REVIEW: Theatre KAPOW shows they have perfect timing with Peter Josephson’s ‘A Tempest Prayer’

It is no surprise that Theatre KAPOW added Peter Josephson’s A Tempest Prayer, based on Shakespeare’s The Tempest, to their 13th season entitled, ‘We Can Get through This.’  Having lived through the Great Plague of London, Shakespeare was sadly familiar with the anguish of isolation and solemnity that encapsulates a person during a pandemic and the closing of theatres.  It is a perfect choice for this indelible year.

Peter Josephson’s  A Tempest Prayer, a solo retelling of William Shakespere’s The Tempest also starring Peter Josephson, was live streamed at various times from Theatre KAPOW’s studio in Manchester, NH from November 13 through November 15.  Click here for more information on season 13 and how to support them on Giving Tuesday on December 1.

Theatre KAPOW company member and award-winning actor Peter Josephson takes on quite a lot capturing the essence of a Shakespearean classic while displaying a full range of emotions not only as Prospero, but as other mystical figures.  It is a harrowing journey within a man’s psyche stranded with his daughter on a mystical Mediterranean island imprisoned by his thoughts.  He knows there is a way to escape, but must come to terms with himself in order to find freedom.   If the show’s surroundings and lead actor’s struggles do not seem a bit familiar in this odd year of 2020, maybe you’re adjusting better than you might expect.

Though A Tempest Prayer is a solo retelling, Josephson portrays other mystical characters on the island in innovative ways while simultaneously making him look that much more unhinged.  He uses marionettes for the illusion of interaction and Prospero’s daughter Miranda looks lifelike in a moving CGI portrait.  Multiple camera angles, the dark and ominous island setting, and stirring sound effects by Matt Cahoon, Tavya Young, and Jake Hodgins all contribute to Peter’s captivating torment.

Josephson gives a fierce and gripping performance as Prospero expressing his inner turmoil as he struggles to forgive, the weight of his ills threatening to drive him mad unless he can let go.  He’s menacing, fearful, shrewd, and human.  It is easy to witness this turmoil and have empathy while he is wracked by loneliness and confinement.  He paces and ponders the insignificance of life as he attempts to propel himself into a brave new world and appreciate what he does have.

Perhaps you are your own worst enemy.  Perhaps more than anyone surrounding you, the unbearable truth is that the biggest struggles are the ones you endure within yourself.  Letting go is the key to making things better if only it were that easy.

Sleepless Critic had the honor of interviewing Peter Josephson on a past production he performed with Theatre KAPOW. Click here for the interview.

Theatre KAPOW’s 13th season is underway.  Click here for more information about Theatre KAPOW, their mission, and how you can support them on Giving Tuesday on December 1.

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