REVIEW:  Fandom takes an all-consuming turn in Samantha Hurley’s dark comedy ‘I’m Gonna Marry You Tobey Maguire’

This is not your average teenage crush.

A wild-eyed teenager is determined to make her dreams come true…even if he is under duress.

With zany direction by Sydney T. Grant, Yorick Ensemble continues Samantha Hurley’s dark comedy, ‘I’m Gonna Marry You Tobey Maguire’ live and in person through Saturday, September 13 at Hovey Players in the D’Angio Building in Waltham, Massachusetts.  This semi-interactive fringe production is not limited to the stage, contains some mature language and humor and runs approximately two hours with an intermission.  Click here for more information and for tickets.

Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’

Set in 2004 in secluded South Dakota, I’m Gonna Marry You Tobey Maguire infuses online fandom and Y2K pop hits into a dark coming-of-age comedy with hints of Misery for beginners and a whisper of Carrie.  However without the gore, not quite a horror movie and never really takes itself too seriously.

 Alexa Erb’s illustrative scenic and props design produces a brightly colored bedroom with traces of Shelby’s various obsessions including a princess petal bed canapé, flowered walls covered in Tobey Maguire photos, gleeful frog printed bed sheets, Barbie dolls and a curious chart of Tobey’s whereabouts.  Josh Telepman keeps up the show’s seemingly cheerful façade in jungle prints, fanciful pink layered ensembles with lace gloves and a fanciful wedding dress.

Crossing a soft smile with a seemingly vacant stare, Demi DiCarlo impresses and is occasionally sympathetic as intense Shelby who may be calculating but not diabolical, at least according to her trusty issue of Cosmopolitan Magazine.  She quips, “I’m not bad.  I’m romantic.”  However, her anxious smile, madcap reactions and unsettling actions hint at something more just underneath the surface.

Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

Socially awkward and an only child, Shelby spends her days after school in a basement bedroom as President and founder of the Tobey Maguire Fan Club communicating to members through a handheld camera disassociating and fantasizing about actor Tobey Maguire. Secluded from the rest of the house, her basement bedroom almost seems like she was sent there to be ignored except when her nagging mother needs something. 

Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

Learning the facts of life through Cosmo, fairy tales and all things Tobey Maguire, delusional Shelby has deduced that the only solution to her isolation and loneliness is to capture and marry Tobey Maguire at the ripe age of 14.

To make matters more absurd, teenage Shelby does (seemingly impossibly) capture Tobey Maguire and has him chained in the basement.  Where is security or his entourage? It is also hard to imagine Tobey Maguire afraid of a 14 year old, but the Tobey in front of her is not the Tobey she imagines.  Sam Hackett is quite fittingly not a Tobey Maguire doppelganger portraying far from that sparkling example of optimism and well meaning persona amplified in Spiderman’s No Way Home. Never meet your heroes, right? 

Alison Butts and Demi DiCarlo in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

As Shelby’s illusions shatter, things really start to get out of hand.

Alison Butts does double time portraying various roles that move the plot along from the voice of Shelby’s mom to a kooky real estate agent. 

With flashes of Y2K nostalgia, I’m Gonna Marry You Tobey Maguire has its moments of intriguing self-aware humor, a wealth of pop culture references and a special appearance which will not be revealed here.  It would do better without its share of superfluous and raunchy gags that do not advance the plot and would benefit spending more time fleshing out what makes Hackett’s egotistical, complaining, irascible and drug-addled Tobey tick. 

Alison Butts in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

I’m Gonna Marry You Tobey Maguire is a cautionary tale of obsession, loneliness, isolation, trauma and infamy which, like Shelby, loses itself a bit along the way.  As someone who has loved something teetering beyond reason, this outlandish tale stretches the imagination to conceive a dark comedy of what happens when fantasy and reality collide.

Demi DiCarlo and Alison Butts in Yorick Ensemble’s ‘I’m Gonna Marry You Tobey Maguire’ Photo by Josh Telepman

Yorick Ensemble continues Samantha Hurley’s dark comedy, I’m Gonna Marry You Tobey Maguire live and in person through Saturday, September 12 at Hovey Players in the D’Angio Building in Waltham, Massachusetts.  Click here for more information and for tickets.

REVIEW:  Natural and supernatural lessons in Company One’s ‘Haunted’

What more could be haunting this haunted house?

Spiritually stuck in the Y2K era and in an often vacant house for the past 20 years, two indigenous brother ghosts long to rise to the great beyond and reunite with Creator and their ancestors.  However, something more is haunting this house beyond the antics they use to chase prospective home buyers away.   Using dance as escapism and as a way to cope, Bradley Lewis depicts an over the top Ash who never had the chance to grow up while older brother Aaron, portrayed with reticence by Chingwe Padraig Sullivan, carries a lot that he cannot move beyond as well.

Bradley Lewis, Katherine Callaway, Evan Turissini, Tanya Avendaño Stockler (Photo by Ken Yotsukura Photography)

Written, directed and choreographed by Tara Moses, Company One presents thought provoking horror comedy Haunted continuing live and in person in Rabb Hall at the Boston Public Library through Saturday, February 15.  The show runs approximately two hours with one 15 minute intermission and tickets are available at a pay what you can basis.  Click here for more information and for tickets.

Chingwe Padraig Sullivan, Katherine Callaway, Bradley Lewis (Photo by Ken Yotsukura Photography)

Y2K reigns supreme as two brothers are culturally frozen in time having never moved beyond Ash’s adoration of Britney Spears or Aaron rocking out to Creed since their deaths in 2003.  However, Danielle Delafuente’s scenic design reflects how frequently time marches on as books, furniture and portraits change as the brothers imagine and fret over an all too predictable future.   A nice touch is the ice film on the windows to indicate paranormal activity.  However, the brothers often play music and can make the living see things, yet it is a wonder why the living do not acknowledge when Ash plays one song after another.  Is the living so steeped in their world that they cannot hear or see what is playing on a boom box?

Elmer Martinez’s symbolic lighting and Aubrey Dube’s foreboding sound design builds intensity and keeps the lines of communication going embodying this unknown entity through flashing pink and purple lights, ominous chimes and illuminated images on the walls.

Evan Turissini (Photo by Ken Yotsukura Photography)

With the exception of the two brothers and JāQuan Malik Jones as Vincent, the remaining cast members portray a number of unlikable stereotypes.  From a righteous Quaker to a scholarly intellectual historian, Evan Turissini often portrays these shallow characters with a mix of dark humor and audacity while Katherine Callaway and Tanya Avendaño Stockler become increasingly more manipulative with each newcomer.  The ghosts often make assumptions everyone acts a certain way perhaps in fear of being disappointed.  It might have been more intriguing if Vincent and the brothers saw more than one side of these characters. 

Chingwe Padraig Sullivan, Katherine Callaway, Evan Turissini, Tanya Avendaño Stockler, Bradley Lewis (Photo by Ken Yotsukura Photography)

On the flip side, JāQuan Malik Jones delivers an impressive performance as level headed Vincent whose actions are anything but predictable.  Lewis as Ash and Sullivan as Aaron  share a likable rapport as paranormal brothers whose bickering and conflicts often stem from too much time together, but they also share a mutual respect partly due to this supernatural bonding time.

Chingwe Padraig Sullivan, JāQuan Malik Jones, Bradley Lewis (Photo by Ken Yotsukura Photography)

Haunted has some inconsistencies and may have benefited by a shorter run time, but offers a lot of educational insights into man’s connection to the land, indigenous culture, the Land Back movement, and how one can learn more and contribute to change.

Company One presents thought provoking horror comedy Haunted continuing live and in person in Rabb Hall at the Boston Public Library through Saturday, February 15.  The show runs approximately two hours with one 15 minute intermission and all tickets are available at a pay what you can basis.  Click here for more information and for tickets.