Company Theatre’s Director of Development Michael Hammond discusses returning to indoor theatre and the power of positivity to conquer your next audition

Michael Hammond may change the way you look at life.  Are you afraid of the audition?  He’ll show you a way to succeed.  Having a bad day?  He’ll show you a way to lift your spirits.  As the new Director of Development at the Company Theatre, a role he calls a lifelong dream, his positivity may help others the way Company Theatre has helped him since childhood. 

The Company Theatre, located at 30 Accord Park Drive in Norwell, Massachusetts, joyously held their first indoor production since their absorbing musical, Fun Home early last year.  Rock of Ages was an edgy and energetic rock jukebox musical that took place last month.  See Rock of Ages review here and click here for Sleepless Critic’s full podcast.

Sleepless Critic:  Please tell me what it was like to be back in the indoor setting for Rock of Ages

Michael Hammond: It’s so fantastic.  It’s emotional, exciting, and the energy in the air was just electric.  You were there.  You saw it.  People were cheering and screaming.

The show starts with Sally Forrest’s voice doing her standard announcement which we are all accustomed to hearing.  It was such a welcome back and to hear her voice and I think people cheered over her entire announcement.  Just to be back inside, hear that familiar voice, and to know we’re about to see a really fun and exciting show was just great.

SC:  I know this was the opening weekend for indoor theatre, but you did have some outdoor theatre experiences like Avenue Q before this show. 

MH:  Avenue Q was incredible.  The kids were so talented.  Their commitment to what they were doing and their characters were dynamic.  It was Broadway-type quality coming out of these kids on the outdoor stage of the Company Theatre out back.  We have had other things like Divas with a Twist and Donny Norton’s band, The New Band there.  That’s been a really nice addition to the Company Theatre as well as now being back inside.

SC:  So getting back to Rock of Ages, you had your opening weekend and you felt like everything went as smooth as can be?

MH:  Absolutely!  So many new people in this show and as is typical of the Company Theatre, they are already saying this is my new home.  It’s this overwhelming feeling that you’re home and you found your family at the Company Theatre even if you did one show and you never come back, it still feels that way.  I’ve been involved since I was 19 years old. 

Shane Hennessey as Stacee Jaxx Photo courtesy of Zoe Bradford/Company Theatre

SC:  I was going to say that you are familiar with that feeling.

MH:  I’m very familiar with that feeling.  I don’t know what my life would have been like without Company Theatre.  I would have taken a completely different path. 

SC:  It’s hard to replicate the kind of friendly and welcoming atmosphere you have when you’re in theatre.

MH:  Absolutely!  Such a nice group of people too that do theatre especially the teens.  They just stay out of trouble.  They have a common goal they are working towards and they enjoy each other’s company and make lifelong friendships.  I can’t say enough about it.

I’ve just seen so many kids, even this summer just come through the doors and they leave just completely changed and confident and more themselves.  It’s just a beautiful thing to witness.

SC:  When you said you had been with Company Theatre pretty much your whole life, you said it was a lifelong dream to do something like this as the Director of Development now.  I’m really excited for you.

MH:  Thank you!  Like a lot of people during the pandemic, you start to question ‘Am I doing what I want with my life?  Is this fulfilling and rewarding?’  Like many people, I came to the conclusion that what I was doing was not for me anymore. 

It had run its course and I needed something new and Jordie Saucerman, one of the founding partners of the Company Theatre, had passed away and that really accelerated my thought process because her wake was attended by so many people.  I thought ‘Look at all the lives that she touched.’  The impact that Jordie had on people is immeasurable.  Even if I make just a little sliver of that impact on people, I would feel great about my life.  That set the wheels turning. 

I approached Zoe one day and said, ‘I will be your janitor.  I basically don’t care what you have me do, if there is a spot for me here, I am coming.’  That seed was planted awhile ago and it sort of blossomed into Director of Development.  I’m so excited to try new things and just give back what I got from this theatre. 

SC:  Not only that, but you have a similar positive way about you like Jordie had.  Where do you get your positive outlook from?  Where do you draw it from considering I’ve also seen videos of you on social media?

I’m not attempting to fill Jordie’s shoes in any way.  That’s not a task that anyone could accomplish.  She is a unique individual who I feel is still around in the atmosphere and in the joy of the theatre.  If I’m upset or have a bad day, it makes me feel better to brighten someone else’s day.  That is such a nice feeling to buy someone in line a coffee or just compliment someone or encourage someone to do something they didn’t think they could do.  I live off of that.  If I am having the worst day of my life and I do something nice for somebody, I instantly feel recharged.  I think that’s how I basically go through life.

SC:  I hear that from a lot of comedians as well.  It makes them feel better to make someone else laugh even if they are upset or having issues.

MH:  I tried standup comedy once.  I did it more for the writing aspect, but I did perform.  It was an interesting experience because you come out onstage and you look at a sea of faces who want you to succeed because if you succeed, they have a fantastic time.  You have an overwhelming amount of support that you just want to hold onto and it was an incredible feeling.

SC:  What did you did before this that you wanted to walk away from and join the Company Theatre?

MH:  I was the station manager at a local cable television station.  I was so grateful because it was also a non-profit.  I probably learned so many skills that I could apply to this job I didn’t necessarily have before.  Just the behind the scenes stuff, the QuickBooks, the budgets, and managing a non-profit was extremely helpful and then also applying my video experience to the job as well.  Filming and creating events and learning special effects. 

So all of that which at the time was a perfect job for me, but nine years later I felt like I needed a change and so I am going to apply what I learned there and bring it to the Company Theatre.  We can offer acting for camera classes and improv for camera classes. 

I’ve been on auditions and in commercials.  We want to provide those skills to kids who like to act and be on camera.  We want them to be able to go into an audition and know how to slay what they are going to be asked to do and be prepared for anything.

I actually started with a class over the summer.  Some of the kids were auditioning so they got immediate training for those auditions. When they came back, they would tell the other students that they did just what Michael showed us.  I asked if they felt more prepared.  Did you do a better job with the audition?  Their faces lit up and they said, ‘Absolutely!’  That was a nice thing.

We want to get in touch with the local casting agencies which we already have a good relationship.  We want to create a talent database where you can see video auditions and we can send those out so we kind of want to be a bridge between the local movie and theatre scene.  We’ll provide students with the training.  They’ll have the skills to go out and nail professional auditions and maybe get cast in movies and commercials.  We just really want everyone to have new and exciting opportunities to excel in a career in film and theatre if that is something that they are interested in. 

‘Ragtime’ (L to R) Barbara Baumgarten, Cristian Sack, Hilary Goodnow, Brenna Kenney, Finn Clougherty, Jillian Griffin, with Hannah Dwyer as Little Girl and Michael Hammond as Tateh Photo courtesy of Zoe Bradford/Company Theatre

SC:  Let’s face it – the audition process is the most nerve-wracking and hardest part I think to convey right off the bat because in your head, you are saying,’ I know what I can do for you’ but then you get up there and it is not exactly what you picture. 

MH:  Having directed before, people come in and they are nervous. The reality is the casting company is nervous and they have roles to fill.  So, the second you come in, put them at ease, and they know they have options, they feel better.  I always say in my mind when I got into an audition, ‘Here I am!  You can relax.  I am going to be that person you need.’  I think it’s an interesting way to keep yourself calm to think I am exactly what you need instead of I hope I’m what you need.

SC:  I never really thought of it like that.

MH:  Think about it.  You have a reputation.  You have a project.  You want to cast the right people because that makes you look good as well.  If you find the right people not only are you confident about the project, but it brings excitement. 

When I direct a show, I’m not very excited about it until I know who is in it and then I can tailor their performances to their talents. It is such a thrill to watch people blossom. 

Please tell me about the projects you are working on now and upcoming projects.

I don’t think I’ll be directing anything for a little bit.  I’ll probably take on some projects here and there.  I definitely can’t leave that part behind.  I’m really going to focus on the video classes.  I’ll be working with Christie Reading.  She is extremely talented with anything video related.  So, I will be teaming up with her teaching improv for camera, acting for camera, and getting people ready for auditions. 

I think it will be really exciting if we get someone cast in a major motion picture which has happened at Company Theatre.  Andrew Mackin was in Mystic River, Jonathan Togo is on CSI, Michael Morlani is the casting director for Disney.  There are a lot of success stories that come out of this theatre. 

We want to nurture and encourage that.  That is kind of my goal.  It’s to really push people to excel in any way that they can.

SC: You can’t forget about Boston Casting.  How convenient is that!  There are all kinds of films going on in the state.

MH: Exactly and literally a mile down the road they are making motion pictures.  So how can we not be a part of that?  They are working on the new Jon Hamm movie in Cohasset.  I know Angela at Boston Casting who is an incredible woman and I don’t know how she does everything she does, but with all those films going on, eventually they will run out of actors. 

We get casting notices all the time and I’m forwarding them off to everybody I know that I think fits.  For example, I sent a buddy of mine a notice yesterday.  They were looking for an actual butcher with acting experience and I happen to know a butcher with acting experience.  I’m thinking he might get it.

SC: I know. Some of the requirements are so wild.

MH: It’s so specific, but every once in a while I’ll say, ‘Wait a minute, that is me.’ 

Company Theatre is offering theatre classes in the fall. Click here for the full schedule and upcoming events.

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