REVIEW:  Packing and unpacking Praxis Stage’s impactful ‘The Birthday Party’

‘What came first, the chicken or the egg?!!’

This line of interrogation provides an element of a number of surprises delivered by a pair of possible gangsters in Noble prize-winner Harold Pinter’s The Birthday Party.  Harold Pinter’s thought-provoking work and style inspired many famous playwrights as well as greats in film and television.  For example, it is rumored that Quentin Tarantino, inspired by Harold Pinter, patterned gangsters Samuel L. Jackson’s Jules Winnfield and John Travolta’s Vincent Vega in Pulp Fiction and their absurdist style of dialogue to Goldberg and McCann in The Birthday Party.  The art of the chicken and the egg conversation to a dialogue about a Royal with Cheese gets curiouser and curiouser.

Keenly directed by James Wilkinson, Praxis Stage presented Harold Pinter’s comedy of menace The Birthday Party live and in person at Chelsea Theatre Works in Chelsea, Massachusetts through Sunday, April 28.  Click here for more information.

Zair Silva, Daniel Boudreau, Kevin Paquette, Darya Denisova, Paul Valley, and Sharon Mason in Praxis Stage’s ‘The Birthday Party’ Photos by Alex Aroyan

Taking place exclusively in a seaside boarding house, The Birthday Party focuses on unassuming Petey, depicted with an air of laidback serenity by Paul Valley, his anxious and chatty wife Meg, portrayed with tightly wound cheerfulness by Sharon Mason as well as boarder and unemployed pianist Stanley in an impressively mercurial performance by Zair Silva.  With Petey and Stanley’s mixed participation, Meg navigates her daily routines at the boarding house with a plastered smile and a meticulous, yet monotonous zeal.  However, a monkey wrench is thrown into the equation when two mysterious guests named Goldberg and McCann suddenly rent a room and everyone anticipates their imminent arrival while Stanley instantly feels a sense of doom. 

Make no mistake, The Birthday Party is indeed about a birthday party which is a joyous occasion celebrating a milestone, but what if it is also merely an annual ritual done on any given day in which one is expected to celebrate? 

The cast of ‘The Birthday Party’ Photo credit Nile Scott Studios

The Birthday Party may render you speechless, a bit disoriented and frustrated, yet you will find yourself invested in this peculiar production’s motivations and outcomes.  This dark comedy examines human nature from a Noble prize-winning playwright’s absurdist perspective leaving much to interpretation.   Pinter shakes up each character’s expectations and was known to loath explaining his craft and or his characters’ real motivations.

This gripping cast is more than up to the challenges this complicated show offers with quick witted timing as moods and situations change on a dime often with breakneck speed.  Mason’s Meg instinctive caretaking habits build a warm rapport with Petey while she shares a bizarre maternal affinity toward Stanley with the exception of a scene using the unnerving word, ‘succulent.’  Beautiful Darya Denisova as adventurous and flirtatious Lulu has ideas of her own.

Kevin Paquette in Praxis Stage’s ‘The Birthday Party’ Photo by Nile Scott Studios

Daniel Boudreau as Goldberg and Kevin Paquette as McCann make an intriguing, focused and stealthy pair.  An avid and smooth storyteller, Boudreau is a natural as Goldberg, swaggering with unmitigated charm and authority while brawny McCann is a sly sidekick.  Whether they are deliberate and threatening or schmoosing with feigned gallantry, each of Goldberg and McCann’s movements keeps the audience guessing.  Some of the most intense and challenging sequences occur between Silva, Boudreau and Paquette demonstrating a rollercoaster of emotions that will leave you at the edge of your seat with questions left unanswered.

The Birthday Party is shrewd, shocking, and suspenseful, even over what seems like the ridiculous.  More often than not, Pinter’s work is not what it seems and reality is often blurred. However, order, chaos, and delusion all play massive roles in this cast of ambiguous characters.  Where there is warmth, there is order.  Where there is panic, there is chaos and where there is delusion, compassion creeps in. 

Keenly directed by James Wilkinson, Praxis Stage presented The Birthday Party, a comedy of menace, live and in person at Chelsea Theatre Works in Chelsea, Massachusetts through Sunday, April 28.  Click here for more information.

REVIEW: The Boston Pops blended uplifting Bernstein tribute with sizzling footwork in ‘Dance to the Movies’

The Boston Pops turned up the heat as dancers from Dancing with the Stars, So You Think You Can Dance, and America’s Got Talent as well as American Idol finalists joined Academy Award-nominee Lesley Ann Warren as Scott Stander presented Dance to the Movies on June 9 at Symphony Hall.  Conducted by renowned Music Director Keith Lockhart and filled with memorable moments from some of Hollywood and Broadway’s most popular films, Dance to the Movies lit the stage as part of Boston Pops 133rd spectacular season.  Dedicated to legendary, Lawrence-born composer and conductor Leonard Bernstein’s centennial this season, click here for upcoming Boston Pops performances including details for the Boston Pops Fireworks Spectacular on July 4.

Boston Pops Keith Lockhart and the Boston Pops_WT26691 (Winslow Townson)

Keith Lockhart and the Boston Pops (Winslow Townson)

Before launching into Dance to the Movies, The Boston Pops performed a few remarkable Bernstein selections which included an urgent, masterful orchestration composed by John Williams, a piece first conducted for Bernstein’s 70th anniversary called, To Lenny! To Lenny!  The orchestration, with equal parts bursting triumph and quiet contemplation, set the perfect tone for this uplifting show.  The Bernstein tribute continued with sparkling and upbeat Overture to Candide and the chiming, peerless orchestration of Bernstein’s spiritual Simple Song from Mass.

Boston Pops John Williams and Leonard Bernstein at Harvard Night at the Pops, June 6, 1989 (Donald Dietz)

Boston Pops John Williams and Leonard Bernstein at Harvard Night at the Pops, June 6, 1989 (Donald Dietz)

Winner of 2017’s Boston Symphony Orchestra’s Concerto Competition and recipient of Harry & Marion Dubbs Brookline Youth Concerts Award, captivating violinist Haig Hovsepian, delivered a passionate and intense solo performance as he played Sibelius’s First Movement:  Allegro moderato, from Violin Concerto in D Minor.  An especially touching moment occurred when a couple of his proud family members rushed to the stage to congratulate him after he finished his piece.

The Boston Pops seamlessly tied in Bernstein’s tribute with a sensational film dance montage by Susan Dangel and Dick Bartlett, weaving in dance scenes from Risky Business, Austin Powers:  International Man of Mystery, Burn After Reading, The Greatest Showman, Pulp Fiction, Mrs. Doubtfire, My Best Friend’s Wedding and more to acclaimed dance songs from Bernstein’s musical masterpiece, West Side Story.

Dance to the Movies Hilary Scott

Puttin’ on the Ritz Photo courtesy of Hilary Scott

Boasting an enormously talented cast, Dance to the Movies offered vintage flair by Bair/Pututau costumes and sizzling footwork, taking on classic numbers like Puttin’ on the Ritz and Diamonds are a Girl’s Best Friend/Material Girl from the film, Gentlemen Prefer Blondes.  Hearkening to the age of Fred Astaire, dancers dressed in gold Lemay cocktail dresses and suits with coat and tails then delivered a double take of dancers dressed in Marilyn Monroe’s signature pink gowns with dripping diamonds respectively.  A gorgeously sparkling fringed gown seemed to have a life of its own on Anna Trebunskaya as she swayed with Tristan MacManus to the spicy number, Cuban Pete from the film, The Mask.

Academy Award-nominee Lesley Ann Warren, a television and film veteran known for Cinderella and Clue, delivered a reflective Moon River from Breakfast at Tiffany’s and a flirtatious version of Blues in the Night from the film by the same name.  Warren still has that charismatic charm as she engaged the audience.

Leslie Ann Warren

Lesley Ann Warren in her Cinderella crown Photo courtesy of the Boston Pops

Dance to the Movies tackled Broadway with dance melodies from Chicago and Grease, which featured a performance by American Idol finalist Vonzell Solomon singing Roxy Hart.  Vonzell delivered a show stopping performance singing I’ll Always Love You from The Bodyguard before taking the stage with American Idol finalist Von Smith for a stirring tribute to the late Marvin Hamlisch including the songs, Through the Eyes of Love from the film, Ice Castles and The Way We Were.

Dance to the Movies Chicago

Dance to the Movies takes on ‘Chicago’ Photo courtesy of Hilary Scott

One of the most impressive dance performances seemed a dangerous feat to the tune, Unchained Medley from the film, Ghost sung by Von Smith.  Featuring Randi Strong and Jonathan Platero, it was a rapturous, athletic number recreating a scene from the film featuring remarkable flips and daring spins. Dirty Dancing’s iconic dance number, (I Had) The Time of My Life, featuring a trio of couples, was a beautiful display complete with The Lift.

Dance to the Movies boasted Dancing with the Stars’ Tristan MacManus, Anna Trebunskaya, Magda Fialek, Anya Fuchs and Oksana Platero, from So You Think You Can Dance Jonathan Platero, Randi Strong, and Jaymz Tuaileva, America’s Got Talent’s Antonio Martinez, with Carl James Bair, Alisa Davtyan, Timothy Lewis, Kateryna Klishyna, and Tony Pututau.  Click here to see where Dance to the Movies will appear next.

Dedicated to legendary, Lawrence-born composer and conductor Leonard Bernstein’s centennial this season, click here for upcoming Boston Pops performances including details for the Boston Pops Fireworks Spectacular on July 4.  Follow Boston Pops on Twitter and Facebook.

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