Rage. Love. Town. City are the themes emblazoned within the songs and tale of the Tony award-winning punk rock musical, Green Day’sAmerican Idiot, presented by the Company Theatre and continuing through Sunday, February 17 at the Company Theatre in Norwell, Massachusetts. It is an in-your-face journey of a group of young, unambitious city dwellers who occupy a portion of an angry, rebellious America. Green Day’s American Idiot is a concert drama that contains mature themes and surprising moments. Click here for more information and tickets.
The set of Green Day’s ‘American Idiot’ Photo courtesy of Jeanne Denizard
This high energy musical is based on Green Day’s lauded album, American Idiot, a band known for their raw, catchy, guitar-tinged riffs, and uncensored lyrics. With hits such as Holiday, Know Your Enemy, Boulevard of Broken Dreams, Wake Me Up When September Ends, and Good Riddance (Time of Your Life), Green Day’s American Idiot contains the music and vocal chops that would please Green Day fans while also considered a message-driven punk rock opera.
Sharing a bit of the mentality of Rent and the 90s film, Reality Bites, the characters in American Idiot wander into a realm of rebellious indifference, confusion, and perhaps laziness looking for their purpose in life as Green Day sings, “in the land of make believe.” Some are unconcerned and others genuinely lost. Partially set in a beat up apartment equipped with a blank, but lit tube TV and shabby couch which perhaps reflects a thinking but lost generation, American Idiot shows they have a hell of a lot to learn.
The energetic, daring choreography by Corinne Mason, which includes moshing and head banging, reflects the anarchic nature of punk music. The choreography in Holiday, which includes a group of characters packed into a wire cart, is a visual highlight.
(Back row, L-R ) Audrey Clark of Northboro as Whatsername, Jose Merlo of Attleboro as Jose, William Oliver of Weymouth as Will, Sarah Kelly of Braintree as Heather, John Crampton of Dedham as John, Jessica DePalo of Westboro as Extraordinary Girl, Brendan Duquette of North Attleboro as Tunny (Front row) Theo Victoria of Brockton as Theo, Evan Cole of Natick as Johnny, Aliyah Harris of Mansfield as Aliyah Photo courtesy of Zoe Bradford
This cast of jaded youths include a haunting performance by Chris Boyajian as Joshua/St. Jimmy, a role that Green Day lead singer Billy Joe Armstrong took over for 50 performances during the show’s run on Broadway. Evan Cole hits all the right notes as Johnny, who also plays his own guitar for Boulevard of Broken Dreams, one of the show’s few quieter tunes. He shares a natural camaraderie with Brendan Duquette as naive Tunny and William Oliver as oblivious Will, a trio of friends heading in different directions. Sarah Kelly stands out as Heather as she develops her resolve during a heartfelt Last Night on Earth. Aliyah Harris as Aliyah also lends her serious pipes to Favorite Son and Too Much Too Soon.
The Company Theatre presents Green Day’s American Idiot through Sunday, February 17, with a special event for Valentine’s Day. All performances take place at Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts Click here to support the Company Theatre and here for more on their 2019 season.
Kicking off with the familiar drumbeat of the 20th Century Fox fanfare performed live before the film’s opening credits, The Boston Pops presented Home Alonein Concert with style and a few surprises as this popular 1990 Christmas comedy film returned to Symphony Hall from December 29 and 30. Much like the Boston Pops’ ‘in concert’ predecessors featuring classic films such as West Side Story, Raiders of the Lost Ark, Nosferatu, Singin’ in the Rain, and Psycho, the Boston Pops enhances the unique tone of each film from score to sound effects, making it an unforgettable cinematic experience. Led by Keith Lockhart, it doesn’t get much better than watching a feature film on the big screen alongside the Boston Pops’ clever orchestration. Click here for more information on the Boston Pops.
It was a particular treat to be greeted by the Wellesley High School Keynote Singers and Rice Street Singers who performed a few lighthearted a capella holiday hits as the audience filed into the Symphony Hall lobby before the film started. The anticipation of Home Alone in Concert was palpable, heightened by an uproarious applause as the film started and enthusiasm that continued throughout the performance.
A heartwarming film full of high jinks and relatable family humor, Home Alone features the McAllister family as they prepare to embark on a Christmas trip to Paris and through a series of unforeseeable circumstances, leave their youngest child, Kevin, portrayed by Macaulay Culkin, home alone. Directed by Christopher Columbus, Home Alone features a hilarious cast that includes the late, great John Candy, Joe Pesci, Daniel Stern, Catherine O’Hara, and John Heard.
From heartwarming to hectic to haunting, Academy award-winning composer John Williams offers a bit of everything in Home Alone’s multi-faceted score. Songs from the film’s soundtrack such as Run Run Rudolph by Chuck Berry and I’m Dreaming of a White Christmas by the Drifters are left to the original artists, but John Williams’s compelling score featuring the Academy Award-nominated song, Somewhere in My Memory were performed by the orchestra.
Home Alone writer John Hughes was gifted with the ability to capture the voice of a young generation and he does a remarkable job depicting the perspective of mischievous and utterly adorable Kevin McAllister as he attempts to fend for himself. Though some of the movie is a bit far-fetched, it remains as enjoyable as it was close to 30 years ago before cell phones were a daily part of life.
Holiday Pops presents ‘Home Alone in Concert’ Photo courtesy of Jeanne Denizard
Not only is Home Alone on the verge of celebrating its 30th anniversary since its release, but Macauley Culkin is all grown up and has reemerged recently in a reenactment of pivotal scenes from the original film to demonstrate the magic of Google Assistant. With the same twinkle in his eye, Culkin adds a new dimension to those film scenes while keeping the spirit of the original film intact.
All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts. Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts.
Ben Folds, award-winning lead singer of Ben Folds Five, rang in the holiday season with some of Boston’s most renowned performers as he hosted Tis the Night with Ben Folds and Friends which has been featured on WGBY Public Television, New Hampshire PBS, and WGBH 2 this month. Ben has collaborated with many acclaimed artists in his over 20-year career including Regina Spektor, William Shatner, Tori Amos, and Weezer. He is also known for performing with many orchestras throughout the world. Take a closer look at Tis the Nighthere, click here to find out when WGBH will broadcast this show next, or here to stream it online.
Ben Folds and Caleb Teicher perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH
Tis the Night with Ben Folds and Friends offered a selection of well-known holiday songs done in new, insightful ways. Surrounded by blue festive lights and illuminated snowflakes, Tis the Night opened fittingly with I Heard the Bells on Christmas Day sung warmly by the Boston Children’s Chorus, dressed in red scarves and multicolored shirts as Ben Folds looks on.
Handel and Haydn orchestra and chorus perform on ‘Tis the Night’ Photo courtesy of Meredith Nierman/WGBH
Handel and Haydn’s Society took on three memorable choruses from Handel’s Messiah, which was a lighthearted take from the classic version. It was refreshing to hear, though I prefer the classic interpretation. However, the Handel and Haydn Society’s uplifting, angelic harmony was no less impressive, ending on a triumphant note.
Ben Folds took a break from hosting to join NYC choreographer Caleb Teicher for a catchy version of Little Drummer Boy/Peace on Earth. They were accompanied by New England Conservatory student guitarist Andres Orco-Zerpa and student bassist Tyler Wagner. Affectionately calling Caleb’s tapping “drumming for your feet,” Ben Folds drummed while singing a duet with Caleb, whose freestyle tapping got more remarkable as the beat escalated.
Harvard Radcliffe Collegium Musicum performs in ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH 2
Conducted by Music Director Andrew Clark, The Harvard-Radcliffe Collegium Musicum was a particular highlight. Their peaceful, silvery vocals enriched their first number, In the Bleak Midwinter as picturesque scenes were shown of new fallen snow topped on trees and covered in fields. Sung entirely acapella, that captivating number was followed by a few more impressive classic Christmas carols.
New England Conservatory student jazz vocalist Darynn Dean, decked out in a shimmering dress and accompanied by student pianist Matthew Thompson, delivered a jazz-infused, airy version of Jingle Bells. Darynn’s agile vocals scat and soared while Matthew’s lighthearted piano solo created an exhilarating medley.
Vocalist Darynn Dean and pianist Matthew Thomson perform Jingle Bells on ‘Tis the Night’ Photo courtesy of Sam Brewer/WGBH
Under an illuminated starlit sky, New England Conservatory student soprano Saori Erickson accompanied by student pianist Bethany Pietroniro performed a gorgeous, emotionally-rich version of Ave Maria.
Soprano Saori Erickson and pianist Bethany Pietroniro performing ‘Ave Maria’ Photo courtesy of Sam Brewer/WGBH
Ending on a bright, inviting note with Ben Folds, the Boston Children’s Chorus, and Caleb Teicher collaborating on We Wish You a Merry Christmas, Tis the Night offered a few great reasons why the holiday season is the most wonderful time of the year.
In its 23rd year, The Holiday Pops are in full swing and as festive as ever! Illustration and illumination dominated this year’s performances woven into a wide spectrum of Christmas carols, spiritual hymns, and holiday traditions. Whether it’s the excitement of the all-volunteer Tanglewood Festival Chorus, the Boston Pops adding their own unique, personal flair, or their highly anticipated sing-along, The Holiday Pops makes it easy to alleviate the stress of the season and happily embrace what truly matters. Sponsored by Fidelity Investments and led by Keith Lockhart, The Holiday Pops at Boston Symphony Hall continues through Christmas Eve. Click here for more information and tickets.
Elegantly adorning the intrinsically-detailed gold balconies are twinkling lights on thick, festive wreaths, just a sampling of the stunning surroundings inside Symphony Hall. During the show, the stage spontaneously came to life with a variety of scenery illuminated above the stage from flickering candles to colorful, dancing snowflakes.
This beautiful performance of Holiday Pops delivered equal doses of reflective material and lightheartedness, the first half playful and spiritual. Leroy Anderson’s A Christmas Festival which included Deck the Halls, God Rest Ye Merry Gentlemen, and Silent Night kicked off a memorable first half. The Boston Pops orchestra performed a harmonious and airy rendition of Parade of the Wooden Soldiers accompanied by a bright, festive short film created with original artwork and animation by FableVision Studios.
The Holidays Pops reflected on the revelation of Jesus during Shepherd’s Chorus as well as The Festival of Lights in an increasingly uplifting Songs of Freedom: A Celebration of Chanukah featuring detailed portraits illustrated by children’s book artist, Judith Clark. With stirring excerpts from O Little Town of Bethlehem, What Child is This, Go Tell it On the Mountain, and more, acclaimed baritone David McFerrin narrated The Christmas Story illustrated with Tomie dePaola’s original artwork.
Brimming with beloved classic Christmas carols and guest appearances by Santa and more, the second half of Holiday Pops was a vibrant, yuletide spectacle. While bulbs glowing to the beat, the jolly Tanglewood Festival Chorus delivered a string of Christmas waltzes, singalongs, and more including the annual reading of Clement Charke Moore’s Twas The Night Before Christmas, read enthusiastically by special guest, Boston journalist Janet Wu.
Boston’s charming signature versions of Sleigh Ride and the always clever and amusing 12 Days of Christmas were welcome additions to the mix as Santa Claus made his grand entrance. Holiday Pops concluded with Let There Be Peace on Earth, as Earth shone overhead, brilliantly conveyed the quiet hope for the coming New Year.
The Boston Pops presents the beloved holiday film, ‘Home Alone in Concert’ with live orchestra December 29 and 30. Photo credit to Twentieth Century Fox/Boston Pops
Before ringing in the New Year, The Boston Pops will offer special presentations of Christmas film favorite, Home Alone featuring the music of John Williams with live orchestra at Symphony Hall on December 29 and 30. The Boston Pops will cap off the year with their annual New Year’s Eve concert led by actor, animator, singer, and filmmaker, Seth McFarlane.
All performances take place at Boston Symphony Hall, 301 Massachusetts Ave in Boston, Massachusetts. Click here for more information and tickets, through SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office, 301 Massachusetts Ave, Boston, Massachusetts. The Holiday Pops are also available at home with A Boston Pops Christmas: Live from Symphony Hall album through ITunes, Amazon, and Amazon MP3.
Brimming with holiday cheer while celebrating two milestone anniversaries, Reagle Music Theatre of Greater Boston is offering a season more spectacular than ever before. Not only is Reagle celebrating its 50th anniversary, their beloved annual holiday music revue, ChristmasTime is marking 35 magnificent years. These special ChristmasTime anniversary performances are dedicated to Reagle’s Christmas Angel, Natalie L. Durkin. ChristmasTime continues through Sunday, December 10. Click here for more information and for tickets.
Raggedy Ann Photo courtesy of Reagle Music Theatre of Greater Boston
Just walking into Robinson Theatre before the performance, attendees are greeted by iconic holiday characters and Victorian carolers as the Robinson halls are decked out onstage and off with brightly lit snowflakes, richly designed Christmas trees, gold embossed wreaths, and the stage festively framed with wooden embroidered angels. Reagle Music Theatre of Greater Boston annually features the memorable performances that transformed ChristmasTime into a holiday tradition as well as additional scenes that keep the show fresh each year.
ChristmasTime stage Courtesy of Reagle Music Theatre of Greater Boston
From touching, candlelit hymns to joyous rollicking Christmas carols for the entire family including a sing-along, Reagle Music Theatre’s production of ChristmasTime never loses steam even in its quietest of moments. During the holiday season, spend the afternoon witnessing a unique musical revue seeped in a variety of iconic Christmas scenes expertly narrated with the warm, inviting vocals of R. Glen Mitchell and a live orchestra led by Jeffrey P Leonard and Paul S. Katz. Featuring an enormous, impressive cast of all ages with some performances offered with special permission from Radio City Music Hall, Reagle Music Theatre of Greater Boston travels to distant lands and different time periods from the North Pole to New York City in landscapes painted with picturesque flair by Robert Moody of Santa’s Workshop, Rockefeller Center, Boston’s duck statues, a candlelit church with sunburst stained glass windows, and the stunning, sprawling city of Jerusalem.
Renowned Tenor Fred C. VanNess Jr in The Living Nativity
The afternoon also featured an array of special, surprise guests with the returning, suburb talent of renowned tenor, Fred C. VanNess Jr and Mara Bonde’s gorgeous vocals. Famous scenes of the season include a lively version of The Nutcracker, appearances from Reagle’s Rockettes, a humorous scene from Parade of the Wooden Soldiers, and the suburb The Living Nativity highlighted by popular carols like Little Saint Nick, Jingle Bells, Twelve Days of Christmas, and Christmas medleys capture the Christmas spirit in an unforgettable way. Scenes are also peppered in performances from toys to trees coming to life dancing to rock, gospel, and much more. ChristmasTime, through its delightful, stunning vignettes of the season, exhibits a captivating depiction of the meaning of Christmas.
Teddy Bears Ballet Photo courtesy of Reagle Music Theatre of Greater Boston
Carolers Photo courtesy of Reagle Music Theatre of Greater Boston
Photo courtesy of Reagle Music Theatre of Greater Boston
As part of Reagle’s 50th anniversary celebration, Reagle Music Theatre of Greater Boston is holding a limited raffle to win a new Honda Civic. Click here for further details.
This annual, interactive celebration, which is appropriate for all ages, has a strong following so purchase tickets now. Each show is held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts through December 10. Call 781-891-5600 or Click here for tickets and for more information and upcoming events in 2018 such as Night Fever: An Evening With the Bee Gees and A Little Bit of Ireland. Tickets are also available at the theatre box office.
‘Tis the season once again for The Christmas House, an annual musical gathering to hear a blend of beloved Christmas carols, festive, original music by Marianne Withington, and intriguing holiday tales nestled in the Spire Center for Performing Arts in Plymouth, Massachusetts for one weekend only Friday, December 8 through Sunday, December 10. Click here for tickets and more information.
Written and directed by Marianne Withington, The Christmas House is an original story that explores the magic and meaning of Christmas through the warm memories and celebrations inside an old house since 1788. Along with traditional Christmas carols by the PCT singers, the cast will narrate and sing original music composed by Marianne Withington.
Plymouth Community Theatre is proud to present The Christmas House musical for three performances only on Friday, December 8 and Saturday, December 9 at 8 p.m. One Sunday matinee will be held on December 10 at 4 p.m. All performances are held at Spire Center for Performing Arts, 25 ½ Court Street in Plymouth, Massachusetts.
Click here for tickets, call 617-308-7834, and tickets will also be available at the box office. Follow Plymouth Community Theatre on Facebook and Twitter for auditions, how to donate, and their upcoming performances.
The Spire Center for Performing Arts boasts a wealth of exciting concerts, performances, and much more, especially during the holiday season. Tour the Spire Center for Performing Arts, learn about becoming a member, and click here for a diverse roster of exciting events at the Spire or call 1-508-746-4488. Spire Center for Performing Arts is also available on Facebook.
A mysterious candlestick, a robust clock, a talkative dresser, an imperfect cup, and a warm tea pot could very well be the right ingredients to true love. On the heels of the blockbuster, live action remake of Disney’s blockbuster film starring Emma Watson, Bill Hanney’s North Shore Music Theatre proudly presents the spectacular, award-winning Disney musical, Beauty and the Beast from Tuesday, July 11 through Sunday, July 30 at North Shore Music Theatre, 62 Dunham Road in Beverly, Massachusetts. Tickets for children up to 18 years old are half price, but no children under the age of 4 are permitted in the theatre. Click here for further details, tickets, and special performances that feature free post-show talks.
Based on the classic fairy tale, Beauty and the Beast is about a prince who resides in a magical castle under a dark spell. Belle is the beloved child of an inventor who seems more interested in the life of a good tale than reality. When Belle’s father gets lost in the forest, a series of events will test their capacity for compassion and love. With music by Alan Menken and lyrics by Howard Asman and Tim Rice, Beauty and the Beast boasts enchanting musical numbers audiences know and love such as Be Our Guest, Belle, Something There, and the musical’s beautiful title track.
Bill Hanney’s North Shore Music Theatre kicks off their 2017 musical season with Disney’s Beauty and the Beast from Tuesday, July 11 through Sunday, July 30. The Mel Brooks musical comedy, Young Frankenstein, the epic musical Evita, the toe tapping 42nd Street, and the return of the holiday classic, A Christmas Carol round out this year’s stellar season. Follow North Shore Music Theatre on Facebook, Twitter, and Instagram for updates and more.
David Tanklefsky of the band Whiskey Treaty Roadshow is just one in a wide array of dynamic musicians making their way to Club Passim in Cambridge, Massachusetts for the 19th annual Memorial Day campfire.festival from Friday, May 26 through Sunday, May 29. An interactive music festival presented “in the round,” featured artists interact with each other and the crowd, often improvising and exchanging songs during the weekend. What often results is the unexpected. Click here for the full list of featured musicians and for tickets.
The Whiskey Treaty Roadshow’s David Tanklefsky talks about Whiskey’s unique songwriting, the Beatles, and their touring adventures. Click here to see their award-winning, short documentary and follow them on Facebook.
Sleepless Critic: You’ll be at Club Passim for the campfire.festival Memorial Day weekend before the Whiskey Treaty Roadshow will make an appearance at Club Passim on Friday, July 14. You’ve played the venue as well as campfire.festival before. I understand it is quite an improvisational, interactive music experience.
David Tanklefsky: I’ve done campfire a few times. This will be my first time playing there with my friend Hayley Sabella, who is terrific. Passim is a special place and we are lucky to have it in the area. It seems like as less money is available to go around in the music world, the relationship between musicians and venues has become more of transaction. Passim is the opposite. They are unique and truly care about developing musicians and giving them a platform for being heard.
SC: How did the Whiskey Treaty Roadshow form and how did you meet?
DT:Tory Hanna is really the conduit through which the band came together. One of my best friends, who I was in a band with for years growing up, was living in a loft in Brooklyn with Tory and we started hanging out through him. His wife Susie went to high school with Greg Smith and Tory knew Billy Keane through the Berkshires music world. Billy had played a few shows with Chris Merenda and was a big fan of his old band, The Mammals. It happened very naturally, which I think is the best way for creative groups to get together.
The Whiskey Treaty Roadshow on tour Photo courtesy of Tim Bradley
SC: Whose idea was the award-winning, short documentary and how did you decide on the details to the documentary? It features lots of scenic, peaceful views of different areas of Massachusetts.
DT: Tory grew up with a filmmaker named Tim Bradley who was looking for a new documentary project. Tim captured our rehearsals for a four night tour we had organized through Massachusetts. It was our first time playing together as a group.
Watching it now is such fun because it’s a snapshot of a band just starting out without any expectations beyond playing four great shows. Tim meticulously planned out all the locations and the amazing videography. When Tory mentioned his friend wanted to film us, I trusted his judgment but never imagined Tim would come up with such a well-crafted film. It really helped catapult us into being a real band.
SC: You have a relaxed sound, a rhythm likened to a drive down a peaceful country road. You have a bit of a country tinge to some of your music. Was that planned? How did you end up conforming to a sound?
DT: In folk music, there are songs and chord progressions that become seared into your soul over time. We’ve never had a discussion about it, but everyone brings songs to the table that we think will work with our instrumentation and vocal abilities. I think the folk/country/Americana textures come from having many stringed instruments on stage and the collaborative spirit of just sitting around, passing the guitar, and sharing songs.
SC: Folk music is full of rich stories and each of you has a distinct style. How do you come up with your songs? Do you write a song together or are the songs bits of each songwriter or one song written by one another?
DT: In this project, everyone writes independently and then brings songs to the table in various forms of completeness. We’ve been tinkering with different instrumentation and having some songs with more minimal arrangements as it has evolved. We ask ourselves, ‘Do we need five people strumming away like mad men through this whole song?’ Often the answer is no. In the next few months, we’re planning to do a little songwriting retreat where we write more actively together for the first time, which will be new, exciting, and hopefully fruitful.
SC: Where did your love for songwriting start? Your particular songwriting style has a bit of humor with some rich lyrics and a bit of an unpredictable tempo at times.
DT: When I was 10, I had an unhealthy obsession with the for three years straight. I thought they were a perfect band. My friends and I went as the Beatles for Halloween every year between ages 10 and 13. No one wanted to be Ringo and no one was left-handed like Paul so we were four kids with mushroom cuts and right-handed cardboard guitars.
Later I became inspired by songwriters that are always growing, pushing, and challenging their listeners. I think Paul Simon is the gold standard for that. I’m in awe of the insatiable curiosity he taps into and I try to write from a position of newness like that. Being unaware of where my curiosity will take me but trying to just follow it through.
SC: I understand you are touring. What kind of venue would be an ideal place for you to play?
DT: It was a huge thrill to perform with Woody Guthrie’s granddaughter Sarah Lee. That’s way up on the list.
We’ve had the opportunity to play some amazing old theatres over the last year or so. We loved the Academy of Music in Northampton and the Colonial Theatre in Pittsfield. It was total thrill to sell out Mass MOCA, but some of our best shows have been in how-did-we-end-up-here type places too.
We played a last minute show in Cambridge in March at a really tiny place in Central Square and it was packed in with people standing on tables, total chaos. The bouncer was adamant that no one else could come in because it was too packed. One person left outside was our drummer, Jimmy. He came in the back door and was kicked back out onto the street. We said, ‘But that’s the drummer!’ The bouncer replied, ‘I don’t care, I said no more!’ Eventually we brokered a deal and Jimmy was allowed inside and the show went on. Theatre and dive bar are both okay in our book.
SC: What are the Whiskey Treaty Roadshow’s future plans?
DT: Our new EP is almost done and we are in high-level band discussions about a run of shows in the fall to support its release. We did it with an awesome engineer named Marc Seedorf at Barnhouse Studios in Chicopee, Massachusetts. We had to take a month break from recording because he was on tour with Dinosaur Jr. as their guitar tech and he got to play a few songs each night with them. He’s our new hero.
Click here for more information and tickets to Passim’s campfire.festival at Club Passim, 47 Palmer Street in Cambridge, Massachusetts, conveniently located in Harvard Square. Not only a haven for music lessons, Passim offers live concerts nearly 365 days a year featuring Grammy winners to musicians with a dream. Click here for their music schedule and follow Passim on Facebook and Twitter.
Revel in rich, Celtic traditions and captivating live performances with WGBH’s 12th annual St. Patrick’s Day Celtic Sojourn from Wednesday, March 15 through Saturday, March 18. Hosted by Brian O’Donovan and touring through Worcester, Beverly, New Bedford, and Cambridge, A St. Patrick’s Day Celtic Sojourn offers the excitement of Ireland’s history, Celtic traditions, storytelling, and annual concert with a dynamic array of musical guests from all over the map.
A St. Patrick’s Day Celtic Sojourn kicks off its Massachusetts tour on Wednesday, March 15 at the Hanover Theatre in Worcester, for the first time at The Cabot Theatre in Beverly on Thursday, March 16, take the stage at the Zeiterion Theatre in New Bedford on Friday, March 17, and then concluding the tour at the Sanders Theatre, Harvard University in Cambridge for two performances on Saturday, March 18. WGBH members get a discount on tickets. Click here for further details and for tickets!
Once again musically-directed by Keith Murphy, this highly-anticipated concert features musicians such as world-renowned fiddler Liz Carroll and popular harp and fiddle duo Jenna Moynihan and Mairi Chaimbeul. Karan Casey, Irish folk singer and founding member of Solas, will also appear with the Kara Casey Band. A St. Patrick’s Day Celtic Sojourn will showcases local performers such as the Miller Family, featuring guitarist Ruby May, fiddler Evelyn, and multi-instrumentalist Samuel. Hailing from Smithfield, Rhode Island, The Miller Family are traditional Irish dancers who have toured and competed in dance competitions from Montreal to Rhode Island. Winners at the World Irish dancing championships, the Miller Family are happy to share their upbeat rhythms.
Celebrate ‘A St. Patrick’s Day Celtic Sojourn’ from March 15-18 Photo courtesy of WGBH
Click here for the complete list of performers to ring in this thrilling holiday. From Beverly to Cambridge, A St. Patrick’s Day Celtic Sojourn is quickly approaching. Click here for tickets and further details. For a taste of Irish and Celtic traditions each Saturday afternoon, click here to tune in to A Celtic Sojourn hosted by Brian O’Donovan on 89.7 FM WGBH from 3 – 6 p.m. Follow A Celtic Sojourn on Facebook for updates and much more.
World-renowned choreographer William Forsythe, dressed in a baseball cap and modest attire, addressed an eager, mesmerized audience in a post-show talk with Boston Ballet’s acclaimed Artistic Director Mikko Nissinen after the evening performance of William Forsythe’s Artifact on Saturday, March 25. Mikko Nissinen introduced Forsythe with enthusiasm and said that working with him has been a lifelong dream fulfilled. William Forsythe and Boston Ballet’s Artistic Director Mikko Nissinen have a five-year partnership, working together to establish each season’s performances, highlighting one of Forsythe’s exceptional works each year.
The Boston Ballet Photo courtesy of Rosalie O’Connor/Boston Ballet
Friendly and unassuming, Forsythe spoke about his beautifully-unconventional production, Artifact, a piece he created over 30 years ago and a work that audiences and critics alike have embraced ever since. Veiled on the Boston Opera House stage and enhanced with minimal props, lies a complex, timeless, and thought-provoking masterpiece which makes a powerful statement on the essence of the art of ballet. Shown in its full length, Forsythe revised Artifact’s finale specifically for the Boston Ballet, which is a thrilling, compelling spectacle that blends classical and contemporary dance in a unique way.
Boston Ballet presents ‘Artifact’ Photo courtesy of Rosalie O’Connor/Boston Ballet
Boston Ballet presents William Forsythe’s Artifact through Sunday, March 5 at the Boston Opera House. Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts. Take a closer look at William Forsythe’s Artifacthere.
Blending humor, philosophy, drama, and a wide range of traditional and contemporary ballet, William Forsythe’s Artifact, since the show was introduced, set a significant precedent in the inspiring works that followed. A production packed with a wide range of welcome surprises, each distinct character offers their own insight into this mysterious tale. Featuring a shimmering backdrop that matched the majestic, glittering black gown worn by Dana Caspersen, a statuesque woman in grey portrayed by Caralin Curcio, and a dapper, yet frustrated older man with megaphone portrayed by Nicholas Champion, Artifact is an intensely fascinating work from its start.
Raina Sawai as Woman in Gray and Nicholas Champion as Man with Megaphone
Caspersen’s performance is full of jubilance and inquisitiveness from the moment she welcomed the audience with a peerless smile. Curcio delivers a haunting, athletic, and captivating non-verbal performance, her movements sharp, poised, and vigorous while she appears in unexpected places. Dignified and authoritative, Champion’s dynamic performance boasts comedic moments, especially in his interaction with Caspersen. While Champion’s musings are incomprehensible and muffled, Caspersen’s seem philosophical and poetic.
Artifact, divided into four parts like a symphony, features piano by Margot Kazimirska and delves into a full range of emotions as the piano seems to have a mind of its own, often breaking convention. The music, featuring J.S. Boch: Chaconne from Partita Nr. 2 BWV 1004 in D-Minor by Nathan Milstein, Sound Collage by William Forsythe, and music from composer and pianist Eva Crossman-Hecht, progresses from playful to somber then frantic to rhythmic.
Sao Hye Han and Paul Craig in William Forsythe’s ‘Artifact’ Photo courtesy of Rosalie O’Connor
Dressed in rich, vibrant color and launching into choreography ranging from romantic and sweeping to freestyle to stiff and regimented, the Boston Ballet often break convention under the direction of Curcio. A few of the highlights are ballet dancers breaking away into romantic, sweeping duets as they spin, sway, and soar. With a verbal countdown, they perform intrinsic dance combinations such as a row of dancers drop to the floor in unison, embracing. Another thrilling highlight is the ballet directs the curtain to lift and close, creating snapshots of various, choreographed scenes. As Artifact culminates into an unpredictable, uplifting, and magnificent finale, unified dancers are as mesmerizing as the dancers breaking away into frantic, dynamic arrangements, performing pirouettes to a wild rhythm, blossoming into a new entity.
Seo Hye Han and the Boston Ballet in ‘Artifact’ Photo courtesy of Rosalie O’Connor/Boston Ballet
Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts. Subscriptions and group rates are also available. Follow the Boston Ballet on Twitter.
The Boston Ballet’s 2017-18 season boasts masterful works such as Kylian/Wings of Wax from March 23 through April 2, Robbins/The Concert from May 5 through May 27, Obsidian Tear from November 3 through November 12, and the return of Tchaikovsky’s beloved holiday classic, Mikko Nissinen’s The Nutcracker from November 24 through December 31, 2017. Click here for a closer look at all of Boston Ballet’s 2017-18 season highlights.