Christmas Eve | The Sleepless Critic

REVIEW: A feast for the eyes on a grand scale with North Shore Music Theatre’s merry musical treat, ‘A Christmas Carol: A Musical Ghost Story’

Posted on December 16 by The Sleepless Critic

Set in London 1843, A Christmas Carol is the classic tale of Ebenezer Scrooge, a wealthy, penny-pinching old miser who has no use for Christmas until his past comes back to haunt him on Christmas Eve. Only second to this tale are the amazing things I have heard about North Shore Music Theatre’s legendary production over the years.

Since 1989, North Shore Music Theatre has carved out a wonderful annual tradition retelling this thrilling Charles Dickens classic, A Christmas Carol: A Musical Ghost Story. What I was unprepared for was how exhilarating the experience would be.

Absorbingly directed and whimsically choreographed by Kevin P. Hill with inventive Music Direction by Milton Granger, Bill Hanney’s North Shore Music Theatre continues A Christmas Carol: A Musical Ghost Story through Sunday, December 21 live and in person at North Shore Music Theatre in Beverly, Massachusetts. This family-friendly theatre-in-the round musical experience is 2 hours and 20 minutes including one intermission. Click here for more information and for tickets.

The cast of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Haunting, immersive, and meaningful, A Christmas Carol: A Musical Ghost Story is a frequent holiday tradition with good reason. So much more than the Charles Dickens classic, North Shore Music Theatre mixes Christmas Carols, storyline twists, and calls on two athletic, infinitely energetic, and mischievous spirits invisible to the real world portrayed by Amy Bransky and Risa Michina to accompany Tommy Labanaris as an enigmatic magical narrator to unveil this thought-provoking tale of charity, compassion, and redemption. Labanaris’s charismatic vocals as narrator soothes while navigating the stage like a riveting magician.

Tommy Labanaris (Narrator) and Ainsley Moulton (Tiny Tim) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Clocks glow, bookcases float, streets fog and mist, a weather woodstove smokes, windows and lampposts frost and a transparent wrought iron door and ornate chandeliers are all part of the innovative rising and descending set pieces by Howard C. Jones. Wondrous winter landscapes including snow covered rooftops, driving downpours, and festive, timely projections enhanced by twinkling, cheerful and ominous lighting by Jack Mehler as well as heightened special effects not limited the action just onstage engulf you in the unpredictable world of Charles Dickens.

Detailed bustles, pea coats, shimmering Victorian-era dresses in an array of patterns, flowing robes, cloaks, feathered hats and top hats are just a glimpse into Rebecca Glick’s stylish period costumes which certainly helps make A Christmas Carol a feast for the eyes. The uplifting overture, orchestrated by Milton Granger and arranged by Alby Potts and James Woodland, is tinged in popular Christmas carols, a preview of the wealth of carols and additional songs added to this festive production. The floating, live orchestra which includes a harp and recorder, are carefully spread out in sections around the theatre above and below the stage.

God Rest Ye Merry Gentlemen, Here we Come A-Wassailing, Ding Dong Merrily on High, We Wish You a Merry Christmas, and We Saw Three Ships are some of the famous Christmas Carols featured in with original songs that brighten this haunting tale.

Kevin Patrick Martin (Bob Cratchit) and David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

North Shore Music Theatre’s production of A Christmas Carol also sets itself apart by weaving in the beauty of the season within the excitement of its joyous ensemble cast led by David Coffee as miserly Ebenezer Scrooge. Coffee adds traces of sadness in Scrooge’s frank and daring boldness as a damaged soul. Scrooge toils, scowls, and his dire sense of humor is not lost on his cheerful and generous nephew Fred, portrayed with jubilant warmth and perpetual optimism by Henry Thrasher who delights in pushing his uncle’s buttons in a wide smile. In spectacles and a sour huff, Coffee is best showing hints of melancholy beneath his insistent resistance to kindness. However, his overall interpretation becomes jollier as the show progresses as his arms stubbornly sway to music, offering as increasingly lighthearted Scrooge while observing glimpses of his complicated life.

Kevin Patrick Martin portrays humble, guarded, and sympathetic Bob Cratchit while Daniella Dalli depicts loyal, patient and occasionally exasperated Mrs. Cratchit in a moving performance. Martin and Dalli deliver heartwarming and stirring moments with their large and lovely family including sweet Fiona Kelly as Tiny Tim as their voices lift for We Wish You a Merry Christmas. Kelly charms Martin and Coffee instantly with We Saw Three Ships. The joyfulness in the Cratchit household, despite their circumstances, perhaps mirror the life Scrooge might have had with Caroline Siegrist as steadfast Belle and what might have been.

Caroline Siegrist (Belle) and Nathan Haltiwanger (Young Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Grandly adorned in a gorgeous lit crown, veil and glittering pristine gown and glowing porcelain features, Daniella Dalli delivers warmth and angelic soprano vocals as the Ghost of Christmas Past, especially for the soaring number, Dream within a Dream. Serene and gentle, she brings out thawing in Scrooge’s curmudgeonly soul.

Daniella Dalli (The Ghost of Christmas Past) an David Coffee (Ebenezer Scrooge) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Majestic in a crown of holly, carrying a staff with and an air of warm yet firm benevolence, Davron S. Monroe skillfully glides across the stage boasting his signature melodious timbre as charismatic, jolly and larger-than-life Ghost of Christmas Present and as half of a pair of mirthful philanthropists alongside returning Russell Garrett. Alongside Davron, Violet Black and Joseph Hobbib captivate as foreshadowing spirits.

Davron S. Monroe as The Ghost of Christmas Present in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

As green lanterns glow, Mark Worth is remarkably ghoulish as Jacob Marley with some very impressive special effects. A ghastly presence with gravelly vocals and chains that seem to go on for miles, Worth as Marley does a marvelous job as a tortured and distressed soul boasted by extraordinary special effects that never overwhelm Worth’s powerful performance. The silence is deafening as Nathan Haltiwanger delivers a veiled and mesmerizing Christmas Yet to Come. I most assuredly cannot leave out Cheryl McMahon’s marvelous return as expressive and hilarious Mrs. Dilber.

David Coffee (Ebenezer Scrooge) and Mark Worth (Jacob Marley) in ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

Even those most familiar with this classic tale will encounter some welcome twists and surprises. If the holiday season is not spreading the merriment that is should be this year, North Shore Music Theatre’s A Christmas Carol will certainly restore that heartwarming feeling, indeed.

Cheryl McMahon (Mrs. Dilber) and David Coffee (Ebenezer Scrooge), both will be celebrating their 31st production of ‘A Christmas Carol’ at North Shore Music Theatre from December 4 – 21, 2025. Photo © David Costa Photography

A Christmas Carol: A Musical Ghost Story continues at North Shore Music Theatre live and in person in Beverly, Massachusetts through Sunday, December 21. Click here for more information and for tickets.

REVIEW: With a mix of joy, reflection, and sweet surprises, The Holiday Pops’ milestone 50th year continues to make the season bright

Posted on December 22, 2023 by The Sleepless Critic

From hymnal to classical to Santa to the Grinch, The Holiday Pops offers something for everyone and makes it easy to alleviate the stress of the season and happily embrace what truly matters.

Celebrating a milestone 50^th year and the welcome return of the all-volunteer Tanglewood Festival Chorus, The Holidays Pops delivers a tapestry of classical and beloved Christmas carols, spiritual hymns, as well as holiday traditions through art and illustrations which always includes an annual visit from a surprisingly innovative and always jolly Santa Claus. Boston Pops conductor and host, Keith Lockhart garners warmth and reflective holiday cheer weaving in a certain classic Grinch quote by Dr. Seuss, a highly anticipated sing-along, and maybe even a dancing Maestro.

12.1.23 Keith Lockhart conducts Holiday Pops 2023 (Hilary Scott)

Sponsored by Fidelity Investments, led by Keith Lockhart, and ideal for the whole family, The Holiday Pops continues at Boston Symphony Hall through Christmas Eve. The show runs two hours including an intermission. Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies with twinkling lights on thick, festive wreaths is just a sampling of the stunning surroundings inside Symphony Hall. The stage spontaneously comes to life from illuminated gifts to lighted Christmas trees to glimmering dancing snowflakes.

12.1.23 Baritone Andrew Garland performs Vaughan Williams’ Fantasia on Christmas Carols with the Holiday Pops (Hilary Scott)

This beautiful performance delivered equal doses of contemplative material and lightheartedness with the first half fanciful and spiritual. Among the many highlights, Baritone Andrew Garland grandly delivered an eloquent and soaring rendition of Fantasia on Christmas Carols by Ralph Vaughan Williams.

12.1.23 12 Days of Christmas with the Tanglewood Festival Chorus (Hilary Scott)

With a generation bombarded with CGI and AI, The Holiday Pops thrilled audiences with author Jan Brett’s colorful, authentic and imaginative illustrations. Accompanied by seamless orchestration by the Boston Pops, the audience absorbed themselves in a Jan Brett children’s book that offers a rich new vision of Tchaikovsky’s classic, The Nutcracker. Among the memorable images was a fire breathing dragon, reindeers that have antlers with lighted candlesticks, dancing bears, and Santa in a headstand wearing a bucket hat.

12.1.23 Tribute to Harry Belafonte at Holiday Pops (Hilary Scott)

The evening also contained a moving tribute to EGOT Winner, activist, and musician Harry Belafonte not only honoring Belafonte’s calypso-inspired classic tunes, but his impressive activism featuring various pictures and video of his part in the March on Washington, supporting Martin Luther King Jr, and his work with UNICEF.

The Pops delivered a captivating gospel tribute in Swahili called The Good News Voyage arranged by David Coleman which contained Go Tell it on the Mountain. In the second half of the show, The Holidays Pops presented a Jewish song sung in Hebrew, Tikkun Olan (Heal the World), a riveting rendition expressing the yearning and urgency to heal and repair the world ‘Pray for peace and justice/For the sake of peace/heal the world’ as the tempo accelerated into a powerful crescendo.

12.1.23 Santa Claus with Keith Lockhart (Hilary Scott)

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle joyfully kicking off with Sebesky’s Frosty All the Way, a jazz-infused medley featuring Jingle Bells, Frosty the Snowman and more. The brass ensemble spinning their instruments was among the playful sights as they performed this catchy and airy collection of carols.

12 Days of Christmas

Boston Pops’ charming signature versions of Sleigh Ride are always clever, cheeky, and increasingly full of madcap high jinks and the 12 Days of Christmas show that anything can happen among illuminated dancing snowflakes. The Holiday Pops also presented a special annual reading of Clement Clarke Moore’s Twas the Night before Christmas, read briskly by enthusiastic special guest WBZ News journalist Matt Shearer to mark its publication nearly 200 years ago before Santa arrived. While bulbs glow to the beat, the jolly Tanglewood Festival Chorus delivered A Merry Little Singalong in Santa hats and ears which included Rudolf the Red-Nosed Reindeer, Walking in a Winter Wonderland, and more.

Holiday Pops concluded with the tender Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveying the quiet hope for the coming New Year.

REVIEW: The 52nd annual ‘Midwinter Revels: A Solstice Celebration Tales from Ellis Island’ shares solace and warmth into a tapestry of traditions from around the world

Posted on December 24, 2022 by The Sleepless Critic

After a half century, the Midwinter Revels can not only still create fresh and concise storytelling while weaving in various cultures and traditions with a balance of joy and poignancy, but this year recalls a miraculous event in history that is not shared enough during the holiday season.

Innovatively written and directed by Patrick Swanson and guided by Carolyn Saxon as the Immortal Spirit of Place, Midwinter Revels: A Solstice Celebration Tales from Ellis Island continues live and in person at the Sanders Theatre in Cambridge, MA through December 28 and then will be available virtually December 29 through January 15. Each performance pays tribute to Revels supporters and this particular performance was dedicated to the The Rioff Family in honor of WGBH’s Brian O’Donovan. This show is translated in ASL and is approximately two hours with one intermission. Click here for more information and tickets.

The Ensemble of The Christmas Revels Photo by Roger Ide

Veteran reveler David Coffin’s enthusiasm reflected the same from the audience as he vigorously prepared them pre-production for the Revels live and interactive sing-along that features a vast array of carols and cultural songs. Meticulously musically directed by Elijah Botkin and led by Keith Murphy of A Saint Patrick’s Day Celtic Sojourn, an intimate onstage band returns as the Liberty Band performing carols to folk to war songs from around the world right alongside the cast. The joy and gratitude in singing in front of an audience again is as uplifting as ever and the cast’s a cappella harmonies are a glorious treat.

Midwinter Revels: A Solstice Celebration Tales from Ellis Island does not just take place on Ellis Island, but provides the foundation for each of the tales shared during the production. The tales of hardship and strife seem so different, but are somehow tied into shared experiences as immigrants from all over the world find themselves stranded together on Christmas Eve in 1924. The spirit of the season is exemplified in several tales including a fiddle that needs mending featuring Maeve Leahy as Bridget and Ewan Swanson as Isaac.

From Left to Right Carolyn Saxon, Maeve Leahy and Ewan Swanson and the Revels Ensemble Photo by Paul Buckley

Adorned in a glimmering gown and gold wreathed crown, Carolyn Saxon makes a warm and welcome return to Revels this time as the Immortal Spirit of Place. Her subtle charm and light humor enhance each aspect of the production as she guides the audience through various tales and periods in history in Nikes. Saxon is clearly enjoying this enigmatic role becoming invisible when she wishes and popping up at felicitous and spontaneous moments.

While last year’s show focused on saving a bar by venturing into the past, family is much more prevalent as members of the cast tie in pieces of their own cultural holiday memories into the production. Irish and Jewish Dramaturg Nicole Galland contributed by drawing on her own experiences and upbringing. With frank and humorous inflections, Reveler Stephanie Clayman is an amiable and avid storyteller as she brings some of those tales to life such as two well staged pieces of morally centered Jewish folklore and several Chanukah traditions.

Stephanie Clayman, Ewan Swanson, The Ellis Island Children, and the Midwinter Revels Adult Chorus Photo by Paul Buckley

David Coffin as Conor Riley revealed a miraculous event during World War I that took place on Christmas Eve in 1914. For a brief time, soldiers showed camaraderie with their enemies as they joined together in song, games, and friendship. It is a historical event that needs to be shared with as much frequency as annual holiday traditions such How the Grinch Stole Christmas, A Christmas Carol, or It’s a Wonderful Life. That brief interlude of peace made such a significant impact on the world and Midwinter Revels depicts that moving period of time with Christmas in the Trenches, O Tannenbaum and Stile Nacht as the production spread itself beyond the Sanders Theatre stage.

The children are always a joy to watch and this year as the Ellis Island Children, they share upbeat, jumping rope rhythm for There’s a Big Ship Sailing and later with Las Posadas as Mary rides on a donkey. It is just one example of the many endearing appearances they make in song and tale.

A brilliant performance comes from Ricardo Holguin who passionately performs a wondrous rendition of Mexican love song La Malgeuna followed by striking number El Relampago featuring women in gorgeous floral headdresses and sun drenched gowns by Heidi Hermiller. Kelli Edwards’ multifaceted choreography is on full display throughout as well as for a tricky and intricate sword dance accompanied by an onstage accordion and drummer for The Straw Folk Mummers Play and Rogue’s Delight.

Maeve Leahy (left), Ewan Swanson (center), and dancers from Great Meadows Morris & Sword Photo by Paul Buckley

Though the show lulled a bit on occasion, Midwinter Revels: A Solstice Celebration Tales from Ellis Island’s engaging tales bring unity and light and depicts how sharing different traditions can bring a new understanding and warmth into the darkest of times.

Midwinter Revels: A Solstice Celebration Tales from Ellis Island continues live and in person at the Sanders Theatre in Cambridge, MA through December 28 and then will be available virtually December 29 through January 15. Click here for more information and tickets.

REVIEW: Greater Boston Stage Company’s ‘All is Calm: The Christmas Truce of 1914’ moving and miraculous

Posted on December 15, 2021 by The Sleepless Critic

Witnessing a phenomenon is a rare and precious thing. It was nothing short of miraculous watching Greater Boston Company’s All is Calm: The Christmas Truce of 1914 which details that short period in history where enemies united briefly during the depths of War War I on Christmas Eve 1914. Disillusioned and missing their loved ones, soldiers demonstrated compassion and the mercy of the human spirit as both sides sang carols, exchanged goods, and mutually wished for the war to end.

In the Greater Boston Stage Company’s lobby. Authentic combat uniform and gear from the Veteran Association of the First Corps of Cadets and Museum Photo courtesy of Greater Boston Stage Company

Directed poignantly by Ilyse Robbins and compellingly written by Peter Rothstein, Greater Boston Stage Company presents the award-winning documentary musical, All is Calm: The Christmas Truce of 1914 through December 23 as a digital performance and live in person at Greater Boston Stage Company, 395 Main Street in Stoneham, Massachusetts. The show is approximately 70 minutes with no intermission. Click here for more information and tickets.

It is surprising that The Christmas Truce of 1914 is not more widely known. Joyeux Noel, The Christmas Truce, various documentaries, and this show are a few of the ways that this short historical period is recorded. It should be an annual tradition like How the Grinch Stole Christmas, Frosty, Rudolph or A Charlie Brown Christmas. It stands as a significant reminder of a Christmas Eve miracle that occurred only once during War World I’s long and grueling four year time span. Most soldiers first joined thinking the war would end by Christmas.

The cast of ‘All is Calm: The Christmas Truce of 1914’ Photo credit to Nile Scott Studios/Greater Boston Stage Company

A dimly lit, bare stage is all that is revealed at the start of All is Calm, but what transpires as the show progresses is a rich landscape of moonlight, song, and memories. Though this show features musical interludes, it is not a traditional musical. It is more like a documentary that features stunning music and carols inviting the audience into the warmth, spirit, sacrifice, and the true meaning of the season.

Comprised of ten cast members who take on several identities during the production as they recollect that time period, All is Calm boasts powerful and silvery harmonies chiming into the wintry night sung a cappella without a band. Music Director Matthew Stern does a sensational job with Erick Lichte and Timothy Takach’s vocal arrangements which includes popular carols such as Silent Night, O Holy Night, We Wish You a Merry Christmas, Angels We Have Heard on High, and Auld Lang Syne.

Michael Jennings Mahoney and the cast of ‘All is Calm’ Photo credit to Nile Scott Studios/Greater Boston Stage Company

All is Calm is a beautiful ensemble piece and each cast member rises to the occasion, but when a renowned German tenor leads a stirring rendition of Franz Gruber’s Stille Nacht in No Man’s Land, it is difficult to pinpoint a more memorable moment.

Dressed in muted military uniforms and kilts faithful to the era’s period and culture by Bethany Mullins, the collaborative cast demonstrates heartwarming chemistry and yet simultaneously depicts each soldier’s growing isolation in sorrow, fear, turmoil, and anguish as they progressively experience war’s cruel reality. Integrating direct quotes from soldiers, narration, and uplifting carols such as Wassail as well as exceptional and heartrending songs such as I Want to Go Home, many times moved me beyond words.

Photo credit to Nile Scott Studios/Greater Boston Stage Company

Though the extraordinary harmonies are a large part of the production, the production’s real mastery also resides in its stillness. That brief interlude during a harrowing time where friendships were forged and sweet peace was nestled in the silence of enemies who joined together in the joy of the season and the sadness in their hearts for what was in store.

Greater Boston Stage Company presents the award-winning documentary musical, All is Calm: The Truce of 1914 through December 23 as a digital performance and live in person at Greater Boston Stage Company in Stoneham, Massachusetts. The show is approximately 70 minutes with no intermission. Click here for more information, tickets, and a look at their upcoming events.

REVIEW: GBH’s inviting virtual ‘A Christmas Celtic Sojourn’ maintains warmth and tradition in 2020

Posted on December 28, 2020 by The Sleepless Critic

2020 has been many things, but traditional is not one of them. However, this year’s virtual A Christmas Celtic Sojourn brought back holiday traditions, beautiful performances, reflections, stirring carols, and dare I say a bit of normalcy to 2020.

With a selection of live performances and an option to watch on-demand, GBH’s A Christmas Celtic Sojourn was brought into your home in a warm, inviting, and spirited atmosphere. From a majestic, candlelit cathedral in Ireland to a festive outdoor step dance in Ottawa, Canada, it unconventionally included all the elements of what is beloved about this annual New England show and somehow broadened its possibilities worldwide.

Host Brian O’Donovan and fiddle player Jenna Moynihan at Rockport Music Photo credit to Dan Jentzen

Brilliantly directed by Jenna Worden, A Christmas Celtic Sojourn offered seven live streaming opportunities to watch virtually from your home Tuesday, December 15 at THE VETS in Providence, RI, Wednesday, December 15 at Hanover Theatre in Worcester, MA, Thursday, December 17 at The Zeiterion Performing Arts Center in New Bedford, MA, Friday, December 18 at Shalin Liu Performance Center in Rockport, MA, Saturday, December 19 at The Cutler Majestic Theatre in Boston, MA, and Sunday, December 20 in GBH Studios in Boston, MA These locations are usually where A Christmas Celtic Sojourn tours annually. A bonus encore presentation also occurred on Christmas Eve.

GBH’s virtual A Christmas Celtic Sojourn is still available. Click here for more information and to enjoy the show on-demand through January 2, 2021. A Christmas Celtic Sojourn would also like to hear what you thought of the program by visiting their Facebook page.

Celtic harpist, pianist, and Assistant Music Director Maeve Gilchrist Photo credit to Dan Jentzen

Though a portion of the performers were at home, audiences were treated to harmonies created from multiple locations nationally and internationally while enjoying festive, international scenery. For a person who has lacked the chance to travel the world this year, it was a more than welcome opportunity to take a glimpse and to share in some international traditions.

From the stirring, candlelit opening of beloved carol, O Come Emmanuel sung in Latin by Cathy Jordan from gorgeous Sligo Cathedral in Ireland, A Christmas Celtic Sojourn transported audiences to Ireland and to other places around the world as they were unable to bring Ireland to the stage. The show also boasted dueling harmonies simultaneously sung from Vermont, Scotland, and various parts of Massachusetts.

Host Brian O’Donovan brought a mix of humor, melancholy, and wistful reflections toward this difficult year, engaging storytelling, and fond tidings. Though this year has presented its challenges, A Christmas Celtic Sojourn still managed to keep the rituals and long-awaited music right at your fingertips delivering jubilant, soulful moments while still embracing winter’s dark and sacred stillness.

Music Director and multi-instrumentalist Seamus Egan with fiddlers Jenna Moynihan and Maura Shawn Scanlin Photo credit to Dan Jentzen

Thanks to Rockport Music, multi-instrumentalist and Music Director Seamus Egan, Assistant Music Director, Celtic harpist, and pianist Maeve Gilchrist, Bouzouki and Harmonium player Owen Marshall, guitarist Conor Hearn, and fiddle players Jenna Moynihan and Maura Shawn Scanlin returned to perform cheerful medleys and energetic jam sessions filmed in Rockport Music at Shalin Liu Performance Center in Rockport, Massachusetts. Seamus Egan’s brilliance shone through as he reached for multiple instruments for separate songs and at one point reaching for a banjo for a joyful freestyle.

Fiddle players Jenna Moynihan and Maura Shawn Scanlin with Bouzouki and Harmonium musician Owen Marshall Photo credit to Dan Jentzen

A traditional wassail in Edinburgh, Scotland, rollicking sing-along carols and dance from A Christmas Celtic Sojourn’s past, a peerless lullaby carol involving a newborn, original song and stirring new renditions of classic carols, a lighthearted percussive dance from Michigan by Nic Gareiss, and returning step dancer and choreographer Cara Butler reveling in her backyard to a jubilant tune in Ottawa, Canada are just some of the highlights of this carefully-executed, moving production. There were plenty of welcome surprises not to be revealed here.

Spending an awful lot of time at home and not in the car, music is less of a tradition in my house. GBH’s A Christmas Celtic Sojourn created a haven of holiday comfort in song that though we are far apart, some rituals and traditions can still stay the same.

GBH’s virtual A Christmas Celtic Sojourn is still available. Click here for more information and to enjoy the show on-demand through January 2, 2021.

Tony Williams Dance Center’s ‘Urban Nutcracker’ an immersive heartfelt letter to Boston in 2020

Posted on December 17, 2020 by The Sleepless Critic

2020 has made an indelible impact on our society affecting family life, schools, businesses, the arts, and the very nature in which we live. When Urban Nutcracker returned for its 19^th season in 2019 and took the stage at Boch Center’s Shubert Theatre, it delivered dazzling style, live, multi-genre music, and the thrill of a classic tale with a unique perspective. It was one of the many inventive performances taking the stage at Shubert Theatre or at any venue in Boston during the holiday season.

Seeing it now evokes an air of wistfulness. Being a lover of city life in Boston for decades, seeing it now makes me long for Boston’s exciting streets, sit in the Boston Common, walk through Faneuil Hall in its crowded, bustling glory, and watch people marvel at the lights and holiday spirit of the city. Make Way for Ducklings, the Duck Boats, the Boston Harbor, live music at the Hatch Shell, and the crowds filing into Fenway Park are a memory this year. Especially at this glorious time of year, the warmth of the holidays in phenomenal Boston fills this city-lover’s mind with nostalgia and an enduring fondness for its boundless energy and heart. How it is missed.

Filmed in 2019 at the Boston’s Shubert Theatre and featuring the City Ballet of Boston, Tony Williams Dance Center’s Urban Nutcracker continues streaming for free for its 20^th anniversary through Christmas Eve. Click here to see the show and more information on Tony Williams Dance Center.

Nutcracker Prince portrayed by Tony Tucker battles Haissen Booth as the Rat King Photo credit to Peter Paradise Michaels/Urban Nutcracker

The dynamic orchestra is the first to set the show’s immersive tone as they greet the setting audience traveling through the aisles playing their horn-infused, big band sound on instruments stringed in colorful lights. As the band settles inside a replica of the Hatch Shell above the stage amid Janie Howland’s amazing scenic design, identifiable landmarks such as the CITGO sign, Massachusetts State House, and Downtown Boston’s Custom House Clock Tower are set strategically on Boston’s city skyline. The orchestra plays above the performers, delivering a robust sound in a plethora of music styles that match the cornucopia of festive costumes by Dustin Todd Rennels and Rebecca Cross as cultures from around the world unite onstage.

Gianni Di Marco as Drosselmeyer and Juliet Brown as Ruby and the cast Photo credit to Peter Paradise Michaels/Urban Nutcracker

When Tchaikovsky, Duke Ellington, and David Berger combine for the eclectic score musically directed by Bill Whitney, it is a journey of unfettered entertainment. Urban Nutcracker has a modern, relaxed, family-friendly vibe which is depicted in the show’s bright and jubilant colors, an urban-chic apartment with a distinctive tree, and the dance styles intonate a party that could happen anywhere in the city today especially as kids gather for a picture using a selfie stick.

Urban Nutcracker depicts all the classic scenes from Tchikovsky’s production with an inviting twist featuring a diverse, multi-talented cast. In a magnificent coat and top hat, Gianni Di Marco is captivating as wise, charismatic and exuberant Drosselmeyer. He not only wows adults and children alike with tricks and presents, but his sweet interactions with Ruby, portrayed by enchanting Juliet Brown and Stella Kotter, provide some of Urban Nutcracker’s most memorable moments.

Khalid Hill dazzles in multiple roles, but his tap dancing shines most on the city streets as dancers synchronize beats on trash cans. Ronnie Thomas is excellent as a funky soldier doll bouncing and coasting around the stage.

Ruth Whitney and Joe Gonzalez as The Snow Queen and King Photo credit to Peter Paradise Michaels/Urban Nutcracker

The Snow Queen and King, portrayed by Ruth Whitney and Joe Gonzalez, is the picture of elegance surrounded by luminous snowflake dancers and a glittering view of the Boston Common. Gonzalez also delivers a visually-rich and daring performance in a duet with Ruth Whitney as Arabian dancers.

Betsy Boxberger Khalil stuns as the Sugar Plum Fairy not only in a beautiful, upbeat solo but in a later performance with Joe Gonzalez and Gianni Di Marco during a jazz-infused Nutcracker Suite. The lifts themselves are spectacular.

Betsy Boxberger Khalil as Sugar Plum Fairy Photo credit to Peter Paradise Michaels/Urban Nutcracker

Several fun performances included athletic hula hoop dancers featuring Kendra Frank, a high-energy performance featuring skilled, tap-dancing workmen, Urban Nutcracker’s amusing answer to Bo Peep, but Urban Nutcracker’s answer to Make Way for Duckling featuring Michael Oliver Slayton as a tap dancing cop and an adorable troupe of ducklings led by Simone Wolfhorst, is a favorite, an unforgettable and endearing performance.

Oliver Slayton as Officer Michael and Simone Wolfhorst as Mrs. Mallard and her Ducklings Photo credit to Peter Paradise Michaels/Urban Nutcracker

Urban Nutcracker offers something for everyone without being boxed into any particular music taste while also delivering a timeless message of the season. It also pays unparallel tribute to Boston and if you are feeling nostalgic for the city, make sure to see this show.

Tony Williams Dance Center’s Urban Nutcracker continues streaming for free through Christmas Eve 2020. Click here for more information, how to access the show, and how to support this organization.

REVIEW: Concord Players make ‘It’s a Wonderful Life: A Live Radio Play’ savvy, vintage entertainment

Posted on December 8, 2020 by The Sleepless Critic

Before we tackle this vintage holiday favorite, I would be remiss not to mention the acclaimed founder of the Concord Players. Fans of Louisa May Alcott’s Little Women know of the beloved drama club that was established in the book as well as the Pickwick Papers, the title a nod to Charles Dickens. Beloved author Louisa May Alcott founded the Concord Players and Little Women has been staged annually as Concord Players reached their centennial year. Perhaps the drama club in the book was part of her inspiration.

Speaking of Charles Dickens, A Dramatic Reading of Charles Dickens’ A Christmas Carol read by Johnny Kinsman will be the next Concord Players streaming event on YouTube Friday, December 18^th at 7 p.m. Click here for more information on the event and how to support The Concord Players.

Classic holiday entertainment resurfaces the way mistletoe suddenly hovers over unsuspecting lovebirds at just the right moment. One of the holiday season’s most anticipated classics is Frank Capra’s It’s a Wonderful Life, a 1946 film about life’s joys and struggles culminating on Christmas Eve starring Jimmy Stewart and Donna Reed. It returns to the television screen every year with several opportunities to watch.

Directed commendably by John Pease, The Concord Players presented this beloved classic in November with a novel and nostalgic twist. Rewinding the clock to Radio’s Golden Age in the 1940s on a dark, snowy night in Manhattan, NY, Concord Players streamed Joe Landry’s It’s a Wonderful Life: A Live Radio Play staged as a live radio broadcast on fictional station WCPR for a limited time on Broadway on Demand from Friday, November 20 through Sunday, November 22.

The bright and festive studio stage was adorned in Christmas lights, garland, and a Christmas tree while a group of voiceover artists included Freddie Filmore as Announcer, Lana Sherwood, Sally Applewhite, Eileen Rivera, and Jake Laurette as George Bailey recreate the show on vintage sterling microphones, portraying a number of roles in the process. Rachael Rabinovitz’s authentic and colorful costumes set a cheerful tone as performers dress in their festive Sunday best for the radio.

Optimistic George Bailey’s faith in life and humanity is challenged as he desperately struggles to figure out life’s meaning as a certain angel is vying for his very own set of wings. Touching, poignant, and darker than one would expect, It’s a Wonderful Life is a timeless family production that reminds audiences what truly matters. Foley artist and sound effect expert Elizabeth Havenor’s technical wizardry is a scene stealer as Concord Players bring new perspective to this classic tale.

The cast masters the tricky task of portraying 1940’s voiceover artists, while also embracing a number of beloved characters in the production. Navigating between each individual character while voicing multiple characters young and old within the play take particular skill. Craig Howard brings warmth and charm to wise, yet bumbling Clarence and it was fascinating to watch Howard change his voice to Sam Wainwright by placing a glass against his mouth.

It was refreshing to see Jay Newlon portraying dreamy George Bailey not with Jimmy Stewart directly in mind in a good natured, earnest, adventurous portrayal, though he needed a bit more fire during the show’s more climactic moments. A particular highlight was witnessing the torment in George’s face as he struggled with leaving his hometown behind while also feeling obligated to stay. His scenes with heartwarming and hopeful Rachael Rabinovitz as Mary Hatch and with Jenn Bubriski as Rose Bailey have beautiful candor.

John Alzapiedi delivered a versatile performance as a winning narrator, skillfully depicts Potter’s booming narcissism and menacing gravitas, and brings sympathetic Mr. Gower to life.

Sound designer Tim Powers was behind the show’s authentic vintage sound which included the organ-tinged, melodramatic music and jingles of old and a couple of engaging commercials “from our sponsor.”

Foley artist and sound effect coordinator Elizabeth Havenor seamlessly kept the show rolling as her busy hands maneuvered every sound seamlessly. Allen and Anne Bantly must have brought new meaning to providing the appropriate props to keep Havenor up to speed. She rang every bell, blew each whistle, and slammed every door while also creating an impeccably-timed ringing telephone to a wild storm to popping champagne. It was amazing to see how all of it was done during radio’s golden age. It’s a Wonderful Life is such a timeless show and yet translates so well into a live radio play that it never misses a beat.

Concord Players will soon present A Dramatic Reading of Charles Dickens’ A Christmas Carol read by Johnny Kinsman will be the next Concord Players streaming event on YouTube Friday, December 18^th at 7 p.m. Click here for more information on the event and how to support The Concord Players.

REVIEW: Mikko Nissinen’s ‘The Nutcracker’ remains a visually-stunning journey for all ages

Posted on December 22, 2019 by The Sleepless Critic

With enchanting special effects and performances that would endear any holiday pessimist, Mikko Nissinen’s The Nutcracker once again returns with an entire world seeped in the fondest of daydreams for adults and children alike. With the enhancement of internationally-renowned Finnish lighting designer Mikki Kunttu and Tchaikovsky’s classic score conducted by Misha Santora, The Nutcracker is as picturesque as ever, emphasizing its mark as an annual holiday institution.

Boston Ballet The Nutcracker cast Photo by Liza Voll

The 150 dancers making up ‘The Nutcracker’s’ spectacular cast. Photo credit to Liza Voll/Boston Ballet

The castle on a cloud is only the prelude to an enchanting journey as Mikko Nissinen’s The Nutcracker returns to the Citizens Bank Opera House with new surprises. An elegant party, a valiant battle, and a variety of spectacular toys springing to life is just part of Clara’s exquisite journey when she is gifted an intriguing Nutcracker for Christmas.

The Boston Ballet takes the stage for Mikko Nissinen’s The Nutcracker continuing through Sunday, December 29. The Boston Ballet features discount youth pricing. Click here for more information and for tickets.

Stage view Photo courtesy of Jeanne Denizard

Robert Perdziola’s meticulously-detailed set and costume design not only create an inviting atmosphere whether inside a fire lit, multi-dimensional living room with a towering, emerald-lit Christmas tree or surrounding an outdoor fire pit where locals can keep warm, but also creates a pristine wintry wonderland where you can almost feel the chill. The ornate period costumes are gorgeous as women are adorned in velvet, silk, and ribbons and the men are dressed to the nines. Sweet, sophisticated, yet playful Clara, portrayed impressively by Emma Blake, is lovely in her pale blue coat, bonnet hat, and fur hand warmers.

Boston Ballet The Nutcracker Party Scene by Liza Voll

Party scene. Photo credit to Liza Voll/Boston Ballet

Christmas Eve is a magical time, especially for children. Paulo Arrais unveils some of that magic as charismatic and confident showman, Drosselmeier. Mustachioed Arrais is a grand presence as he delivers visions sprung from the imagination, showing children anything is possible.

Boston Ballet Nutcracker Ricardo Santos and Ji Young Chae by Rosalie O Connor

Harlequin Doll and Ballerina Doll. Photo credit to Rosalie O’Connor/Boston Ballet

Among the most memorable moments is a Soo-bin Lee’s convincing portrayal as a Ballerina Doll, her rigid movements out of the box a fascinating sight. Tyson Clark’s Harlequin Doll and Sun Woo Lee’s life size, exotic bear are exuberant, playful, and among the most highly- anticipated scenes in this production.

The appearance of the Nutcracker Prince, depicted by a chivalrous and gallant Derek Dunn, is extraordinary surrounded by bright, multicolored, shimmering ornaments in a magnificent tree. His appearance highlights one of the most spectacular and exciting special effects of the production that will not be revealed here. His encounter with Alec Roberts’s bold and at times humorous Mouse King is thrilling and partially what makes The Nutcracker a children’s classic.

Boston Ballet 'The Nutcracker' Mouse King and Wooden Soldiers by Liza Voll

Alec Roberts as the Mouse King and a valiant battle Photo credit to Liza Voll/Boston Ballet

Seo Hye Han and Tigran Mkrtchyan are visions as The Snow Queen and King on a sparkling silver sleigh as surrounding dancers joyfully flock and frolic in a glorious scene. Seo Hye Han and Tigran Mikrtchyan have a sweet chemistry as they join together in a captivating dance.

Boston Ballet The Nutcracker Snow fairies by Liza Voll

An enchanted winter wonderland. Photo credit to Liza Voll/Boston Ballet

Under glimmering chandeliers is a group of remarkable, electric performances which is less story progression and more showcase driven presented by the iconic and sparkling Sugar Plum Fairy, portrayed with finesse by Chisako Oga. Two pairs of Spanish dancers portrayed by Ekaterine Chubinidze, Haley Schwan, Daniel Cooper, and Benji Pearson, sway and twirl in a dazzling spectacle. Chyrstyn Fentroy and Paul Craig receive a rousing applause as a pair of exotic and athletic Arabian dancers while Desean Taber, Daniel Durrett, and Fuze Sun show off their flexibility and athletic prowess as a trio of leaping Russian dancers.

Among the most humorous scenes is an adorable appearance by Bo Peep accompanied by a mischievous black sheep and Graham Johns as towering and surprising Mother Ginger.

Boston Ballet The Nutcracker By Liza Voll

Clara, portrayed by Mia Steedle, Nutcracker Prince portrayed by Tigran Mkrtchyan, and reindeer by students of Boston Ballet School Photo credit to Liza Voll/Boston Ballet

Whether seeing Mikko Nissinen’s The Nutcracker for the first time or returning to enjoy it all over again, The Boston Ballet is as elegant and magical as you remember with enough refreshing additions to endure as a splendid holiday treat for the entire family.

The Boston Ballet takes the stage for Mikko Nissinen’s The Nutcracker continuing through Sunday, December 29 at the Citizen Bank Opera House, 539 Washington Street in Boston, Massachusetts. These performances feature group rates and discount youth pricing. Click here for tickets and for more information on Boston Ballet’s 2020 season.

REVIEW: Festive and moving, Massasoit’s production of ‘It’s a Wonderful Life’ is time well spent

Posted on November 30, 2017 by The Sleepless Critic

Soft, twinkling lights and vintage multi-colored bulbs frame the Buckley Performing Arts Center stage as beloved Christmas carols ring in the holiday cheer in anticipation of a beloved tale. That familiar sign, “You are Now in Bedford Falls” rings true as Massasoit Theatre Company opened a four show, two weekend run of It’s A Wonderful Life continuing through Sunday, December 3 at Buckley Performing Arts Center, part of Massasoit Community College in Brockton, Massachusetts. Craig O’Connor, who acts as part narrator and full-time aspiring angel, warmly recalls a beautiful and haunting tale of the value of a life well spent. Click here for more information and for tickets.

Curtis J. Bellafiore as George and Elizabeth Lovley as Mary Hatch and the cast Photo courtesy of Massasoit Theatre Company

Massasoit has an affinity for festive onstage caroling during annual holiday productions and We Wish You a Merry Christmas is just one of an array of classic tunes to set the mood. The rolling stage, designed impressively by Nathan Fogg DeSisto, hearkens not only to its vintage 1920s to 40s setting, but visually captures some of the tale’s most iconic moments from the cold, snow covered bridge to a wooden bench frequently shown in Bedford Falls, a setting inspired by Seneca Falls, New York. Jennifer Spagone’s distinct costume design make the cast looked sharp as women wore brightly colored dresses from polka dots to paisley in signature hairstyles of the period and the men in a variety of suits, ties, and winter coats faithful to the season.

Patricia Straight-McGrath as Mother Bailey and Curtis J. Bellafiore as George Photo courtesy of Massasoit Theatre Company

Told partly in vignettes and flashbacks, It’s a Wonderful Life focuses on a morbidly downtrodden George Bailey, portrayed with a unique charisma by Curtis J. Bellafiore, who reaches a pivotal moment in his life that makes him question the value of his existence. Enter mild-mannered Clarence Odbody, portrayed with warmhearted sincerity by Craig O’Connor, who questions whether he can produce a Christmas miracle.

Curtis J. Bellafiore as George and Danny Hannafin as Uncle Billy Photo courtesy of Massasoit Theatre Company

Director Tony Ruscio masters the challenging task of capturing the charm of this small town through the cast’s jocular and moving camaraderie. The children have small roles, but each engages the audience in their own distinct way. With a winning smile and apprehensive verbal style only mildly reminiscent of Jimmy Stewart’s portrayal, Curtis J. Bellafiore, embodies endearing dreamer George Bailey with a unique charisma. His instant chemistry with Elizabeth Lovley as jubilant, yet mysterious Mary Hatch is captivating to watch. Lovley’s real skill as Mary is not just in the scripted word, but in the subtlety of her performance. Lovley’s quiet serenity perfectly complements Bellafiore’s charming optimism. Craig O’Connor harnesses such a natural presence as lovable Clarence that it is difficult to imagine the actor himself any other way.

Chris DiOrio, last seen as grouchy but lovable Shrek in Hingham Civic Music Theatre’s fall production of the same name, takes a gloriously dark turn as the infamous Mr. Potter. As he makes his demands from a sitting position, his presence casts a constant shadow, his deep, gravelly, and well spoken demeanor brimming with unflinching practicality. His calculating exchanges with each cast member are riveting to say the least.

Chris DiOrio as Mr. Potter, Jim Gross, and Margaret O’Brien as Bank Examiner Photo courtesy of Massasoit Theatre Company

Massasoit Theatre Company’s festive and moving It’s A Wonderful Life continues through Sunday, December 3 at Buckley Performing Arts Center, One Massasoit Boulevard in Brockton, Massachusetts. Call 508-427-1234 or click here for tickets and further details. Follow Massasoit Theatre Company on Facebook for upcoming events and more.