan as Marie, and James Darrah as Albin Photo courtesy of Reagle Music Theatre of Greater Boston

The show is a bit lengthy, but delivers more than its share of laughs from the dynamic and charismatic cast. With pizzazz and heart, Reagle Music Theater of Greater Boston presents their final musical of the summer, “La Cage Aux Folles” through Sunday, August 18 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts.

Click here for more information and tickets. Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.

REVIEW: Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ a moving summer gem

Posted on July 17, 2019 by The Sleepless Critic

The Sleepless Critic has reviewed a few beautiful productions of ‘The Sound of Music,’ a riveting true story set in Austria about the resilient Von Trapp family who not only attempt to resist the Nazi regime in 1938 Pre-war Salzburg, but also attempt to move on without their late mother. A blend of grace, faith and strength in the face of an indelible sadness, no doubt makes it a stirring classic. Yet, with the exception of Audra McDonald’s brilliant turn as Mother Abbess in NBC’s 2013’s ‘The Sound of Music Live‘ musical, her extraordinary vocals lifting Fox’s arguably mediocre production with this glorious anthem, Climb Every Mountain, the music to ‘The Sound of Music’ has generally never been my favorite.

Make no mistake, Rodgers and Hammerstein’s classic, Academy Award-winning musical score is nevertheless respected and appreciated for its mark in musical history. However, what makes Reagle Music Theatre of Greater Boston’s musical, ‘The Sound of Music’ particularly special is its resonant harmonies, a brilliant lead in Aimee Doherty as Maria, and the lively vocals and playful choreography delivered by this wonderful, lighthearted cast. It convinced me to care for ‘The Sound of Music’ score, which has never sounded lovelier.

With a mix of tradition, opulence, and a few songs not featured in the iconic 1965 film starring Julie Andrews, Reagle Music Theatre’s ‘The Sound of Music’ is the perfect lighthearted summer treat, even in its serious moments. ‘The Sound of Music’ continues at the Robinson Theatre in Waltham, Massachusetts through Sunday, July 21. Click here for more information and tickets.

Reagle Music Theatre The Sound of Music Aimee Doherty as Maria Confidence in Me

Aimee Doherty as Maria I Have Confidence Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

The Sound of Music has many highlights, but one of its brightest is Aimee Doherty’s glowing, enchanting turn as Maria. This Maria is a tad more youthful, boasting flowing dark hair and a wide, playful smile. Doherty brings light and gravitas to the role, her infectious charm and soaring vocals especially noticeable during the playful, yet pensive number, I Have Confidence. Paired with Daniel Forrest Sullivan’s buoyant choreography, it is one of Maria’s more subtle, but powerful moments.

Reagle Music Theatres The Sound of Music Von Trapp Children

Emma Heistand as Leisl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, Libby Sweder as Gretl, and Aimee Doherty as Maria Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Each of the adorable Von Trapp children featuring Emma Heistand as sweet, but rebellious Liesl, Wade Gleeson Turner as Friedrich, Jane Jakubowski as precocious Louisa, Ryan Philpott as Kurt, Fiona Simeqi as Brigitta, Addison Toole as Marta, and Libby Sweder as Gretl have their moment to shine, and their charming number Do-Re-Mi with Doherty is a delight. The children’s colorful, identical, and traditional Austrian wardrobe enhance each scene. Liesl, portrayed by Emma Heistand and Rolf, depicted by Max Currie impressively develop swift chemistry over the playful number, Sixteen Going on Seventeen, largely thanks to Sullivan’s breezy choreography.

Reagle Music Theatre's The Sound of Music Sixteen Going on Seventeen

Emma Heistand as Liesl and Max Currie as Rolf in ‘Sixteen Going on Seventeen’ Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

There is a moment during the production where Doherty states, “When God closes a window” and Mark Linehan completes her sentence with, “he opens a door.” The expression is actually the other way around, but Mark Linehan as Captain von Trapp instantly picks up on her phrase and completes her statement, indicating how in tune they both are onstage. Mark Linehan has shown a natural charisma in other productions and there is no shortage of that here, delivering a powerful performance in the dour, firm, but forthright Captain. However, his biggest strength is in the quieter moments of the show, especially in the moving reprise of the title song The Sound of Music and bittersweet Edelweiss.

Reagle Music Theatre The Sound of Music Captain Elsa and Max

L to R: Mark Linehan as Captain von Trapp, Janis Hudson as Elsa, and Robert Orzalli as Max Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

From the first few notes of the Nuns’ gorgeous, a capella chant, Preludium, Reagle Music Theatre of Greater Boston have certainly outdone themselves. Their resonant harmonies are among the production’s most beautiful moments. Mara Bonde delivers an understated performance as patient, insightful, and ceaselessly faithful Mother Abbess, enhanced by a soaring rendition of the show’s inspiring anthem, Climb Every Mountain. Ever the standout, Yewande Odetoyinbo also makes a remarkable impression as outspoken Sister Berthe.

Reagle Music Theatre of Greater Boston The Sound of Music Aimee Doherty as Maria and Mara Bonde as Mother Abbess

Aimee Doherty as Maria and Mara Bonde as The Mother Abbess Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

Elsa, portrayed with flashy elegance by Janis Hudson, is a sophisticated, marginally manipulative socialite, with a taste for the finer things. In what could be a potentially unlikable character, Hudson strikes a delicate balance of a woman who struggles with what she wants and yet, wishes to do the right thing. She and Robert Orzalli as comical and seemingly smarmy Max are quite a comical pair, especially during the little known number, How Could Love Survive.

Reagle Music Theatre The Sound of Music So Long, Farewell

Mark Linehan as Captain von Trapp, Aimee Doherty as Maria and the Von Trapp children Photo courtesy of (C) Herb Philpott Photo/Reagle Music Theatre of Greater Boston

As wonderfully potent to the ears as visually vibrant, experience Reagle Music Theatre of Greater Boston’s ‘The Sound of Music’ though Sunday, July 21 at the Robinson Theatre, 617 Lexington Street in Waltham, Massachusetts. Reagle Music Theatre will soon cap off its summer musical season with the comedy classic, ‘La Cage aux Folles’ in August. Click here for more information and tickets. Follow Reagle Music Theatre of Greater Boston on Twitter and Facebook for upcoming events and more.