REVIEW:  Money is king in Maggie Kearnan’s ‘How to NOT Save the World with Mr. Bezos’ at Boston Playwrights Theatre

How much is that going to be?

Let’s talk about billionaires, gargantuan amounts of money and how to use it.

At least, that is what Becca A Lewis as sleuth Forbes journalist Cherry Beaumont has on her mind in a mysterious interview with Jeff Bezos as he faces a federal case against him in the year 2030.  Accompanied by narrator and fact checker Robbie Rodriguez at the ready, How NOT to Save the World with Mr. Bezos is a deep dive into wealth, envy, greed, and blind rage as lines gradually blur between fact, falsehood and fiction. 

With unsteady direction by Taylor Stark, Boston Playwrights Theatre presents Maggie Kearnan’s How to NOT Save the World with Mr. Bezos at Boston Playwrights Theatre in Boston, Massachusetts through Sunday, November 24.  This interactive production contains graphic adult themes and runs approximately 100 minutes with no intermission.  Click here for more information and for tickets.

Boston Playwrights Theatre’s Fall Rep Festival features two new productions from living authors taking place on one stage and scenic designer Maggie Shivers certainly makes distinctive use of the space for two vastly different productions.  Multicolor light streams through adjustable windows in a modern office setting but Courtney Licata’s props are the real kicker which includes red solo cups.   Anna Drummond’s immersive sound design with Zachary Connell’s foreshadowing light design proves effective as the production intensifies.

Mark W Soucy in Boston Playwrights Theatre’s ‘How to NOT Save the World with Mr Bezos’ Photo by Benjamin Rose Photography

With a biting and abrupt laugh and in a vest which seems more like a life preserver, Mark W. Soucy depicts a confident, expeditious yet preoccupied Bezos full of humble brags and word play until the stakes get high.  Lewis as Cherry is lively, amusing and occasionally unhinged in a three piece suit and black sneakers.  Soucy and Lewis spar with engaging flair as both vie for the upper hand as impressive fact checker Robbie Rodriguez works overtime taking the audience temporarily in and out of the production to clarify each character’s statements. 

Mark W Soucy and Becca A Lewis in Boston Playwrights Theatre’s ‘How to NOT Save the World with Mr. Bezos’ Photo by Benjamin Rose Photography

How to NOT Save the World is fueled by some jaw dropping facts about wealth and offers quite the perspective of how much money billionaires really possess.  Among some of the most fascinating are it would take 570 years to spend Bezos’s wealth if Bezos spent 1 million dollars a day or the value of a 430,000 house means just 32 cents to him.  It also offers even handed facts about Bezos’s life.  At one time, he was the most powerful person in the world. 

Mark W Soucy Becca A Lewis and Robbie Rodriguez in Boston Playwrights Theatre’s ‘How to NOT Save the World with Mr Bezos’ Photo by Benjamin Rose Photography

However, the show begins to veer off course and some of the most absurd parts of the production, which infuses a classic tune, do not seem to fall as they should and comes off rather unnecessarily as the interview takes an unexpected turn. 

Becca A Lewis and Mark W Soucy in Boston Playwrights Theatre’s ‘How to NOT Save the World with Mr. Bezos’ Photo by Benjamin Rose Photography

Amazon executives have a room where they can let out a primal scream during the holiday season and by the end of the production, I was ready to do so, but not for the reason the show encourages.  As one toils at work especially with this inflation, it is difficult for the average person to get ahead.   As satirical as the show may suggest, it relies on a society so enraged it cannot see past its most base instincts to supersede every other reasonable thought and bereft of hope for a bleak future.  Shouldn’t humanity get more credit than that?

Boston Playwrights Theatre presents Maggie Kearnan’s How to NOT Save the World with Mr. Bezos live and in person at Boston Playwrights Theatre in Boston, Massachusetts through Sunday, November 24.  This interactive production contains adult themes and runs approximately 100 minutes with no intermission.  Click here for more information and for tickets.

REVIEW:  The Huntington’s epic generational saga ‘The Lehman Trilogy’ a wealth of ideas within a whirlwind of talent

It all begins with a dream. 

Spanning over 150 years and three generations, The Lehman Trilogy’s vast and epic saga infused with Mark Bennett’s melodic retro-inspired original music featuring solo musician Joe LaRocca enhances a trilogy of versatile, pliable, dynamic, and unforgettable talent in three chapters embodying a wide range of characters on their able shoulders.  Timed perfectly in the month of July, three Bavarian Jewish immigrant brothers take on America searching for the perfect business venture that personify their vision starting in Montgomery, Alabama and beyond.

Based on a true story and the bestselling book of the same name with fascinating direction by Carey Perloff, The Huntington continues Stefano Massini’s The Lehman Trilogy live and in person at The Huntington Theatre through Sunday, July 23.  The production is three hours and 35 minutes with two intermissions.  Click here for more information and for tickets.

Joshua David Robinson, Firdous Bamji, Steven Skybell ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

Decked out in top hats and tailored black suits embroidered with symbolic imagery on the back by Dede Ayite, it is difficult to fathom how these three actors navigated such an extensive yet detailed story including narration, mastering accents, contorting faces, changing mannerisms, and role changes at the drop of a hat all while making it look so seamless.  It is even difficult to imagine such an epic production has been performed twice in one day as scheduled occasionally during the production’s run.   

From meager beginnings to extraordinary meaning that spring to life as Steven Skybell as determined and confident Henry Lehman disembarks from a ship with only a mere suitcase in his possession in awe of America.  It sounds like a story shared by many immigrants with nothing but a dream, but it’s the chutzpah, persistence and the resilience in everything that makes this particular tale shine.  Business through love, children, and every chaos in-between to attempt what seems impossible.  Points in history that transformed the United States and yet Lehman stands unrelenting to their dream.  Each vision altered to suit what is needed next in the world.

Joe LaRocca, Steven Skybell, Firdous Bamji ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

What stunning innovation can spring from a modest factory!  Sara Brown’s unassuming wooden warehouse metaphorically transforms through lifelike, mesmerizing and moving projections including illuminating rain, peerless rooftops, and surprising entryways created imaginatively by Jeanette Oi-Suk Yew and fueled by lighting designer Robert Wierzel.

Steven Skybell, Firdous Bamji ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

Also noteworthy are the clever scene transitions especially in the third chapter such as the pop of a champagne bottle to the start of a race.  It is in these careful details by Carey Perloff that keep up the show’s swift pace. 

The show has a sleek sophistication and insightfulness that translate into lessons about navigating life itself.  It is lengthy but justified in the expansive history of these visionary brothers.  The real draw is not only the talent, but the evolution of this narrative tale.  One valuable life lesson is it is not in failure, but how to respond to it that really matters.  Mastery leaves no room for shortsightedness, but thrives on evolution and the answer to every problem is there.  One just needs to spot it.

Firdous Bamji, Joshua David Robinson ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

 Steven Skybell as inquisitive, bright eyed and headstrong Henry Lehman, Joshua David Robinson as strategic Emanuel Lehman, and introduced with a sheepish half smile Firdous Bamji as Mayer Lehman form a trilogy of talent.  They navigate these challenging roles with humor, discipline, and fervor and it is astounding to witness these actors onstage exchanging different countenances of various ages and genders, taking over narration, and moving the stories like, not by accident, a well oiled machine.  However, the tale is also infused with all the humor, heart, camaraderie and determination demonstrated in groundbreaking and strategic fashion that never becomes ineffective or silly.  It is smart, moving and detailed in a way that relates to anyone who has tried, failed, and has resolved to start again.

Firdous Bamji, Joshua David Robinson ‘The Lehman Trilogy’ T Charles Erickson Photography Photograph © T Charles Erickson

Based on a true story and the bestselling book of the same name with fascinating direction by Carey Perloff, The Huntington continues Stefano Massini’s The Lehman Trilogy live and in person at the Huntington Theatre through Sunday, July 23.  The production is three hours and 35 minutes with two intermissions.  Click here for more information and for tickets.