REVIEW: PTP/NYC presents enthralling family mystery, ‘The House in Scarsdale’

Dan has a complicated relationship with his estranged family.

Director Christian Parker of ‘The House in Scarsdale’ Photo courtesy of PTC/NYC

Directed by Christian Parker and written by playwright and actor Dan O’Brien, Dan embarks on more than just a spiritual journey in The House in Scarsdale: a memoir for the stageThe House in Scarsdale is the third play within Potomac Theatre Project(PTP/NYC’s) virtual series that has been running each weekend from September 24 through Sunday, October 18.

 Dan O’Brien’s The House in Scarsdale streamed from Thursday, October 8 through Sunday, October 11 and Caryl Churchill’s Far Away continues through Sunday, October 18 on PTC/NYC’s YouTube channel.   Viewings are free, but donations are welcome to support PTC/NYC with ten percent of the proceeds supporting The National Black Theatre.  Click here for the complete list of productions in PTP/NYC’s virtual series.

 In what can be described as a play within a prospective play, The House in Scarsdale visits the darkest of dysfunction as Dan, a journalist, visits various family members and others to learn more about his family’s past for his upcoming autobiographical play.  Audiences travel alongside Dan on his journey from the Garden State Parkway to as far as Europe as he investigates a possible family secret. What makes this show unique is not only is it a mystery, but as the details unfold, how much of the truth do you really want to know about your family?  Every family has their problems, but some secrets cannot be fathomed. 

The House in Scarsdale stars the show’s own playwright Dan O’Brien as Dan and Alex Draper portrays several dynamic characters throughout the production.  Draper seamlessly sinks right into each role, navigating an assortment of colorful characters from Dan’s resentful grandmother to his eccentric uncle.  Draper is expressive and spirited, clearly enjoying each transition.  His conversations with O’Brien have moments of dark humor, relatable family banter, and a good dose of stark, stirring honesty. 

The show is figuratively and literally on a journey to learn more about Dan’s troubled family, a family so dysfunctional that poor Dan has been cast out of his family circle hence its ironic opening quote by John Cheever, ‘Come back, come back, my wretched, feeble and unwanted child.’ Dan understandably wants to know why. As Dan’s extended family recall his family’s wild tendencies and various psychoses, Dan’s low key and unassuming demeanor makes one think that perhaps he has been through much more than he lets on. 

Dan is a quiet, inquisitive soul and depicts his emotional detachment with a skilled subtlety.  His conflicted nature between trepidation and yearning is fascinating as he ventures deeper into his family history becoming so invested and anxious about what he might find, he even visits a psychic.  Some of his family recollections are universal and lighthearted and every family has a degree of unhealthy dysfunction, but other memories are dreadfully concerning. 

So, as some answers come to light and more questions arise, how much is Dan like his family and how much of the story can be trusted?  The House in Scarsdale lures you in and leaves you engrossed in its outcome, hoping for a light at the end of this tunnel.

Potomac Theatre Project or PTC/NYC is located at 330 West 16th Street in New York City. Click here for more information and how to support PTP/NYC’s current and upcoming productions.

REVIEW: Company Theatre unveils remarkable ‘Fun Home’

The crowd roared.   Even with a half-full Company Theatre crowd that adhered to Covid-19 requirements opening night on Friday, March 13th, this enthusiastic audience was more than ready to be taken away by what theatre does best.  Company Theatre co-founder Zoe Bradford provided a special Fun Home introduction and mused, “Theatre has a way of helping you escape reality.”

Company Theatre Fun Home Airplane

Riley Crockett as Small Alison and Michael Hammond as Bruce Photo courtesy of Zoe Bradford/Company Theatre

Five-time Tony award-winning musical Fun Home explores different perceptions of reality within the Bechdel family.  They wrestle with it, deny it, but ultimately, must come to terms with it.  Based on the graphic novel memoir by Alison Bechdel and directed by Zoe Bradford and Jordie Saucerman, The Company Theatre presented musical Fun Home on Friday, March 13 at Company Theatre at 30 Accord Park Drive in Norwell, Massachusetts and plans for the show’s return when the theatre reopens.  Click here for more information.

Under a softly lit, lattice rooftop, Fun Home takes an intimate look inside a family seemingly full of zeal and an antique Victorian house so tidy and flawless flanked with a fireplace, grand piano, and large casement windows, it neatly hides any cracks and crevices underneath.  With elegant scenic design by Ryan Barrow and Zoe Bradford as well as rich, emotive lighting by Ethan R. Jones, The Company Theatre unveils this absorbing musical that lures the audience into the Bechdel family’s complicated world.

The Company Theatre Fun Home Looking On

Aimee Doherty as Alison, Michael Hammond as Bruce, and Riley Crockett as Small Alison Photo courtesy of Zoe Bradford/Company Theatre

It’s funny what you recall in life.  Memories can be tricky.  As time goes by, perspective changes as a person grows, transforming a memory and gradually revealing details once never thought of or understood before.  That lattice rooftop seals in cartoonist Alison Bechdel’s intimate memories as she writes her memoirs through her work, ruminating on her childhood and upbringing to find out what ultimately makes her feel like she is stuck in life.  Alison uses cartoons because drawing as a child, she recalls, “I need real things to draw from because I don’t trust memory.”

With its share of comedic and uplifting moments, Alison looks back on her relationship with her enigmatic and intellectual father Bruce and her traveling and ill at ease mother, Helen.  Alison is the only individual that outwardly transforms in this piece, thanks to the exceptional work of Riley Crockett as adorably precocious Small Alison, and Jaclyn Chylinski who is impressive as naïve, anxious, and excitable Medium Alison.  Crockett performs an impeccable version of Ring of Keys and shines with Charlie Flaherty as Christian and Owen Veith as John in the darkly humorous title track, Fun HomeMelissa Carubia is smooth and charismatic as cool and collected Joan.

The Company Theatre 'Fun Home'

Riley Crockett as Small Alison, Charlie Flaherty as Christian, and Owen Veith as John Photo courtesy of Zoe Bradford/Company Theatre  

With black rimmed glasses and short dark hair, IRNE award-winner Aimee Doherty slips into Alison’s façade, a mature, jaded and intellectually-driven individual.  With a dark sense of humor, Doherty narrates this emotional journey evoking confusion, warmth, sorrow, and frustration in her fine features while building her strength in each new discovery.

Michael Hammond, in a tenacious performance, embodies the many sides of Alison’s father Bruce.  With black rimmed glasses, dress pants, and a collared sweater, he is critical man with a refined intellect, and perpetually occupied to become an expert on most everything.  Seemingly a friendly, strict, and hardworking family man, Bruce is also secretive and closed off.  Each Alison does a brilliant job in portraying their wrought frustration in every moment they attempt to make a genuine connection to him, but especially in the bittersweet song, Telephone Wire.  Hammond’s engaging and affecting vocals capture Bruce’s perplex feelings in each number, including the poignant song Pony Girl, and most notably his harrowing rendition of Edges of the World.

Amy Barker skillfully portrays Alison’s unassuming, overwhelmed, and misunderstood mother, Helen.  Surrounded by outward perfection, she lives her life distancing herself from reality reflected in the heartrending and beautiful number Days and Days.  Always putting others first, she is a repressed woman following the traditional values of her generation within the confines of her home.

The Company Theatre Fun Home Full Cast

The full cast of ‘Fun Home’ Photo courtesy of Zoe Bradford/Company Theatre

Led by and musically directed by Matthew Stern, the intimate, seven piece orchestra features a soothing, fiddle-laden soundtrack that is a combination of light, airy, and melancholy.  From its opening song, It All Comes Back to the Flying Away finale, Jeanine Tesori’s captivating musical numbers hold a spectrum of rich, multi-faceted meaning.  The catchy, Partridge Family-inspired song, Rainbow of Love is a particular highlight, enhanced by cheerful retro costumes and illustrating Small Alison’s hope of escape.

Company Theatre’s Fun Home is on hiatus and plans to return when the Company Theatre reopens.  Click here for more information.  Follow Company Theatre on Facebook for further updates.