Celebrate St. Patrick’s Day with Brian O’Donovan and WBGH’s ‘A St. Patrick’s Day Celtic Sojourn’

Revel in rich, Celtic traditions and captivating live performances with WGBH’s 12th annual St. Patrick’s Day Celtic Sojourn from Wednesday, March 15 through Saturday, March 18.  Hosted by Brian O’Donovan and touring through Worcester, Beverly, New Bedford, and Cambridge, A St. Patrick’s Day Celtic Sojourn offers the excitement of Ireland’s history, Celtic traditions, storytelling, and annual concert with a dynamic array of musical guests from all over the map.

A St. Patrick’s Day Celtic Sojourn kicks off its Massachusetts tour on Wednesday, March 15 at the Hanover Theatre in Worcester, for the first time at The Cabot Theatre in Beverly on Thursday, March 16, take the stage at the Zeiterion Theatre in New Bedford on Friday, March 17, and then concluding the tour at the Sanders Theatre, Harvard University in Cambridge for two performances on Saturday, March 18.  WGBH members get a discount on tickets. Click here for further details and for tickets!

Once again musically-directed by Keith Murphy, this highly-anticipated concert features musicians such as world-renowned fiddler Liz Carroll and popular harp and fiddle duo Jenna Moynihan and Mairi Chaimbeul. Karan Casey, Irish folk singer and founding member of Solas, will also appear with the Kara Casey Band.  A St. Patrick’s Day Celtic Sojourn will showcases local performers such as the Miller Family, featuring guitarist Ruby May, fiddler Evelyn, and multi-instrumentalist Samuel.  Hailing from Smithfield, Rhode Island, The Miller Family are traditional Irish dancers who have toured and competed in dance competitions from Montreal to Rhode Island. Winners at the World Irish dancing championships, the Miller Family are happy to share their upbeat rhythms.

 

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Celebrate ‘A St. Patrick’s Day Celtic Sojourn’ from March 15-18 Photo courtesy of WGBH

Click here for the complete list of performers to ring in this thrilling holiday.  From Beverly to Cambridge, A St. Patrick’s Day Celtic Sojourn is quickly approaching. Click here for tickets and further details.  For a taste of Irish and Celtic traditions each Saturday afternoon, click here to tune in to A Celtic Sojourn hosted by Brian O’Donovan on 89.7 FM WGBH from 3 – 6 p.m.  Follow A Celtic Sojourn on Facebook for updates and much more.

REVIEW: Boston Ballet presents William Forsythe’s brilliantly compelling ‘Artifact’

World-renowned choreographer William Forsythe, dressed in a baseball cap and modest attire, addressed an eager, mesmerized audience in a post-show talk with Boston Ballet’s acclaimed Artistic Director Mikko Nissinen after the evening performance of William Forsythe’s Artifact on Saturday, March 25.  Mikko Nissinen introduced Forsythe with enthusiasm and said that working with him has been a lifelong dream fulfilled.  William Forsythe and Boston Ballet’s Artistic Director Mikko Nissinen have a five-year partnership, working together to establish each season’s performances, highlighting one of Forsythe’s exceptional works each year.

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The Boston Ballet Photo courtesy of Rosalie O’Connor/Boston Ballet

Friendly and unassuming, Forsythe spoke about his beautifully-unconventional production, Artifact, a piece he created over 30 years ago and a work that audiences and critics alike have embraced ever since.  Veiled on the Boston Opera House stage and enhanced with minimal props, lies a complex, timeless, and thought-provoking masterpiece which makes a powerful statement on the essence of the art of ballet.  Shown in its full length, Forsythe revised Artifact’s finale specifically for the Boston Ballet, which is a thrilling, compelling spectacle that blends classical and contemporary dance in a unique way.

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Boston Ballet presents ‘Artifact’ Photo courtesy of Rosalie O’Connor/Boston Ballet

Boston Ballet presents William Forsythe’s Artifact through Sunday, March 5 at the Boston Opera House.  Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Take a closer look at William Forsythe’s Artifact here.

Blending humor, philosophy, drama, and a wide range of traditional and contemporary ballet, William Forsythe’s Artifact, since the show was introduced, set a significant precedent in the inspiring works that followed.  A production packed with a wide range of welcome surprises, each distinct character offers their own insight into this mysterious tale.  Featuring a shimmering backdrop that matched the majestic, glittering black gown worn by Dana Caspersen, a statuesque woman in grey portrayed by Caralin Curcio, and a dapper, yet frustrated older man with megaphone portrayed by Nicholas Champion, Artifact is an intensely fascinating work from its start.

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Raina Sawai as Woman in Gray and Nicholas Champion as Man with Megaphone

Caspersen’s performance is  full of jubilance and inquisitiveness from the moment she welcomed the audience with a peerless smile.  Curcio delivers a haunting, athletic, and captivating non-verbal performance, her movements sharp, poised, and vigorous while she appears in unexpected places.  Dignified and authoritative, Champion’s dynamic performance boasts comedic moments, especially in his interaction with Caspersen.  While Champion’s musings are incomprehensible and muffled, Caspersen’s seem philosophical and poetic.

Artifact, divided into four parts like a symphony, features piano by Margot Kazimirska and delves into a full range of emotions as the piano seems to have a mind of its own, often breaking convention.  The music, featuring J.S. Boch: Chaconne from Partita Nr. 2 BWV 1004 in D-Minor by Nathan Milstein, Sound Collage by William Forsythe, and music from composer and pianist Eva Crossman-Hecht, progresses from playful to somber then frantic to rhythmic.

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Sao Hye Han and Paul Craig in William Forsythe’s ‘Artifact’ Photo courtesy of Rosalie O’Connor

Dressed in rich, vibrant color and launching into choreography ranging from romantic and sweeping to freestyle to stiff and regimented, the Boston Ballet often break convention under the direction of Curcio.  A few of the highlights are ballet dancers breaking away into romantic, sweeping duets as they spin, sway, and soar.  With a verbal countdown, they perform intrinsic dance combinations such as a row of dancers drop to the floor in unison, embracing.  Another thrilling highlight is the ballet directs the curtain to lift and close, creating snapshots of various, choreographed scenes.  As Artifact culminates into an unpredictable, uplifting, and magnificent finale, unified dancers are as mesmerizing as the dancers breaking away into frantic, dynamic arrangements, performing pirouettes to a wild rhythm, blossoming into a new entity.

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Seo Hye Han and the Boston Ballet in ‘Artifact’ Photo courtesy of Rosalie O’Connor/Boston Ballet

Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Subscriptions and group rates are also available. Follow the Boston Ballet on Twitter.

The Boston Ballet’s 2017-18 season boasts masterful works such as Kylian/Wings of Wax from March 23 through April 2, Robbins/The Concert from May 5 through May 27, Obsidian Tear from November 3 through November 12, and the return of Tchaikovsky’s beloved holiday classic, Mikko Nissinen’s The Nutcracker from November 24 through December 31, 2017.  Click here for a closer look at all of Boston Ballet’s 2017-18 season highlights.

The Boston Ballet presents William Forsythe’s thrilling ‘Artifact,’ part of their 2017-18 season

On Thursday, February 23, the Boston Ballet begins another magnificent spring season and simultaneously launches a five-year partnership with brilliant dancer and world-renowned choreographer, William Forsythe. As part of Forsythe’s five-year partnership, William Forsythe and Boston Ballet’s Artistic Director Mikko Nissinen work together to establish each season’s performances, highlighting one of Forsythe’s stunning works each year.

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Choreographer William Forsythe and Misa Kuranaga in rehearsal for Artifact; photo by Liza Voll, courtesy of Boston Ballet

William Forsythe’s full length masterpiece, Artifact, a revelation in the art of dance and has thrilled audiences since its stage premiere in 1984.  Artifact continues through Sunday, March 5 at the Boston Opera House, 539 Washington Street in Boston, Massachusetts.  Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Take a closer look at William Forsythe’s Artifact here.

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Boston Ballet’s Misa Kuranaga and Patrick Yocum, William Forsythe’s Artifact; © Rachel Neville

The Boston Ballet boasts a monumental lineup for its 2017-18 season including timeless romantic classics such as Marius Petipa’s The Sleeping Beauty from April 28 to May 27, 2017 and John Cranko’s Romeo & Juliet from March 15 through April 8, 2018.  This season is also filled with masterful works such as Kylian/Wings of Wax from March 23 through April 2, Robbins/The Concert from May 5 through May 27, Obsidian Tear from November 3 through November 12, and the return of Tchaikovsky’s beloved holiday classic, Mikko Nissinen’s The Nutcracker from November 24 through December 31, 2017.  Click here for a closer look at all of Boston Ballet’s 2017-18 season highlights.

Click here for tickets, call 617-695-6955, or visit the Boston Ballet box office at 19 Clarendon Street in Boston, Massachusetts.  Subscriptions and group rates are also available. Follow the Boston Ballet on Twitter!