REVIEW: One con deserves another as South Shore Theatre Works continues with lively ‘Chicago the Musical’

With the recent premiere of the highly-anticipated FX biographical miniseries, Fosse/Verdon about the sizzling creative and romantic partnership between legendary filmmaker and choreographer Bob Fosse (Sam Rockwell) and spectacular Broadway dancer Gwen Verdon (Michelle Williams), it seems Fosse and Verdon’s influence is still everywhere.  So, it is not surprising that South Shore Theatre Works (SSTW) is taking on what SSTW’s Executive Director and President Richard Bento called, “a dream production of mine to direct,” Chicago the Musical continuing through Saturday, April 20 at Abigail Adams Middle School in Weymouth, MA.  This show is not for young audiences.  Click here for more information and tickets.

One of Fosse’s most popular creations was a dark satire dealing with corruption and murder during the Jazz age called Chicago the Musical.  This Tony award-winning production continues to thrill audiences as one of the longest running Broadway musicals and its most recent 2002 film adaptation was the 2002 Academy award-winning film starring Renee Zellwegger (Roxie), Catherine Zeta-Jones (Velma) and Richard Gere (Billy Flynn) garnered a few Academy Awards.

SSTW's 'Chicago the Musical' cast

The cast of ‘Chicago the Musical’ Photo by Annabella Valle/South Shore Theatre Works

How has Chicago the Musical earned its longevity?  The proof is in its clever, satirical storytelling that isn’t afraid to occasionally shock, its sizzling choreography, memorable characters, catchy music, and its frank, timeless message about humanity.  With an impressive, semi-interactive fifteen-piece orchestra led by conductor Doug Gerber that elevates the action onstage plus additional songs not featured in its most recent film adaptation, this darkly humorous production is off to a good start.

With a modest set featuring vintage theatre lights that illuminate the stage, director Richard Bento keeps this production in classic Fosse form dressing his dancers in black. The close-knit, tight choreography by co-choreographers Richard Bento and Amy Valle Wallace includes some dance crazes of the Jazz Age that make for some visual sizzle.  Though the classic number Cell Block Tango needs a bit more snarl, clever Razzle Dazzle boasts some sleek staging.

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Headlining this colorful cast is Stephanie Wallace as desperate, hot tempered and fast-living Roxie Hart.  With a great scowl and energetically navigating Roxie’s myriad of emotions, it is easy to see how Wallace relishes this character.  She is never better than during her natural and engaging signature song, Roxie Hart.

Jaclyn Cleary lends a mix of sharp sophistication and mayhem to Velma Kelly, a former dancer turned criminal.  Her wild, light eyes reveal a smugness and unsteadiness that will keep you guessing her next move.  Having seen Chicago the Musical quite a few times, I admire Jaclyn Cleary’s sleek vocals and not so by-the-numbers rendition of All That Jazz.  She and Matron Mama Morton, portrayed charismatically by Hanna Ford, have great chemistry.  They are two sides of the same coin in their rendition of Class.

Staring down her glasses with an ironically sophisticated air is Hannah Ford as Matron Mama Morton.  With a belt that certainly packs a punch, her rendition of When You’re Good to Mama clearly shows she knows how to pull some strings and depicts Mama in a different and refreshing way.

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Wielding a cane, Aaron Stolicker masterfully navigates the cast and the audience as suave, shrewd, and debonair Billy Flynn, sharply dressed in a black tuxedo.  He’s full on smirking charm in the number, All I Care About is Love and quite the storyteller in his rendition of They Both Reached for the Gun, a complex, energetic number with strong choreography.  J. Merlo adds some humor and some serious pipes as journalist Mary Sunshine.

South Shore Theatre Works continues Chicago the Musical through Saturday, April 20 at Abigail Adams Middle School, 89 Middle Street in Weymouth, MA.  Click here fore more information, tickets, and how to support South Shore Theatre Works, an organization that recently celebrated its third anniversary.  Click here for more information about South Shore Theatre Works and its Executive Director and President, Richard Bento.

 

REVIEW: Company Theatre walks the line between love and rage with Green Day’s catchy punk musical, ‘American Idiot’

Rage. Love. Town. City are the themes emblazoned within the songs and tale of the Tony award-winning punk rock musical, Green Day’s American Idiot, presented by the Company Theatre and continuing through Sunday, February 17 at the Company Theatre in Norwell, Massachusetts.  It is an in-your-face journey of a group of young, unambitious city dwellers who occupy a portion of an angry, rebellious America.  Green Day’s American Idiot is a concert drama that contains mature themes and surprising moments.  Click here for more information and tickets.

Green Day American Idiot set

The set of Green Day’s ‘American Idiot’ Photo courtesy of Jeanne Denizard

This high energy musical is based on Green Day’s lauded album, American Idiot, a band known for their raw, catchy, guitar-tinged riffs, and uncensored lyrics.  With hits such as Holiday, Know Your Enemy, Boulevard of Broken Dreams, Wake Me Up When September Ends, and Good Riddance (Time of Your Life), Green Day’s American Idiot contains the music and vocal chops that would please Green Day fans while also considered a message-driven punk rock opera.

Sharing a bit of the mentality of Rent and the 90s film, Reality Bites, the characters in American Idiot wander into a realm of rebellious indifference, confusion, and perhaps laziness looking for their purpose in life as Green Day sings, “in the land of make believe.”  Some are unconcerned and others genuinely lost.  Partially set in a beat up apartment equipped with a blank, but lit tube TV and shabby couch which perhaps reflects a thinking but lost generation, American Idiot shows they have a hell of a lot to learn.  

The energetic, daring choreography by Corinne Mason, which includes moshing and head banging, reflects the anarchic nature of punk music.  The choreography in Holiday, which includes a group of characters packed into a wire cart, is a visual highlight.

Cast of Green Day's 'American Idiot'

(Back row, L-R ) Audrey Clark of Northboro as Whatsername, Jose Merlo of Attleboro as Jose, William Oliver of Weymouth as Will, Sarah Kelly of Braintree as Heather, John Crampton of Dedham as John, Jessica DePalo of Westboro as Extraordinary Girl, Brendan Duquette of North Attleboro as Tunny (Front row) Theo Victoria of Brockton as Theo, Evan Cole of Natick as Johnny, Aliyah Harris of Mansfield as Aliyah Photo courtesy of Zoe Bradford

This cast of jaded youths include a haunting performance by Chris Boyajian as Joshua/St. Jimmy, a role that Green Day lead singer Billy Joe Armstrong took over for 50 performances during the show’s run on Broadway.  Evan Cole hits all the right notes as Johnny, who also plays his own guitar for Boulevard of Broken Dreams, one of the show’s few quieter tunes.  He shares a natural camaraderie with Brendan Duquette as naive Tunny and William Oliver as oblivious Will, a trio of friends heading in different directions.  Sarah Kelly stands out as Heather as she develops her resolve during a heartfelt Last Night on Earth.  Aliyah Harris as Aliyah also lends her serious pipes to Favorite Son and Too Much Too Soon.

The Company Theatre presents Green Day’s American Idiot through Sunday, February 17, with a special event for Valentine’s Day.  All performances take place at Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts  Click here to support the Company Theatre and here for more on their 2019 season.

 

 

 

REVIEW: Featuring John Williams’s multi-faceted score, ‘Home Alone in Concert’ made a bustling, merry return to Symphony Hall

Kicking off with the familiar drumbeat of the 20th Century Fox fanfare performed live before the film’s opening credits, The Boston Pops presented Home Alone in Concert with style and a few surprises as this popular 1990 Christmas comedy film returned to Symphony Hall from December 29 and 30. Much like the Boston Pops’ ‘in concert’ predecessors featuring classic films such as West Side Story, Raiders of the Lost Ark, Nosferatu, Singin’ in the Rain, and Psycho, the Boston Pops enhances the unique tone of each film from score to sound effects, making it an unforgettable cinematic experience.  Led by Keith Lockhart, it doesn’t get much better than watching a feature film on the big screen alongside the Boston Pops’ clever orchestration.  Click here for more information on the Boston Pops.

It was a particular treat to be greeted by the Wellesley High School Keynote Singers and Rice Street Singers who performed a few lighthearted a capella holiday hits as the audience filed into the Symphony Hall lobby before the film started.  The anticipation of Home Alone in Concert was palpable, heightened by an uproarious applause as the film started and enthusiasm that continued throughout the performance.

A heartwarming film full of high jinks and relatable family humor, Home Alone features the McAllister family as they prepare to embark on a Christmas trip to Paris and through a series of unforeseeable circumstances, leave their youngest child, Kevin, portrayed by Macaulay Culkin, home alone.  Directed by Christopher Columbus, Home Alone features a hilarious cast that includes the late, great John Candy, Joe Pesci, Daniel Stern, Catherine O’Hara, and John Heard.

From heartwarming to hectic to haunting, Academy award-winning composer John Williams offers a bit of everything in Home Alone’s multi-faceted score.  Songs from the film’s soundtrack such as Run Run Rudolph by Chuck Berry and I’m Dreaming of a White Christmas by the Drifters are left to the original artists, but John Williams’s compelling score featuring the Academy Award-nominated song, Somewhere in My Memory were performed by the orchestra.

Home Alone writer John Hughes was gifted with the ability to capture the voice of a young generation and he does a remarkable job depicting the perspective of mischievous and utterly adorable Kevin McAllister as he attempts to fend for himself.  Though some of the movie is a bit far-fetched, it remains as enjoyable as it was close to 30 years ago before cell phones were a daily part of life.

Home Alone in Concert

Holiday Pops presents ‘Home Alone in Concert’ Photo courtesy of Jeanne Denizard

Not only is Home Alone on the verge of celebrating its 30th anniversary since its release, but Macauley Culkin is all grown up and has reemerged recently in a reenactment of pivotal scenes from the original film to demonstrate the magic of Google Assistant.  With the same twinkle in his eye, Culkin adds a new dimension to those film scenes while keeping the spirit of the original film intact.

Home Alone in Concert was produced by Film Concerts Live!  In August, Keith Lockhart will conduct the Boston Pops to perform Star Wars:  A New Hope in Concert at Tanglewood.  Click here for more information on the Boston Pops and upcoming Boston Symphony Orchestra events.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts.  Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.

REVIEW: WGBH’s ‘Tis the Night with Ben Folds and Friends’ holiday music special offers some impressive, lighthearted cheer

Ben Folds, award-winning lead singer of Ben Folds Five, rang in the holiday season with some of Boston’s most renowned performers as he hosted Tis the Night with Ben Folds and Friends which has been featured on WGBY Public TelevisionNew Hampshire PBS, and WGBH 2 this month.  Ben has collaborated with many acclaimed artists in his over 20-year career including Regina Spektor, William Shatner, Tori Amos, and Weezer.  He is also known for performing with many orchestras throughout the world.  Take a closer look at Tis the Night here,  click here to find out when WGBH will broadcast this show next, or here to stream it online.

In this WGBH holiday special, Ben hosts for the most part, leaving it to renowned Boston choruses such as the Boston Children’s Chorus, Handel and Haydn Society, the Harvard- Radcliffe Collegium Musicum, and students from the New England Conservatory to bring in the good cheer.  However, in the few times he collaborated with the artists, this concert special became that much more engaging.

Ben Folds and Caleb Teicher perform on Tis the Night (Meredith Nierman - WGBH)

Ben Folds and Caleb Teicher perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH

Tis the Night with Ben Folds and Friends offered a selection of well-known holiday songs done in new, insightful ways.  Surrounded by blue festive lights and illuminated snowflakes, Tis the Night opened fittingly with I Heard the Bells on Christmas Day sung warmly by the Boston Children’s Chorus, dressed in red scarves and multicolored shirts as Ben Folds looks on.

Handel and Haydn orchestra and chorus perform on Tis the Night (Meredith Nierman - WGBH)2

Handel and Haydn orchestra and chorus perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH 

Handel and Haydn’s Society took on three memorable choruses from Handel’s Messiah, which was a lighthearted take from the classic version.  It was refreshing to hear, though I prefer the classic interpretation.  However, the Handel and Haydn Society’s uplifting, angelic harmony was no less impressive, ending on a triumphant note.

Ben Folds took a break from hosting to join NYC choreographer Caleb Teicher for a catchy version of Little Drummer Boy/Peace on Earth.  They were accompanied by New England Conservatory student guitarist Andres Orco-Zerpa and student bassist Tyler Wagner.  Affectionately calling Caleb’s tapping “drumming for your feet,” Ben Folds drummed while singing a duet with Caleb, whose freestyle tapping got more remarkable as the beat escalated.

Harvard Radcliffe Collegium Musicum performs in Tis the Night (Sam Brewer - WGBH) (1)

Harvard Radcliffe Collegium Musicum performs in ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 2

Conducted by Music Director Andrew Clark, The Harvard-Radcliffe Collegium Musicum was a particular highlight.  Their peaceful, silvery vocals enriched their first number, In the Bleak Midwinter as picturesque scenes were shown of new fallen snow topped on trees and covered in fields. Sung entirely acapella, that captivating number was followed by a few more impressive classic Christmas carols.

New England Conservatory student jazz vocalist Darynn Dean, decked out in a shimmering dress and accompanied by student pianist Matthew Thompson, delivered a jazz-infused, airy version of Jingle Bells. Darynn’s agile vocals scat and soared while Matthew’s lighthearted piano solo created an exhilarating medley.

vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on Tis the Night (Sam Brewer - WGBH)2

Vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 

Under an illuminated starlit sky, New England Conservatory student soprano Saori Erickson accompanied by student pianist Bethany Pietroniro performed a gorgeous, emotionally-rich version of Ave Maria.

soprano Saori Erickson and pianist Bethany Pietroniro performing Ave Maria (Sam Brewer - WGBH)

Soprano Saori Erickson and pianist Bethany Pietroniro performing ‘Ave Maria’ Photo courtesy of Sam Brewer/WGBH

Ending on a bright, inviting note with Ben Folds, the Boston Children’s Chorus, and Caleb Teicher collaborating on We Wish You a Merry Christmas, Tis the Night offered a few great reasons why the holiday season is the most wonderful time of the year.

REVIEW: Captivating and lighthearted, Boston’s annual Holiday Pops as festive as ever

In its 23rd year, The Holiday Pops are in full swing and as festive as ever!  Illustration and illumination dominated this year’s performances woven into a wide spectrum of Christmas carols, spiritual hymns, and holiday traditions.  Whether it’s the excitement of the all-volunteer Tanglewood Festival Chorus, the Boston Pops adding their own unique, personal flair, or their highly anticipated sing-along, The Holiday Pops makes it easy to alleviate the stress of the season and happily embrace what truly matters.  Sponsored by Fidelity Investments and led by Keith Lockhart, The Holiday Pops at Boston Symphony Hall continues through Christmas Eve.  Click here for more information and tickets.

Elegantly adorning the intrinsically-detailed gold balconies are twinkling lights on thick, festive wreaths, just a sampling of the stunning surroundings inside Symphony Hall.  During the show, the stage spontaneously came to life with a variety of scenery illuminated above the stage from flickering candles to colorful, dancing snowflakes.

This beautiful performance of Holiday Pops delivered equal doses of reflective material and lightheartedness, the first half playful and spiritual.  Leroy Anderson’s A Christmas Festival which included Deck the Halls, God Rest Ye Merry Gentlemen, and Silent Night kicked off a memorable first half. The Boston Pops orchestra performed a harmonious and airy rendition of Parade of the Wooden Soldiers accompanied by a bright, festive short film created with original artwork and animation by FableVision Studios.

The Holidays Pops reflected on the revelation of Jesus during Shepherd’s Chorus as well as The Festival of Lights in an increasingly uplifting Songs of Freedom:  A Celebration of Chanukah featuring detailed portraits illustrated by children’s book artist, Judith Clark.  With stirring excerpts from O Little Town of Bethlehem, What Child is This, Go Tell it On the Mountain, and more, acclaimed baritone David McFerrin narrated The Christmas Story illustrated with Tomie dePaola’s original artwork.

Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle.  While bulbs glowing to the beat, the jolly Tanglewood Festival Chorus delivered a string of Christmas waltzes, singalongs, and more including the annual reading of Clement Charke Moore’s Twas The Night Before Christmas, read enthusiastically by special guest, Boston journalist Janet Wu.

Boston’s charming signature versions of Sleigh Ride and the always clever and amusing 12 Days of Christmas were welcome additions to the mix as Santa Claus made his grand entrance.  Holiday Pops concluded with Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveyed the quiet hope for the coming New Year.

BSO - home-alone-345

The Boston Pops presents the beloved holiday film, ‘Home Alone in Concert’ with live orchestra December 29 and 30. Photo credit to Twentieth Century Fox/Boston Pops

Before ringing in the New Year, The Boston Pops will offer special presentations of Christmas film favorite, Home Alone featuring the music of John Williams with live orchestra at Symphony Hall on December 29 and 30.  The Boston Pops will cap off the year with their annual New Year’s Eve concert led by actor, animator, singer, and filmmaker, Seth McFarlane.

All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts.  Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.  The Holiday Pops are also available at home with A Boston Pops Christmas: Live from Symphony Hall album through ITunes, Amazon, and Amazon MP3.

 

REVIEW: Reagle Music Theatre’s 35th anniversary of ‘ChristmasTime’ is most wonderful

Brimming with holiday cheer while celebrating two milestone anniversaries, Reagle Music Theatre of Greater Boston is offering a season more spectacular than ever before.  Not only is Reagle celebrating its 50th anniversary, their beloved annual holiday music revue, ChristmasTime is marking 35 magnificent years.  These special ChristmasTime anniversary performances are dedicated to Reagle’s Christmas Angel, Natalie L. Durkin.  ChristmasTime continues through Sunday, December 10.  Click here for more information and for tickets.

Christmas Time Photo 4

Raggedy Ann Photo courtesy of Reagle Music Theatre of Greater Boston

Just walking into Robinson Theatre before the performance, attendees are greeted by iconic holiday characters and Victorian carolers as the Robinson halls are decked out onstage and off with brightly lit snowflakes, richly designed Christmas trees, gold embossed wreaths, and the stage festively framed with wooden embroidered angels.  Reagle Music Theatre of Greater Boston annually features the memorable performances that transformed ChristmasTime into a holiday tradition as well as additional scenes that keep the show fresh each year.

Christmas Time Photo 2

ChristmasTime stage Courtesy of Reagle Music Theatre of Greater Boston

From touching, candlelit hymns to joyous rollicking Christmas carols for the entire family including a sing-along, Reagle Music Theatre’s production of ChristmasTime never loses steam even in its quietest of moments.  During the holiday season, spend the afternoon witnessing a unique musical revue seeped in a variety of iconic Christmas scenes expertly narrated with the warm, inviting vocals of R. Glen Mitchell and a live orchestra led by Jeffrey P Leonard and Paul S. Katz.  Featuring an enormous, impressive cast of all ages with some performances offered with special permission from Radio City Music Hall, Reagle Music Theatre of Greater Boston travels to distant lands and different time periods from the North Pole to New York City in landscapes painted with picturesque flair by Robert Moody of Santa’s Workshop, Rockefeller Center, Boston’s duck statues, a candlelit church with sunburst stained glass windows, and the stunning, sprawling city of Jerusalem.

Christmas Time Photo 7 - Fred Van Ness Soloist

Renowned Tenor Fred C. VanNess Jr in The Living Nativity

The afternoon also featured an array of special, surprise guests with the returning, suburb talent of renowned tenor, Fred C. VanNess Jr and Mara Bonde’s gorgeous vocals.  Famous scenes of the season include a lively version of The Nutcracker, appearances from Reagle’s Rockettes, a humorous scene from Parade of the Wooden Soldiers, and the suburb The Living Nativity highlighted by popular carols like Little Saint Nick, Jingle Bells, Twelve Days of Christmas, and Christmas medleys capture the Christmas spirit in an unforgettable way.  Scenes are also peppered in performances from toys to trees coming to life dancing to rock, gospel, and much more.  ChristmasTime, through its delightful, stunning vignettes of the season, exhibits a captivating depiction of the meaning of Christmas.

As part of Reagle’s 50th anniversary celebration, Reagle Music Theatre of Greater Boston is holding a limited raffle to win a new Honda Civic.  Click here for further details.

This annual, interactive celebration, which is appropriate for all ages, has a strong following so purchase tickets now.  Each show is held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts through December 10.  Call 781-891-5600 or Click here for tickets and for more information and upcoming events in 2018 such as Night Fever:  An Evening With the Bee Gees and A Little Bit of Ireland. Tickets are also available at the theatre box office.

 

 

Plymouth Community Theatre’s annual musical show ‘The Christmas House’ boasts Christmas carols, intriguing tales, and more

‘Tis the season once again for The Christmas House, an annual musical gathering to hear a blend of beloved Christmas carols, festive, original music by Marianne Withington, and intriguing holiday tales nestled in the Spire Center for Performing Arts in Plymouth, Massachusetts for one weekend only Friday, December 8 through Sunday, December 10.  Click here for tickets and more information.

Written and directed by Marianne Withington, The Christmas House is an original story that explores the magic and meaning of Christmas through the warm memories and celebrations inside an old house since 1788.  Along with traditional Christmas carols by the PCT singers, the cast will narrate and sing original music composed by Marianne Withington.

Plymouth Community Theatre is proud to present The Christmas House musical for three performances only on Friday, December 8 and Saturday, December 9 at 8 p.m.  One Sunday matinee will be held on December 10 at 4 p.m.  All performances are held at Spire Center for Performing Arts, 25 ½ Court Street in Plymouth, Massachusetts.

Click here for tickets, call 617-308-7834, and tickets will also be available at the box office.  Follow Plymouth Community Theatre on Facebook and Twitter for auditions, how to donate, and their upcoming performances.

The Spire Center for Performing Arts boasts a wealth of exciting concerts, performances, and much more, especially during the holiday season.  Tour the Spire Center for Performing Arts, learn about becoming a member, and click here for a diverse roster of exciting events at the Spire or call 1-508-746-4488.  Spire Center for Performing Arts is also available on Facebook.