REVIEW:  Between laughter and rage, the Huntington Theatre, Alliance Theatre, and Front Porch Arts Collective’s leaves food for thought with ‘Fat Ham’

Whether in a kingdom or a small town, rumors still fly.

However, at this small town barbeque and with the audience as small town witnesses, Juicy has to overcome more than a Fat Ham to make things right within his wild and dysfunctional family.

Based partially on Shakespeare’s classic production Hamlet and conscientiously directed by Stevie Walker-Webb, the Huntington Theatre in association with Alliance Theatre and Front Porch Arts Collective presents James IJames’s semi-interactive dramedy Fat Ham through Sunday, October 29 live and in person at Calderwood Pavilion in Boston, MA.  This Pulitzer prize-winning show is 90 minutes with no intermission and contains mature themes and strong language.  Click here for more information and tickets.

Marshall W. Mabry IV, Lau’rie Roach. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

What is refreshing about this contemporary iteration of Hamlet is not only is it much more of a comedy than a tragedy, but it also roots itself far more into the family dynamic than even Shakespeare portrayed.  Watching Hamlet, one assumes that the king and his son had a traditional and loving father-son relationship.  What if it everything was far more complicated?  What if the father is not the model dad that a child grows to admire?  Fat Ham bears a resemblance to the classic production in key plot points, but then flips the script and transitions into its own entity that delves into the cycle of intergenerational trauma swinging from ruthless, creepy and suspenseful to not taking itself too seriously. 

Rather than Hamlet standing for Juicy, the metaphorical star of this production is just what one roasts during a barbecue, a fat pig as a grill takes center stage.  However, there is a struggle of who is king of this house as Juicy’s father has just died and Juicy’s uncle suspiciously soon after marries Juicy’s mom, Tedra. 

Victoria Omoregie, Thomika Marie Bridwell, Lau’rie Roach, Amar Atkins, Marshall W. Mabry IV. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

Fat Ham is humorously set in ‘Virginia or Maryland or Tennessee’ and in a small town where gossip travels fast.  Luciana Stecconi’s working class set design boasts tiny, multi-functional and mood setting white lights that adorn a large tree on a dilapidated back porch strewn with arbitrary clothes hanging on a disheveled clothesline.  Baby shower balloons, a tire swing, grill and a fire pit surround a half decorated picnic table and chairs.  Costume designer Celeste Jennings leans on frenetic colors and patterns to accentuate the essence of each character.  Aubrey Dube’s rich sound design, Xiangfu Xiao’s sharp lighting, and Evan Northrup’s amazing illusion design all team up to illustrate some startling, eerie, foreboding, and pivotal revelations. 

Marshall W. Mabry IV. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

In some key ways, Fat Ham’s cast improves on the Shakespeare’s classic play and Ijames diligently exposes the hypocrisy of each character.  The casting is also particularly astute as Juicy, depicted with timid and burdened inquisitiveness by Marshall W. Mabry IV and Lau’rie Roach portrays lively and wisecracking cousin Tio who buries insightfulness in raunchy humor.  Ebony Marshall-Oliver as self centered Tedra still shares a nurturing and sympathetic rapport with Mabry while flaunting spicy swagger with Vincent Ernest Siders as Rev/Pap.  A particular scene in which Marshall-Oliver and Mabry both shine is a dynamic musical interlude that shows off their individual charisma and prowess. 

James T. Alfred, Ebony Marshall-Oliver, Victoria Omoregie, Thomika Marie Bridwell. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

Vincent Ernest Siders stepped in as Rev/Pap and punctuates his performance with a domineering sneer as well as savage and manipulative taunting.  Victoria Omoregie as Opal and Thomika Marie Bridwell as Rabby deliver a relatable and hilarious mother-daughter relationship while Amar Atkins bears his own burdens as Opal’s seemingly straight laced brother Larry.

Victoria Omoregie, Thomika Marie Bridwell, Lau’rie Roach, Amar Atkins, Marshall W. Mabry IV. The Huntington’s Fat Ham by James Ijames. Directed by Stevie Walker-Webb. Photo by T Charles Erickson.

Sometimes it takes something big for life to change.  Fat Ham explores overcoming betrayal and one’s supposed lot in life against all odds to forge a new path in a crazy world.

Based partially on Shakespeare’s classic production Hamlet and conscientiously directed by Stevie Walker-Webb, the Huntington Theatre in association with Alliance Theatre and Front Porch Arts Collective presents James IJames’s semi-interactive dramedy Fat Ham through Sunday, October 29 live and in person at Calderwood Pavilion in Boston, MA.  This Pulitzer prize-winning show is 90 minutes with no intermission and contains mature themes and strong language.  Click here for more information and tickets.

REVIEW: The Boston Pops blended uplifting Bernstein tribute with sizzling footwork in ‘Dance to the Movies’

The Boston Pops turned up the heat as dancers from Dancing with the Stars, So You Think You Can Dance, and America’s Got Talent as well as American Idol finalists joined Academy Award-nominee Lesley Ann Warren as Scott Stander presented Dance to the Movies on June 9 at Symphony Hall.  Conducted by renowned Music Director Keith Lockhart and filled with memorable moments from some of Hollywood and Broadway’s most popular films, Dance to the Movies lit the stage as part of Boston Pops 133rd spectacular season.  Dedicated to legendary, Lawrence-born composer and conductor Leonard Bernstein’s centennial this season, click here for upcoming Boston Pops performances including details for the Boston Pops Fireworks Spectacular on July 4.

Boston Pops Keith Lockhart and the Boston Pops_WT26691 (Winslow Townson)

Keith Lockhart and the Boston Pops (Winslow Townson)

Before launching into Dance to the Movies, The Boston Pops performed a few remarkable Bernstein selections which included an urgent, masterful orchestration composed by John Williams, a piece first conducted for Bernstein’s 70th anniversary called, To Lenny! To Lenny!  The orchestration, with equal parts bursting triumph and quiet contemplation, set the perfect tone for this uplifting show.  The Bernstein tribute continued with sparkling and upbeat Overture to Candide and the chiming, peerless orchestration of Bernstein’s spiritual Simple Song from Mass.

Boston Pops John Williams and Leonard Bernstein at Harvard Night at the Pops, June 6, 1989 (Donald Dietz)

Boston Pops John Williams and Leonard Bernstein at Harvard Night at the Pops, June 6, 1989 (Donald Dietz)

Winner of 2017’s Boston Symphony Orchestra’s Concerto Competition and recipient of Harry & Marion Dubbs Brookline Youth Concerts Award, captivating violinist Haig Hovsepian, delivered a passionate and intense solo performance as he played Sibelius’s First Movement:  Allegro moderato, from Violin Concerto in D Minor.  An especially touching moment occurred when a couple of his proud family members rushed to the stage to congratulate him after he finished his piece.

The Boston Pops seamlessly tied in Bernstein’s tribute with a sensational film dance montage by Susan Dangel and Dick Bartlett, weaving in dance scenes from Risky Business, Austin Powers:  International Man of Mystery, Burn After Reading, The Greatest Showman, Pulp Fiction, Mrs. Doubtfire, My Best Friend’s Wedding and more to acclaimed dance songs from Bernstein’s musical masterpiece, West Side Story.

Dance to the Movies Hilary Scott

Puttin’ on the Ritz Photo courtesy of Hilary Scott

Boasting an enormously talented cast, Dance to the Movies offered vintage flair by Bair/Pututau costumes and sizzling footwork, taking on classic numbers like Puttin’ on the Ritz and Diamonds are a Girl’s Best Friend/Material Girl from the film, Gentlemen Prefer Blondes.  Hearkening to the age of Fred Astaire, dancers dressed in gold Lemay cocktail dresses and suits with coat and tails then delivered a double take of dancers dressed in Marilyn Monroe’s signature pink gowns with dripping diamonds respectively.  A gorgeously sparkling fringed gown seemed to have a life of its own on Anna Trebunskaya as she swayed with Tristan MacManus to the spicy number, Cuban Pete from the film, The Mask.

Academy Award-nominee Lesley Ann Warren, a television and film veteran known for Cinderella and Clue, delivered a reflective Moon River from Breakfast at Tiffany’s and a flirtatious version of Blues in the Night from the film by the same name.  Warren still has that charismatic charm as she engaged the audience.

Leslie Ann Warren

Lesley Ann Warren in her Cinderella crown Photo courtesy of the Boston Pops

Dance to the Movies tackled Broadway with dance melodies from Chicago and Grease, which featured a performance by American Idol finalist Vonzell Solomon singing Roxy Hart.  Vonzell delivered a show stopping performance singing I’ll Always Love You from The Bodyguard before taking the stage with American Idol finalist Von Smith for a stirring tribute to the late Marvin Hamlisch including the songs, Through the Eyes of Love from the film, Ice Castles and The Way We Were.

Dance to the Movies Chicago

Dance to the Movies takes on ‘Chicago’ Photo courtesy of Hilary Scott

One of the most impressive dance performances seemed a dangerous feat to the tune, Unchained Medley from the film, Ghost sung by Von Smith.  Featuring Randi Strong and Jonathan Platero, it was a rapturous, athletic number recreating a scene from the film featuring remarkable flips and daring spins. Dirty Dancing’s iconic dance number, (I Had) The Time of My Life, featuring a trio of couples, was a beautiful display complete with The Lift.

Dance to the Movies boasted Dancing with the Stars’ Tristan MacManus, Anna Trebunskaya, Magda Fialek, Anya Fuchs and Oksana Platero, from So You Think You Can Dance Jonathan Platero, Randi Strong, and Jaymz Tuaileva, America’s Got Talent’s Antonio Martinez, with Carl James Bair, Alisa Davtyan, Timothy Lewis, Kateryna Klishyna, and Tony Pututau.  Click here to see where Dance to the Movies will appear next.

Dedicated to legendary, Lawrence-born composer and conductor Leonard Bernstein’s centennial this season, click here for upcoming Boston Pops performances including details for the Boston Pops Fireworks Spectacular on July 4.  Follow Boston Pops on Twitter and Facebook.

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