Mary Lou Williams, featured in the National Women’s History Museum in Virginia, mentored jazz greats such as ‘Dizzy’ Gillespie and Charlie Parker. The latter two names may have become legendary, yet the former name is not quite as familiar. However, the significant impact she had on Jazz should have put her on equal footing. Among many other topics, Ben Makinen’s Echoes of Tradition offers an explanation.
Since Jazz’s roots are about breaking the rules, Ben Makinen’s latest documentary breaks tradition by highlighting exceptional and groundbreaking musicians while calling for change.
Written, directed, and produced with remarkable reflection by Ben Makinen, Echoes of Tradition is a comprehensive and absorbing jazz documentary that runs just under an hour. Click here for more information.
In Who Killed Jazz, featured at the New York City Indie Film Festival in 2022, Makinen explored the evolution of live music and the impact of today’s surging technology, the expansion of creativity and simultaneously the lack of original ideas, the use of sampled music and jazz’s vast array of music influences. Echoes of Tradition looks back at jazz’s history and fascinating roots while also highlighting some notable talents such as Dean of Jazz Arts at the Manhattan School of Music and Canadian trumpeter Ingrid Jenson, Berklee College of Music’s Brass Department Chair and Trumpeter Tanya Darby, Indian DJ Harleen “Leen Tree” Singh, and Native American trumpeter Delbert Anderson who share their outlooks on Jazz’s lack of inclusiveness as well as their love for the genre. Both documentaries place an emphasis on music as a universal language, a source of camaraderie, and one of the most powerful forms of therapy and healing. Losing sight of music’s inherent unifying power could make for a bleak future.
Echoes of Tradition is an enlightening and optimistic film which brings thought provoking insight to a number of prevalent topics. Filmed all over the world with multilayered cinematography and a blend of modern and vintage flair of city landscapes as well as historical portraits and photos, Echoes of Tradition offers wonderful behind the scenes footage, insight from distinctive jazz musicians, some memorable jam sessions and much more. Among some of the notable performances include Delbert Anderson’s Heart Passage, a gorgeous acapella rendition of an Indian hymn sung by Harleen ‘Leen Tree’ Singh, and Julia Keefe’s lively rendition of You’d Be So Nice to Come To.
Written, directed, and produced with remarkable reflection by Ben Makinen, Echoes of Tradition is a comprehensive and absorbing jazz documentary that runs just under an hour. Click here for more information.
Ingrid Jansen and Julia Keefe are among the many musicians taking the stage at the Mary Lou Williams Jazz Festival live and in person on May 10 and 11 at the Kennedy Center in New York City. Click here for more information and tickets.
A freak accident and a strange wake beg a lot of questions. Then suddenly, a combustible force enters Anna’s smoldering world and there is little she can do to stop it.
With nimble direction by Daniel Bourque, Hub Theatre Company of Boston sparks its 12th season with Lanford Wilson’sBurn This live and in person at Boston Center for the Arts in Boston, Massachusetts through Sunday, April 21. This show contains strong language as well as adult themes and runs approximately two and a half hours with one intermission. All shows are at a pay what you can basis. Click here for more information and for tickets.
Steve Auger, Tim Hoover, Kiki Samko, and Victor L Shopov in Hub Theatre Company of Boston’s ‘Burn This’
Inside an upscale New York City loft apartment, Burn This delivers firecracker moments which starts as a slow burn. The one with the long fuse is Kiko Samko as Anna, an often saintly dancer who is experiencing a creative block after the death of her roommate, Robbie. With flirtatious flair and a dramatic persona that relieves some of the production’s tense moments, Steve Auger humorously portrays Anna’s other roommate, Larry. Anna is involved in a complicated relationship with Tim Hoover as wealthy screenwriter Burton who is struggling with his next screenplay. United in their grief over the loss of Robbie, they share hesitation about their future.
Kiki Samko in Hub Theatre Company of Boston’s ‘Burn This’ Photo credit to Tim Gurczak
With the audience situated on two sides of the stage, Justin Lahue’s elegant and spacious set design of an upscale loft apartment features a cluttered kitchen, modern furniture and a broad black and white staircase as well as elements of artistic flair including a shadow painting of a dancer. Distinct modern light bulbs hang from the ceiling and well-timed lighting by Emily Bearce bolsters the production’s warm and intense moments along with Asad Harwick’s occasionally startling sound design. Costume designer Nohely Roman blends sophisticated and athleisure leaning on silks and a (surely) designer black tracksuit, pinstripes, and lace in bold and classic colors.
Kiki Samko and Tim Hoover in Hub Theatre Company of Boston’s ‘Burn This’ Photo credit to Tim Gurczak
Samko’s Anna is a complex character who shares a natural camaraderie with Auger and Hoover as they embark on some animated discussions about life and their artistic challenges. Hoover as Burton is sensitive and protective of Anna and they clearly share a sweet rapport. Anna is drawn to taking care of people and her patience and considerate nature does not always serve her well.
Kiki Samko and Victor L. Shopov in Hub Theatre Company of Boston ‘Burn This’ Photo credit to Tim Gurczak
Making a firecracker of an entrance is Victor L. Shopov as Robbie’s fast talking, furious, and often tumultuous brother, Pale and suddenly, Anna’s mostly predictable world abruptly experiences some chaos. Samko and Shopov possess some genuine chemistry and Burn This dives into extremes between calm and calamity in the form of Pale who infuses a lightning rod of energy into each appearance. In a gray suit, Shopov’s Pale is an all business workaholic while Samko’s Anna is meditative and nonviolent. Their encounters are fascinating and at times infuriating as Anna’s long fuse is perpetually tested to the point when you just want Anna to finally say enough while Samko and Shopov keeps the audience invested in the outcome. Samko’s horrified stares and Shopov’s potent audacity are much more than meets the eye and this unique connection delivers some surprising results.
Kiki Samko in Hub Theatre Company of Boston’s ‘Burn This’ Photo credit to Tim Gurczak
Burn This is an exploration of loss, the confusion that ensues, and the journey of finding hope when all looks bleak. That journey can be uncomfortable but necessary in order to find the way through and Burn This lends some humor and hope, even in an uncertain future.
With nimble direction by Daniel Bourque, Hub Theatre Company of Boston sparks its 12th season with Lanford Wilson’s Burn This live and in person at Boston Center for the Arts in Boston, Massachusetts through Sunday, April 21. This show contains strong language as well as adult themes and runs approximately two and a half hours with one intermission. All shows are at a pay what you can basis. Click here for more information and for tickets.
To say it was an honor to witness Patti Lupone’s brilliance onstage is an understatement. Having won three Tony Awards and two Grammy Awards, this Julliard-trained American Theater Hall of Famer from Long Island has proven time and again she is a master of her craft and it is easy to see why through her personal musical memoir A Life in Notes.
Conceived and warmly directed by Scott Wittman with inspiring music direction by Joseph Thalken, Celebrity Series of Boston presented Patti Lupone: A Life in Notes live and in person at Symphony Hall in Boston, Massachusetts for one night only on April 2. The show was 2 hours including one intermission and is touring around the country. Click here for more information and here for what is up next during Celebrity Series of Boston’s exciting season.
Patti Lupone and Brad Phillips Photo credit Robert Torres/Celebrity Series of Boston
Accompanied by pianist Joseph Thalken and Brad Phillips on strings, Patti Lupone made an endearing emotional entrance having been greeted by a roaring standing ovation from the audience. Donning a glimmering flirty black suit and sparkling earrings before later stepping into a shimmering showstopper with flowing cape, Lupone launched into a heartfelt and stirring rendition of Leon Russell’s A Song for You. The opening number was just the first of several touching moments during this production.
Part autobiography and part love letter to her fans, A Life in Notes is a beautiful tapestry of music which includes American Standards and Broadway that have made an indelible impact on this mezzo-soprano’s life and career so far. Humble and gracious, Lupone is a sharp and avid storyteller sharing her personal experiences while reflecting on valuable life lessons. She delivered each refreshing number with a mix of charisma, wit, style and creativity as the tale behind the song unfolds sharing her reflections on growing up on Long Island before establishing her decades -long career. Bathed in luminous purple, orange and gold lights, Lupone took the stage in front of a baby grand piano topped with a large bouquet of elegant roses as Thalken and Phillips provided accompaniment and smooth harmony to Lupone’s exceptional vocals.
Patti Lupone and Joseph Thalken Photo credit Robert Torres/Celebrity Series of Boston
As a fan who hoped to hear Sondheim’s Ladies Who Lunch in which she offered with all the incomparable passion and attitude that this song suggests, her selections covered some of her most memorable numbers and a few unexpected gems. Andrew Lloyd Webber and Tim Rice’s distinctive Don’t Cry for Me Argentina on strings sounded as epic as it did when she originated the role as Eva Peron in Evita. Lupone cheekily shook to Bagdasarian and Saroyan’s upbeat Come On-A My House and boasted fiery vocals for Jules Stein and Stephen Sondheim’s commanding Some People. Shelton’s yearning Lilac Wine and catchy Jameson and Feller’s Summertime, Summertime captured her experiences falling in love.
Patti Lupone Photo credit Robert Torres/Celebrity Series of Boston
Patti Lupone’s exciting life has had its tumultuous times living during the age of the Atomic Bomb and the turmoil of the 60s as well as building her success in New York City. She took the time to movingly pay tribute to loved ones as well as those who have passed away. Lupone’s pliable vocals and amazing range shine for Cole Porter’s Every time we Say Goodbye as well as for a darkly humorous, saucy and surprising rendition of Jerry Lieber and Mike Stoller’s Ready to Begin Again, which after hearing it for first time, has become of my favorite numbers. All of Patti Lupone’s personal touches, reflections, and compelling music selections made for a wonderful evening worth celebrating.
Conceived and warmly directed by Scott Wittman with inspiring music direction by Joseph Thalken, Celebrity Series of Boston presented Patti Lupone: A Life in Notes live and in person at Symphony Hall in Boston, Massachusetts for one night only on April 2. The show was 2 hours including one intermission and is touring around the country. Click here for more information and here for what is up next during Celebrity Series of Boston’s exciting season.
A girl is starting to wonder if she is fall apart or is she just falling up?
Gianna Milici, Sophia Drapeau, and Lauren-Quigley in ‘Here I Fall Up’ Photo credit to Natalie Powers
Featuring chiming melodies, a girl is somehow tethered to her family’s seaside home in a way that makes her question her own sanity. Surrounded by her sisters who narrate the story, Here I Fall Up is thoughtfully directed and composed by Beth Golison and directed creatively by Annabel Heacock and Maiya Pascouche and is just under an hour. It was featured at New Ohio Theatre’s ICE Factory in NYC and was streaming through August 12. Click here for more information.
The girl, portrayed sympathetically and realistically by Sophia Drapeau, ventures into dark places that keeps the audience guessing whether the girl is actually experiencing something outside this world or is it all happening inside the girl’s head? Drapeau’s suffering throughout this production makes a real case for either and watching the girl attempt to cope with anxiety and a severe degree of agoraphobia is heartfelt, earnest, and a bit distressing to witness. The bluish and haunting shadows by Chris Voegels combined with the simple, multifunctional set by Jessie Baldinger are as imaginative as it is symbolic of a girl longing to make a connection outside the girl’s fears and vulnerabilities.
Rose Tablizo and Sophia Drapeau in ‘Here I Fall Up’ Photo credit to Natalie Powers
Here I Fall Up’s inviting, folksy, and intermittently catchy acapella harmonies from sisters and narrators Samantha Medina Chachra, Lauren Rose Quigley, and Gianna Millici combined with Rose Tablizo’s mysterious presence keeps the production a bit lighter while tackling some darker issues.
Here I Fall Up is thoughtfully directed and composed by Beth Golison and directed creatively by Annabel Heacock and Maiya Pascouche and is just under an hour. It was featured at New Ohio Theatre’s ICE Factory and was streaming through August 12. Click here for more information.
Courtesy of CHUANG Stage
Does it matter where I put my roots down?
Identity should be not what one is, but who one is. Not the labels, but the person. That is not such an easy journey living in NYC.
Told from the perspective of six immigrant Asian individuals living in NYC, How I Disappeared is a bilingual production about grasping for acceptance in the world without assumptions or grief, but with understanding. Directed by Tianding He and produced by CHUANG Stage, it is done creatively, though not always clearly in this abstract and Avant Garde production.
Courtesy of CHUANG Stage
How I Disappeared is just under an hour and was featured at New Ohio Theatre’s ICE Factory and was streaming through August 12. Click here for more information.
From an individual covered in overwhelming and all encompassing remnants of NYC including a liberty hat, Broadway sign, wearing a mask and carrying a suitcase subway map to the desolate and metaphorical marine characters on the NYC subway, How I Disappeared emphasizes the intimidating, overwhelming, noisy, and isolating city atmosphere.
The glassy reflections particularly stand out in this part projection by Brian Shin-Hua Ellis and part animated puppetry by Wilden Weihn production. From a Puffer fish to a whale wandering on a subway, each distinctive marine creature delivers a combination of bittersweet and relatable humor as the narrator describes each creature’s authentic capabilities and defenses. Steeped in soothing blue aquatic lighting by Will DeJianne, it seems absurd witnessing them on the subway, and yet it becomes a snapshot of humanity as the show progresses.
Courtesy of CHUANG Stage
The production does have lighter moments of dancing including catchy and original live music by John Tsung and Siyi Chen as well as its fair share of silliness with underlying messages of perseverance in the face of fears, doubt, and judgment. Staying true to oneself and anything is possible.
How I Disappeared is just under an hour and was featured at New Ohio Theatre’s ICE Factory and was streaming through August 12. Click here for more information.
The New Ohio Theatre presented its 7th annual NYC Indie Theatre Film Festival live and in person at New Ohio Theatre, 154 Christopher Street in NYC from February 16-19 and then virtually from February 20-26. The New York City Indie Film Theatre Festival presented a variety of films from short films to features on a variety of topics and some films contain mature themes. Click here for more information and to learn more about New Ohio Theatre.
Photo credit to New Ohio Theatre
The Sleepless Critic was knee deep in short films and tackled the Dating Drama and the Friendship Bonds shorts which focused on a variety of perspectives on relationships. Click here for the Friendship Bonds short film review.
New Ohio Shorts ‘Full Disclosure’ Photo credit New Ohio Theatre
Dating is not for the faint of heart. Sharply written and directed by Mia Rovegno, Full Disclosureopens up the rapid fire, neurotic world of dating in a part confessional stream of consciousness romantic comedy that will keep the viewer guessing till its twisty conclusion. Charise Greene as Darleen and Ryan Pater as Trent display cute chemistry that swings from obscure to anxious to downright impressive in a sequence of traditional dating scenarios as Zera Bloom’s cheerful, low key instrumental score keeps this lighthearted rom com quite the charmer.
New Ohio Theatre Dating Drama Shorts ‘eXcape’ Photo credit New Ohio Theatre
Two exes face the end of their relationship. One is about to move out, but soon realize they are trapped inside their apartment. Lindsley Howard as Jess and Mariah Naomi Sanchez as Marianna attempt to navigate their rocky relationship on a riddle-filled quest for answers in eXcape. Boosted by Kate Eberstadt’s tense soundtrack, eXcape is a somewhat predictable scenario, but boasts some adventurous and bittersweet moments during this down-to-the-wire mystery.
New Ohio Dating Drama Shorts ‘Jules and Dee’ Photo credit New Ohio Theatre
Featuring a retro punk soundtrack by Jim McCarthy, written and directed by Juliet Perrell and co-directed by Edna Luise Biesold, Jules and Deetake a wild, comedic, and modern twist on Shakespeare in a play within a play showcasing the awkward mayhem that takes place behind the scenes at the Cherry Lane Theatre. Though it loses its way a bit at times, a spicy Jules by Julie Perrell and Delia Bannon as Dee make a fun pair and it features a refreshing twist ending.
New Ohio Dating Drama Shorts ‘Made in Heaven’ Photo credit New Ohio Theatre
Directed by Yiqing Zhao, Made in Heaven explores the mother daughter relationship and those relationships that are kept hidden from the world. Named after a café, Made in Heaven is a story about matchmaking, cupcakes and an undercover plot to unlock those secrets. Yiqing Zhao aptly portrays Serena’s firm and discerning mother Jo and delivers some intriguing scenes with Regina Ohashi as poker faced Ivy. Elizabeth Chang is likable as conflicted Serena, but this story leaves more questions than answers and would benefit from an extended version to get to know the characters better.
New Ohio Dating Drama Shorts ‘Me Myself vs I’
Photo credit New Ohio Theatre
Capturing a whirlwind of emotions including excitement, nervousness and anxiety especially exemplified in the landscape of today’s social media world, Uzunma Udeh as Zoom shows off comedic chops and charisma in Me, Myself vs I. Created auspiciously by Uzunma Udeh and Tamera Vogl, Me Myself vs I is a well done narrative within a zippy timeframe.
New Ohio Dating Drama Shorts ‘Red’ Photo credit New Ohio Theatre
Directed by Katia Koziara and written by Phoebe Dunn with Ben Brown, Red swiftly turns up the heat as Phoebe Dunn and Ben Brown embark on what becomes an unorthodox date. Though the two develop some tension as the film progresses and boasts a clever title, knowing the characters better would have made the film a bigger thrill.
New Ohio Dating Drama Shorts ‘You Can Kiss Me’ Photo credit New Ohio Theatre
Two unhappily married people think they have found hope in something new in You Can Kiss Me, a film by Jan Jalenak. Penelope, portrayed sympathetically by Brandi Nicole Wilson, thinks she has led a predictable life and longs to be adventurous and enigmatic Meg, portrayed by Ylfa Edelstein, tends to keep her personal life close to the hip. Though the film leads to some implausible scenarios, Brandi Nicole Wilson delivers stirring scenes with both Edelstein and Andrew Elvis Miller as Paul. The film’s intensity is enhanced by music composed by Jay Purdy including Jensen Smith’sCello Kiss.
New Ohio Dating Drama Shorts ‘Intimacy Workshop’ Photo credit New Ohio Theatre
What starts out as an absorbing comedy takes an unexpected turn in Intimacy Workshop, written and directed by Eddie Prunoske. To the soothing sounds of Clair De Lune, a dynamic assortment of men takes on awkward encounters in a workshop about the bonding experience. Intimacy Workshop has some light, comedic dialogue but could have done without a gory, embarrassing and over the top twist that veers the film off course.
The New Ohio Theatre presented its 7th annual NYC Indie Theatre Film Festival live and in person at New Ohio Theatre, 154 Christopher Street in NYC from February 16-19 and then virtually from February 20-26. Click here for more information and to learn more about New Ohio Theatre.
The OBIE-Award winning New Ohio ICE Factory is celebrating its 29th year and has been presenting a number of innovative works each summer that continue through August 20 live and in person at New Ohio Theatre, 154 Christopher Street in New York City. Virtual shows are available through August 27. Isla, Acheron: The River of Tragedy, and Body Through Which the Dream Flows are just a few of works presented during this annual festival. Click here for further details, how to stream, and for tickets.
Photo courtesy of New Ohio Theatre
Bikes fly, a plane takes off, and cars zoom as a world unfolds in interactive shadows. Produced by Hit the Lights Theatre, Isla is a documentary experience which combines shadow puppets, photos, animation, and live action to depict the warmth of Samantha Blaine’s homeland and the realities of the Cuban invasion she grew up in. Her unique and personal journey with her mother and two free spirited sisters integrates nature and song to demonstrate the realities of invasion, family, and how everything is connected. Featuring strong vocals as well as heartwarming and wistful performances by Samantha Blain, Marlena Mack, Tiffany Ortiz, Kristopher Dean, Mikayla Stanley, Claron Hayden, and Casey Scott Leach, Isla is a fascinating production that explores heartache, division, political turmoil, pollution, and how Blaine’s world was shaken by communism.
‘Isla’ Photo by Claron Haydon
A car crash and a tense, mysterious encounter lead to much more than either of these characters bargained for at a river at the Mexican-US border. Directed by Martin Balmaceda, Spanish language production Acheron: The River of Tragedy serves up a wealth of twists and turns in this sordid and at times clever tale. This production has mature themes and is not for children.
A secretive and menacing presence, portrayed by Cinthia Perez Navarro, has entered the life of Leonardo, portrayed with strained intensity by Aline Lemus Bernal, a nattering, impulsive, and yet perpetual optimist who dreams of freedom as soon as that tumultuous river is crossed. However, there is a heavy price for that dream and neither are savory characters. Navarro’s searing intensity and cryptic glances make for some skittish moments while Bernal’s jaunty moves and brisk chatter never quite distract from Navarro’s distressing wrath. Cinthia Perez Navarro and Aline Lemus Bernal are also behind the show’s sharp choreography. Acheron: The River of Tragedy is a gritty tale about the darker side of humanity in the pursuit of happiness.
Body Through Which the Dreams Flows also explores what it takes to achieve a dream. In this case, it is achieving the Olympic dream as past footage of Olympic champions kick off the production. Part documentary and part stage performance, creator Soomi Kim and company takes a look at the incredible world of gymnastics and the corruption and tragedy that has seeped into the sport and the lives of young girls in training. What does it take to be a champion? Sometimes the price is too steep.
What is really compelling about Body Through Which Dreams Flow are the reenactments of some real life footage as well as Soomi Kim and Alexandra Beller’s beautiful choreography, the sheer athleticism, and interpretation from athletes Lucy Meola, Olivia Caraballoso, Madison Rodriguez, Shayna Wilson, Nora Avci, and Ai Clancy. Enhanced by Amanda Ringger’s haunting lighting, Body Through Which the Dream Flows is a stirring and eye opening production addressing the pressures and what seems like the impossible expectations from coaches while focusing on what past athletes have endured. It also delivers a powerful message on the importance of a child having the chance to be a child.
New Ohio BTWtheDF Full cast_ Ai Clancy, Soomi Kim, Madison Rodriguez, Nora Avci, Shayna Wilson, Lucy Meola, Olivia Caraballoso
The New Ohio ICE Factory 2022 continues live and in person at the New Ohio Theatre through August 20 with virtual availability through August 27. Click here for more information and tickets.
‘I’ve just met a girl named Maria/And suddenly that name/will never be the same/to me.”
Having seen the classic musical West Side Story from the stage to the 1961 film adaptation to Spielberg’s recent Oscar worthy film, Reagle Music Theatre’s Blake Du Bois as Tony’s moving rendition of the classic song, Maria is a must see. Many Tonys have floated through this number with surprise, naiveté, and the excitement of attraction while blinded by love, but Du Bois’s delivery evokes a more meaningful perspective. Enhanced by his extensive vocal range, this soulful rendition depicts not naiveté, not necessarily blindness, but an overwhelming feeling of love for Maria and the fear of what that means. So overcome by love that he must move forward in spite of it. It was like understanding Maria anew.
Eevie Perez as Maria and Blake Du Bois as Tony in Reagle Music Theatre of Greater Boston’s ‘West Side Story’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston
Sharply directed and choreographed by Rachel Bertone with seamless musical direction by Dan Rodriguez, Reagle Music Theatre of Greater Boston delivered powerful and clever performances as it kicked off its summer musical season with West Side Story continuing through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA. This show is not intended for children under 13. Click here for more information and for tickets.
Based on Shakespeare’s Romeo and Juliet, West Side Story is the timeless tale of the Sharks and the Jets, two rival gangs who cannot seem to coexist in Manhattan without a fight. However, when Blake Du Bois as streetwise Tony and Eevie Perez as idyllic Maria lock eyes, everything quickly becomes complicated.
The Sharks Photo by Herb Philpott/Reagle Music Theatre of Greater BostonThe Jets Photo by Herb Philpott/Reagle Music Theatre of Greater Boston
Helmed by a captivating cast, Reagle Music Theatre’s West Side Story is intriguing from the start as it lays out mischief, antics and petty outrage over owning the streets. A broad city landscape, chain linked fences, a retro jukebox and detailed drug store are just part of Janie Howland’s retro, rolling set that successfully rewinds the clock back to the 1950s.
The cast of West Story Photo by Herb Philpott/Reagle Music Theatre of Greater Boston
A great deal of West Side Story hinges on its sharp dance and fight choreography and director and choreographer Bertone hits the ground running. Along with Fight and Intimacy Director Angie Jepson, the high-kicking choreography blurs the lines between dance and fighting as the gangs intertwine in innovative and precise movements. A leap becomes a punch and aggressiveness turns graceful…all in the same move. Jack Mullen delivers an intense performance as the tough talking, swaggering Jet leader Riff, especially during a catchy and memorable rendition of Cool as each tense moment pops to Franklin Meissner, Jr’s intricate lighting. Mullen as Riff and Du Bois as Tony share some affable camaraderie as they do with their fellow Jets and their fair share of united animosity toward the Sharks. Nate Walsh stood out as hot head Action, on edge and ready for a fight while Gracin Wilkins delivers a stirring performance as outcast Anybodys.
Bianca Rivera-Irions as Anita with the Shark Girls performing ‘America.’ Photo by Herb Philpott/Reagle Music Theatre of Greater Boston
Eevie Perez is charming and spot on as Maria, her chiming vocals and naiveté especially evident with Ana Viveros as Consuela, Marissa Pineda as Rosalia, and Karina Gonzalez as Tesesita in the exuberant and playful number, I Feel Pretty and in a gorgeous duet with Du Bois as Tony for One Hand, One Heart. Tall and distinctive, charismatic Bianca Rivera-Irions as Anita knows how to make an entrance in a show stopping red dress, just one of the many rich, vintage, and vibrant costumes provided by Tiffany Howard. A lively dancer, Rivera-Irions as Anita stands out in any room as only Anita can. Rivera-Irions as Anita and Diego Klock-Perez as proud and protective Shark leader Bernardo share lighthearted and steamy chemistry. The dynamic cast performs an exhilarating rendition of Tonight, their robust sound and stirring harmonies build the anticipation and excitement of a night that will change everything.
Reagle Music Theatre of Greater Boston presents musical classic West Side Story continues through July 16 at Reagle Music Theatre of Greater Boston live and in person in Waltham, MA. This show is not intended for children under 13. Click here for more information and for tickets.
You’ve Got Mail, a hit film starring Tom Hanks and Meg Ryan, explores the virtues and survival of a small business bookstore up against a number of factors including corporate bookstore chains. Small bookstore owner Kathleen Kelly and her fictional Shop around the Corner is embraced by the community for its rich history, Kelly’s unique personality reflected in every aspect of her bookstore including the storefront, her handpicked books, and the selection of readers and performers that appear at her store. Every aspect is meticulously designed to make a particular impression for the customer. The Shop around the Corner’s small but knowledgeable staff would not only know each handpicked book by heart and personally assist you in making a selection, but probably knows most of their devoted customers not only by name, but as a friend.
Supporting small business has not only always been a prevalent topic, but has gained that much more significance in the last few years, especially during the height of the pandemic. Corporate business, rising real estate prices, the tough economy, and many other factors continuously impact the survival of small businesses and without more support, they often get left in the dust.
The New York City Indie Film Festival featured a variety of films from shorts to narratives to documentaries curated with common themes. Sleepless Critic had the opportunity to review screenings on music, small businesses, love and connection and much more.
Co-founded by Executive Director Dennis Cieri and Director Bonnie Rush, this renowned festival has screened thousands of films since it was first launched in 2010. Click here for more information, film submissions for next year, and click here to see what we had to say about NYC Indie Film Festival’s Narrative 14 series and here for what we had to say about the films in the Documentary 12 series.
Photo credit to the New York City Indie Film Festival
Directed insightfully by Beatriz Browne, renowned short documentary 34 Carmine Street makes a strong argument not only for the survival of a historic and strong minded Greenwich Village bookstore and other unique, longtime small businesses on that street, but encapsulates what makes small businesses an irreplaceable part of the community without being preachy or political. It digs deep into a part of Greenwich Village’s history where these small businesses have survived for decades while always having something significant to say about the world. It may also change your mind about where you shop next.
34 Carmine Street, Cinema and Sanctuary, and Trash Day were all part of Documentary 14 at the New York City Indie Film Festival which continued through June 19 in person at the Producers Club. Click here for more information on this annual festival and its winners.
What is it like to feel stuck due to circumstances beyond your control?
Curated by Gerard van den Broek, each film in the Documentary 12 series including Dancing is an Old Friend, Hilary, Inventory, Looking for Jack, and The Green Line at the New York City Indie Film Festival through June 19 featured people who faced unforeseen obstacles in an attempt to find peace within.
Whether facing trauma, isolation in a pandemic, family brokenness or being caught between one nation and another, these themes invite a feeling of powerlessness until hope is found. This particular collection of documentaries delivered some surprising twists and turns in some profound situations in an attempt to discover where one belongs in the world.
The New York City Indie Film Festival featured a variety of films from shorts to narratives to documentaries curated with common themes. Sleepless Critic had the opportunity to review screenings on music, small businesses, love and connection and much more. Co-founded by Executive Director Dennis Cieri and Director Bonnie Rush, this renowned festival has screened thousands of films since it was first launched in 2010. Click here for more information, film submissions for next year, and click here to see what we had to say about NYC Indie Film Festival’s Narrative 14 series.
Directed by Marta Renzi, Dancing is an Old Friend is written by and stars Leah Barsky and Jennifer Tortorello Walker. It is a relatable account of an amateur ballroom dancer and professional ballet dancer brought together by dance who must find new ways to connect after the pandemic put the world in isolation. They both struggle with this new way of life but are determined to forge ahead together.
During the pandemic, the arts were hit hard. Many professional dancers had to find alternate ways to demonstrate their art and remain in top form until the time came for them to once again take the stage. Dancing is an Old Friend explores the momentum of their daily lives during the pandemic and a chance to examine why they live their lives the way they do and where dance factors into it now and in the future.
‘Dancing is an Old Friend’ Photo credit to New York City Indie Film Festival
What made this film fascinating is not only the captivating athleticism and style of the dancers in action, but comparing each perspective on dance itself and how it demonstrates the bonds of this friendship. This is not a tragic account of being lost during the pandemic, but an intimate and sincere documentary that explores the good and bad in equal measure and the hope that springs forth during this life altering period of time.
What may or may not have happened is a mystery in Hilary.
Hilary Porter, through her own drawings, illustrates a repeated and menacing alien encounter that has left her haunted. Hilary’s harrowing recollection unfolds through her graphic narration and unusual drawings as she shares that she was always thought she was different. Director and producer Mariana Zarpellon offers some insight into who Hilary is and how she has been affected by these encounters and though I was initially intrigued by this film, I was left with more concern for Hilary’s well being than the rationality and content of Hilary’s recollections.
‘Hilary’ Photo credit to New York City Indie Film Festival
Resourcefulness is a defining quality in any artist and nothing less than resourcefulness and love defines the story of Inventory, a documentary directed and produced by Daniella Gitlin, the daughter of sculptor, Michael Gitlin. The film is designed not only to share her father’s relatable journey as a struggling artist, but the unconventional manner in which Michael Gitlin’s legacy is being preserved.
Interwoven into the film are classic American standards such as Someone to Watch over Me, beloved songs from Gitlin’s heritage, and past family photos to create a vintage ambiance and to smoothly rewind the clock to a time before her father’s inventory had accumulated. It is a unique and personal story about how love and family transcends obstacles even under unusual circumstances and how the film’s most extraordinary “inventory” is not just confined to Gitlin’s art.
‘Inventory’ Photo credit to the New York City Indie Film Festival
For anyone who is searching or has searched for a family member, the idea of finding them is met with a plethora of emotions. Sara Zeppilli Freeman captures just that and more in her deeply personal documentary, Looking for Jack. Part of Looking for Jack’s endearing strength is it is shot much like a home movie where it is easy to put oneself in Sara’s shoes. As Sara talks to the camera with a jittery glow, her excitement is palpable at the promise that her life is about to change.
On this special day with Sara wearing a broad smile, one can picture themselves in Sara as she excitedly waits in anticipation and trepidation to meet her father for the first time in 21 years having traveled from Boston to Portugal. No matter the outcome, that moment of time is a monumental experience to be treasured and hopefully not regretted. The pinnacle of the film is that building tension as Sara waits, the camera panning carefully through Sara’s surroundings for that moment of relief.
‘Looking for Jack’ Photo credit to New York City Indie Film Festival
In a land fraught with uncertainty, Yehudit Kahana is no stranger to anxiety and strife for most of her life. Co-written with Sharon Yaish, directed, and produced by Yehudit Kahana herself and set from the early 2000s to today, illuminating documentary The Green Line focuses on Yehudit’s coming of age as she resides in Elon Moreh, a land near the Green Line which borders the Palestine territories and Israel. Since a life changing incident occurred resulting from an innocent child’s game, Yehudit has struggled with the threat of sudden violence, terrorist attacks, and chaos in a place where she doesn’t feel she entirely belongs.
‘The Green Line’ Photo credit to New York City Indie Film Festival
The Green Line delivers a wealth of information on certain incidents in Israel, Palestine, and the Green Line which can be confusing at times, but what is clear was how Yehudit felt in circumstances beyond her control in a harsh and threatening land determined to break free. The Green Line has some lighter and amusing moments with family that not only shed light on Yehudit’s understandably frustrating, strict, and expected traditional place as a female in the world and in the path of the Torah, but also explores how valuable the road less taken can be.
Dancing is an Old Friend, Hilary, Inventory, Looking for Jack and The Green Line were all part of Documentary 12 at the New York City Indie Film Festival which continued through June 19. Click here for more information on this annual festival and its winners.
The New York City Indie Film Festival concluded on June 19 after approximately a week of screenings at the Producers Club in New York City. It featured a variety of films from shorts to narratives to documentaries curated with common themes. At this festival, Sleepless Critic had the opportunity to see screenings on music, small businesses, love and connection, and much more which will be explored in future articles. Co-founded by Executive Director Dennis Cieri and Director Bonnie Rush, this renowned festival has screened thousands of films since it first launched in 2010. Click here for more information.
Photo credit to Jeanne Denizard
Curated by Lucie Guillemot, this narrative film collection explored different aspects of love and connection. Directed by John Tsiavis, Chabe is a vivid short film about Isabel Gomez, a woman who assists in a cataracts surgery project for a Mexican indigenous tribe. Rich in unique color and told through Isabel’s eyes, the film evokes Isabel’s sheer joy in helping others and the complex process of this tribe’s journey from dark to light. Chabe made me long to see more on it all.
Isabel Gomez in ‘Chabe’ Photo credit to NYC Indie Film Festival
Directed insightfully by Clare Redden and Joseph Pulitzer, Conversations with Female Clowns is a surprising look at connection through laughter from a unique perspective. Reflected through a group of female clowns, it explores not only the incentive for a woman to become a clown, but the societal and personal norms as a female that seem to relate all too well to this profession. It sheds light on the idea of clowning from a new angle with an opportunity to see these female clowns in action. From a hospital clown to a member of the Big Apple Circus, Conversations with Female Clowns is an eye opening and humbling experience about what it truly means to be funny.
Director and writer Clare Redden of ‘Conversations with Female Clowns’ Photo credit to NYC Indie Film Festival
Dictionary explores the ODU concept of the seven stages of love in vignettes. A tribute to the Indian culture, Aishwarya Sonar has a great deal to convey in the screening’s brief time frame and writer, director, and producer Elena Viklova aptly evokes the fleeting and sacred power of love in each frame. From the warm bloom of attraction to the stillness of grief, Sonar elevates each stage in dynamic subtleties.
‘Dictionary’ by Elena Viklova Photo credit to NYC Indie Film Festival
Por Mi Hija (For My Daughter) is an immersive Spanish language film that addresses familial love and the dream of what is thought to be a better life. Written, directed, and produced by Fernando Rodriguez who dedicated this film to his wife and kids and based on two true stories,Por Mi Hija is a stirring account that examines what creates a fulfilling life in an unconventional way.
Christopher Bustos as Leo and Daniela Vidaurre as Emma are young newlyweds living a happy life surrounded by family in Mexico when they receive life changing news that prompts Leo to seek success in California. Bustos and Vidaurre depict a strong and relatable couple with endearing chemistry as they face moving and realistic trials and tribulations while Luciana Elisa Quiñonez shines as imaginative and sweet Luciana.
Christopher Bustos, Daniela Viduarre, and Luciana Elisa Quinonez in ‘Por Mi Hija’ Photo credit to NYC Indie Film Festival
The real strength in this film lies in its unconventional timeline and how it manages expectations and reality. The various parallel scenes between Leo and Emma including having a meal or riding in a car are gripping as it is weaved into the film’s progression and there is a dreamlike quality looking into the past as well as a hazy, ethereal ambiance of the future. This particular style enhances the film’s poignant message while achieving a balance between the lighthearted and tense moments. It also embodies what the characters cannot quite see at the time until the film’s stunning revelation.
Chabe, Conversations with Female Clowns, Dictionary and Por Mi Hija were all part of Narrative 14 at the New York City Indie Film Festival which continued through June 19. Click here for more information on this annual festival and its winners.
