REVIEW: Reagle Music Theatre’s 35th anniversary of ‘ChristmasTime’ is most wonderful

Brimming with holiday cheer while celebrating two milestone anniversaries, Reagle Music Theatre of Greater Boston is offering a season more spectacular than ever before.  Not only is Reagle celebrating its 50th anniversary, their beloved annual holiday music revue, ChristmasTime is marking 35 magnificent years.  These special ChristmasTime anniversary performances are dedicated to Reagle’s Christmas Angel, Natalie L. Durkin.  ChristmasTime continues through Sunday, December 10.  Click here for more information and for tickets.

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Raggedy Ann Photo courtesy of Reagle Music Theatre of Greater Boston

Just walking into Robinson Theatre before the performance, attendees are greeted by iconic holiday characters and Victorian carolers as the Robinson halls are decked out onstage and off with brightly lit snowflakes, richly designed Christmas trees, gold embossed wreaths, and the stage festively framed with wooden embroidered angels.  Reagle Music Theatre of Greater Boston annually features the memorable performances that transformed ChristmasTime into a holiday tradition as well as additional scenes that keep the show fresh each year.

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ChristmasTime stage Courtesy of Reagle Music Theatre of Greater Boston

From touching, candlelit hymns to joyous rollicking Christmas carols for the entire family including a sing-along, Reagle Music Theatre’s production of ChristmasTime never loses steam even in its quietest of moments.  During the holiday season, spend the afternoon witnessing a unique musical revue seeped in a variety of iconic Christmas scenes expertly narrated with the warm, inviting vocals of R. Glen Mitchell and a live orchestra led by Jeffrey P Leonard and Paul S. Katz.  Featuring an enormous, impressive cast of all ages with some performances offered with special permission from Radio City Music Hall, Reagle Music Theatre of Greater Boston travels to distant lands and different time periods from the North Pole to New York City in landscapes painted with picturesque flair by Robert Moody of Santa’s Workshop, Rockefeller Center, Boston’s duck statues, a candlelit church with sunburst stained glass windows, and the stunning, sprawling city of Jerusalem.

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Renowned Tenor Fred C. VanNess Jr in The Living Nativity

The afternoon also featured an array of special, surprise guests with the returning, suburb talent of renowned tenor, Fred C. VanNess Jr and Mara Bonde’s gorgeous vocals.  Famous scenes of the season include a lively version of The Nutcracker, appearances from Reagle’s Rockettes, a humorous scene from Parade of the Wooden Soldiers, and the suburb The Living Nativity highlighted by popular carols like Little Saint Nick, Jingle Bells, Twelve Days of Christmas, and Christmas medleys capture the Christmas spirit in an unforgettable way.  Scenes are also peppered in performances from toys to trees coming to life dancing to rock, gospel, and much more.  ChristmasTime, through its delightful, stunning vignettes of the season, exhibits a captivating depiction of the meaning of Christmas.

As part of Reagle’s 50th anniversary celebration, Reagle Music Theatre of Greater Boston is holding a limited raffle to win a new Honda Civic.  Click here for further details.

This annual, interactive celebration, which is appropriate for all ages, has a strong following so purchase tickets now.  Each show is held at Reagle Music Theatre, 617 Lexington Street in Waltham, Massachusetts through December 10.  Call 781-891-5600 or Click here for tickets and for more information and upcoming events in 2018 such as Night Fever:  An Evening With the Bee Gees and A Little Bit of Ireland. Tickets are also available at the theatre box office.

 

 

Plymouth Community Theatre’s annual musical show ‘The Christmas House’ boasts Christmas carols, intriguing tales, and more

‘Tis the season once again for The Christmas House, an annual musical gathering to hear a blend of beloved Christmas carols, festive, original music by Marianne Withington, and intriguing holiday tales nestled in the Spire Center for Performing Arts in Plymouth, Massachusetts for one weekend only Friday, December 8 through Sunday, December 10.  Click here for tickets and more information.

Written and directed by Marianne Withington, The Christmas House is an original story that explores the magic and meaning of Christmas through the warm memories and celebrations inside an old house since 1788.  Along with traditional Christmas carols by the PCT singers, the cast will narrate and sing original music composed by Marianne Withington.

Plymouth Community Theatre is proud to present The Christmas House musical for three performances only on Friday, December 8 and Saturday, December 9 at 8 p.m.  One Sunday matinee will be held on December 10 at 4 p.m.  All performances are held at Spire Center for Performing Arts, 25 ½ Court Street in Plymouth, Massachusetts.

Click here for tickets, call 617-308-7834, and tickets will also be available at the box office.  Follow Plymouth Community Theatre on Facebook and Twitter for auditions, how to donate, and their upcoming performances.

The Spire Center for Performing Arts boasts a wealth of exciting concerts, performances, and much more, especially during the holiday season.  Tour the Spire Center for Performing Arts, learn about becoming a member, and click here for a diverse roster of exciting events at the Spire or call 1-508-746-4488.  Spire Center for Performing Arts is also available on Facebook.

Bill Hanney’s North Shore Music Theatre presents Disney’s award-winning musical, ‘Beauty and the Beast’

A mysterious candlestick, a robust clock, a talkative dresser, an imperfect cup, and a warm tea pot could very well be the right ingredients to true love.  On the heels of the blockbuster, live action remake of Disney’s blockbuster film starring Emma Watson, Bill Hanney’s North Shore Music Theatre proudly presents the spectacular, award-winning Disney musical, Beauty and the Beast from Tuesday, July 11 through Sunday, July 30 at North Shore Music Theatre, 62 Dunham Road in Beverly, Massachusetts.  Tickets for children up to 18 years old are half price, but no children under the age of 4 are permitted in the theatre.  Click here for further details, tickets, and special performances that feature free post-show talks.

Based on the classic fairy tale, Beauty and the Beast is about a prince who resides in a magical castle under a dark spell. Belle is the beloved child of an inventor who seems more interested in the life of a good tale than reality. When Belle’s father gets lost in the forest, a series of events will test their capacity for compassion and love. With music by Alan Menken and lyrics by Howard Asman and Tim Rice, Beauty and the Beast boasts enchanting musical numbers audiences know and love such as Be Our Guest, Belle, Something There, and the musical’s beautiful title track.

Bill Hanney’s North Shore Music Theatre kicks off their 2017 musical season with Disney’s Beauty and the Beast from Tuesday, July 11 through Sunday, July 30.  The Mel Brooks musical comedy, Young Frankenstein, the epic musical Evita, the toe tapping 42nd Street, and the return of the holiday classic, A Christmas Carol round out this year’s stellar season.  Follow North Shore Music Theatre on Facebook, Twitter, and Instagram for updates and more.

The Whiskey Treaty Roadshow’s David Tanklefsky talks songwriting and Passim’s campfire.festival

David Tanklefsky of the band Whiskey Treaty Roadshow is just one in a wide array of dynamic musicians making their way to Club Passim in Cambridge, Massachusetts for the 19th annual Memorial Day campfire.festival from Friday, May 26 through Sunday, May 29.  An interactive music festival presented “in the round,” featured artists interact with each other and the crowd, often improvising and exchanging songs during the weekend.  What often results is the unexpected.  Click here for the full list of featured musicians and for tickets.

The Whiskey Treaty Roadshow’s David Tanklefsky talks about Whiskey’s unique songwriting, the Beatles, and their touring adventures.  Click here to see their award-winning, short documentary and follow them on Facebook.

Sleepless Critic:  You’ll be at Club Passim for the campfire.festival Memorial Day weekend before the Whiskey Treaty Roadshow will make an appearance at Club Passim on Friday, July 14.  You’ve played the venue as well as campfire.festival before.  I understand it is quite an improvisational, interactive music experience.

David Tanklefsky:  I’ve done campfire a few times. This will be my first time playing there with my friend Hayley Sabella, who is terrific. Passim is a special place and we are lucky to have it in the area.  It seems like as less money is available to go around in the music world, the relationship between musicians and venues has become more of transaction.  Passim is the opposite. They are unique and truly care about developing musicians and giving them a platform for being heard.

SC:  How did the Whiskey Treaty Roadshow form and how did you meet?

DT:  Tory Hanna is really the conduit through which the band came together.  One of my best friends, who I was in a band with for years growing up, was living in a loft in Brooklyn with Tory and we started hanging out through him.  His wife Susie went to high school with Greg Smith and Tory knew Billy Keane through the Berkshires music world.  Billy had played a few shows with Chris Merenda and was a big fan of his old band, The Mammals. It happened very naturally, which I think is the best way for creative groups to get together.

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The Whiskey Treaty Roadshow on tour Photo courtesy of Tim Bradley

SC:  Whose idea was the award-winning, short documentary and how did you decide on the details to the documentary?  It features lots of scenic, peaceful views of different areas of Massachusetts.

DT:  Tory grew up with a filmmaker named Tim Bradley who was looking for a new documentary project.  Tim captured our rehearsals for a four night tour we had organized through Massachusetts.  It was our first time playing together as a group.

Watching it now is such fun because it’s a snapshot of a band just starting out without any expectations beyond playing four great shows.  Tim meticulously planned out all the locations and the amazing videography.  When Tory mentioned his friend wanted to film us, I trusted his judgment but never imagined Tim would come up with such a well-crafted film.  It really helped catapult us into being a real band.

SC:  You have a relaxed sound, a rhythm likened to a drive down a peaceful country road.  You have a bit of a country tinge to some of your music.  Was that planned?  How did you end up conforming to a sound?

DT:  In folk music, there are songs and chord progressions that become seared into your soul over time. We’ve never had a discussion about it, but everyone brings songs to the table that we think will work with our instrumentation and vocal abilities. I think the folk/country/Americana textures come from having many stringed instruments on stage and the collaborative spirit of just sitting around, passing the guitar, and sharing songs.

SC:  Folk music is full of rich stories and each of you has a distinct style.  How do you come up with your songs?  Do you write a song together or are the songs bits of each songwriter or one song written by one another?

DT:  In this project, everyone writes independently and then brings songs to the table in various forms of completeness. We’ve been tinkering with different instrumentation and having some songs with more minimal arrangements as it has evolved.  We ask ourselves, ‘Do we need five people strumming away like mad men through this whole song?’  Often the answer is no. In the next few months, we’re planning to do a little songwriting retreat where we write more actively together for the first time, which will be new, exciting, and hopefully fruitful.

SC:  Where did your love for songwriting start?  Your particular songwriting style has a bit of humor with some rich lyrics and a bit of an unpredictable tempo at times.

DT:  When I was 10, I had an unhealthy obsession with the for three years straight.  I thought they were a perfect band.  My friends and I went as the Beatles for Halloween every year between ages 10 and 13. No one wanted to be Ringo and no one was left-handed like Paul so we were four kids with mushroom cuts and right-handed cardboard guitars.

Later I became inspired by songwriters that are always growing, pushing, and challenging their listeners.  I think Paul Simon is the gold standard for that.  I’m in awe of the insatiable curiosity he taps into and I try to write from a position of newness like that.  Being unaware of where my curiosity will take me but trying to just follow it through.

SC:  I understand you are touring.  What kind of venue would be an ideal place for you to play?

DT:  It was a huge thrill to perform with Woody Guthrie’s granddaughter Sarah Lee. That’s way up on the list.

We’ve had the opportunity to play some amazing old theatres over the last year or so. We loved the Academy of Music in Northampton and the Colonial Theatre in Pittsfield.  It was total thrill to sell out Mass MOCA, but some of our best shows have been in how-did-we-end-up-here type places too.

We played a last minute show in Cambridge in March at a really tiny place in Central Square and it was packed in with people standing on tables, total chaos.  The bouncer was adamant that no one else could come in because it was too packed.  One person left outside was our drummer, Jimmy.  He came in the back door and was kicked back out onto the street. We said, ‘But that’s the drummer!’  The bouncer replied, ‘I don’t care, I said no more!’  Eventually we brokered a deal and Jimmy was allowed inside and the show went on.  Theatre and dive bar are both okay in our book.

SC:  What are the Whiskey Treaty Roadshow’s future plans?

DT:  Our new EP is almost done and we are in high-level band discussions about a run of shows in the fall to support its release. We did it with an awesome engineer named Marc Seedorf at Barnhouse Studios in Chicopee, Massachusetts. We had to take a month break from recording because he was on tour with Dinosaur Jr. as their guitar tech and he got to play a few songs each night with them.  He’s our new hero.

Click here for more information and tickets to Passim’s campfire.festival at Club Passim, 47 Palmer Street in Cambridge, Massachusetts, conveniently located in Harvard Square.  Not only a haven for music lessons, Passim offers live concerts nearly 365 days a year featuring Grammy winners to musicians with a dream.  Click here for their music schedule and follow Passim on Facebook and Twitter.

Celebrate St. Patrick’s Day with Brian O’Donovan and WBGH’s ‘A St. Patrick’s Day Celtic Sojourn’

Revel in rich, Celtic traditions and captivating live performances with WGBH’s 12th annual St. Patrick’s Day Celtic Sojourn from Wednesday, March 15 through Saturday, March 18.  Hosted by Brian O’Donovan and touring through Worcester, Beverly, New Bedford, and Cambridge, A St. Patrick’s Day Celtic Sojourn offers the excitement of Ireland’s history, Celtic traditions, storytelling, and annual concert with a dynamic array of musical guests from all over the map.

A St. Patrick’s Day Celtic Sojourn kicks off its Massachusetts tour on Wednesday, March 15 at the Hanover Theatre in Worcester, for the first time at The Cabot Theatre in Beverly on Thursday, March 16, take the stage at the Zeiterion Theatre in New Bedford on Friday, March 17, and then concluding the tour at the Sanders Theatre, Harvard University in Cambridge for two performances on Saturday, March 18.  WGBH members get a discount on tickets. Click here for further details and for tickets!

Once again musically-directed by Keith Murphy, this highly-anticipated concert features musicians such as world-renowned fiddler Liz Carroll and popular harp and fiddle duo Jenna Moynihan and Mairi Chaimbeul. Karan Casey, Irish folk singer and founding member of Solas, will also appear with the Kara Casey Band.  A St. Patrick’s Day Celtic Sojourn will showcases local performers such as the Miller Family, featuring guitarist Ruby May, fiddler Evelyn, and multi-instrumentalist Samuel.  Hailing from Smithfield, Rhode Island, The Miller Family are traditional Irish dancers who have toured and competed in dance competitions from Montreal to Rhode Island. Winners at the World Irish dancing championships, the Miller Family are happy to share their upbeat rhythms.

 

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Celebrate ‘A St. Patrick’s Day Celtic Sojourn’ from March 15-18 Photo courtesy of WGBH

Click here for the complete list of performers to ring in this thrilling holiday.  From Beverly to Cambridge, A St. Patrick’s Day Celtic Sojourn is quickly approaching. Click here for tickets and further details.  For a taste of Irish and Celtic traditions each Saturday afternoon, click here to tune in to A Celtic Sojourn hosted by Brian O’Donovan on 89.7 FM WGBH from 3 – 6 p.m.  Follow A Celtic Sojourn on Facebook for updates and much more.

REVIEW: Boston Ballet presents William Forsythe’s brilliantly compelling ‘Artifact’

World-renowned choreographer William Forsythe, dressed in a baseball cap and modest attire, addressed an eager, mesmerized audience in a post-show talk with Boston Ballet’s acclaimed Artistic Director Mikko Nissinen after the evening performance of William Forsythe’s Artifact on Saturday, March 25.  Mikko Nissinen introduced Forsythe with enthusiasm and said that working with him has been a lifelong dream fulfilled.  William Forsythe and Boston Ballet’s Artistic Director Mikko Nissinen have a five-year partnership, working together to establish each season’s performances, highlighting one of Forsythe’s exceptional works each year.

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The Boston Ballet Photo courtesy of Rosalie O’Connor/Boston Ballet

Friendly and unassuming, Forsythe spoke about his beautifully-unconventional production, Artifact, a piece he created over 30 years ago and a work that audiences and critics alike have embraced ever since.  Veiled on the Boston Opera House stage and enhanced with minimal props, lies a complex, timeless, and thought-provoking masterpiece which makes a powerful statement on the essence of the art of ballet.  Shown in its full length, Forsythe revised Artifact’s finale specifically for the Boston Ballet, which is a thrilling, compelling spectacle that blends classical and contemporary dance in a unique way.

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Boston Ballet presents ‘Artifact’ Photo courtesy of Rosalie O’Connor/Boston Ballet

Boston Ballet presents William Forsythe’s Artifact through Sunday, March 5 at the Boston Opera House.  Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Take a closer look at William Forsythe’s Artifact here.

Blending humor, philosophy, drama, and a wide range of traditional and contemporary ballet, William Forsythe’s Artifact, since the show was introduced, set a significant precedent in the inspiring works that followed.  A production packed with a wide range of welcome surprises, each distinct character offers their own insight into this mysterious tale.  Featuring a shimmering backdrop that matched the majestic, glittering black gown worn by Dana Caspersen, a statuesque woman in grey portrayed by Caralin Curcio, and a dapper, yet frustrated older man with megaphone portrayed by Nicholas Champion, Artifact is an intensely fascinating work from its start.

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Raina Sawai as Woman in Gray and Nicholas Champion as Man with Megaphone

Caspersen’s performance is  full of jubilance and inquisitiveness from the moment she welcomed the audience with a peerless smile.  Curcio delivers a haunting, athletic, and captivating non-verbal performance, her movements sharp, poised, and vigorous while she appears in unexpected places.  Dignified and authoritative, Champion’s dynamic performance boasts comedic moments, especially in his interaction with Caspersen.  While Champion’s musings are incomprehensible and muffled, Caspersen’s seem philosophical and poetic.

Artifact, divided into four parts like a symphony, features piano by Margot Kazimirska and delves into a full range of emotions as the piano seems to have a mind of its own, often breaking convention.  The music, featuring J.S. Boch: Chaconne from Partita Nr. 2 BWV 1004 in D-Minor by Nathan Milstein, Sound Collage by William Forsythe, and music from composer and pianist Eva Crossman-Hecht, progresses from playful to somber then frantic to rhythmic.

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Sao Hye Han and Paul Craig in William Forsythe’s ‘Artifact’ Photo courtesy of Rosalie O’Connor

Dressed in rich, vibrant color and launching into choreography ranging from romantic and sweeping to freestyle to stiff and regimented, the Boston Ballet often break convention under the direction of Curcio.  A few of the highlights are ballet dancers breaking away into romantic, sweeping duets as they spin, sway, and soar.  With a verbal countdown, they perform intrinsic dance combinations such as a row of dancers drop to the floor in unison, embracing.  Another thrilling highlight is the ballet directs the curtain to lift and close, creating snapshots of various, choreographed scenes.  As Artifact culminates into an unpredictable, uplifting, and magnificent finale, unified dancers are as mesmerizing as the dancers breaking away into frantic, dynamic arrangements, performing pirouettes to a wild rhythm, blossoming into a new entity.

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Seo Hye Han and the Boston Ballet in ‘Artifact’ Photo courtesy of Rosalie O’Connor/Boston Ballet

Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Subscriptions and group rates are also available. Follow the Boston Ballet on Twitter.

The Boston Ballet’s 2017-18 season boasts masterful works such as Kylian/Wings of Wax from March 23 through April 2, Robbins/The Concert from May 5 through May 27, Obsidian Tear from November 3 through November 12, and the return of Tchaikovsky’s beloved holiday classic, Mikko Nissinen’s The Nutcracker from November 24 through December 31, 2017.  Click here for a closer look at all of Boston Ballet’s 2017-18 season highlights.

The Boston Ballet presents William Forsythe’s thrilling ‘Artifact,’ part of their 2017-18 season

On Thursday, February 23, the Boston Ballet begins another magnificent spring season and simultaneously launches a five-year partnership with brilliant dancer and world-renowned choreographer, William Forsythe. As part of Forsythe’s five-year partnership, William Forsythe and Boston Ballet’s Artistic Director Mikko Nissinen work together to establish each season’s performances, highlighting one of Forsythe’s stunning works each year.

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Choreographer William Forsythe and Misa Kuranaga in rehearsal for Artifact; photo by Liza Voll, courtesy of Boston Ballet

William Forsythe’s full length masterpiece, Artifact, a revelation in the art of dance and has thrilled audiences since its stage premiere in 1984.  Artifact continues through Sunday, March 5 at the Boston Opera House, 539 Washington Street in Boston, Massachusetts.  Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Take a closer look at William Forsythe’s Artifact here.

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Boston Ballet’s Misa Kuranaga and Patrick Yocum, William Forsythe’s Artifact; © Rachel Neville

The Boston Ballet boasts a monumental lineup for its 2017-18 season including timeless romantic classics such as Marius Petipa’s The Sleeping Beauty from April 28 to May 27, 2017 and John Cranko’s Romeo & Juliet from March 15 through April 8, 2018.  This season is also filled with masterful works such as Kylian/Wings of Wax from March 23 through April 2, Robbins/The Concert from May 5 through May 27, Obsidian Tear from November 3 through November 12, and the return of Tchaikovsky’s beloved holiday classic, Mikko Nissinen’s The Nutcracker from November 24 through December 31, 2017.  Click here for a closer look at all of Boston Ballet’s 2017-18 season highlights.

Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Subscriptions and group rates are also available. Follow the Boston Ballet on Twitter!