Company Theatre’s Michael Hammond reveals his favorite part of theatre, a secret project, and ‘Fun Home’

Just prior to the pandemic, an award-winning, intriguing production not only made its debut but closed in one night on the Company Theatre stage in Norwell, Massachusetts over a year ago.  Onstage as the meaty role of Bruce, Company Theatre’s Director of Development Michael Hammond experienced that incredible and bittersweet night and what it meant to the cast of the musical memoir Fun Home. Click here for our full podcast conversation.

Aimee Doherty as Alison, Michael Hammond as Bruce, and Riley Crockett as Small Alison Photo courtesy of Zoe Bradford/Company Theatre

The Company Theatre is offering a chance to see Fun Home for the full run they had originally intended in October.  Michael talks about his experience as Bruce, his favorite part of theatre, and a secret upcoming project. 

Click here for Sleepless Critic’s Fun Home review and here for tickets and further information about the Company Theatre.

Sleepless Critic: So you’ve been in theatre since you were a kid and now that we have had the pandemic, what was your favorite part of the theatre before and was there a change in your favorite or what you miss the most when we had a break?

Michael Hammond: I think we take a lot for granted in life.  We forget how much fun it is to sing with an orchestra or to perform on a beautiful set someone built.  Ryan Barrow does amazing sets at Company Theatre and it’s thrilling to perform on one of his sets.  It’s thrilling to perform with Steve Bass conducting an orchestra and thrilling to perform Sally Forrest’s choreography under Zoe Bradford’s direction. 

I think we take that for granted in some ways and as much as I enjoy it and maybe as I got from show to show to show, I think I just liked performing specific roles for the experience of getting to know a new cast.  I did a Christmas show at Company Theatre and just recharged my energy to be around such beautiful people and exciting kids and talent.  You’re in a flow and you are doing shows and enjoying it. 

The cast of Company Theatre’s ‘A Christmas Carol’ Photo courtesy of Zoe Bradford/Company Theatre

You get what you get out of it, but when the pandemic was coming, I was doing Fun Home with an extremely talented cast.  Riley Crockett was playing the youngest Alison.  I was re-experiencing theatre through her eyes and she had never been on a big stage or performed with an orchestra which is shocking because she is so talented.  She would ask me, ‘Are you nervous for your solo tonight?’  I would say, ‘I am a little.’  She would say, ‘Good, now you know how I feel.’  Ok, she needs a little more support and encouragement in that moment. 

Then we were standing on top of a staircase and we were about to walk down for our first entrance and she said, ‘Michael, I’ve never performed on a set like this.  This is a big deal.’  I said, ‘Yes, it is a big deal.  You are right. This is a beautiful experience and you’re about to sing live with an orchestra for the first time in a big theatre on a beautiful set.’  It made me look at what we are doing and not take it for granted. 

So we were fortunate to open and close Fun Home on the exact same night because the pandemic had really hit.  That day everyone was cancelling their performances but we went on because we had a feeling this would be it.  I’m so glad we did because it was one of the most exciting and electric experiences of my life.  People were rebellious and excited.  They knew this might be the last time they ever saw this show and Fun Home is not a super positive and happy experience.

Riley Crockett as Small Alison and Michael Hammond as Bruce Photo courtesy of Zoe Bradford/Company Theatre

SC:  It is melancholy.

MH:  Right, but the audience treated it like it was a rock concert! 

SC:  Yes, I was there to review your first and final performance.  I felt so comfortable and wonderful and I had saw this show in Boston before.  What I liked about watching this particular show is that you can make it so different every time you perform it.  The parts can be portrayed very differently and you can do so much with the show.  In a way, if you had to say goodbye to theatre for awhile, I felt like that was such a poignant thing to do in that moment.

MH:  It was.  It was one of the most beautiful experiences I think I ever had and it was just so bittersweet because it was the last show with Jordie.  How thrilled and grateful am I that I got to have Jordie’s final show be Fun Home and I got to be a part of it. It was just such a fantastic experience and she loved the show. It was such a joy to go through that process with her. 

SC:  It is one of those shows that sneak up on you unexpectedly.  You’re experiencing the show and you enjoy it, but once it’s over, it is really thought-provoking. 

MH:  I saw it on Broadway and loved it.  I thought that I don’t necessarily need to see it again.  It was beautiful and moving and I think of it like a beautiful film.  You watch it and then you watch another film.  When this opportunity came around to work on the show, I have such a great appreciation for it.  I think it’s just one of the greatest things ever written where you’re dissecting and it personally and really in the trenches on it.  It’s so much more brilliant than I realized. 

SC:  It has such multi-layered performances as well. 

MH:  I was thinking today that there were so many things about Bruce,  I almost feel like I just left my body.  I personally couldn’t be any part of this character because it just wasn’t anything like me.  Sometimes I think about it and it feels really difficult to do it again because I remember it as ‘What did I even do?’  I feel like something else took over and performed the role for me.

SC:  I don’t often see you play parts like that.  Not to reveal anything, but your character is very complicated.

MH:  Then to hear compliments like you should do roles like that more often is such a compliment because people think of me as a song, dance, and musical theatre man.  Not that I shy away from roles like that, but it was very gratifying to play that part especially opposite such a talented cast.  It’s unbelievable.

SC:   I know you’ve written a few works with Jordie and Zoe over the years.  Please tell us how that came about.

MH:  I co-wrote Paragon Park the Musical with Zoe, Jordie, Sally, and Michael Joseph for the first production and Steve Bass for the second who worked on the music.  I love amusement parks and I loved Paragon Park. I went there so many times in my life. 

When I heard that Zoe and Jordie were thinking of writing a musical about Paragon Park, I selfishly just wanted to see it.  I had no inkling that I would be involved or that they would want me involved.  I just wanted to see that production so it got mentioned many times over the years and one summer I designed a poster Paragon Park the Musical coming summer of whatever year it was.  It was a long time ago. 

One day Zoe decided years after the poster even to start doing some research.  She said, ‘Why don’t you come with me?  We’ll get lunch.’  We went to the Hull Library which was incredible.  They put us in a private room and provided us with access to microfiche, boxes of memorabilia, and photographs.  They were so generous.  It just snowballed from there.  We just couldn’t stop.  We were researching and loved what we found.  It did not end up being the musical we thought we were going to write because the ideas we had in mind turned out to be completely not true.  It all got shifted.

We thought maybe there was this seedy underbelly to the park and that once the park was closed, things happened at night.  It was going to be dark and mysterious and then we find out from the park owners that ‘Oh no, we locked that place, sealed it like a drum at 11 pm, and went out for Chinese food.’  Nothing happened at the Park after hours.  So much for that, but the Stone Family provided us with so much information that we were able to write a really interesting and factual musical.  It was 80% true except for the love story we incorporated. 

SC:  Not only did you write it the first time around, but when it came back around, you got to star in it too. 

MH:  I did and it was a thrill!  The nicest feeling about that show and being in it is to be putting on a costume and as I’m by myself getting dressed, I would hear people walk down the hallway singing the songs or they would say that they get to do that scene they love now.  There was so much positivity and to realize we wrote a show that was really fun to perform.  Some of the kids were in Ragtime and we used to make these funny backstage videos.  So I said, ‘Why don’t we make videos during Paragon Park?’  They said, ‘Michael, you and Zoe wrote a show where there is no time to make videos.  When would we do that?’  It was nice to know we had a hand in creating this really fun experience.   It was quite thrilling to be able to perform something that I helped write.

Michael Hammond in Company Theatre’s ‘Paragon Park the Musical’ Photo courtesy of Zoe Bradford/Company Theatre

SC: Please tell me about the projects you are working on now and upcoming projects.

MH: I’m devoting all my time to Company Theatre and Zoe and I thought, ‘Why not write another musical?’ It’s a completely different project from Paragon Park and we can’t quite announce yet what it is, but Zoe is incredibly inspired by this project. 

Watching her, it’s almost like she is channeling something like I’ve never seen.  She’s a beautiful artist and I’m obsessed with the way she draws and paints.  So she just took out a magic marker and a gigantic pad of paper and drew what she saw in her head for the plot of this show and it was quite impressive to watch.  Her ideas are flowing through her.  It is unbelievable so we’re hoping that will probably be the summer of 2023. 

A celebration of life for Company Theatre co-founder Jordie Saucerman. Visit companytheatre.com to learn how to be part of this tribute. Photo courtesy of The Company Theatre

Company Theatre, 30 Accord Park Drive in Norwell, Massachusetts, is presenting Fun Home in October as well as devoting a night to their late co-founder, Jordie Saucerman, in November.  Click here for more information and check back to find out about Company Theatre’s mystery original production.

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