Ambitious Tony award-winning Broadway and off-Broadway theatre producer and writer Ken Davenport has had a passion for theatre his entire life. He has produced renowned musicals from Godspell to Kinky Boots to this year’s Tony-nominated Once on This Island and helms the North American activity for Andrew Lloyd Webber’s Really Useful Group. Dedicated to bridge the gap between the stage and its audience, he is also behind an interactive theatre app, Didhelikeit as well as the hit board game, Be a Broadway Star.
Ken talked to Sleepless Critic about when he first discovered the theatre, Hollywood and the Tony Awards, and his upcoming musical comedy, Gettin’ the Band Back Together. Click here for more on Ken Davenport and see who the the big winners are on the 72nd annual Tony Awards on Sunday June 10.
Sleepless Critic: What awakened your interest in theatre and how did the opportunity to become a Broadway producer come about?
Ken Davenport: My mom told me I first kicked when she was watching a production of Godspell, so I think I’ve always wanted to be part of the theatre. I produced the first revival of Godspell on Broadway in 2011.
Being a producer is like starting your own business. Opportunities don’t come about. You have to make them happen.
SC: What do you like most about producing and what production did you find to be the most challenging?
KD: I love watching the audience’s expressions on their faces at the end of the show whether they are laughing, crying, or cheering. We’ve affected them and that’s a joy to watch.
The most challenging part of producing is getting everyone on the same page. It’s like getting ten people to paint the Mona Lisa.
SC: Is there a show you turned down that you ended up wishing you were a part of?
KD: Nah, I have no regrets. I’ve passed on shows that have gone on to be hits, but they weren’t me. They still wouldn’t be me, even if I had a few more bucks in my pocket. I’d much rather stay true to what I want to do.
SC: The musical, Mean Girls is one of the big Tony nominees this year and it is one of many Hollywood to Broadway musical crossovers. From Pretty Woman to Heathers, do you think that this method has been an effective way to draw a wider audience to Broadway? From what I’ve seen of Mean Girls and having recently seen Waitress, it seems to be working well.
KD: Movies have become a common source for adaptations in the last ten years, but it doesn’t guarantee success. I think the adaptations that work best are the ones that don’t have super popular source material. It’s like when a movie is made from a book. Most people think the book is better. That happens a lot when popular movies are made into musicals. It’s a very high hurdle to jump over.
SC: What has been your favorite Hollywood to Broadway crossover musical so far?
KD: Kinky Boots because I am one of the producers.
SC: Which do you predict will be the standout production to win? I’m sure you were thrilled when Once on This Island was nominated, a show you have produced.
KD: I think the awards this year will be spread out amongst several shows rather than one big winner taking home multiple awards.
SC: You work to make Broadway a more interactive experience. Please tell me about the apps you promote.
KD: We have an app for our website, Didhelikeit.com that gives you a snapshot of show reviews and focuses on the New York Times.
KD: I’m super excited about Gettin’ the Band Back Together, which starts performances on July 19. It’s such a fun show to be a part of and totally original. It has an original story, music, etc. It’s going to be a blast so come see it!
Click here for more information on Ken Davenport and here for more on Ken’s current project, Gettin’ the Band Back Together. Hosted by Josh Groban and Sara Bareilles, find out who wins on CBS for the 72nd annual Tony Awards on Sunday June 10 at 8 p.m. Follow The Tony Awards on Facebook.
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