Surrounded by wild pink cherry blossoms, Lyric Stage reveals a telling story with Stephen Sondheim’s stirring musical Pacific Overtures, a historical production set in 1853 when a mysterious ship drops anchor on Japan’s remote and tranquil island. Told entirely from Japan’s perspective, it’s an important tale about conflict, betrayal, and the price of progress.
Skillfully directed by Spiro Veloudos, musically-directed by Jonathan Goldberg, and choreographed by Micheline Wu, Lyric Stage presents Stephen Sondheim’s Pacific Overtures through June 16 at 140 Clarendon Street in Boston, Massachusetts. Click here for more information and tickets.
The Lyric Stage has a knack for surprises. They take on a variety of shows throughout the season, from contemporary to original productions to traditional musicals, but one thing they all have in common is it is hard to imagine how the show will play out onstage. Though rarely performed, Sondheim’s Pacific Overtures is an unpredictable, multi-layered musical that delivers an unforgettable message about power and prosperity.
Between scenic designer Janie E Howland’s hand painted set, the sloping wild pink cherry blossoms, Gail Astrid Buckley’s rich and historically-accurate costumes, and Karen Perlow’s clever light design, Lyric Stage brings to life Japan’s beautiful and increasingly tumultuous landscape. This show does an excellent job at depicting a sympathetic, humorous, and at times, haunting look of how Japan saw the outside world.
Choreographer Micheline Wu’s reflects Japan’s distinct culture in sharp choreography, integrating samurai tradition while carefully letting a bit of westernization seep in. Kai Chao as relentless Commodore Perry struts into a patriotic, humorous, and cunning Lion Dance while Wu herself, who also depicts Tamate and other roles, captures Tamate’s raw vulnerability in a fan dance during the reflective number, There is No Other Way.
Enthusiastically recited by Lisa Yuen, who was last seen on the Lyric Stage as the mesmerizing Spider Woman in Puig’s Kiss of the Spider Woman, Yuen delicately balances the tale she tells with a mix of humor and urgency, occasionally stepping into the story itself. That could be an awkward transition, but it’s one that Yuen takes on with ease.
Carl Hsu portrays Kayama, a quietly conflicted fisherman thrust into the spotlight to solve a seemingly impossible issue. Hsu’s wistful, soaring vocals reflect his alienation as western culture attempts to take hold in Bowler Hat. Inquisitive and awestruck, he struggles to adjust to Japan’s seeming future.
Sam Hamashima portrays Massachusetts fisherman prisoner Manjiro, a man with mysterious intentions. Hamasima and Hsu show low key camaraderie as they improvise together during the number Poems. Gary Thomas Ng takes on several roles, but proves to be at his funniest as the Grandmother in the lighthearted number, Welcome to Kanagawa.
Change can be painful. From a remote, peaceful, self-sufficient island to an economic powerhouse to the home of the 2020 Olympics, Japan has worn many faces and overcame many obstacles. Pacific Overtures depicts the raw emotion and a sympathetic perspective on what that might have felt like along the way.
Lyric Stage continues Stephen Sondheim’s moving musical, Pacific Overtures through Sunday, June 16 at 140 Clarendon Street in Boston, Massachusetts. Click here for tickets and more information. Subscriptions and dinner packages are also available. Follow The Lyric Stage on Twitter and Facebook for their upcoming productions and more.